Academic literature on the topic 'Labyrinths in fiction'

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Journal articles on the topic "Labyrinths in fiction"

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Aarseth, Espen. "Doors and Perception: Fiction vs. Simulation in Games." Jouer, no. 9 (August 10, 2011): 35–44. http://dx.doi.org/10.7202/1005528ar.

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In this paper, the author outlines a theory of the relationship of fictional, virtual and real elements in games. Not much critical attention has been paid to the concept of fiction when applied to games and game worlds, despite many books, articles and papers using the term, often in the title. Here, it is argued that game worlds and their objects are ontologically different from fictional worlds; they are empirically upheld by the game engine, rather than by our mind stimulated by verbal information. Game phenomena such as labyrinths, moreover, are evidence that games contain elements that a
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Markova, Elizaveta Vladimirovna. "The Library as a rhizomorphic paradoxical labyrinth (based on the works of J.L. Borges and U. Eco)." Философия и культура, no. 2 (February 2024): 46–62. http://dx.doi.org/10.7256/2454-0757.2024.2.69314.

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The article is devoted to the identification of the genesis, typology and characterization of the philosophical concept of chaos, discreteness, paradoxicity and rhizomorphism of being and their reflection in philosophy and postmodern fiction based on the works of J.L. Borges and U. Eco is about libraries embodied by foreign authors as rhizomorphic paradoxical labyrinths. The concept of rhizome is considered in the context of temporal chaos. In accordance with the basic principles of historical science, the issues of rhizomorphism of the labyrinth library in the context of time are revealed. Th
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Yong, Margaret, and Wendy B. Faris. "Labyrinths of Language: Symbolic Landscape and Narrative Design in Modern Fiction." Modern Language Review 86, no. 4 (1991): 966. http://dx.doi.org/10.2307/3732559.

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Strauss, Walter A., and Wendy B. Faris. "Labyrinths of Language: Symbolic Landscape and Narrative Design in Modern Fiction." South Central Review 10, no. 1 (1993): 107. http://dx.doi.org/10.2307/3190294.

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Evgeniya B., Molkova. "Alain Robbe-Grillet and Nathalie Sarraute: in the Labyrinths of Metaphors." Humanitarian Vector 15, no. 5 (2020): 44–52. http://dx.doi.org/10.21209/1996-7853-2020-15-5-44-52.

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The article deals with aesthetic and stylistic particularities of the works by A. Robbe-Grillet and N. Sarraute, two famous writers and theorists of the “Nouveau Roman”. This literary movement continues to provoke debates about its interpretation and definitive assessment among foreign and national scientists, indicating the timeliness of the work. The research is based on their criticism and fiction published in the late 1950s – early 1960s. Analysing the literary context and the aesthetic views of the writers allows us to explain causes of their disagreements, to discover similarities and di
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Tudoras, Laura Eugenia. "Fantastic Universes and Space-Tamporary Labyrinths in the Fiction of Mircea Eliade." Brumal. Revista de investigación sobre lo Fantástico 6, no. 1 (2018): 225. http://dx.doi.org/10.5565/rev/brumal.370.

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Lyne, R. "Book review. Scintillating labyrinths. Elizabethan Fictions: Espionage, Counter-espionage and the Duplicity of Fiction in Early Elizabethan Prose Narratives. R W Maslen." Essays in Criticism 49, no. 1 (1999): 62–68. http://dx.doi.org/10.1093/eic/49.1.62.

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Luburić Cvijanović, Arijana. "MEMORY IN THE WORK OF CARYL PHILLIPS: SANCTUARY AND/OR PRISON?" Годишњак Филозофског факултета у Новом Саду 40, no. 1 (2015): 163. http://dx.doi.org/10.19090/gff.2015.1.163-174.

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Memory and rememoration were crucial for the (re)construction of postcolonial identities in the heyday of historical and cultural retrieval in earlier postcolonial literature. With the gradual change of focus towards considerations of identity construction in neocolonial societies, the importance of rememoration faded while memory continues to haunt characters in contemporary postcolonial fiction, as Caryl Phillips’s writing illustrates. His protagonists retrace memories of past lives, seeking refuge from loss, exile and marginalization, risking permanent entrapment in the labyrinths of past t
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Christianto, Victor, and Florentin Smarandache. "Beyond Cryptic Equations: Reimagining Concepts in Physics Through Metaheuristics and Fantasy Stories using Neutrosophic Venn Diagram." HyperSoft Set Methods in Engineering 1 (February 15, 2024): 71–83. http://dx.doi.org/10.61356/j.hsse.2024.110250.

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Physics, the grand narrative of the universe, has long been viewed as a realm of cold, hard equations. But what if we looked beyond the formulas and considered a more imaginative origin for some of its concepts? This article explores the intriguing possibility that physics, and even cosmology, might share a surprising kinship with metaheuristics and fantastical fiction. Metaheuristics, a branch of computer science, deals with finding approximate solutions to complex problems. Perhaps the universe, in its vastness, employs a set of "rules" that lead to the most likely outcomes, much like an alg
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Meeter, Glenn. "The Maze in the Mind and the World: Labyrinths in Modern Literature, and: God's Story and Modern Literature: Reading Fiction in Community, and: Modern Fiction and Human Time (review)." MFS Modern Fiction Studies 32, no. 4 (1986): 690–93. http://dx.doi.org/10.1353/mfs.0.0090.

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Dissertations / Theses on the topic "Labyrinths in fiction"

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Cox, Katharine May. "Labyrinths : navigating Daedalus' legacy : the role of labyrinths in selected contemporary fiction." Thesis, University of Hull, 2005. http://hydra.hull.ac.uk/resources/hull:5646.

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This study initially engages in an historical survey of the varying key realisations of labyrinths and their applications from antiquity through to the beginnings of the twentieth century. The shifting cultural significance of the labyrinth and its deployment in historical documents and literature alike is also evaluated. In particular, it focuses on two distinctive manifestations of the labyrinth: the Egyptian and the Cretan. The examination of these ancient artefacts affords an analysis of the intersection of archaeology, mythology and cultural productions. At the core of this study is the a
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Tomazic, Elizabeth Mary, and res cand@acu edu au. "Ariadne’s Thread: Women and Labyrinths in the Fiction of A.S. Byatt and Iris Murdoch." Australian Catholic University. School of Arts and Sciences, 2005. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp91.09042006.

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This thesis is an investigation of the journeys towards a sense of identity or selfhood, achieved through honest and accurate appreciation of the lives of others, made by several female characters in the fiction of A.S. Byatt and the late Iris Murdoch. I believe that because Byatt and Murdoch value literature as a serious business that teaches as well as entertains, their writing can play a significant role in illuminating the lives of women by means of its portrayal of the resolution of women’s struggles. Women’s lives, despite the rise of feminism, are still not equitable. While many women s
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Tomazic, Elizabeth Mary. "Ariadne's thread: Women and labyrinths in the fiction of A.S. Byatt and Iris Murdoch." Thesis, Australian Catholic University, 2005. https://acuresearchbank.acu.edu.au/download/f460ef0772a6330f156c65e26a5c7c9278aefbf5f03157ea13d8c346a9797ab8/974339/65112_downloaded_stream_337.pdf.

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This thesis is an investigation of the journeys towards a sense of identity or selfhood, achieved through honest and accurate appreciation of the lives of others, made by several female characters in the fiction of A.S. Byatt and the late Iris Murdoch. I believe that because Byatt and Murdoch value literature as a serious business that teaches as well as entertains, their writing can play a significant role in illuminating the lives of women by means of its portrayal of the resolution of women's struggles. Women's lives, despite the rise of feminism, are still not equitable. While many women s
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Paloc, Sophie. "Cortazar et nabokov : fictions labyrinthiques." Montpellier 3, 1998. http://www.theses.fr/1998MON30052.

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Les fictions de j. Cortazar et de v. Nabokov sont des fictions labyrinthiques. D'une part, car elles emploient des procedes de ruptures et de codages qui brisent l'unite diegetique tout en exhibant la litterarite et privilegient une << texture >>, autrement dit, une unite de nature analogique et poetique. Complexifiant ainsi l'espace narratif, elles font du parcours du lecteur un veritable dedale, reclamant de la part de ce dernier un travail d'actualisation* important, qu'il semble effectuer sous leur controle. La figure du labyrinthe est egalement presente dans les univers diegetiques, puisq
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Muhlstock, Rae Leigh. "Literature in the labyrinth| Classical myth and postmodern multicursal fiction." Thesis, State University of New York at Buffalo, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3640823.

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<p> The labyrinth is a powerful image, turning up throughout the twentieth and twenty-first centuries in modernist, high modernist, postmodern, experimental, and digital fictions. Some authors taking up the image of the labyrinth in the latter half of the twentieth century and the beginning of the twenty-first consider it more than a mere metaphor or a setting before which plots and characters unfold; it offers instead a poetics, a way to discover, explore, and conquer labyrinths constructed of the experiences of everyday life&mdash;the city, the home, the library, the computer, the mind, even
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McRobert, Neil. "The new labyrinth : reading, writing and textuality in contemporary Gothic fiction." Thesis, University of Stirling, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.605851.

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This thesis examines the forms and functions of self-consciousness in contemporary Gothic fiction. Though self-consciousness is an often-mentioned characteristic of Gothic writing, it has yet to be explored in sufficient depth. In particular, critics have failed to recognise the manner in which the myriad forms of textual and generic self-reflexivity at work contribute to the fiction’s fearful agenda: how self-consciousness in the Gothic is itself Gothicised. This thesis argues that, rather than being an ancillary quirk of generic coherence or an indication of creative exhaustion, self-conscio
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Nilsson, Jakob. "Berättelsens labyrinter : Interaktiv fiktion och dess narrativa aspekter." Thesis, Södertörns högskola, Institutionen för genus, kultur och historia, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-15297.

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This essay examines the narrative aspect of interactive fiction. The study uses Janet H. Murrays analysis of the digital environment and the properties of it as procedural, participatory, spatial and encyclopedic. From this, her three characteristic pleasures in digital narratives - immersion, agency and transformation - are examined from the perspective of interactive fiction. The study also examines Nick Montforts analysis of interactive fiction as a potential narrative and a simulated world or environment. His comparison of interactive fiction with the literary riddle is also used in regard
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Oakley, Helen Catherine. "Reading the labyrinth : the recontextualization of William Faulkner in Latin American fiction and culture." Thesis, University of Nottingham, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313226.

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Lima, Paula Andrea Vera Bustamante de. "A cidade fictiva: visões e mundos da cidade em contos contemporâneos brasileiros, chilenos e portugueses." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-13082007-152637/.

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Esta pesquisa propõe o conceito de \"cidade fictiva\", entendida como a cidade que nasce especificamente da construção estética literária. Tal conceito permite descobrir os alicerces da cidade na literatura a partir dos primeiros textos de criação literária do Ocidente (Enuma Elish, Epopéia de Gilgamesh), para detectar suas principais características e examinar omo estas constituem elementos de construção em contos contemporâneos rasileiros, chilenos e portugueses nos quais se percebe uma idéia de \"conto citadino\". O estudo da cidade fictiva estabelece alguns paradigmas observados em diver
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Spiro, Benjamin P. "Infinity the labyrinth: the union of set theory with the short fiction of Jorge Luis Borges." Thesis, Boston University, 2005. https://hdl.handle.net/2144/27780.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02
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Books on the topic "Labyrinths in fiction"

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Luis, Borges Jorge. Labyrinths. Penguin Books, 1987.

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Martín, Jorge Hernández. Readers and labyrinths: Detective fiction in Borges, Bustos Domecq, and Eco. Garland Pub., 1995.

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Faris, Wendy B. Labyrinths of language: Symbolic landscape and narrative design in modern fiction. Johns Hopkins University Press, 1988.

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Luis, Borges Jorge. Labyrinths: Selected Stories & Other Writings. New Directions, 2007.

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Thorel-Cailleteau, Sylvie. La fiction du sens: Lecture croisée du Château, de L'Aleph et de l'Emploi du temps. Editions InterUniversitaires, 1994.

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Ōmori, Fujino. Is it wrong to try to pick up girls in a dungeon? Yen Press, 2017.

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Ōmori, Fujino. Is it wrong to try to pick up girls in a dungeon? Yen Press, 2017.

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Goldstein, Lisa. Walking the labyrinth. Tor, 1996.

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Brownjohn, John, and Moers Walter. Labyrinth of Dreaming Books. Vintage Digital, 2013.

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Brownjohn, John, and Moers Walter. The Labyrinth of Dreaming Books. Vintage, 2013.

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Book chapters on the topic "Labyrinths in fiction"

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Dechêne, Antoine. "Jorge Luis Borges’s Textual Labyrinths." In Detective Fiction and the Problem of Knowledge. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-94469-2_5.

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Sage, Victor. "Commodious Labyrinths: Testimony and Fictional Credibility." In Horror Fiction in the Protestant Tradition. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19432-2_4.

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Meretoja, Hanna. "Textual Labyrinths: Robbe-Grillet’s Antinarrative Aesthetics." In The Narrative Turn in Fiction and Theory. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137401069_2.

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Živković, Zoran. "The Labyrinth Theme in Science Fiction." In First Contact and Time Travel. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90551-8_4.

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Moreira, Paulo. "Why and for What Purpose Do Latin American Fiction Writers Travel? Silviano Santiago’s Viagem ao México and The Roots and Labyrinths of Latin America." In Literary and Cultural Relations between Brazil and Mexico. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137377357_8.

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Cook, Michael. "Jorge Luis Borges and the Labyrinth of Detection." In Narratives of Enclosure in Detective Fiction. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230313736_6.

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Seed, David. "Introduction." In The Fictional Labyrinths of Thomas Pynchon. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-08747-1_1.

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Seed, David. "The Short Stories." In The Fictional Labyrinths of Thomas Pynchon. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-08747-1_2.

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Seed, David. "V." In The Fictional Labyrinths of Thomas Pynchon. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-08747-1_3.

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Seed, David. "The Crying of Lot 49." In The Fictional Labyrinths of Thomas Pynchon. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-08747-1_4.

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