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Journal articles on the topic 'Lady Chatterley's lover'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Bradshaw, David. "Red Trousers: Lady Chatterley's Lover and John Hargrave." Essays in Criticism 55, no. 4 (2005): 352–73. http://dx.doi.org/10.1093/escrit/cgi026.

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2

Clarke, Bruce, Michael Squires, and Dennis Jackson. "D. H. Lawrence's Lady: A New Look at Lady Chatterley's Lover." South Atlantic Review 51, no. 1 (1986): 148. http://dx.doi.org/10.2307/3199570.

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3

RESINA, JOAN RAMON. "THE WORD AND THE DEED IN LADY CHATTERLEY'S LOVER." Forum for Modern Language Studies XXIII, no. 4 (1987): 351–65. http://dx.doi.org/10.1093/fmls/xxiii.4.351.

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4

Flores Santurio, Roberta, and Sabrina Siqueira. "CORPO, NATUREZA E REGENERAÇÃO EM O AMANTE DE LADY CHATTERLEY, DE D. H. LAWRENCE." Revista Crítica Cultural 19, no. 1 (2024): e18814. http://dx.doi.org/10.59306/rcc.v19e12024e18814.

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Defender of the body as the only human power capable of acting against social adversities, D. H. Lawrence was categorized throughout his work as “erotic”, especially in his most robust narrative, Lady Chatterley's Lover. However, the author's ambivalences are confusing due to the moralizing content present in the narrative. Despite the sex scenes, there is a pro-life message of union between lovers, and a belief in the life-death-life cycle of beings. Moreover, there is a social aspect along with psychological aspects of the characters. As we analyze in this work, the construction of a positiv

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5

Ni Made Sri Maheswari Paramitha and Komang Dian Puspita Candra. "Analysis of Politeness Maxims Found in Lady Chatterley’s Lover Movie." ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies 4, no. 3 (2024): 291–300. http://dx.doi.org/10.36733/elysian.v4i3.7449.

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Politeness has always been one of the primary linguistics issues. The objectives of this research were centered on identifying the varieties of politeness maxims utilized by characters in the 2022 adaptation of the film "Lady Chatterley's Lover." The primary focus of this inquiry was to examine the employed politeness maxims exclusively within the dialogues among the characters. The researcher detailed and assessed both the quantity and prevalence of distinct politeness maxims within the film. For analysis, a qualitative approach was employed, drawing on Leech's (1983) theory that delineates s

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6

Damljanović, Nataša. "Lady Chatterley, her Lover and their Room with a View: Modernist discourses on love and reality." Norma 26, no. 2 (2021): 269–78. http://dx.doi.org/10.5937/norma2102269d.

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The dawn of the 20th century in Britain witnessed changes in almost every aspect of women>s everyday lives. The emergence of the women's movement and a new generation of female professionals transformed the traditional patriarchal social structure. The present paper pursues two main goals. First, it shows how the novels Lady Chatterley's Lover and A Room with a View emerged from this social-historical moment in Britain. Since the novels depict the period before the Great War, they connect two periods in English history: Victorianism and Modernism, two different ways of living and two differ

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7

Trotter, David. "Techno-Primitivism: Á Propos of Lady Chatterley's Lover." Modernism/modernity 18, no. 1 (2011): 149–66. http://dx.doi.org/10.1353/mod.2011.0004.

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8

วิมลเกียรติขจร, ชาลินี. "การศึกษากลวิธีการแปลคำหยาบ "FUCK" กรณีศึกษา: ชูรักเลดี้แซดเดอร์เลย์ (Lady Chatterley's Lover) และ เทรนสปอตติ้ง (Trainspotting)". Journal of Letters 37, № 2 (2008): 109–49. http://dx.doi.org/10.58837/chula.jletters.37.2.4.

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9

S., Srinivetha. "Freud psychoanalytic view of constant Reid sex to self-conscious in D. H Lawrence's The Lady Chatterley's Lover." Freud psychoanalytic view of constant Reid sex to self-conscious in D. H Lawrence's The Lady Chatterley's Lover 9, no. 2 (2024): 11–16. https://doi.org/10.36993/ RJOE.2024.9.2.16.

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"The Lady Chatterley's Lover" provides a zenith in Lawrence's exploration of character psychology. Firstly, Lawrence is an insightful writer rather than a sexist. With a profound interest in psychological revelation, Lawrence strongly emphasizes depicting characters' irrational psychological activities to unveil the essence of human nature. His exploration goes beyond the surface, delving into the unconscious and unveiling new subtleties of psychological approaches. Constance Reid Chatterley's transformative psychological journey navigates love, passion, and socie

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10

Bo, Ting. "An Analysis of Lady Chatterley's Lover from the Perspective of Ecofeminism." Theory and Practice in Language Studies 8, no. 10 (2018): 1361. http://dx.doi.org/10.17507/tpls.0810.15.

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Eco-feminism, as a new theoretical criticism of literature, combines the oppression and domination of women. There is a critical connection between woman and nature, originating from their shared history of oppression by a patriarchal Western society. The development of eco-feminism has significant influence on attitudes of human beings toward nature, especially the relationship between nature and woman. Lawrence is well-known for both his unique writing techniques and frank expression of sex. In Lady Chatterley's Lover, Lawrence shows his strong awareness of eco-feminism by exploring the rela

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11

Plotz, Judith. "Secret Garden II; or Lady Chatterley's Lover as Palimpsest." Children's Literature Association Quarterly 19, no. 1 (1994): 15–19. http://dx.doi.org/10.1353/chq.0.0891.

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12

ROODHOUSE, MARK. "Lady Chatterley and the Monk: Anglican Radicals and the Lady Chatterley Trial of 1960." Journal of Ecclesiastical History 59, no. 3 (2008): 475–500. http://dx.doi.org/10.1017/s0022046907002473.

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The trial of Penguin Books for publishing an unexpurgated edition of D. H. Lawrence's novel Lady Chatterley's lover is a symbolic episode in histories of 1960s Britain, used to illustrate changes in social attitudes. However, historians have not appreciated the impact of the trial on Anglican attitudes towards contemporary society. Using correspondence in the papers of the Mirfield father and literary critic Martin Jarrett-Kerr, this article reveals the tensions within a loose coalition of Anglican radicals just as their views began to receive attention in the media. Jarrett-Kerr and fellow li

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13

Neveux, Julie. "Le sens d'une forme : les noms en -ness dans Lady Chatterley's Lover." Études anglaises 57, no. 2 (2004): 158. http://dx.doi.org/10.3917/etan.572.0158.

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Plotz, Judith A. "Secret Garden II: Lady Chatterley's Lover as Palimpsest." Children's Literature Association Quarterly 1991, no. 1 (1991): 57. http://dx.doi.org/10.1353/chq.1991.0033.

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15

Chen, Yi. "Publishing in China in the Post-Mao Era: The Case of Lady Chatterley's Lover." Asian Survey 32, no. 6 (1992): 568–82. http://dx.doi.org/10.2307/2645161.

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16

Dawson, Paul. "Fictional Minds and Female Sexuality: The Consciousness Scene from Pamela to Lady Chatterley's Lover." ELH 86, no. 1 (2019): 161–88. http://dx.doi.org/10.1353/elh.2019.0006.

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Chen, Yi. "Publishing in China in the Post-Mao Era: The Case of Lady Chatterley's Lover." Asian Survey 32, no. 6 (1992): 568–82. http://dx.doi.org/10.1525/as.1992.32.6.00p01806.

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18

Kang, Chuanmei, and Xianyou Wu. "The Transitivity System and Thematic Meaning: A Feminist-stylistics Approach to Lawrence's Lady Chatterley's Lover." Theory and Practice in Language Studies 5, no. 6 (2015): 1200. http://dx.doi.org/10.17507/tpls.0506.11.

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19

Ganglani, Poonam M. "Piecing Together the Lady Chatterley Puzzle: an Uncensored Investigation." New Theatre Quarterly 26, no. 1 (2010): 71–76. http://dx.doi.org/10.1017/s0266464x10000072.

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In this article, Poonam M. Ganglani investigates how the preserved manuscripts in the Lord Chamberlain's archives of John Hart's stage version of Lady Chatterley's Lover in 1961 reflect the social and theatrical landscape of the times. The notion of the Lord Chamberlain as a custodian of morals, the dangerous power attributed to stage semiotics, and the response to sexual impropriety on stage are among the areas discussed. The Lord Chamberlain's correspondence files offer the only significant glimpse into this theatrical adaptation of Lawrence's novel, as into other unpublished plays of the ti

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20

Harrison, William M., and Jay A. Gertzman. "A Descriptive Bibliography of Lady Chatterley's Lover, with Essays toward a Publishing History of the Novel." Modern Language Studies 24, no. 3 (1994): 119. http://dx.doi.org/10.2307/3194854.

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21

Pattison, George. "Friedrich Schlegel's Lucinde: A Case Study in the Relation of Religion to Romanticism." Scottish Journal of Theology 38, no. 4 (1985): 545–64. http://dx.doi.org/10.1017/s0036930600030349.

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In 1799 a small book called Lucinde was published in Berlin. Written by the brilliant young literary critic Friedrich Schlegel it celebrated his (adulterous) affair with Dorothea Veit, daughter of the eminent Jewish philosopher Moses Mendelssohn. Though not widely read and still less widely understood the book provoked a considerable, and largely hostile, reaction among the reading public. It became to its generation what Lady Chatterley's Lover was to a more recent age: the quintessential embodiment of an obscene book. The author's mother gave utterance to the popular consensus when she wrote

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22

Tall, Emily. "Behind the Scenes: How Ulysses Was Finally Published in the Soviet Union." Slavic Review 49, no. 2 (1990): 183–99. http://dx.doi.org/10.2307/2499479.

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Mikhail Gorbachev's policy of glasnost has resulted in an astounding flood of hitherto forbidden foreign classics. Aldous Huxley's Brave New World, George Orwell's 1984 and Animal Farm, Arthur Koestler's Darkness at Noon, Isaac Bashevis Singer's short stories, and James Joyce's Ulysses were all published during 1988-1989, and D. H. Lawrence's Lady Chatterley's Lover, Saul Bellow's Herzog, and the poetry of Ezra Pound, Chaim Nachum Bialik, and Czeslaw Milosz have all been promised for 1990.' It is as if permission were given, a list of forbidden books were consulted, translations were commissio

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23

Milyukov, M. N. "“LADY CHATTERLEY'S LOVER”: THE SYMBOLIC IMAGE OF FLOWER IN THE CONTEXT OF D. LAWRENCE'S PHILOSOPHICAL AND AESTHETIC CONCEPT." KAZAN LINGUISTIC JOURNAL 7, no. 3 (2024): 300–311. http://dx.doi.org/10.26907/2658-3321.2024.7.3.300-311.

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24

Journet, Debra. "Patrick White and D. H. Lawrence: Sexuality and the Wilderness in a "Fringe of Leaves" and "Lady Chatterley's Lover"." South Central Review 5, no. 2 (1988): 62. http://dx.doi.org/10.2307/3189571.

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25

Strevens, Adam. "Literature, morality and the adversarial principle: The 'Fleshly School of Poetry' quarrel and the trial of Lady Chatterley's Lover." Critical Quarterly 43, no. 4 (2001): 31–41. http://dx.doi.org/10.1111/1467-8705.00386.

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26

Dr.P.Pallavan. "Dichotomy Between Reason and Emotion in Human Relationships with Reference to D.H. Lawrence's Novel Lady Chatterley's Lover: A Study of human minds." Dichotomy Between Reason and Emotion in Human Relationships with Reference to D.H. Lawrence's Novel Lady Chatterley's Lover: A Study of human minds 8, no. 3 (2024): 190–93. https://doi.org/10.36993/ RJOE.2023.8.3.193.

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This paper is aimed at easing theuneasiness of the tension prevails in thepresent Life situation. As it was rightlypointed out that the study of literature itselfis the study of life and its principles,manners and values. The main reason forhuman tension is not understanding the"Differences" and "Dichotomies" whichprevails among all human beings. The studyof literature may enhance the understandingof the differences and it will help us to leada successful life. This particular paper triesto unearth the root causes of problems inhuman relations. The need of the hour hereis understanding the dif

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27

Meyers, Jeffrey. "D. H. Lawrence's "Lady": A New Look at "Lady Chatterley's Lover, and: The Letters of D. H. Lawrence. Volume 3: October 1916-June 1921 (review)." MFS Modern Fiction Studies 31, no. 2 (1985): 357–61. http://dx.doi.org/10.1353/mfs.0.0180.

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28

Kurraz, Abdullah. "Artistic Narrative Structure of Ihsan Abdel Quduos and D. H. Lawrence's Novels: A Stylistic Comparative Sketch." International Journal of Linguistics, Literature and Translation 5, no. 3 (2022): 48–57. http://dx.doi.org/10.32996/ijllt.2022.5.3.6.

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This paper explores the artistic structures, aesthetics, and thematics in the literary works of Ihsan Abd Al-Quduos (the Arab writer) and D. H. Lawrence (the English writer) in terms of the narrative style, language, dialogue, settings, and characters through a textual analysis in the light of the premises of the narrative aesthetics, comparative assumptions and aesthetic intertextualities. Comparatively, the paper sheds light on the aspects of artistic aesthetics of structure and style between the two writers, basically the treatment of women, clarifying their narrative experiences. Therefore

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29

Полубиченко, Л. В. "Linguotoxicology through the prism of artistic translation." Cherepovets State University Bulletin, no. 1(118) (February 17, 2024): 123–42. http://dx.doi.org/10.23859/1994-0637-2024-1-118-9.

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Лингвотоксикология как часть эколингвистики занимается выявлением и описанием разнообразных элементов, загрязняющих литературный язык. В художественной литературе, однако, элементы такого рода выполняют ряд важных художественных функций, в связи с чем целью проведенного исследования было определить, применимо ли понятие лингвотоксичности к художественному дискурсу. Слова, которые принято считать токсичными (коллоквиализмы, сленгизмы, вульгаризмы, жаргонизмы, обсценизмы и иная субстандартная лексика), рассматриваются в статье как социокультурные знаки и средство создания ярких художественных об

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30

ullah, Kifayat. "Lack of Tenderness: The Main Culprit for the Relationship between Husband and Wife in Lady Chatterley’s Lover." University of Chitral Journal of Linguistics and Literature 1, no. 1 (2018): 126–35. http://dx.doi.org/10.33195/uochjll/1/1/07/2017.

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This article presents the case of Chatterley and Clifford, the two main characters in Lady Chatterley’s Lover, to consider tenderness a basic working emotion to shape human relationship. The lack of tenderness causes emotional as well as physical distance in relation, especially that of male-female’s relation. The first part of the article reviews tenderness. The second part reviews how tenderness and lack of tenderness affects male-female relationship in the selected novel, Lady Chatterley’s Lover. On the basis of a careful analysis of Lady Chatterley’s Lover, the present writer tries to prov

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31

Zhao, Yanyang. "Disability as Metaphor in Lady Chatterley’s Lover." International Journal of Education and Humanities 14, no. 2 (2024): 164–68. http://dx.doi.org/10.54097/bsvavc28.

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Lady Chatterley’s Lover is renowned for its depiction of the human longing for freedom and its critique of industrial civilization. As one of the significant metaphorical forms, the physical disability of the male protagonist Clifford Chatterley revealed social deficiencies in the depiction of the female protagonist’s pursuit of ideal sexual relationships through the use of multi-dimensional disability narratives. This essay examines the multiple metaphorical meanings of disability in British industrial society, contextualizing the novel within its social milieu. It is argued that Lawrence exp

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32

Wen, Ting. "Is Connie a New Woman on the Way to Happiness?—An Analysis of Connie in Lady Chatterley’s Lover from the Perspective of Feminism." Theory and Practice in Language Studies 9, no. 8 (2019): 1020. http://dx.doi.org/10.17507/tpls.0908.20.

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Lady Chatterley’s Love, the last novel written by David Herbert Lawrence, caused quite a series of controversy in the circle of literary critic and among the readers. The heroine in the novel, Connie, Lady Chatterley, is a key figure to be considered when we interpret this work thoroughly. Connie is still regarded as a brave woman at that time that defies the shackles of old ethics and seeks personal emancipation. Can Connie be counted as a real new woman? Why? This paper attempts to answer this question from the perspective of feminism.

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33

Ellis, David. "Buckley, W. K., Lady Chatterley's Lover: Loss and Hope. Pp. xiv + 121 (Twayne's Masterwork Studies). New York: Twayne; Toronto: Maxwell Macmillan Canada; New York, Oxford, Singapore, Sydney: Maxwell Macmillan International, 1993. $22.95." Notes and Queries 42, no. 1 (1995): 111–12. http://dx.doi.org/10.1093/notesj/42.1.111.

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34

Allan, Jonathan A. "Lady Chatterley’s Green World: A Frygian Reading of Lady Chatterley’s Lover." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 47, no. 2 (2020): 143–57. http://dx.doi.org/10.1353/crc.2020.0010.

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35

Kosareva, A. A. "Harlequinade Grotesque in D. H. Lawrence’s Novel ‘Lady Chatterley’s Lover’." Nauchnyi dialog 12, no. 6 (2023): 228–44. http://dx.doi.org/10.24224/2227-1295-2023-12-6-228-244.

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The article is devoted to the interpretation of D. H. Lawrence’s novel ‘Lady Chatterley’s Lover’. The basis for reading the novel in a carnival key is provided by both the facts of Lawrence’s biography and the presence of carnival interpretations in his other works in recent decades. The study of the harlequinade imagery in the novel makes it possible to characterize the ‘Lawrentinian’ harlequinade grotesque and its role in reflecting the writer’s worldview. Through the analysis of the characters, the author establishes similarities between Mellors, Connie, and Clifford with Harlequin, Columbi

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36

WANG, Dong. "Research on the Theme of Creativity in D. H. Lawrence’s Works." Studies in Linguistics and Literature 8, no. 1 (2024): p186. http://dx.doi.org/10.22158/sll.v8n1p186.

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The theme of creativity is a common theme in D. H. Lawrence’s main novels, including Sons and Lovers, The Rainbow, Women in Love and Lady Chatterley’s Lover. Sons and Lovers remains blurry in the possibility of true creative fulfillment. In The Rainbow, Lawrence begins to ponder over creativity clearly. Lawrence’s Women in Love handles the theme of creativity in a more dismal and realistic way. The novel Lady Chatterley’s Lover does not directly portray the realistic societal level within the process of creativity. It only portrays creative self-renewal on a personal level. If seen as the sole

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37

Dowden, Stephen D., and Agnes C. Mueller. "Language and Experience in Lady Chatterley’s Lover." Literary Imagination 18, no. 1 (2016): 26–43. https://doi.org/10.1353/lim.2016.a943550.

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38

Mews, Stuart. "The Trials of Lady Chatterley, the Modernist Bishop and the Victorian Archbishop: Clashes of Class, Culture and Generations." Studies in Church History 48 (2012): 449–64. http://dx.doi.org/10.1017/s0424208400001509.

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‘Now firmly established as a modernist novelist’, D. H. Lawrence (1885–1930) remains a controversial writer, especially for the ambiguity of his attitudes to fascism and feminism. This essay considers the role played by the then forty-one-year-old bishop of Woolwich, John Robinson, in offering evidence for the defence in the Old Bailey trial in 1960 which acquitted Penguin Books of obscenity in publishing Lawrence’s novel Lady Chatterley’s Lover. In taking part in the trial Robinson acquired notoriety (or credit). His public admiration for Lawrence’s writing placed him at odds with the two pos

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39

Kim, Kyunghyun. "Freedom: Lady Chatterley’s Lover and Zorba the Greek." British and American Language and Literature Association of Korea, no. 133 (June 30, 2019): 1–21. http://dx.doi.org/10.21297/ballak.2019.133.1.

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Pratiwi, Nidya, M. R. Nababan, and NFN Djatmika. "Keakuratan Terjemahan Gaya Bahasa pada Novel Lady Chatterley’s Lover." Ranah: Jurnal Kajian Bahasa 7, no. 2 (2018): 194. http://dx.doi.org/10.26499/rnh.v7i2.634.

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41

Keumhee Park. "D. H. Lawrence’s Lady Chatterley’s Lover: Connie’s Authoring Self." Jungang Journal of English Language and Literature 57, no. 1 (2015): 221–46. http://dx.doi.org/10.18853/jjell.2015.57.1.011.

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42

김경현. "Becoming Native of a Place in Lady Chatterley’s Lover." Studies in English Language & Literature 41, no. 4 (2015): 1–20. http://dx.doi.org/10.21559/aellk.2015.41.4.001.

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43

Mahmood, Elaf Tariq, and Hamdi Hameed Yousif. "D. H. Lawrence’s Lady Chatterley’s Lover: A Marxist Feminist Study." Journal of Tikrit University for Humanities 30, no. 5, 2 (2023): 1–20. http://dx.doi.org/10.25130/jtuh.30.5.2.2023.18.

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Lady Chatterley’s Lover narrates a story of the relationship between an upper class married woman, Constance, and a working class game keeper, Oliver Mellors . However, this paper draws on Marxist feminism that explains women’s status and oppression form the viewpoints of famous philosophers as Karl Marx and Friedrich Engles. In addition, it argues with the following questions: What are the class structures established in the text and what are the social binary oppositions between classes ? What groups control the economic means of production?

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44

Onyebuchi, Ile James. "Time and Temporalities in D.H. Lawrence’s Lady Chatterley’s Lover: An Intervention for the Hopeless Age." Nile Journal of English Studies 2, no. 2 (2016): 53. http://dx.doi.org/10.20321/nilejes.v2i2.72.

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<p>Ordinarily, a modernist work will be expected to be experimental in terms of structure and plotting; it will be expected to reject traditional values, favor order and knowable structures in seeking for truth and meaning on the one hand. On the other hand, it will be expected to subvert same –that is, order and knowable structures in seeking truth and meaning. In other words, it will be expected to regard truth and meaning as flux, inherently carrying the germ of post-modernism. While D.H. Lawrence’s Lady Chatterley’s Lover is not experimental in terms of plot –that is, it obeys the ru

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45

范, 晓航. "An Analysis of Ecological Aesthetic Thoughts in Lady Chatterley’s Lover." World Literature Studies 05, no. 04 (2017): 130–35. http://dx.doi.org/10.12677/wls.2017.54019.

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46

Koger, Grove, and Larry Kincaid. "Censoring Lady Chatterley’s Lover: a case study and bibliographic guide." Reference Services Review 28, no. 2 (2000): 188–99. http://dx.doi.org/10.1108/00907320010326719.

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47

Zhu, Kun. "The Translation of Sex-related Content in Lady Chatterley’s Lover in China." Theory and Practice in Language Studies 10, no. 8 (2020): 933. http://dx.doi.org/10.17507/tpls.1008.11.

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This article discusses how sex-related content is rendered in two Chinese translations of D. H. Lawrence’s Lady Chatterley’s Lover: Rao Shuyi (1936) and Zhao Susu (2004). It is found that Rao’s translation features explicitness, flexibility and Europeanization, while Zhao’s translation features conservativeness and domestication. And the observed features in the two translations regarding sex-related content are explained from perspectives of social and historical background, translation purpose and intended readership, and patronage.

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48

Joengmeen Gye. "Disability and Male Sexuality: Focusing on Clifford in Lady Chatterley’s Lover." English21 31, no. 4 (2018): 5–21. http://dx.doi.org/10.35771/engdoi.2018.31.4.001.

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49

Kadiyski, Evgеniy, and Zlatka Taneva. "VULGARITY AND BEAUTY IN THE EXPRESSION OF FEMALE SEXUALITY IN LITERATURE AT DIFFERENT TIMES." Knowledge International Journal 34, no. 6 (2019): 1677–82. http://dx.doi.org/10.35120/kij34061677k.

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In most scientific papers, female sexuality is represented from the point of view of physiology. In "History of Sexuality", Michel Foucault introduces the term "superknowledge of sexuality," stating that this notion "is not developed at the level of the individual, but at the level of culture and society." According to Foucault, the knowledge of contemporary society of sexuality coexists with the inability to realize our own sexuality. Knowledge of sexuality is rather theoretical, philosophical, analytical, but not personal.We will explore the nuances of female sexuality in the works of classi

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Lee,Ok. "Lady Chatterley’s Lover: The Reception of an Organic Connection and a Rebirth." New Korean Journal of English Lnaguage & Literature 56, no. 1 (2014): 83–104. http://dx.doi.org/10.25151/nkje.2014.56.1.005.

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