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1

Falla, Jara Alejandro, and Thorne Carolina de Trazegnies. "Ladies Night : los negocios de doble plataforma y la regulación de competencia." IUS ET VERITAS, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/123258.

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2

Chávez, Verástegui Christian. "Ladies nights, cortes de cabello y discriminación de precios: ¿puede la disposición al pago justificar un esquema de precios diferenciados?" THĒMIS-Revista de Derecho, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/108079.

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En el presente artículo, el autor nosda una visión económico-legal de la discriminación de precios, entendiéndola como un sistema de diferenciación de acuerdo a las necesidades y disponibilidad del consumidor. Así, los precios diferenciados tendrían un sustento en el ordenamiento jurídico.
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3

Rester-Zodrow, Gina. "Ladies First." Digital Commons at Loyola Marymount University and Loyola Law School, 1987. https://digitalcommons.lmu.edu/etd/843.

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Bonifacio, Huaman Anyela Liz, Arechi Yesabela Rubi Espinoza, Chavez Daniel Alfredo Flores, Zegarra Melisa Esther Guerra, and Coronado Aida Yanina Meza. "Ladies Bar." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/653744.

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Las acciones de entretenimiento que ahora existen en Lima como paseo a los Karaokes, bares temáticos para hombres y mujeres, lugares donde ofrecen espectáculos exclusivos para despedidas de solteras han pasado a la lista de lugares frecuentes. Por ello, se eligió Inferno Bar porque consideramos que es un proyecto innovador, actualmente en el Perú no contamos con un bar para mujeres; acompañados de los mejores tragos moleculares y piqueos para complementar la experiencia. Su centro de diversión Inferno Bar estará localizado en el distrito de Miraflores ha instalado un ambiente atractivo y novedoso. El publico objetivo de este negocio va dirigido a mujeres de los segmentos B y C. Las clientas serán atendidas por mozos atractivos y con el torso descubierto, estos jóvenes harán una demostración de coreografías. Los probables clientes pertenecen a los sectores de la zona 7 de Lima. Se ofrece un servicio formal y competente, ofreciendo al cliente la información necesaria para que disfrute de momentos inolvidables, realicen sus solicitudes y reservas. Nosotros ofrecemos como ventaja competitiva un ambiente atractivo y novedoso donde puedan disfrutar y compartir momentos agradables junto a amistades. La excelencia competitiva esta en el agrado del servicio, espacios cómodos y productos innovadores, los mismos que son de calidad. Se requiere una inversión de S/. 166.864.00. Es un plan productivo e interesante a inversionistas. El plan tiene un planteamiento de valía consistente con servicios y productos distintivos, alta productividad y un equipo comprometido que cierran el atado ideal.
The entertainment actions that now exist in Lima such as a walk to the Karaokes, themed bars for men and women, places where they offer exclusive shows for bachelorette parties have moved to the list of frequent places. For this reason, Inferno Bar was chosen because we consider it to be an innovative project, currently in Peru we do not have a bar for women; accompanied by the best molecular drinks and snacks to complement the experience. Inferno Bar amusement center will be located in the Miraflores district and has installed an attractive and novel environment. The target audience of this business is aimed at women from segments B and C. The clients will be attended by attractive and bare-chested young men, these young people will perform a choreography demonstration. The probable clients belong to the sectors of zone 7 of Lima. A formal and competent service is offered, offering the client the necessary information to enjoy unforgettable moments, make your requests and reservations. We offer as a competitive advantage an attractive and innovative environment where you can enjoy and share pleasant moments with friends. Competitive excellence is in the pleasure of the service, comfortable spaces and innovative products, the same that are of quality. An investment of S /. 166.864.00. It is a productive and interesting plan for investors. The plan has a consistent value approach with distinctive services and products, high productivity and a committed team that complete the ideal bundle.
Trabajo de investigación
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5

Cavdar, Selin. "Gender, Policy, Place: Ladies." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/12612512/index.pdf.

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There is a substantial amount of studies concerning the economic, social and political facades of the gender issue, further supported by gender - space discussions. The main aim of this study, however, is to make a survey and analysis of ladies'
clubs established and supported by Greater Ankara Municipality
in order to define their problematic. The study intends to discover and analyze the policies and legislation developed by the administration about Ladies&rsquo
Clubs, to map their distribution in the city and the attitudes and appraisals of women participating in the activities of the clubs located at the core of the city.
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6

Mansell, John David. "Jerry Herman's leading ladies." Orlando, Fla. : University of Central Florida, 2010. http://purl.fcla.edu/fcla/etd/CFE0003017.

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Mansell, John. "JERRY HERMAN'S LEADING LADIES." Doctoral diss., University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3334.

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Jerry Herman is celebrated for his ability to showcase strong leading female roles in his canon of work that spans some fifty years. In writing such strong female characters, he must produce strong male counterparts to these women who can communicate on their level and not become overpowered by the women s presence. I was cast in the musical revue, It s Today: An Evening of Jerry Herman, conceived, directed, and choreographed by Earl D. Weaver. My portion of the revue explored Herman s leading male roles of Cornelius from Hello, Dolly!; Mack from Mack and Mabel; Colonel Tadeusz Boleslav Stjerbinsky from The Grand Tour; and Albin from La Cage aux Folles, My analysis of these specific leading male roles uncovers how their relationships with their leading ladies defines their character in each of the musicals for which they were written. It also helped me define multiple characters in the course of a revue with no plot or storyline. Though all these male characters provided me with challenges, my greatest task was defining Albin in La Cage aux Folles. He provides a unique perspective in that he exemplifies a combination of both male/female characteristics. He is a man who regularly portrays a woman onstage in a drag club as well as assuming a female role in a homosexual relationship. He serves as the  leading lady for La Cage aux Folles though his character is considered a  leading man role. He is the consummate representation of all Jerry Herman leading roles, and embodies many of the themes Herman utilizes in all his work.
M.F.A.
Department of Theatre
Arts and Humanities
Theatre MFA
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8

Schwartz, Stephanie. "Learned Ladies- an education through design." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/11584.

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Learned Ladies opened on February 7, 2008 and ran until February 16th, 2008 at the Frederic Wood Theatre. It was directed by Patrick Gauthier, with scenery by Stephanie Schwartz, costumes by Carmen Alatorre, Lighting by Kristen Robinson, and sound by Craig Alfredson, Patrick Caracas, and James Chen. Designing the production of “Learned Ladies” for the Frederic Wood Theater was a true education in design. Not only did the production provide the artistic challenge of bringing an antiquated play to modern audiences, it also provided the technical challenge of designing a set that worked harmoniously with over-the-top costumes and video technology. The designers of the show were asked to create a look that married the lines of the historic period and the palette of today’s. Furthermore, due to the static nature of the scenes, the director, Patrick Gauthier, gave me the task of creating a playground for the actors to physically express themselves beyond the confines of the text. He was also keen to use my initial suggestion of having the actors use projected slides in a gilded frame as a “television” of sorts, with changing ”channels” reflecting the mood. This frame would also aid in the opening “dumb show” as a bearer of text and titles, and continue to announce the different acts throughout the show. The set itself needed to appear large and as expansive as a real Salon would have at the time; this was accomplished by opening up the stage to almost its full depth. A sense of height was conveyed by hanging long sheer curtain panels. Furniture was modified to give a period line with modern fabrics that complimented the curtains and floor. The final touch entailed creating large stacks of loose and fixed books that the actors could run around, sit on, and throw. The excess of books littering the stage was meant to be a visual statement of play’s theme about the abuse and misuse of education. Overall, the set succeeded in being a battleground for the sexes as the story unfolded.
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Moody, Ingrid. "Night Vision /." Available to subscribers only, 2007. http://proquest.umi.com/pqdweb?did=1404356621&sid=3&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Slatton, Jason Edward. "Night moves." Birmingham, Ala. : University of Alabama at Birmingham, 2008. https://www.mhsl.uab.edu/dt/2008m/slatton.pdf.

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Young, Edward Cornford Stephen. "Night thoughts /." Cambridge : [GB] : Cambridge university press, 1989. http://catalogue.bnf.fr/ark:/12148/cb35458618f.

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Henderson, Tasha Joi. "Blood Night." Digital Commons at Loyola Marymount University and Loyola Law School, 2015. https://digitalcommons.lmu.edu/etd/158.

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Johnson, Jessica D. "GRAD NIGHT." Digital Commons at Loyola Marymount University and Loyola Law School, 2020. https://digitalcommons.lmu.edu/etd/923.

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A coming of age dramedy in the vein of "American Graffiti" taking place in a modern, urban setting. Grad Night is about three graduating seniors trying to pull off the most epic senior prank of all time but it backfires into lessons that go far beyond high school.
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Trueblood, Jeffrey Allen. "Polar night." Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/2649.

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For my thesis I plan on exploring the concepts and reasons that I make my art. I will talk about how I explore the night as my subject and the emotional response I hope to evoke with my work, and my influences and inspirations while exploring this topic. I will talk about how I try to show how in the modern world we try to take that darkness and drive it back with artificial lights intending to duplicate the world of daylight, but instead we create stages of normalcy in between the depths of the night allowing the individual imaginations of the viewer to dream into the darkness bringing their own experiences and emotions to the images and making an interactive viewing experience. By trying to recreate the mental state where our minds revert to the most primal instincts of fight or flight in the face of the unknown, despite our knowledge of what exists in the daylight, I try to reach a more primal work of art that goes beyond my early influences of the western Romantic art and show how these instincts still deeply affect us in our modern world.
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Hain, James. "Night Fever." Youngstown State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1341508193.

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Hallman, Cavan. "Night Launch." ScholarWorks@UNO, 2017. http://scholarworks.uno.edu/td/2326.

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Wilson, Robert Wilson Robert Mithal H. S. D. "An edition of Robert Wilson's Three ladies of London and Three lords and three ladies of London." New York : Garland Pub, 1988. http://books.google.com/books?id=TYJbAAAAMAAJ.

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18

Alatorre, Carmen. "A costume design for The Learned Ladies." Thesis, University of British Columbia, 2010. http://hdl.handle.net/2429/24220.

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The purpose of this thesis is to document and describe the costume design project behind the University of British Columbia (UBC) production of The Learned Ladies. This comedy, written by seventeenth century French playwright Molière (Jean Baptiste de Poquelin) in 1672, is a five -act play composed in verse. Our Production ran from February 7-16, 2008 in the Frederic Wood Theatre and was performed by students in the Bachelor of Fine Arts Acting Program. MFA candidate Patrick Gauthier directed the production and the creative team included Stephania Schwartz (Set Designer), Kristin Robinson (Lighting Designer). The construction of the costumes by a team of undergraduate costume design students, was supervised by Jean Driscoll-Bell (Head of Wardrobe) and her assistant Charlotte Burke. My own assistants were BFA students Chantelle Balfour, Jessica Jeffrey and Elena Dubova. Alison Green served as my thesis advisor. The paper starts with a brief synopsis of the play and its significance at the time it was performed in Europe, followed by a description of the creative process and the production concept. The following chapters explain in detail the costume design concept and its elements character by character as well as the technicalities of the costume production.
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O'Flaherty, Margo Regan. "The learned ladies, passion in high style." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0013/MQ31318.pdf.

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Ogawa-Yukitomo, Nicole S. "Japanese Office Ladies: A Life of Luxury." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/588.

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This study is an initial attempt to investigate the relationship between the portrayal of Japanese OL or “Office Ladies” in different media: formal scholarly studies on OL and informal sources such as recruiting lectures, online articles, and Japanese magazines that target OL, specifically CanCam, Sweet, and JJ. The term OL has generally been used to describe a short-term low-paying clerical position, requiring minimal skills, for young women primarily age 20s to 30s. The OL position can thus be seen as a gendered profession with little corporate mobility. However, most of the websites and magazines for these working women feature articles on the latest styles and are full of fashionable attractive women advertising the latest designer goods and the up and coming designer must-have brands of the season. With the skyrocketing of the Japanese economy in the pose-WWII era, women have become the country’s primary consumers, and OL appear to be playing a central role in this new consumer-heavy culture. Thus using both scholarly and primary sources, this thesis will explore this gap between the reality of OL and the romanticized version portrayed in these magazines. Although scholarly sources often depict the OL lifestyle to be tedious, gendered, and overall unfavorable for workingwomen in Japan, my thesis hopes to explore the positive aspects of the OL lifestyle as well and examine the reasons why women buy into this OL culture via these magazines and sites.
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Franco, Sally. "Stories: Spain, Lovers and Crazy Old Ladies." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4734/.

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Kartsonis, Ariana-Sophia M. "Teatime in Heaven with the Crazy Ladies." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1227275015.

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Cartwright, Ann M. "Family mathematics night." [Denver, Colo.] : Regis University, 2006. http://165.236.235.140/lib/ACartwright2007.pdf.

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McMaster, Arthur W. "Gathering night noises." [Gainesville, Fla.] : University of Florida, 2004. http://purl.fcla.edu/fcla/etd/UFE0004404.

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Olson, Ted. "The Longest Night." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/1146.

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Awerbuck, Diane. "Gardening at night." Master's thesis, University of Cape Town, 2002. http://hdl.handle.net/11427/7756.

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Karapetkova, Hollynd Feldman. "Deserts at Night." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123766779.

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Sanders, Gregory L. (Gregory Lynn). "Night of Glass." Thesis, North Texas State University, 1988. https://digital.library.unt.edu/ark:/67531/metadc331939/.

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Night of Glass is for chamber orchestra with an estimated performance time of 14 minutes. The instrumentation for the work, using one player per part, is Flute (also small glass wind chimes), Oboe (also 1 tuned water crystal), Clarinet in A (also small glass wind chimes), Bassoon (also 1 tuned water crystal), Horn in F (also 1 tuned water crystal), Trumpet in C (also 2 tuned water crystals), Percussion (Vibraphone, Glockenspiel, Chimes, Bell Tree, Hammered Dulcimer, 3 Suspended Cymbals, 1 Large Tam-tam, 4 Roto Toms, 3 Tympani), Piano, 1st Violin, 2nd Violin, Viola, Cello, and Double Bass, While not programmatic, the work is divided into six sections each expressing a predetermined emotional content: fragility, anxiety, solitude, fear, catharsis, and reconciliation. All are emotional contents which are found in the dream-state that is reflected in the work's title. All aspects of Night of Glass (i.e., pitch material, form structure, and structural density) are centered around the unifying factor of emotional projection within each section. The work seeks emotional content through the expansion of composition procedures while being accessible to listeners.
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Cieszykowski, Jeannette Marie. "Restoring the night." Kansas State University, 2014. http://hdl.handle.net/2097/17598.

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Master of Landscape Architecture
Department of Landscape Architecture/Regional and Community Planning
Mary Catherine (Katie) Kingery-Page
Restorative landscapes, healing gardens, and therapeutic gardens can improve mental and physical health. They relieve stress, slow us down and make us appreciate the present moment (Kaplan 1995). Research confirms these benefits: “A restorative environment provides measurable physical and/or psychological benefit to human health” (Krinke 2005, 107). Unfortunately, few restorative landscapes are designed for night time use, though stress and the need for healing occur at all hours of the day and night. To that end, the purpose of this research is to create a set of lighting design strategies that will enable designers to create restorative landscapes for nighttime use and demonstrate how they can be applied. A literature review synthesizing the information on healing garden types, outdoor lighting techniques, and their relationship to Attention Restoration Theory, identified four main components required for a space to be considered restorative. Two precedent studies allowed the author to explore the components of Attention Restoration Theory and healing garden types. The lighting principles that afford these four components and healing garden types that are best suited for an urban public space were layered in a final design to create a restorative urban space that is functional at night. The set of design strategies created with the support of this research was applied to Occidental Square, a public park in Seattle, Washington. The applied design strategies are represented and demonstrated through the site design. With these tools in hand, designers can create spaces for those in need of rejuvenation, restoration, and tranquility not only during the day, but also at night.
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Chavez, Angela M. "A costume design for Duke Ellington's Sophisticated ladies." College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/1445.

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Thesis (M.F.A.) -- University of Maryland, College Park, 2004.
Thesis research directed by: Theatre. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Daly, Vincent. "A Critical edition of "the Isle of ladies" /." New York ; London : Garland, 1987. http://catalogue.bnf.fr/ark:/12148/cb349444727.

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Karlsson, Maria. "Ladies av Mara Lee– en chick-lit som alla andra? : En narratologisk och diskursanalytisk studie av Ladies och chick-lit-genren." Thesis, Södertörn University College, School of Gender, Culture and History, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1776.

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My thesis deals with the novel Ladies, written in 2007 by the Swedish author Mara Lee. When published, it was received as a book belonging to the chick lit genre but still got good reviews. This combination is really unusual and awoke my interest in the novel. My thesis is therefore an analysis whether Ladies can be considered a chick lit novel or not, and in what way it is similar to or differs from the genre.

I start my thesis with an overview of former research of chick lit and what earlier was called trivial literature. Here Lisbeth Larsson’s En annan historia, [Another Story], Janice Radway’s Reading the Romance and Suzanne Ferriss’ and Mallory Young’s anthology Chick Lit The New Woman’s Fiction were necessary to understand the background of the genre.

After the research overview I continue with a narratological analysis, using the concepts of Maria Nikolajeva’s Barnbokens byggklossar [The Bricks of the Children Book] to look at the structure of a chick lit story. After finishing my chick lit genre analysis I try to complete my own definition of the genre.

I find the themes love, sexuality and body focus in Ladies especially interesting and therefore choose to look closer into how these areas are represented in the book. By using Judith Butler’s concepts the heterosexual matrix, the represented gender and Tiina Rosenberg’s hetero normativity I analyse the representation of the themes.

In the final discussion I compare my different analyses and my conclusion shows that Ladies can’t be considered belonging to the chick lit genre. The biggest difference lies in how love and sexuality are represented in the book compared to chick lit novels. Whereas chick lit in many cases confirms gender stereotypes and conservative norms, Ladies actually, according to my analysis, questions them.

In the end I am finally doing a short reflection about the novel and the author using Pierre Bourdieus concepts about symbolic resources and ”habitus”.

 

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Wintner, Birgit. ""Night, night, sleep tight" : Effects of exercise and light on sleep physiology." Thesis, Högskolan i Skövde, Institutionen för biovetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-15510.

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DeBeyer, Michael. "The Rural night catalogue." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ62120.pdf.

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Song, Un Chu. "One full moon night." Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1569052.

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One Full Moon Night, my MFA Project Exhibition, is a series of surrealistic drawings. The main inspiration of my exhibition stems from memories of my childhood fantasies. My subject matter portrays children exploring a surrealistic world and growing from this new experience. Despite their young age, my characters are often unafraid of the odd setting they find themselves in. The different kinds of animals in my drawings explore the places alongside the children.

For this MFA exhibition, I presented thirteen graphite pencil drawings on illustration board, ranging in size from nine inches by fifteen inches to eighteen inches by twenty-seven and half inches. I chose graphite as the primary medium because it allows me to accentuate details. Additionally, I intended to make people focus on my fantastical settings and stories by creating black and white scenes.

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Jensen, Amber L. "Breathing Through the Night." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/td/1446.

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In Breathing through the Night, the author examines the moments of understanding and misunderstanding, the moments of fear, coping, and relief that occur during her husband’s deployment to Iraq and upon his return. The experiences of this military family serve as a magnifying lens through which the author explores means of coping and the role of communication in making meaning from memory, in shaping personal narratives within layers of story and history.
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Buffa, Gabriele. "A Night´s Portrait." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-371122.

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Palmer, Kassandra Boehm. "Strangers in the night." Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6240.

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Moodley, Natasha. "Lies in the night." Master's thesis, University of Cape Town, 2010. http://hdl.handle.net/11427/14604.

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Dudas, Stephen P. "Bumps in the Night." Miami University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=miami1376407973.

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Smith, Jennifer Lauren. "Every Night at 8pm." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2496.

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An experiential thesis, this document begins at dawn, travels through storms and calm air and ends at night in Argentina. It details the circumstances and influences leading to my thesis exhibition at the Anderson Gallery, including an artist’s statement told through a creative reading of Ray Bradbury’s “All Summer in a Day” and the excitement I found in an out-of-print text on scuba diving.
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Jones, Marie C. "Night of No Exile." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2217/.

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Night of no Exile is a collection of poems preceded by a critical article entitled "‘Exile seems both a blessing and a curse': A Blissful Reading of Li-Young Lee's Poetry." That article discusses Lee's quest to achieve communication, truth, and transcendence through poetic language and concludes that he finally reaches his goal through a leap from narrative poetry to lyricism. The "exile" alluded to in the title of the article is not only geographic, but also interioran exile due to the natural limitations of all languages, and which can be bridged only in linguistic ways. Lee's solution to that problem (lyricism) turns his poetry into what Roland Barthes would call "a text of bliss," a text that manages to deeply destabilize language, while simultaneously achieving a new kind of meaning. In the main body of the manuscript, the first section contains short love lyrics. The second section, "Night of no Exile," is an attempt at the demanding genre of the longer lyric poem. The third section uses short lyrics to explore various topics, such as discovering one's identity, friendship and solidarity between women, family history, and childhood memories. Finally, the last section includes poems, four of them longer, attempting to combine narrative and lyric impulses in a way not unlike Li-Young Lee's experimentation with those two genres.
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Whalley, James. "Saturday Night at the Movies : Saturday Night Live, Star Comedians and Contemporary Hollywood." Thesis, University of East Anglia, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514263.

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The subject of this thesis is the role of television programme Saturday Night Live (or SNL) in launching the careers of a significant number of Hollywood film stars over the last three decades. Started in 1975, SNL is a 90-minute comedy variety show broadcast live by the American television network NBC. Since its inception, it has employed regular casts of performers to present comic sketches. Several cast members, including John Belushi, Bill Murray, Eddie Murphy, Billy Crystal and Adam Sandler, have converted their exposure on the show into film stardom. In exploring the nature of SNL stars' appeal to Hollywood's filmmakers and audiences, the thesis primarily engages in two areas of debate. Firstly, it seeks to continue historicising what has been termed the "comedian comedy tradition" in Hollywood film. It has been noted that the Hollywood film industry has repeatedly turned to comic performers from other media with already well-defined, popular extra-fictional personas for use as star attractions. Certain consistencies have been found in the industry's approach to converting comedians' appeals for presentation within narrative fiction. However, approaches are also affected by historically specific industrial and social factors. I argue that the stars of SNL were instrumental to the development of a new variant of the comedian comedy tradition. Secondly, I suggest that the most important factor in explaining the nature of SNL's influence is shifts in social and cultural values in America since the 1960s. The personas of SNL stars I examine reflect trends in American public opinion connected to generational change. SNL has now employed cast members from across the baby boom generation (those born between 1943 and 1964) and Generation X (1965 to 1982). To consider the impact of generational factors, my analysis is centred around two case studies, the careers of Bill Murray and Adam Sandler.
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44

Lee, Yi-Hui. "A theatrical lighting design for Duke Ellington's sophisticated ladies." College Park, Md. : University of Maryland, 2003. http://hdl.handle.net/1903/98.

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Thesis (M.F.A.) -- University of Maryland, College Park, 2003.
Thesis research directed by: Theatre. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Hyttenrauch, David Edward. "Ladies and their knights in Middle English Arthurian romance." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239380.

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46

Liao, Shu-Chen. "Pattern design construction for ladies' made-to-measure outerwear." Thesis, Manchester Metropolitan University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337185.

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Roberts, David. "The ladies : female patronage of Restoration drama 1660-1700." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670377.

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48

Kristjanson, Donna M. "I started to wear night." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0012/MQ32933.pdf.

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49

Walker, Philip Cabot. "The night between two days." Theological Research Exchange Network (TREN), 1987. http://www.tren.com.

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50

Grice-Swenson, Debra. "The Culture of Night Nursing." Thesis, Adelphi University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3663095.

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Healthcare, hospital environments, and the nursing workforce have been a focus of late in both the professional literature and public media especially in the wake of the Institute of Medicine's reports Keeping Patients Safe-Transforming the Work Environment of Nurses (IOM, 2004) and The Future of Nursing-Leading Change Advancing Health (IOM, 2011). These reports address patient safety and workforce issues such as staffing, organizational culture, and workforce characteristics. Very little research has been undertaken on the culture of night nursing or the roles, experiences and characteristics of night nurses. Therefore, a study of night nursing, using a qualitative ethnographic methodology, was chosen to address this gap. Because subcultures can influence the larger culture, knowledge regarding their unique characteristics and attributes becomes critically important especially in the culture of a large hospital.

The purpose of this study was to develop a description of night nursing as a subculture within the larger culture of nursing care and nursing practice that exists in a hospital setting. Data were collected during the researcher's 100 hours of participant observations on five differing nursing units in two hospitals, using semi-structured transcribed interviews with eight nurse informants on these same units, and through an analysis of relevant hospital documents. A synthesis of the collected data identified a subculture of night nursing with shared domains or attributes such as unique roles, rituals, hierarchies, and insider/outsider perspectives.

The final description included four themes that were extrapolated from the synthesized data: (1) night nursing is characterized by camaraderie and teamwork; (2) the environment of a night nurse is conducive to the development of critical thinking; (3) night nurses engage in a constant reflection about sleep; and (4) night nurses share a feeling of being undervalued.

The findings from this study have implications for administrators who must be aware of and understand the needs of night nurses especially related to being valued and included. For nurse educators, important implications center on preparing students for the uniqueness of the role of the night nurse, and planning formal educational offerings during the night shift for nurses. Further research is warranted using quantitative methods to validate and explore the themes and domain descriptions identified in this study.

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