Journal articles: 'Ladies of the night'

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Dawson, Robert. "Ladies' Night." Journal of Humanistic Mathematics 7, no. 1 (January 2017): 293–302. http://dx.doi.org/10.5642/jhummath.201701.28.

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Sargeant, A. "Night and Fog and Benighted Ladies." Adaptation 3, no. 1 (December 16, 2009): 36–50. http://dx.doi.org/10.1093/adaptation/app010.

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Maile, Bethany. "Ladies' Night at the Shooting Range." Prairie Schooner 85, no. 3 (2011): 64–78. http://dx.doi.org/10.1353/psg.2011.0068.

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Clark, Rebecca. "Male Strippers: Ladies' Night at the Meat Market." Journal of Popular Culture 19, no. 1 (June 1985): 51–56. http://dx.doi.org/10.1111/j.0022-3840.1985.00051.x.

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Cyrille, Dominique, and Donald Hill. "Lionel Belasco: Good Night Ladies and Gents, the Creole Music of Lionel Belasco." Yearbook for Traditional Music 33 (2001): 196. http://dx.doi.org/10.2307/1519665.

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Montemurro, Beth, Colleen Bloom, and Kelly Madell. "ladies night out: a typology of women patrons of a male strip club." Deviant Behavior 24, no. 4 (July 1, 2003): 333–52. http://dx.doi.org/10.1080/713840221.

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Magee, Catherine, and Emalie Huriaux. "Ladies’ night: Evaluating a drop-in programme for homeless and marginally housed women in San Francisco's mission district." International Journal of Drug Policy 19, no. 2 (April 2008): 113–21. http://dx.doi.org/10.1016/j.drugpo.2007.11.009.

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Diamant, Cristina. "Hermia and the Dark Lady: From Perceived Others to Potential Erotic Objects." Linguaculture 2017, no. 2 (December 20, 2017): 85–105. http://dx.doi.org/10.1515/lincu-2017-0020.

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Abstract The present paper is focused on the figures of the Dark Lady of the sonnets and Hermia from A Midsummer Night‟s Dream as modes of writing against the Petrarchian ideal. The former is the most explicit of Shakespeare‘s suite of “dark ladies” (which includes Anne, Kate, Hero, Phoebe, Cleopatra, and Rosaline), while the latter is arguably his least individualised character, yet one that has benefitted from more public attention than most thanks to the generous circulation, continuous adaptation and re-contextualisation of the text. Two useful concepts for the discussion I propose are what Mikhail Bakhtin terms “re-accentuation” and “heteroglossia” as these texts allow different voices to dispute the place and worth of a dark-skinned woman, yet it is precisely by creating a space to voice them all that it creates a possibility to shake up the aesthetic, as well as the literary canon. The ontological status of the Dark Lady and Hermia is also of interest, so that a linguistic and stylistic analysis is carried out in order to highlight how conflicting ideologies attempt to appropriate their image, namely the hegemonic versus the inclusive understandings of what James Hughes calls the “personhood-based theory”. The revolutionary aspect brought to the table by Shakespeare is his choice for a transition from the hegemonic perspective to one which judges the two “dark ladies” on their own terms.

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Kannan, N. Ramesh, S. Sujitha, and S. Ganapathy Subramanian. "Womens Safety Mobile App." International Journal on Cybernetics & Informatics 10, no. 2 (May 31, 2021): 121–27. http://dx.doi.org/10.5121/ijci.2021.100214.

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This Women Safety application is used for protects womens from Crimes.Women safety matters a lot whether at home, outside the home or working place.Most of the women of various ages, till this day are being subjected to violence, domestic abuse. In this system user needs to feed three contact numbers, in case of emergency on moving the phone up and down thrice, the system sendsSMS and calls on one of the numbers feeded into the system with the location.The phone starts vibrating and siren starts ringing. Women’s safety is a big concern which has been the most important topic till date. Women safety matters a lot whether at home, outside the home or working place. Few crimes against ladies particularly rape cases were terribly dread and fearful. Most of the women of various ages, till this day are being subjected to violence, domestic abuse, and rape. As ladies ought to travel late night generally, it’s necessary to remain alert and safe. Although the government is taking necessary measures for their safety, still, there are free safety apps for women that can help them to stay safe. Most of the femalesthese days carry their smartphone with them, so it is necessary to have at least one the personal safety appsinstalled. Such a security appfor ladies will definitely facilitate in a way or the opposite. This is user-friendly application that can be accessed by anyone who has installed it in their smart phones. Our intention is to provide you with fastest and simplest way to contact your nearest help. In this system user needs to feed three contact numbers, in case of emergency on moving the phone up and down thrice, the system sends SMS and calls on one of the numbers feeded into the system with the location. The phone starts vibrating and siren starts ringing. This features for both everyday safety and real emergencies, making it an ultimate tool for all.

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Cohen, Judith, Susan Kayser, A. Victoria Peterson, Anneila Sargent, Virginia Trimble, and Donna Weistrop. "Uncle Jesse and the seven “early career” ladies of the night1." American Journal of Physics 87, no. 10 (October 2019): 778–83. http://dx.doi.org/10.1119/1.5122880.

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Xiao, J., C. Guo, L. Zhai, H. Li, X. Fu, Y. Huang, Y. Huang, et al. "Prognostic value of different B symptoms in upper aerodigestive tract NK/T-cell lymphoma." Journal of Clinical Oncology 27, no. 15_suppl (May 20, 2009): e19544-e19544. http://dx.doi.org/10.1200/jco.2009.27.15_suppl.e19544.

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e19544 Background: Extranodal NK/T-cell lymphoma (ENKL) is a rare disease originated from NK or toxic T cells. ENKL arising from the upper aerodigestive tract (UNKTL) is a newly recognized subtype and commonly presents with B symptoms. This study is to investigate the prognostic value of different B symptoms in UNKTL. Methods: UNKTL cases with detailed clinical, pathological and prognostic data in our center since 2001 to 2007 were retrospectively analyzed with the major study endpoint of overall survival (OS). Central pathological review was performed. Survival curves were estimated by Kaplan-Meier method and tested by Log Rank method. Statistically significant factors in univariate analysis were then included in multivariate analysis. B symptoms were defined as fever, night sweat and weight loss according to the Ann Arbor Cotswolds meeting. The predictive values of survival for each type of B symptoms were studied independently. Results: 172 cases of UNKTL with a median follow-up duration of 27.4 months were included. 45 ladies and 127 gentlemen had a median age of 43 years. 98 cases were Ann Arbor stage I, 54 were stage II and the remaining 20 cases were stage III or IV. About half of the patients present B symptoms: 82 had fever, 5 had night sweat and 6 present weight loss. Totally 18 patients had ECOG PS larger than 1. The 5-year OS rate of the whole group is 41.8%. Patients with persistent fever before treatment indicated a poor outcome in the univariate analysis (p=.033) and its prognostic value was also confirmed by the Cox regression (p=.030) whereas those of night sweat and weight loss were not (p= .960 and .824 respectively). Conclusions: B symptoms were common in UNKTL patients. Our data suggested that only fever among the three types of B symptoms was independent prognostic factor for UNKTL but it still needs further confirmation. No significant financial relationships to disclose.

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Slater, Stefan. "Lady Astor and the Ladies of the Night: The Home Office, the Metropolitan Police and the Politics of the Street Offences Committee, 1927–28." Law and History Review 30, no. 2 (April 26, 2012): 533–73. http://dx.doi.org/10.1017/s0738248011000976.

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Section 54 (11) of the Metropolitan Police Act 1839 criminalized the act of a common prostitute causing annoyance by soliciting in public.2For the police to implement this legislation was no simple matter, as no definition of “prostitute,” or indeed “annoyance,” was scribed in statute law. Although common law aided the interpretation of this offense—the case ofRex v. de Munck(1918): “We are of the opinion that prostitution is proved if it is shown that a woman offers her body commonly for lewdness of payment in return”3—in practice, identifying a “common prostitute” and defining “annoyance” was left to the discretion of the individual police officer. Although specific squads were deployed to target streetwalkers in West End police divisions, where the presence of prostitutes was more likely to cause public offense, a “blind eye” was often turned to women soliciting in the less salubrious streets of the metropolis. Local knowledge gained on the beat and the informal advice of colleagues shaped an unofficial police policy of containment and toleration.4

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Narang, Pooja, and Ritesh Dwivedi. "A Study on Promotion of Alcoholic Beverages." Management Insight - The Journal of Incisive Analysers 16, no. 01 (June 25, 2020): 12–17. http://dx.doi.org/10.21844/mijia.16.1.3.

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India is one of the leading countries in consuming and manufacturing alcoholic beverages in the last few years. Alcohol is one of the major players in contributing an important role in India’s economy. Individuals are aware of the fact that advertisement of tobacco, cigarettes, and alcohol is banned in our country, but the leverage has been granted of promoting the brand through surrogate marketing. There are many traditional methods that are still successful in the promotion of alcohol like hoardings and banner, but some modern ways are promotion through social media, ladies’ night, etc. This study aims to explore the various promotional practices performed by alcohol companies and analyze the customer attitude towards it. A questionnaire survey was used to collect the customers’ primary data by visiting various clubs and bars. The total number of questionnaires that were analyzed is 200 using statistical package for the social sciences (SPSS). The result of SPSS was reviewed based on the hypothesis formed and the relationship is determined between various variables. With the help of results, we connected it to a research model related to consumer attitude. This study concluded that promotional activities play an important role and mostly impact brand awareness. Despite surrogate marketing, the entire liquor brands can target their customer through some memorable promotional strategies and successfully understand the consumer’s attitude towards them.

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Riegger, Manfred, and Theresa Sommermann. "Grüne Damen und Herren als Spiritual Caregivers: Mitmenschlichkeit leben im Krankenhaus- und Altenheimalltag." Spiritual Care 5, no. 3 (July 1, 2016): 183–91. http://dx.doi.org/10.1515/spircare-2016-1004.

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Zusammenfassung„Grüne Damen und Herren“ sind Ehrenamtliche, die in deutschen Krankenhäusern und Altenheimen arbeiten und ein Korrelat zu den „Pink Ladies“ oder „Candy Stripers“ sind, die in den USA erstmals Funktionen für Kranke und Alte übernommen haben. Sie spielen eine Rolle in Spiritual Care. Die Bezeichnung bezieht sich auf die grünen Kittel, welche die Freiwilligen tragen. Ihr allgemeines Ziel ist es, den Aufenthalt von Patienten angenehmer zu gestalten. Die Sorge liegt nicht im Bereich medizinischer Aufgaben. Vielmehr bieten sie persönliche Hilfen an, um Menschen Gutes zu tun und so Menschlichkeit in den Krankenhaus- und Altenheimalltag zu bringen.

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Fernandez, Domingo Rodriguez, Angelo Antonio Agostinho, Luis Mauricio Bini, and Fernando Mayer Pelicice. "Diel variation in the ascent of fishes up an experimental fish ladder at Itaipu Reservoir: fish size, reproductive stage and taxonomic group influences." Neotropical Ichthyology 5, no. 2 (2007): 215–22. http://dx.doi.org/10.1590/s1679-62252007000200016.

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In this study, we evaluated the fish ascent in the experimental ladder at Itaipu Reservoir (Paraná State, Brazil), in relation to diel variation, fish size, reproductive stages and species composition. The study was carried out from October, 1995 to February, 1996 and from November, 1996 to January, 1997 at two points on the ladder (boxes at heights of 10 and 27 m). Twenty-two species were recorded, and Prochilodus lineatus, Pimelodus maculatus, Leporinus obtusidens, Schizodon borellii and Leporinus friderici accounted for 86.6 % of the total catch. Fish length did not differ between diel periods and boxes. On the other hand, fish abundance of the main species was significantly influenced by box position, reproductive stage and diel period. The higher box showed lower abundance, suggesting some selectivity in ascension. The ability to ascend the ladder did not show any relationship with reproductive migration, since non-reproductive adults comprised most of the catch. An interesting finding is that the major taxonomic groups showed specific diel preferences in ascending the ladder: Characiformes ascended the ladder predominantly during daylight, whereas Siluriformes migrated at night. These results emphasize how complex ladders are as management tools, and stress the need to acquire information on several aspects as a condition to achieve conservation goals.

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Oliver, M. "Iron(ic) Ladies: Thatcher, the Wanderer, and the Post-Imperial Grotesque in Angela Carter's Nights at the Circus." Contemporary Women's Writing 4, no. 3 (May 12, 2010): 237–53. http://dx.doi.org/10.1093/cww/vpp039.

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al-Musawi, Muhsin. "A Missing Link in a Thousand and One Nights Scholarship: A Narrative Grammar for the Frame Tale?" Journal of Arabic Literature 52, no. 1-2 (April 16, 2021): 1–36. http://dx.doi.org/10.1163/1570064x-12341418.

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Abstract This article argues that scholarship has been missing the pre-Scheherazade dynamic scenes that set the stage for further action and narrative. These preludinal sites function as the stepping stone for action, a series of encounters that initiate and perpetuate instability and disequilibrium. It draws attention to the unnamed queens as prototypes for Scheherazade, the abducted bride, the three ladies of Baghdad, and many other women in unfolding varieties of rebellion or compromise. As there is little talk and more voyeurism in this prelude with its focus on the bedroom and garden scenes, readers and kings are spectators, and the spectacle unfolds as in cinematic close-ups. Hence, this significant turn to the spectacle contravenes common approaches to the frame tale as only an enveloping framework that accommodates an ongoing marvelous story-machine. Although cursorily passed on in scholarship, the bedroom and garden scenes offer us not only a powerful incitement for action, but also a sweeping challenge to authority which the named kings could hardly overcome. The discussion re-situates sites of trial and defiance in context of a flowing narrative. The article proposes therefore to come up with a narrative grammar that engages with current narratology.

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Bochkovskaya, A. V. "Balbir Madhopuri. Hamārā, camārõ kā bargad (A Chapter from Chāngiā rukh / Against the Night)." Journal of the Institute of Oriental Studies RAS, no. 1 (11) (2020): 211–25. http://dx.doi.org/10.31696/2618-7302-2020-1-211-225.

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This commented translation from Hindi of a chapter from the Chāṅgiā rukh (Against the Night) autobiography (2002) by Balbir Madhopuri, a renowned Indian writer, poet, translator, journalist and social activist, brings forward episodes from the life of low-caste inhabitants of a Punjab village in the 1960s — early 1970s. After two decades after independence, destinies of those stuck in the lowest part of the social ladder remained unenviable — despite the fact that according to India’s constitution, untouchability was abolished and its practice in any form was forbidden. The main social conflict in Punjab’s villages between high-caste landowners, Jats, and low-caste chamars, chuhras and other village servants is still underway — with only minor modifications. Following the school of hard knocks of his childhood in the chamar quarter of Madhopur, a village in Jalandhar district, Balbir Madhopuri managed to receive a good education and take to literature. Narrating his story, Balbir Madhopuri shares childhood memories and emotions that determined his motivations to struggle against poverty, deprivation and injustice. The metaphor of a hardy bargad — a strong and powerful tree that used to be heart and soul of chamars’ area in Madhopur, but was slashed and distorted at a whim of the high and mighty villagers — holds a special place in the book.

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Belousov, Aleksandr F. "Friendship and Adoration among the Students of Russian Institutes of Noble Maidens in the Early 20th Century." Studies in Theory of Literary Plot and Narratology 14, no. 2 (2019): 120–26. http://dx.doi.org/10.25205/2410-7883-2019-2-120-126.

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The article discusses the subculture of the community that originated and existed in the Institutes of Noble Maidens (Russian boarding schools). Usually, girls were admitted to Institutes at the age of ten, when they still had no life experience other than home. Upon finding themselves in an unfamiliar environment of a public institution, they were shocked by strictly official relationships with the school authorities and teachers (“class ladies”). The only thing that at least somehow distracted and reassured those who entered the Institute were the developing relationships with other girls. Students become friends: started addressing each other by using an informal “thou” and first names, defended each other before authorities and other girls, sat together during celebrations, had long pillow-talks after going to bed, and, of course, shared “secrets.” For the residents of the new “home,” friendships provided aid and support. In the meanwhile, both younger and older students often participated in another “ritual” characteristic of the Institutes’ subculture: the famous practice of “adoration.” Adoration included the praise of its “object,” as well as providing certain services to the adored one (such as sharpening her quills or sewing her notebooks together). The admirer had to fulfill any request made by her “Angel.” Admirers subjected themselves to very real torture (like scratching a monogram of their “deity” with a pin on the back of their hand) and performed all kinds of “feats” (such as heading out to the porch of a church at night) to prove the strength of their feelings and draw favorable attention to themselves. Adoration was not at all “wild and ridiculous,” as the advanced women of the 1860s tended to think. It represented a form of admiration for persons who embodied the ideals and assumed perfection within the Institute’s community. By adoring their “perfect” counterparts, the girls seemingly rehearsed the female roles to be performed in adulthood. The conflict that arose between friendship and adoration became the basis for the melodramatic plot of Lydia Charskaya’s first published novella “Notes of the Institute Girl” (1902), which is being discussed in this article.

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Kalyon, Bilal. "PRENSES KADRİYE HÜSEYİN VE MEHASİN-İ HAYAT İSİMLİ ESERİ." IEDSR Association 6, no. 11 (February 24, 2021): 393–402. http://dx.doi.org/10.46872/pj.253.

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Princess Kadriye Hüseyin is one of the important figures of Turkish Literature that developed in Egypt. The work of Princess Kadriye Hüseyin, who thinks that people should give importance to moral education and values education in order to protect cultural values and prevent corruption, is taught in a fluent style in Mehâsin-i Hayât. As in the Divan literature within the Turkish litera-ture developing in Egypt; Important figures have also been raised in the field of New Turkish literature. The most important of these personalities is undoubtedly Princess Kadriye Hüseyin. Princess Kadriye was born on January 10, 1888 in Cairo. Princess Kadriye is a member of the Kavalalı Mehmet Ali Pasha family, whose name the Egyptians speak highly of today. This fa-mily dominated Egypt until 1952, when Kavalalı Mehmet Ali Pasha became governor in 1805. Princess Kadriye Hüseyin witnessed the collapse of the Ottoman Empire and the liberation struggle of Anatolia. National Struggle in Turkey has neglected its moral and material support. Princess Kadriye Hüseyin "always saw herself as a part of Istanbul" due to her grandmother be-ing from Istanbul. Kadriye Hüseyin, who took part in the establishment and operation activities of the Hilal-i Ahmer Ladies Center, which was established within the Ottoman Hilal-i Ahmer Society, and made material and moral contributions; He wrote articles on life, people, cultural, religious and national values, spirituality, manners and manners with the consciousness of being indigenous, national and well-being. Kadriye Hüseyin has written important works such as Me-hasin-i Hayat, Temevvücât-ı Efkar, Muhadderât-ı Islam, An Important Night, My What, Letters from the Holy Ankara. Princess Kadriye Hüseyin penned the first examples of the essay in the Turkish literature that developed in Egypt, which is defined as the writings that the writer has written in a style that carries the air of speaking to himself, without making definitive judgments and without the need to prove his personal thoughts on any subject he chooses according to his own will. His work named Mehâsin-i Hayat consists of trials. In this study, information about the life, literary personality and works of Princess Kadriye Hüseyin will be given and her work consisting of essays named Mehasin-i Hayat will be introduced.

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Bullock, Katherine. "Editorial." American Journal of Islam and Society 24, no. 1 (January 1, 2007): i—vi. http://dx.doi.org/10.35632/ajis.v24i1.1562.

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Olivia of Illyria walks into the office of Jack Straw, Leader of the House ofCommons, and tells him that as a way to mourn her brother’s death:The element itself, till seven years’ heat,Shall not behold her face at ample view;But, like a cloistress, she will veiled walk.(William Shakespeare, Twelfth Night, Act 1, Scene 1)The Honourable Jack Straw tells her it is not British to wear a veil andso she ought to find another way to mourn. Confused, she turns to her companion,Cesario, and asks, puzzled: “What means he by this, O belovedCesario? Have not the noble ladies of England worn veils for many years?”Cesario replies: “My lady, when my eyes first lay upon the veil that coversyour face, indeed I felt affronted. Surely your beauty, grace, and radiantlight deserved a viewing by my gaze. Recallest not that day when I, a humblemessenger of dear Duke Orsino, didst first appear in your chambers, andrequested that you remove your veil that we might talk? But, as you say, ithas been an ancient tradition of this and other lands for women to wear veilswhen they leave their homes and also attend to their religious services. Iknow not what the Honourable Mr. Straw means by this notion.”Olivia affirms: “Indeed, humble Cesario, I do recall your brazen requestand how your forthrightness to a lady of honour didst cause me such distress.Since your appearance pleased my eye, I did agree to it, though I have notthe same response to this effrontery from Jack Straw. Recallest not how ourLord did command, in 1 Corinthians 1, that a woman ought to cover herhead? Why, even our Jewish sisters have worn veils for many centuries.”As they walk to their car, a tall, white, middle-age man spits at Olivia,yelling at her: “Go back to where you came from!”Cesario attempts to block the man’s anger, but cannot do so in time. “Ohonourable Lady Olivia, how did I fail you, and allow your self to be coveredin filth from such a man! What provoked him so?”Olivia, wiping the spittle from her veil, notes sadly: “Dear Cesario, inthese lands some people are hostile to those who dress differently. It is thesame in Illiyria, and all over the world these days … Look, Cesario, let ustake refuge in this church, a sanctuary in the turbulence of these times.” ...

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Flay, Joseph C. "Climbing Harris' Ladder." Hegel Bulletin 22, no. 1-2 (January 2001): 1–14. http://dx.doi.org/10.1017/s0263523200001567.

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In his two volume work, Hegel's Ladder, spanning over 1500 pages, Henry Harris describes Hegel's Phenomenology of Spirit of 1807 as “an epic story about God” (I. 31). Harris' work is itself a work of epic proportions. It is the fullest commentary on Hegel's Phenomenology I have ever seen. We are brought, paragraph by paragraph, from the beginning to the end of Hegel's Phenomenology, without break. And although Harris describes it as an epic about God, there is nothing of the usual mystification that surfaces when “theological” interpretations are offered.There is, of course, no possibility of commenting on this work in any adequate way, short of perhaps writing a 3,000 page commentary on his commentary of some 1500 pages. After briefly, and inadequately, offering a summary of some of the important characteristics and positions of Harris' work, I want to pose some questions to Professor Harris concerning his interpretation.As already mentioned, the format Harris chooses is to comment in detail on each of the paragraphs of the Phenomenology. This commentary follows two previous volumes, Hegel's Development I: Toward the Sunlight, and Hegel's Development II: Night Thoughts, in which we are given an erudite and thorough account of Hegel's studies and of his writings prior to the Phenomenology of Spirit. These previous volumes are integral to the present two volumes, as indicated by Harris' challenge to his readers and his critics.My own view — after studying and laying out Hegel's intellectual development as completely and coherently as I could — is that no thesis about Hegel's project should be preferred to the one that I am about to advance unless it coheres with and provides answers to all of the exigencies that I have pointed to in the “genesis” of the book at least as well as mine does. (But many other theses may be valid complements to the one maintained here.) (I. 9)And, indeed, one of the characteristics of Hegel's Ladder is that we are constantly reminded of how and why the problematic at issue derives from the way that Hegel's thought had developed. Thus, Hegel's Ladder has significance not only as a commentary on the Phenomenology, but also as a link between the Phenomenology and Hegel's earlier development.

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Greenwald, Michael L. "Actors as Activists: The Theatre Arts Committee Cabaret, 1938–1941." Theatre Research International 20, no. 1 (1995): 19–29. http://dx.doi.org/10.1017/s0307883300006994.

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Given the omnipresence of performers of all political stripes speaking for a variety of causes and candidates, it is difficult to remember a time when artist-activists were not an integral part of America's theatrical landscape. Indeed, under David Douglass's leadership, the American Company (formerly the Hallam Company) assuaged Puritan fears about the presence of ‘theatricals’ in staid eighteenth-century New England by performing benefits for local causes, thereby injecting its work with a social purpose. Throughout its history the American theatre has used performance as a propaganda weapon for such causes as abolition (Uncle Tom's Cabin, 1852), temperance (Ten Nights in a Bar Room, 1858), civil rights (A Raisin in the Sun, 1959), and currently the AIDS crisis (Angels in America, 1993). Political activism in the American theatre flourished in the 1930s, largely through the work and ideology of such enterprises as the Group Theatre, the Theatre Union, even the International Ladies' Garment Workers' Union, and similar left-wing movements that sought to produce plays that deal boldly with deep-going social conflicts, the economic, emotional, and cultural problems that confront the majority of people. The mission was realized mostly through traditional theatre means, i.e. plays or agit-prop dramas à la Federal Theatre Project's Living Newspapers. These have been chronicled in a number of useful surveys, most notably Gerald Rabkin's Drama and Commitment (1964), Sam Smiley's The Drama of Attack (1972), and especially Malcolm Goldstein's detailed look at the 1930s radical theatre, The Political Stage (1974).

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Cole, Suzanne. "‘As Much by Force of Circumstances as by Ambition’: The Programming Practices of the Melbourne Liedertafel Societies, 1880–1905." Nineteenth-Century Music Review 2, no. 2 (November 2005): 107–32. http://dx.doi.org/10.1017/s1479409800002226.

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Two male-voice singing societies – the Metropolitan Liedertafel and the Melbourne Liedertafel – occupied prominent positions in the concert life of Melbourne during the prosperous 1880s. At this time the Metropolitan Liedertafel, formed in 1870, had between 80 and 100 performing members and regularly attracted audiences of over two thousand to its ‘Social Evenings for Ladies and Gentlemen’. A concert described as the ‘greatest gathering of its kind every [sic] seen in this city’, given at the recently completed Exhibition Buildings on 7 July 1881 and attended by the Princes Albert Victor and George, drew a crowd of between five and six thousand. The farewell concert given on 13 February 1882 for the Mendelssohn Quintette Club, visiting from Boston, had an audience of approximately two thousand, even though as one of the society's ‘smoke nights’, attendance was limited to men. The Metropolitan Liedertafel played host to a number of other visiting international musicians, including Henri Kowalski, August Wilhelmj, Carlotta Patti, Ernest de Munck, and, somewhat later, Sir Charles and Lady Hallé. In the early 1880s, the Metropolitan was identified as the city's leading musical society; an 1881 review in the Argus made so bold as to suggest that it was ‘the most successful association of its kind ever established here – or probably anywhere else’! This sentiment is reflected in a satirical piece in Town Talk in October 1881 in which the Metropolitan's conductor, Julius Herz, refers to himself, in a mock German accent, as ‘the subreme conductor of the greatest musical organisation in the vorld“.

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Sturtz, Linda L. "Ladies Dressed as Men Dressed as Ladies." Caribbean Quarterly 62, no. 2 (April 2, 2016): 227–47. http://dx.doi.org/10.1080/00086495.2016.1203179.

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Thomson, Andrew, Ellie M. Hisama, and Christine Ammer. "Ladies Intellectual." Musical Times 142, no. 1876 (2001): 62. http://dx.doi.org/10.2307/1004628.

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Jeal, Erica, David Kimbell, and Michael Burden. "Leading Ladies." Musical Times 140, no. 1867 (1999): 73. http://dx.doi.org/10.2307/1193903.

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Majka, Linda C. "Funny Ladies." Teaching Sociology 22, no. 3 (July 1994): 282. http://dx.doi.org/10.2307/1319154.

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Scharf, Lois, Emily Apt Geer, Frances Wright Saunders, and J. William T. Youngs. "First Ladies." Reviews in American History 14, no. 2 (June 1986): 181. http://dx.doi.org/10.2307/2701841.

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Wilson, Emily. "Painted Ladies." Iowa Review 43, no. 2 (September 2013): 33. http://dx.doi.org/10.17077/0021-065x.7386.

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Little, Ann M. "Goodnight Ladies." Journal of Women's History 26, no. 2 (2014): 170–79. http://dx.doi.org/10.1353/jowh.2014.0031.

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Sheehy, Felicity. "Ladies’ Greek." Women: A Cultural Review 29, no. 3-4 (October 2, 2018): 405–7. http://dx.doi.org/10.1080/09574042.2018.1531641.

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McNeill, Louise. "Milkweed Ladies." Appalachian Heritage 13, no. 4 (1985): 12–19. http://dx.doi.org/10.1353/aph.1985.0072.

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Summers, Mary. "Four Ladies." Iowa Review 30, no. 3 (December 2000): 71–76. http://dx.doi.org/10.17077/0021-065x.5329.

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35

Greenstein, Susan, Nupur Chaudhuri, and Margaret Strobel. "Ladies Bountiful." Women's Review of Books 9, no. 12 (September 1992): 20. http://dx.doi.org/10.2307/4021305.

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Farrell, Amanda L., Robert D. Keppel, and Victoria B. Titterington. "Lethal Ladies." Homicide Studies 15, no. 3 (August 2011): 228–52. http://dx.doi.org/10.1177/1088767911415938.

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Kolankiewicz, Sandra. "Becoming Ladies." Appalachian Heritage 47, no. 1 (2019): 47. http://dx.doi.org/10.1353/aph.2019.0012.

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Gins, Cornelia. "Ladies only." ZWR - Das Deutsche Zahnärzteblatt 122, no. 07/08 (August 28, 2013): 345. http://dx.doi.org/10.1055/s-0033-1356627.

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&NA;. "Ladies, Gentlemen." Back Letter 5, no. 2 (1990): 3. http://dx.doi.org/10.1097/00130561-199005020-00005.

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Blum, Alan. "Patient Ladies." Journal of General Internal Medicine 34, no. 7 (May 7, 2019): 1364–65. http://dx.doi.org/10.1007/s11606-018-4775-1.

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Ware, Susan, and Betty Boyd Caroli. "First Ladies." Journal of American History 75, no. 1 (June 1988): 224. http://dx.doi.org/10.2307/1889676.

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Palmieri, Sonia, and Sarah Childs. "Patience, Ladies." European Journal of Law Reform 22, no. 4 (December 2020): 468–83. http://dx.doi.org/10.5553/ejlr/138723702021022004010.

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Garnett, N. "By Ladies and Gentlemen, for Ladies and Gentlemen." ILAR Journal 52, Suppl 1 (January 1, 2011): 419–21. http://dx.doi.org/10.1093/ilar.52.suppl_1.419.

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&NA;. "Ladies, keep talking." Inpharma Weekly &NA;, no. 1668 (December 2008): 12. http://dx.doi.org/10.2165/00128413-200816680-00024.

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Holmberg, Arthur, Molière, and Moliere. "The Learned Ladies." Theatre Journal 37, no. 4 (December 1985): 503. http://dx.doi.org/10.2307/3207532.

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Steinitz, Rebecca, Isabella Bird, Kay Chubbuck, Isabelle Eberhardt, Elizabeth Kershaw, and Mary Kingsley. "White Ladies Traveling." Women's Review of Books 21, no. 1 (October 2003): 6. http://dx.doi.org/10.2307/4024267.

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Mulgrew, Ger, Seán Tobin, Lois Tobin, Alan Hayes, and Marie O'Neill. "The Ladies Joining." Books Ireland, no. 242 (2001): 217. http://dx.doi.org/10.2307/20623915.

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Rudd, Joy, Pat Bolger, Dee Neeson, and Edwin Kenyon. "Ladies in Waiting." Books Ireland, no. 107 (1986): 182. http://dx.doi.org/10.2307/20625804.

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MARSHALL, A. J. "Ladies in Waiting." Ancient Society 17 (January 1, 1986): 167–84. http://dx.doi.org/10.2143/as.17.0.2011378.

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Pham, Ngoc-Bich, Hong-Xoan Nguyen, and Catherine Earl. "Ladies Selling Breakfast." Anthropology in Action 28, no. 1 (March 1, 2021): 34–38. http://dx.doi.org/10.3167/aia.2021.280107.

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Abstract:

Ho Chi Minh City, Vietnam’s largest city, supports a vibrant street food culture. Most of the city’s street-engaged food traders are poor and unskilled women, and there is scant research about how they build social networks and social capital that sustain their microbusinesses. This article focusses on the intimate socialities that street-engaged food traders develop with customers, shop owners and sister-traders in order to stabilise their incomes while their informal street-trading activities are policed and potentially shut down. Recent COVID-19 lockdown and social-distancing measures disrupted the crucial interpersonal relations of street trading and left the traders with no income. This article explores traders’ strategies for achieving economic security, and outlines transformations of intimate socialities into mediated and digital relations after the lockdown.

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Journal articles on the topic 'Ladies of the night'

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