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Journal articles on the topic 'Ladino poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Balbuena, Monique. "Dibaxu: a comparative analysis of Clarisse Nicoïdski's and Juan Gelman's bilingual poetry." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 5, no. 8 (2011): 89–101. http://dx.doi.org/10.17851/1982-3053.5.8.89-101.

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This essay reads Argentine poet Juan Gelma's 1994 bilingual Ladino-Castellano book Dibaxu in light of its intertextual relationship with Franco-Bosnian author Clarisse Nicoïdski's work, especially her 1986 bilingual Ladino-English poetry collection Lus ojus, las manus, la boca. I return to Gelman's text, written in a foreign, diasporic, and Jewish language in order to acknowledge Nicoïdski'ʹs work not only as a pre-text, but as a fundamental intertextual source for Dibaxu. In doing so, I observe the different reasons these two poets have to use the Ladino language: while Nicoïdski seeks to

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2

Trostel, Katharine G. "“Viejas pisadas”: Activating Postvernacular Ladino in the Works of Myriam Moscona." Latin American Jewish Studies 1, no. 1 (2022): 7–20. http://dx.doi.org/10.26613/lajs.1.1.2.

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Abstract In both her hybrid-language novel Tela de Sevoya (2012) and in her Ladino poetry collection Ansina (2015), Mexican author Myriam Moscona (1955) embraces Ladino as a postvernacular language without any illusions of recuperating it for daily speech. Although her grandparents spoke Ladino, she herself is not a native speaker. While she recognizes that Ladino is a dying tongue, Moscona makes explicit the power of literary works to infiltrate and function within the liminal spaces that exist between languages, identities, or layers of history. Moscona’s dynamic and future-oriented creati

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Simon, Rachel. "The Contribution of Hebrew Printing Houses and Printers in Istanbul to Ladino Culture and Scholarship." Judaica Librarianship 16, no. 1 (2011): 125–35. http://dx.doi.org/10.14263/2330-2976.1008.

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Sephardi printers were pioneers of moveable type in the Islamic world, establishing a Hebrew printing house in Istanbul in 1493. Initially emphasizing classical religious works in Hebrew, since the eighteenth century printers have been instrumental in the development of scholarship, literature, and journalism in the vernacular of most Jews of the western Ottoman Empire: Ladino. Although most Jewish males knew the Hebrew alphabet, they did not understand Hebrew texts. Communal cultural leaders and printers collaborated in order to bring basic Jewish works to the masses in the only language they

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4

Barrett, Rusty. "Ideophones and (non-)arbitrariness in the K’iche’ poetry of Humberto Ak’abal." Pragmatics and Society 5, no. 3 (2014): 406–18. http://dx.doi.org/10.1075/ps.5.3.05bar.

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This paper examines the ways in which Ak’abal uses K’iche’ ideophones and arbitrariness to highlight differences between Mayan languages and Spanish. This paper focuses on Ak’abal’s sound poems constructed through the use of K’iche’ ideophones, primarily onomatopoetic forms representing natural phenomena such as animal sounds, the movement of water, and sounds associated with weather. Ak’abal often treats non-onomatopoetic words (such as the names of birds) as ideophones, suggesting a direct (unmediated) relationship between K’iche’ signs and the natural elements of the environment. These uses

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Gwóźdź-Szewczenko, Ilona. "Růžena Jesenska's impressionistic and luministic world of poetry." Bohemica Olomucensia 10, no. 2 (2018): 44–60. http://dx.doi.org/10.5507/bo.2018.021.

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Wibowo, Satryo Kusuma, and Iriyanto Widisuseno. "The Superiority Value of a Poetry Anthology in Providing Public Awareness of The Environment During Covid-19 Pandemic." E3S Web of Conferences 317 (2021): 01013. http://dx.doi.org/10.1051/e3sconf/202131701013.

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This study describes the superiority value of a poetry anthology in providing public awareness of the environment during the Covid-19 pandemic. Sources of data in this study were four poems from the poetry anthology "Covid-19, Radang dan Ladang Kehidupan". The four poems have the theme of public awareness of the environment during the Covid-19 pandemic. The data was collected using a qualitative method and analyzed data with the stages of identifying, classifying, interpreting, discussing, and concluding the data. The theory used is the theory of ecocriticism. The results show that the values

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7

Riisøy, Anne Irene. "Eddic Poetry: A Gateway to Late Iron Age Ladies of Law." Journal of the North Atlantic 801 (April 2015): 157–71. http://dx.doi.org/10.3721/037.002.sp812.

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8

Miegoń, Anna. "The Educational Functions of the First Woman’s Almanac in Britain: Media Literacy and The Ladies’ Diary, 1704–1713." Multidisciplinary Journal of School Education 9, (2) 18 (2020): 157–68. http://dx.doi.org/10.35765/mjse.2020.0918.08.

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While 18th-century almanacs transmitted usable information that was meant to be relevant to daily life, at the beginning of the century they also began to function as an educational tool that enabled readers to act as producers of media content, and, as a result, to develop media literacy via the practice of writing and responding to amateur poetry. In this article, I define media literacy as a cultural category shaped by specific media-related skills: the creation, interpretation, evaluation, and negotiation of media content. I examine John Tipper’s The Ladies’ Diary (1704–1713), one of the b

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Gwadareh, Mutasem, and Abed Esa. "Mode of the ancient poetic discourse in the novel «Ladies of the Moon» by Jokha Al- Harthy." Al-Balqa Journal for Research and Studies 25, no. 1 (2022): 57–72. http://dx.doi.org/10.35875/1105-025-001-004.

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This research aims at analyzing the mode of the ancient poetic discourse, which was reported in Moon Ladies’ novel, by one of the three discourse methods: reported, transferred, and narrated. It seeks to reveal the technique of recall, its reasons, and the extent of its service to the construction of the artistic novel. It follows the descriptive method and invests in enunciative narratology tools in analysis. The research clarifies that the ancient poetry reported in the novel came to confirm an intersection in the experience of the fictional character with the traditional character or to den

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Liusyi A.P., Liusyi A. P., and Zhou Lu. "“Ladies and sorvants”: about two “Chinese texts” of Russian literature." Voprosy kul'turologii (Issues of Cultural Studies), no. 12 (October 7, 2021): 46–53. http://dx.doi.org/10.33920/nik-01-2012-05.

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After the Civil War, Harbin became the “capital” of the Russian emigration in China, the source of the salutary memory, which made it possible to revive Russian culture in the memory. The “Chinese mind” brought mythologemes of space and chaos into the poetry of the Far East abroad. Their interaction with the event plan of consciousness has created a set of stable motive-figurative and semantic dominants. The Harbin myth as a utopian myth about the re-creation of pre-revolutionary Russia in a Chinese city has become a semantic invariant of the first “Chinese text”. Second, the Soviet “Chinese t

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11

Grundtvig, N. F. S. "Clara." Grundtvig-Studier 37, no. 1 (1985): 9–10. http://dx.doi.org/10.7146/grs.v37i1.15939.

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ClaraBy N. F. S. GrundtvigGrundtvig published this poem in his periodical The Dane on November 8th 1848. It is reprinted here as it appeared in the original edition. Clara is a description of his meeting with a woman in a foreign country, whom he met once only but who according to another poem, The Little Ladies, inspired much of his later poetry. Her importance for Grundtvig has been described in detail by Kaj Thaning in his thesis, Man First - (1963, see esp. pp. 220-31) An earlier treatment is by J. P. Bang in Grundtvig and England (1932 pp. 62-83).

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Plumley, Yolanda. "Citation and allusion in the late Ars nova: The case of Esperance and the En attendant songs." Early Music History 18 (October 1999): 287–363. http://dx.doi.org/10.1017/s0261127900001881.

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In his Prologue, Guillaume de Machaut lists the ballade entée, or ‘grafted ballade’, as one of the many genres he is inspired to write to praise and honour all ladies. It is unclear from this fleeting reference, however, exactly what type of work Machaut meant by this term and whether he was referring to a purely poetic form or to one that involved music. That the practice of citation in lyric poetry was well established at this time is demonstrated by Machaut's own output, which reveals him to have been a master of this art; this literary tradition was to continue to thrive in the later fourt

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Paden, William D., and Frances Freeman Paden. "Swollen Woman, Shifting Canon: A Midwife's Charm and the Birth of Secular Romance Lyric." PMLA/Publications of the Modern Language Association of America 125, no. 2 (2010): 306–21. http://dx.doi.org/10.1632/pmla.2010.125.2.306.

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In “Tomida femina” (“A swollen woman”), a tenth-century charm written in Occitan, the vernacular of the south of France, a birthing woman and her helpers intone magical language during the most intense moments of childbirth. The poem permits us, with brief but uncommon intimacy, to imagine the lives of women long ago. It takes its place in a European tradition of birthing charms, including others written in Latin, German, and English. These charms, and in particular “Tomida femina,” provide an image of vigorous medieval women in childbirth that precedes the images of women in other secular Rom

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Munsi, Mia Fatimatul. "ROMANTISME DALAM ANTOLOGI PUISI KIDUNG LELUHUR CIANJUR KARYA YUSUF GIGAN (ROMANTISM IN THE ANTHOLOGY OF KIDUNG LELUHUR CIANJUR BY YUSUF GIGAN)." JURNAL BAHASA, SASTRA DAN PEMBELAJARANNYA 12, no. 2 (2022): 222. http://dx.doi.org/10.20527/jbsp.v12i2.13213.

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Romantism In The Anthology Of Kidung Leluhur Cianjur By Yusuf Gigan. The anthology of the poem Kidung Ancestor Cianjur by Yusuf Gigan tells a lot about important and historical places, mentioning the names of historical figures in Cianjur, as well as expressing ideas and views on life. Therefore, this study aims to describe romanticism in the anthology of poetry Kidung Leluhur Cianjur by Yusuf Gigan. The method used is descriptive method. Data were collected by using documentary study techniques and content analysis. Furthermore, the data analyzed were 50 poems contained in the poetry antholog

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Li, Yan. "The World of Famous Ladies of Quality Built in Notes on Poetry in Sui Garden." Journal of Society for Humanities Studies in East Asia 49 (December 31, 2019): 57–81. http://dx.doi.org/10.52639/jeah.2019.12.49.57.

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Žáková, Michaela. "Natálie Huynová (1853–1940). Portrét neprovdané aristokratky na počátku 20. století." Časopis Národního muzea. Řada historická 191, no. 1-2 (2022): 3–20. http://dx.doi.org/10.37520/cnm.2022.001.

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Natalie Huyn (1853–1940). Portrait of an unmarried aristocrat in the early 20th century The subject of this paper is the life story of Natalie Countess Huyn (1853–1940), on the example of which the diverse opportunities for the social participation of an unmarried member of the aristocracy at the close of the 19th and during the 20th centuries are illustrated. Countess Huyn, the daughter of officer Jan Karl Count Huyn, was forced to address the issue of her financial (and also social) security for practically her entire life. As a thirty-year old, she became lady-in-waiting to Archduchess Mari

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17

Sobol, Walentyna. "Концепції безсмертя в любовній бароковій поезії. Компаративний підхід". Slavica Wratislaviensia 168 (18 квітня 2019): 49–62. http://dx.doi.org/10.19195/0137-1150.168.4.

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The ideas of immortality in love poetry of the Baroque era: A comparative studyThe article deals with two pieces of poetry from the early and late Baroque: Simon Zimorowic’s Russian Ladies and Pylyp Orlyk’s The Sarmatian Hippomenes. The author argues that the ideas of immortality аrе expressed in these two pieces by the use of a sophisticated language of love together with ancient symbolism and complex rhetoric that stimulate the reader’s self-knowledge. Moreover, the author comes to the conclusion that both pieces were inspired by Adam of Bocheń’s Adam of Łowicz piece published in 1507 in Cra

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18

Colombi, Beatriz. "Discurso cortesano, afectos y fortuna en sor Juana Inés de la Cruz. Sobre el romance 36, “Salud y gracia. Sepades”:Courtly Discourse, Affects, and Fortune in Sor Juana Inés de la Cruz. On Ballad 36, “Salud y gracia. Sepades”." Calíope 27, no. 2 (2022): 157–76. http://dx.doi.org/10.5325/caliope.27.2.0157.

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Abstract This work analyzes the poetry of Sor Juana Inés de la Cruz in the light of court discourse, considering the contributions of Norbert Elias, Barbara Rosenwein, Amedeo Quondam, and Fernando Rodríguez de la Flor, among others. Courtly behaviors, gender, affects, and fortune intersect in romance 36, “Salud y gracia. Sepades”. In this text, as in other poems of her production, the Mexican author is inscribed in a courtly tradition and, at the same time, in an anti-courtly one, by identifying herself with courtly regulations, but, also distancing herself from them. This tension reflects the

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Gros Llados, Sonia. "Legia l’Eneydos e molts altres libres. Doctae puellae en el Curial e Güelfa." Epos : Revista de filología, no. 28 (January 1, 2012): 107. http://dx.doi.org/10.5944/epos.28.2012.12267.

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El objetivo de este trabajo es analizar algunos paralelos de las damas de la novela caballeresca catalana Curial e Güelfa con rasgos representativos de los modelos femeninos dominantes en la tradición erótica de los clásicos grecolatinos, en especial, el de la docta puella de los poetas elegíacos.This paper aims to analyze some parallels between ladies in Catalan chivalric novel Curial e Güelfa and female models dominating in erotic classical tradition, especially about docta puella elegiac motif.

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20

Dr. Ratnesh Baranwal. "Existentialism in Anita Nair’s Ladies Coupe." Creative Launcher 6, no. 3 (2021): 44–48. http://dx.doi.org/10.53032/tcl.2021.6.3.09.

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This paper is an attempt to explore the fragrance of existentialism in Anita Nair’s Ladies Coupe. She was born on 26th Jan., 1966. She has penned down three very famous novels; The Better Man (1999), Ladies Coupe (2001) and Mistress (2005). She happens to be a multi-talented literary figure, holding her authority not only in the field of fiction but also that of poetry. She is better known as a competent modern woman-novelist in the realm of Indian English literature of the modern age. Currently she lives in Bangalore. Ladies Coupe is basically a novel of the “feminine sensibility” but it rema

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Tellini, Silvia Mara. "Experimental Language Deconstructing Patriarchal Discourse in Ntozake Shange’s for colored girls who have considered suicide/ when the rainbow is enuf." American, British and Canadian Studies Journal 25, no. 1 (2015): 155–70. http://dx.doi.org/10.1515/abcsj-2015-0012.

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Abstract By sharing the experiences of women and the black community of her time, represented as a journey towards womanhood on stage, Afro- American playwright Ntozake Shange deconstructs the patriarchal structure of language, by pushing the boundaries of genres as she assembles prose, poetry and stage performance in a “choreopoem” capable of empowering and liberating the trajectories of the represented black women. The present study explores the semiotic and linguistic deconstructions of the patriarchal ideology in for colored girls who have considered suicide/ when the rainbow is enuf, aimi

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Moore, P. G. "Dr Baird and his feminine eponyms; biographical considerations and ostracod nomenclature." Archives of Natural History 32, no. 1 (2005): 92–105. http://dx.doi.org/10.3366/anh.2005.32.1.92.

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An attempt is made to identify the female personalities behind the specific attributions of four of William Baird's Scottish ostracod species: viz. Philomedes brenda (Baird, 1850), Macrocypris minna (Baird, 1850), Cylindroleberis mariae (Baird, 1850) and Cypris joanna Baird, 1835. A Scottish borderer by birth, although he spent most of his career in the British Museum (Natural History), Baird (1803–1872) was co-responsible, with two older brothers, plus George Johnston (the Club's first President) and five other gentlemen, for establishing the Berwickshire Naturalists' Club in 1831. This is ge

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bundtzen, lynda k. "Lucent Figs and Suave Veal Chops: Sylvia Plath and Food." Gastronomica 10, no. 1 (2010): 79–90. http://dx.doi.org/10.1525/gfc.2010.10.1.79.

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In popular mythology, poet Sylvia Plath is regarded as a tragic suicide and/or a feminist martyr. If you read her journals and letters, though, you learn that she loved to cook, loved to eat, and often devoted as much time to preparing meals for her husband Ted Hughes as she did to her writing. Cooking was, in fact, often a convenient distraction when she had writer's block, or did not want to prepare classes for teaching, or when she was pregnant and longed for no more intellectual challenge than reading recipes from her beloved Joy of Cooking or The Ladies’’ Home Journal. Plath's huge appeti

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Ecklund Farrell, Dianne. "Rear Cover: Courtly Love in the Caucasus: Rustaveli’s Georgian Epic, The Knight in the Panther Skin." Carl Beck Papers in Russian and East European Studies, no. 2205 (November 13, 2012): A. http://dx.doi.org/10.5195/cbp.2012.193.

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The Knight in the Panther Skin by Shota Rustaveli is the great medieval (ca. 1200) epic of Georgia, and its most distinctive feature is courtly or romantic love, which is its basic motivating force. This article seeks to establish in which respects The Knight in the Panther Skin resembles Western courtly love, and what the explanation for this resemblance might be. In this endeavor I have had to challenge a common (mis-) conception that Western courtly love was essentially illicit loveOne can easily demonstrate that the literary roots of The Knight in the Panther Skin lie in Persian literature

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Fernández-González, Federico, Massimo Terzi, Romeo Di Pietro, and Jean-Paul Theurillat. "Proposals (33–34) to conserve the name Poo-Astragalion and to conserve the name Poo-Astragaletum sesamei with a conserved type, and requests (5–7) for a binding decision on the name-giving taxa in the same names and the inversion of the name Poo-Astragaletum sesamei." Vegetation Classification and Survey 4 (September 25, 2023): 203–7. http://dx.doi.org/10.3897/vcs.108769.

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The alliance name Poo-Astragalion has been widely used by Iberian phytosociologists for nearly fifty years to indicate a type of sheep pastures thriving on base-rich substrates. This alliance is currently classified in the order Poetalia bulbosae and class Poetea bulbosae. However, the revision of its original diagnosis highlights that this alliance name must be considered as an alternative name to the largely disused name Medicagini-Brachypodion distachyi. In order to stabilize the nomenclature, we propose the conservation of the traditionally used name Poo-Astragalion. On the other hand, the

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Kiran, Naumana. "Stratification and Role of the Elite Muslim Women in the State of Awadh, 1742-1857." ATHENS JOURNAL OF HISTORY 7, no. 4 (2021): 289–94. http://dx.doi.org/10.30958/ajhis.7-4-2.

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This paper focuses on stratification and role of the elite Muslim women in the State of Awadh during the second-half of the eighteenth, and first-half of nineteenth century India. It evaluates the categorization of women associated with the court and the division of political and domestic power among them. It also seeks their economic resources and their contribution in fields of art and architecture. The study finds that the first category of royal women of Awadh, including queen mothers and chief wives, enjoyed a powerful position in the state-matters unlike many other states of the time in

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27

Vasylyshyn, Igor P. "EXISTENTIAL IMAGES AND NARRATIVES IN RILKE`S POETRY (Bogdan Kravtsiv`s translation experience)." Alfred Nobel University Journal of Philology 2, no. 24 (2022): 63–81. http://dx.doi.org/10.32342/2523-4463-2022-2-24-6.

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In 1947, in the German city of Nuremberg, Bohdan Kravtsiv`s book of translations from Rainer Maria Rilke`s “Things and Images” was published, which became a significant contribution to Ukrainian Rilkeanism. B. Kravtsiv`s translations were highly appreciated by critics and literary experts. The purpose of the article is the study of Rilke images and narratives in Bohdan Kravtsiv’s translations, the analysis of the main concepts related to the ideological and thematic layers of the lyrics that B. Kravtsiv chose for translation, and the highlighting of the existential discourse as a translation p

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Fatmawati, Andriyana. "KEARIFAN LOKAL JAWA DALAM SERAT MANGUNHARJA." Jurnal Penelitian Humaniora 25, no. 1 (2021): 8–20. http://dx.doi.org/10.21831/hum.v25i1.33279.

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Penulisan ini bertujuan mendeskripsikan nilai-nilai kearifan lokal Jawa dalam teks serat Mangunharja. Teks Serat Mangunharja merupakan salah satu naskah peninggalan jaman dahulu yang ditulis dengan tulisan tangan dan berwujud macapat yang menggambarkan perjalanan sesorang untuk mengadakan penelitian terhadap keadaan sungai-sungai di daerah Surakarta yang kemungkinan dapat dibendung untuk pengairan sawah dan ladang serta mengandung nilai-nilai kearifan lokal. Data diambil dari teks Serat Mangunharja yang dibaca secara heuristik dan hermeneutik. Data yang terkumpul kemudian dianalisis menggunaka

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Oh, Jonghyun, and Byoungin Kim. "A study on the concept of “imitation” of 15th century French poetic art - focusing on the Twelve Ladies of Rhetoric." Yongbong Journal of Humanities 57 (October 31, 2020): 109–48. http://dx.doi.org/10.35704/yjh.57.4.

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Lee, Soonhee. "A study on the concept of “imitation” of 15th century French poetic art - focusing on the Twelve Ladies of Rhetoric." Yongbong Journal of Humanities 57 (October 31, 2020): 149–84. http://dx.doi.org/10.35704/yjh.57.5.

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Garnier, Xavier. "BEIER Ulli (ed.) - Yoruba Poetry. Compiled and edited by Ulli Beier with Tini Laoye I, Bakare Gbadamosi, Duro Ladipo and Ademola Onibonokuta. Bayreuth, Bayreuth African Studies 62, 2002, 168 p., ill. - ISBN 3-927510-75-0." Études littéraires africaines, no. 16 (2003): 65. http://dx.doi.org/10.7202/1041573ar.

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Rabin, Lisa. "Speaking to Silent Ladies: Images of Beauty and Politics in Poetic Portraits of Women from Petrarch to Sor Juana Ines de la Cruz." MLN 112, no. 2 (1997): 147–65. http://dx.doi.org/10.1353/mln.1997.0025.

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Hamessley, Lydia. "Within Sight: Three-Dimensional Perspectives on Women and Banjos in the Late Nineteenth Century." 19th-Century Music 31, no. 2 (2007): 131–63. http://dx.doi.org/10.1525/ncm.2007.31.2.131.

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During the last decades of the nineteenth century, women figured prominently in a marketing campaign by banjo manufacturers who sought to make the banjo a respectable instrument for ladies. Their overarching aim was to "elevate" the banjo's status from its African-American and minstrel-show associations, thereby making the instrument acceptable in white bourgeois society. At the same time, stereoview cards, three-dimensional photographs produced by the millions, were a popular parlor entertainment featuring a variety of contemporary images, including women playing the banjo. Yet, instead of de

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Thaning, Kaj. "Hvem var Clara? 1-3." Grundtvig-Studier 37, no. 1 (1985): 11–46. http://dx.doi.org/10.7146/grs.v37i1.15940.

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Who was Clara?By Kaj ThaningIn this essay the author describes his search for Clara Bolton and her acquaintance with among others Benjamin Disraeli and the priest, Alexander d’Arblay, a son of the author, Fanny Burney. He gives a detailed account of Clara Bolton and leaves no doubt about the deep impression she made on Grundtvig, even though he met her and spoke to her only once in his life at a dinner party in London on June 24th 1830. Kaj Thaning has dedicated his essay to Dr. Oscar Wood, Christ Church College, Oxford, and explains why: “Just 30 years ago, while one of my daughters was worki

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Arroyo Carvajal, Yordan. "Poéticas abyalenses en Centroamérica: propuesta de análisis literario en el contexto de las revistas digitales (Parte I)." Repertorio Americano, no. 33 (May 31, 2023). http://dx.doi.org/10.15359/ra.1-33.9.

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This research makes a proposal for a literary analysis of what is referred to here as the “abyalense poetics in Central America”,from the context of digital magazines. The study considers four digital magazines, New York Poetry Review, Ajkö Ki, Círculo de Poesía, and Altazor, and two poets per region. The cases of Nicaragua, Belize and Honduras are pending for the second part. In total there are sixty poems by authors from Costa Rica (Leonardo Porras Cabrera and Mariana Bejarano), Guatemala (Miguel Ángel Oxlaj Cúmez and Rosa Chávez), El Salvador (Guadalupe Estrada and Paula López), and Panama

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Hariyanto, Dwi. "ANALISIS UNSUR SOSIOPSIKOLOGIS SASTRA PUISI “LAGU MURAM PEDALAMAN” KARYA HABOLHASAN ASYARI." LOA: Jurnal Ketatabahasaan dan Kesusastraan 17, no. 1 (2022). http://dx.doi.org/10.26499/loa.v17i1.4678.

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AbstrakKarya sastra berupa puisi lahir dari lingkungan sosial masyarakat. Pengarang menggali ide-idenya dari lingkungan sosialnya. Berdasarkan hal tersebut maka masalah dalam penelitian ini adalah bagaimanakah unsur sosio-psikologis sastra pada puisi “Lagu Muram Pedalaman” Karya Habolhasan Asyari. Tujuan pada kajian ini adalah untuk mengetahui dan mendeskripsikan unsur sosio-psikologi sastra puisi tersebut. Metode penelitian yang digunakan adalah metode penelitian deskriptif kualitatif. Hasil penelitian menunjukkan bahwa puisi “Lagu Muram Pedalaman” Karya Habolhasan Asyari bertemakan kehidupan

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張, 明明. "東亞漢詩的艷情傳統———以琉球詩人蔡大鼎爲例". 人文中國學報, 1 січня 2020, 167–87. http://dx.doi.org/10.24112/sinohumanitas.292030.

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LANGUAGE NOTE | Document text in Chinese; abstract also in English. 晚清琉球詩人蔡大鼎曾以使臣身分遍遊中國諸省，其中不乏冶遊之作。對前代士妓雅情之追慕與模仿促成其“意淫觀”在艷詩中的體現。另一方面，在選擇性書寫的意識下，蔡氏的大部分艷詩並不帶有過多個人情感色彩，而是直觀地描繪晚清時期的青樓實況。此外，蔡大鼎的“島女情結”揭示了其艷情外衣下征夫思婦主題的內核。藉助琉球蔡氏的艷詩創作，再反觀朝鮮、日本等國，其艷情傳統各有淵源，並呈現出本國文化的特徵，綜合比較可見艷詩一體在東亞各國的受容與傳播境遇。 Erotic poetry is a unique style of Chinese poetry in East Asia. Cai Dading (Japanese spelling: Sai Taitei, b. 1823), a poet who hailed from Ryukyu but traveled to numerous provinces in China in his tenure as an envoy, wrote a number of poems on pleasure seeking in entertainment quarters. His admiration

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Päll, Janika. "Uusklassikaline luuletraditsioon varauusaja Tallinnas ja Tartus / Humanist Greek and Neo-Latin poetry in Early Modern Tallinn and Tartu." Methis. Studia humaniora Estonica 13, no. 16 (2017). http://dx.doi.org/10.7592/methis.v13i16.12452.

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Teesid: Käesolev artikkel käsitleb uusklassikalist luulet ehk luulet, mis tärkab humanistliku hariduse pinnalt ja on loodud nn klassikalistes keeltes ehk vanakreeka ja ladina keeles. Artikli esimene pool toob välja paar üldist probleemi varauusaja poeetika käsitlemises nii Eestis kui mujal. Teises osas esitatakse alternatiivina mõned näited (autoriteks G. Krüger, H. Vogelmann, L. Luden, O. Hermelin ja H. Bartholin) Tartu ja Tallinna uusklassikalisest luulest värsstõlkes koos poeetika analüüsidega, avalikkusele tundmata luuletuste puhul esitatakse ka originaaltekstid. SUMMARYThis article discus

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莫, 岸洪. "論明末清初女性詞評出現“林下風”傾向的内涵與社會文化意義". 人文中國學報, 1 липня 2022, 225–45. http://dx.doi.org/10.24112/sinohumanitas.342272.

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LANGUAGE NOTE | Document text in Chinese; abstract also in English. 明末清初（約明代崇禎年間到清代康熙年間），女性詞評出現一股“林下風”傾向的潮流：即用“林下風”作爲正面批評女性詞的標準，頻繁出現於明末清初涉及女性詞評的文獻中，而其中詞評部分佔最大比例的是對晚明和清初女詞人的評論。明末清初對女性詞評的“林下風”傾向與當時詞壇的風氣轉變密切相關。明代中期以來在尊崇婉約及易安體爲正宗的詞壇背景下，女性詞受到了空前的重視和揄揚。評論女詞人著意强化“林下風”，其實標舉的是女性詞人其詞具有男性詞人的“閒雅”、“淡遠”、“混茫”的風格内涵，與“儂婉”、“纖佻”、具有“脂粉之態”的閨秀詞是相異的，這具有言過其實的成分，其實是有意將女詞人抬舉到名士的地位，這是顛倒性别的批評名士化的傾向，其名士内涵是風雅儒生、有才文士。這根源於明末清初出現才女“名士化”傾向的社會文化背景：包括推崇“才情”的女性觀；“女務外學”的社會背景；才女品藻的名士化傾向。從中可看出，女性的詞體創作地位在當時文壇得到較大提升，女性的社會文化地位也在一定程度上得到提升。但也是女性詞評無法突破以男性爲中心批評標準的體現，女性仍然是在男權的社會框架下處於弱勢的社會文化地位。 The “Style of Under-the-Grove” beca

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張, 高評. "杜甫詩史與六義之比興———兼論叙事歌行與《春秋》筆削". 人文中國學報, 1 липня 2022, 113–60. http://dx.doi.org/10.24112/sinohumanitas.342269.

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LANGUAGE NOTE | Document text in Chinese; abstract also in English. 晉杜預，爲杜甫十三世祖，著《春秋經傳集解》，其《序》文特提微、婉、顯、晦之法，懲惡勸善之義。揭示叙事傳統無數法門，爲《春秋》學之一大功臣。杜甫三十歲時，曾作《祭遠祖當陽君文》，宣稱不敢忘本，不敢違仁。於是《春秋》與詩，同爲杜氏家學。杜甫流離隴蜀，所作敍事歌行，世號“詩史”，《本事詩》所謂“推見至隱，殆無遺事”者。叙事傳人之際，遂多《春秋》書法之體現。諸如屬辭比事，筆削顯義；據事直書，美惡自見；微婉顯晦，推見至隱；以小該大，因彼見此；偏載略取，舉輕明重；直斥不宜，曲筆諱飾；彼此相形、前後相絜，行屬辭比事之法；詳略、異同、重輕、忽謹，指義見乎筆削，其大者焉。杜甫於安史之亂前後所作敍事歌行，如《麗人行》、《哀江頭》、《贈花卿》、《戲作花卿歌》、《丹青引贈曹將軍霸》、《韋諷録事宅觀曹將畫馬圖歌》、《觀公孫大娘弟子舞劍器行》諸什，除轉化《春秋》書法爲詩史之外，且多寓抒情於叙事之中。正杜甫稱元結《舂陵行》，所謂“比興體制”；章學誠所稱：“必通六義比興之旨，而後可以講春王正月之書。”叙事傳統，可以兼涵抒情傳統，由杜甫詩史，“比興發於真機，美刺該夫衆體”，可見一斑。 Du Yu (222-285) of the Jin Dynasty wa

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Reid Boyd, Elizabeth, Madalena Grobbelaar, Eyal Gringart, Alise Bender, and Rose Williams. "Introducing ‘Intimate Civility’: Towards a New Concept for 21st-Century Relationships." M/C Journal 22, no. 1 (2019). http://dx.doi.org/10.5204/mcj.1491.

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Fig. 1: Photo by Miguel Orós, from unsplash.comFeminism has stalled at the bedroom door. In the post-#metoo era, more than ever, we need intimate civil rights in our relationships to counter the worrisome prevailing trends: Intimate partner violence. Interpersonal abuse. Date rape. Sexual harassment. Online harassment. Bullying. Rage. Sexual Assault. Abusive relationships. Revenge porn. There’s a lot of damage done when we get up close and personal. In the 21st century, we have come far in terms of equality and respect between the genders, so there’s a lot to celebrate. We also note that the A

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