Relevant bibliographies by topics / Lady Chatterley's lover

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Lady Chatterley's lover'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 June 2025

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Journal articles on the topic "Lady Chatterley's lover"

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Bradshaw, David. "Red Trousers: Lady Chatterley's Lover and John Hargrave." Essays in Criticism 55, no. 4 (2005): 352–73. http://dx.doi.org/10.1093/escrit/cgi026.

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Clarke, Bruce, Michael Squires, and Dennis Jackson. "D. H. Lawrence's Lady: A New Look at Lady Chatterley's Lover." South Atlantic Review 51, no. 1 (1986): 148. http://dx.doi.org/10.2307/3199570.

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RESINA, JOAN RAMON. "THE WORD AND THE DEED IN LADY CHATTERLEY'S LOVER." Forum for Modern Language Studies XXIII, no. 4 (1987): 351–65. http://dx.doi.org/10.1093/fmls/xxiii.4.351.

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Flores Santurio, Roberta, and Sabrina Siqueira. "CORPO, NATUREZA E REGENERAÇÃO EM O AMANTE DE LADY CHATTERLEY, DE D. H. LAWRENCE." Revista Crítica Cultural 19, no. 1 (2024): e18814. http://dx.doi.org/10.59306/rcc.v19e12024e18814.

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Defender of the body as the only human power capable of acting against social adversities, D. H. Lawrence was categorized throughout his work as “erotic”, especially in his most robust narrative, Lady Chatterley's Lover. However, the author's ambivalences are confusing due to the moralizing content present in the narrative. Despite the sex scenes, there is a pro-life message of union between lovers, and a belief in the life-death-life cycle of beings. Moreover, there is a social aspect along with psychological aspects of the characters. As we analyze in this work, the construction of a positive and affirmative image of the body and its relationship with nature is not new, but renewed by Lawrence in the 20th century which provides nature with broad meanings beyond representation. In this sense, we seek to trace the relationship between the novel Lady Chatterley's Lover and Spinoza's philosophy, Shakespeare's poetics and Bakhtin's study of the body and nature.
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Ni Made Sri Maheswari Paramitha and Komang Dian Puspita Candra. "Analysis of Politeness Maxims Found in Lady Chatterley’s Lover Movie." ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies 4, no. 3 (2024): 291–300. http://dx.doi.org/10.36733/elysian.v4i3.7449.

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Politeness has always been one of the primary linguistics issues. The objectives of this research were centered on identifying the varieties of politeness maxims utilized by characters in the 2022 adaptation of the film "Lady Chatterley's Lover." The primary focus of this inquiry was to examine the employed politeness maxims exclusively within the dialogues among the characters. The researcher detailed and assessed both the quantity and prevalence of distinct politeness maxims within the film. For analysis, a qualitative approach was employed, drawing on Leech's (1983) theory that delineates six categories of politeness maxims. The data were gathered through observational means from the British romantic movie titled "Lady Chatterley's Lover" released in 2022. The findings of this investigation exhibit the presence of six distinct classes of applied politeness maxims throughout the movie. The study's outcomes reveal a total of 48 instances categorized as follows: 12 instances of tact maxim, 10 instances of generosity maxim, 8 instances of approbation maxim, 5 instances of modesty maxim, 7 instances of agreement maxim, and 6 instances of sympathy maxim. The highest frequency was observed in the tact maxim category, with 12 instances, signifying its predominant utilization among the characters in the movie.
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Damljanović, Nataša. "Lady Chatterley, her Lover and their Room with a View: Modernist discourses on love and reality." Norma 26, no. 2 (2021): 269–78. http://dx.doi.org/10.5937/norma2102269d.

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The dawn of the 20th century in Britain witnessed changes in almost every aspect of women>s everyday lives. The emergence of the women's movement and a new generation of female professionals transformed the traditional patriarchal social structure. The present paper pursues two main goals. First, it shows how the novels Lady Chatterley's Lover and A Room with a View emerged from this social-historical moment in Britain. Since the novels depict the period before the Great War, they connect two periods in English history: Victorianism and Modernism, two different ways of living and two different approaches to moral principles. The protagonists of the novels, Connie, later lady Chatterley, and Lucy, personify the young and impressionable women of that era. Second, the focus is on the layers of interpretation/the codes of meaning that indicate the narrative interface: similarities in the novels' plots and their characters. They also reflect on the social divide that marked the period. The paper also shows that, according to the story, plot, and discourse of the novels, money and social status cannot substitute for the bindings of love.
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Trotter, David. "Techno-Primitivism: Á Propos of Lady Chatterley's Lover." Modernism/modernity 18, no. 1 (2011): 149–66. http://dx.doi.org/10.1353/mod.2011.0004.

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วิมลเกียรติขจร, ชาลินี. "การศึกษากลวิธีการแปลคำหยาบ "FUCK" กรณีศึกษา: ชูรักเลดี้แซดเดอร์เลย์ (Lady Chatterley's Lover) และ เทรนสปอตติ้ง (Trainspotting)". Journal of Letters 37, № 2 (2008): 109–49. http://dx.doi.org/10.58837/chula.jletters.37.2.4.

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S., Srinivetha. "Freud psychoanalytic view of constant Reid sex to self-conscious in D. H Lawrence's The Lady Chatterley's Lover." Freud psychoanalytic view of constant Reid sex to self-conscious in D. H Lawrence's The Lady Chatterley's Lover 9, no. 2 (2024): 11–16. https://doi.org/10.36993/ RJOE.2024.9.2.16.

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"The Lady Chatterley's Lover" provides a zenith in Lawrence's exploration of character psychology. Firstly, Lawrence is an insightful writer rather than a sexist. With a profound interest in psychological revelation, Lawrence strongly emphasizes depicting characters' irrational psychological activities to unveil the essence of human nature. His exploration goes beyond the surface, delving into the unconscious and unveiling new subtleties of psychological approaches. Constance Reid Chatterley's transformative psychological journey navigates love, passion, and societal constraints. In The Lady Chatterley's novel, men and women are two parts of human relationships. The novel's heroine, Constance, dares to achieve her life in a society full of morality and religious obstacles for women. Constance Reid is a woman who has intense self-consciousness and always hides her true colors under her submissive veil. Her husband and family abuse Constance. So, she struggles to complete life independently and eventually wins her success against society with her respective lady of the Tevershall village. She interchangeably had an affair with Oliver Mellor, Mellor's, and she feels intolerable in her life. She always acts under the veil of submission. She finds out that Michaelis cannot fulfill her sexual desire; he is similar to Clifford, and she wants to quit their relationship. Constance is the wife of an impotent husband; she cannot feel the warmth of her sex life, which is meaningless. Connie's repressed sexual desires led her to infidelity and an unhappy married life because her husband's disability suppressed her desires. Connie Reid's sexual affair with the lower-class servant and moral dilemma lead out of her superego.
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Bo, Ting. "An Analysis of Lady Chatterley's Lover from the Perspective of Ecofeminism." Theory and Practice in Language Studies 8, no. 10 (2018): 1361. http://dx.doi.org/10.17507/tpls.0810.15.

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Eco-feminism, as a new theoretical criticism of literature, combines the oppression and domination of women. There is a critical connection between woman and nature, originating from their shared history of oppression by a patriarchal Western society. The development of eco-feminism has significant influence on attitudes of human beings toward nature, especially the relationship between nature and woman. Lawrence is well-known for both his unique writing techniques and frank expression of sex. In Lady Chatterley's Lover, Lawrence shows his strong awareness of eco-feminism by exploring the relations between man and man, nature and man, nature and woman.
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Dissertations / Theses on the topic "Lady Chatterley's lover"

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Trejling, Maria. "Discontent with Civilization in D.H. Lawrence's Lady Chatterley's Lover." Thesis, Linköpings universitet, Avdelningen för språk och kultur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-111778.

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The essay examines the concept of revolt in D.H. Lawrence's novel Lady Chatterley's Lover through an analysis of its portrayal of society, oppression, and violence, as well as love, tenderness, and the body. Sigmund Freud's essay Civilization and Its Discontents is used as a theoretical framework.
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Hayajneh, L. "The translation of English euphemistic expressions into Arabic in D.H. Lawrence's Lady Chatterley's Lover and Jane Austen's Emma." Thesis, University of Salford, 2010. http://usir.salford.ac.uk/26710/.

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This thesis considers English euphemisms and their translation into Arabic from a linguistic and translational perspective into Arabic. It consists of five main chapters. In the first chapter, the researcher discusses the reasons for addressing this topic. The definition, forms, and uses of euphemisms are addressed in detail. The nature of euphemism in Arabic, sometimes referred to in Arabic as talattuf, is addressed. In chapter one the hypotheses of the study are also introduced. The primary hypotheses are: 1. There is a correlative relationship between a euphemistic expression in English and its equivalent in Arabic: an English euphemism is normally best translated into another euphemism in Arabic. 2. When difficulties exist in recognising the scope of meaning (lexical, phrasal, or sentential) of English euphemisms, problems in translating them into Arabic are also found. 3. When English euphemisms are translated literally, the target language text loses its original communicative value. The secondary hypotheses are: 1. When translating a metaphorical English euphemism into Arabic, the Arabic counterpart is typically a metaphorical euphemism as well. 2. When translating a metonymical English euphemism into Arabic, the Arabic counterpart is typically a metonymical euphemism as well. 3. When translating a euphemistic English overstatement / understatement into Arabic, the Arabic counterpart is typically a euphemistic overstatement / understatement as well. 4. When translating a euphemistic English reversal into Arabic, the Arabic counterpart is typically a euphemistic reversal as well. In chapter two, the researcher moves on to the relationships between euphemism and other translation-related issues. He addresses the relations between euphemism and lexical meaning, and those between euphemism and genre, register, and text types. IX
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Chen, Yi. "The Chinese response to D.H. Lawrence's Lady Chatterley's Lover 1928-1989 with special reference to the British reception." Thesis, University of Sussex, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239692.

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Roditi, Mattei Mary Muriel. "L'Héroine lawrencienne et sa spécificité d'après cinq romans de D.H. Lawrence The White Peacock, Women in Love, The Lost Girl, The Plumed Serpent, Lady Chatterley's Lover." Lille 3 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb37595139k.

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Balzer, David. "Thinking sex : D.H. Lawrence, Radclyffe Hall and the socialization of modern texts." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33869.

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This thesis is an examination of sex in D. H. Lawrence's Lady Chatterley's Lover and Radclyffe Hall's The Well of Loneliness as it relates to the social, linguistic and political elements of literary modernism. Both novels "think sex," allowing specific concepts of sex to act as methods of communication between artists and readers. By writing sex, Hall and Lawrence address the modern reader, providing a script for ideal readerly and writerly approaches to the novel. The first chapter examines contemporary cultural and gender theory's understanding of the relationship between sex and discourse and relates this to political and literary considerations of modernism. The second chapter looks at psychosexual medical texts that influenced modernism's understanding of sex and art; the final chapter examines "thinking sex" in Lady Chatterley's Lover and The Well of Loneliness by examining the content and reception of both works.
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Chen, Ying-Chun, and 陳瑩純. "Women in Human Relationship in D.H. Lawrence's Lady Chatterley's Lover." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/50033836197788042332.

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碩士<br>中國文化大學<br>英國語文學研究所<br>96<br>The twentieth century is thought of as bringing disorder and cataclysmic changes to life and thought. It represents anxiety in human beings. D. H. Lawrence depicts what the war and industrial revolution influence the way of human life. The ruination of war is rampant all over the world; especially the war devastates people’s lives relentlessly. Despite the ending of war, people suffer from trauma on their physical bodies and mental minds. The nightmare of struggle for the survival attacks people’s ideal dreams for the future life. The novel conveys the mechanical and inharmonious modes of life resulting from the technology. Hence, when human life appears to be defensive, the human mind is full of agitation. Little by little, people do not trust each other and do not stand on the same ground. Traditional values become worse and worse. Finally, they are lost in the pursuit of material life. Under the destruction of civilization, Lawrence is concerned about the human relationship rebuilding based on mankind’s relationship with his fellows and with the universe. The Great War changes the world into a new age which offers women unparalleled freedom and responsibilities. Women could be accepted as men to go to university and have their own ways of thinking. Women can be brave to defend for themselves as men fight for survival in war. It is not only the man’s war but also the woman’s war. Women devoted themselves to their identities not as the Other but the whole self with the equal education as men. They can have more courage to speak their inner voices for pursuing female love. It is significant that Lawrence tries to find values in Western civilization and create a new epoch as the Utopia full of order and concord.
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Lin, Kai-Di, and 林愷蒂. "Feministic Equilibrium in D. H. Lawrence's Sons and Lovers, Women in Love and Lady Chatterley's Lover." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/18242423789142316558.

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碩士<br>中國文化大學<br>英國語文學研究所<br>92<br>This thesis applies Simone de Beauvoir's concept of feminism to D. H. Lawrence's three novels─Sons and Lovers, Women in Love and Lady Chatterley's Lover. De Beauvoir's feminist theory can be understood in her work─The Second Sex, which mainly explores the history and situation of women. The works of Lawrence have focused on the sexual relationship and roles between men and women. This work discusses the position of women in those relations with men according to Simone de Beauvoir’s feminist theory. The first chapter explains the change in woman's traditional position and introduces Lawrence's novels as seen by de Beauvoir's feminist position. The second chapter explores the ambivalent relationships between Mrs. Morel, Miriam and Clara as found in one of those novels─Sons and Lovers. Paul's excessive attachment to his mother results in his incapacity to establish good relations with Miriam and Clara. The relationship between him and Miriam lies in a spiritual level, while Clara's relationship with him rests on the physical one. Hence, these two women cannot achieve a balance of body and mind with Paul. The third chapter analyzes love and exploration of life through the relationship between man and woman in Women in Love. Ursula's relationship with Birkin conveys the philosophy of Lawrence─equilibrium. Gudrun's alienation from others prevents the establishment of close intimacy with Gerald who attempts to fill up his dead and void soul by contact with her. The relationship between them is doomed to be a failure. Hermione is a third type of woman who always expresses her superiority over people but has a void mind. The fourth chapter represents the mental freedom and the physical harmony between Connie and Mellors in Lady Chatterley’s Lover. The conclusion of this thesis compares the relationship between men and women and conveys Lawrence's philosophy of equilibrium for readers and judges it by Simone de Beauvoir’s theory.
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Ta-hsiang, Luo, and 羅大翔. "Crossing the Barrier of Class: On Constance Chatterley's Choice in D. H. Lawrence's Lady Chatterley's Lover." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/24637825054900384659.

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碩士<br>國立高雄師範大學<br>英語學系<br>88<br>Abstract The intention of this thesis is to explore the process of how Connie crosses the barrier of class, makes her own choice, and attains a whole new life. D. H. Lawrence, from the industrial working-class himself, is always annoyed at and haunted by the nightmare of class which makes him feel depressed and frustrated because it is exactly the crucial point to cause the decline of “the feeling of oneness and community with our fellow-men” (Lawrence, Phoenix II 513). Therefore, Lawrence’s purpose of composing Lady Chatterley’s Lover is that he attempts to get away from the nightmare of class, breaks through the shackles of class, and restore the natural flow of common sympathy between human beings. Because he recognizes that the barrier of class is the leading factor to result in the imbalance between men and men, and men and women, Lawrence, in his “A Propos of Lady Chatterley’s Lover,” cogently points out that he wants “men and women to be able to think sex, fully, completely, honestly, and cleanly” (Lawrence, Phoenix II 489). For Lawrence, the true meaning of sex involves in the whole of a human being; that is, body and mind are inseparable, and the integrity of body and mind is absolutely necessary. In this sense, only through sex can the barrier of class be disrupted, and Lady Chatterley’s Lover is exactly the story about the continuous process of Connie’s sexual awakening and regeneration. The heart of this novel, of course, is the sequence of eight sexual episodes between Connie and Mellors. For both of them, the eight sexual meetings are a step-by-step initiation into the new sexuality; namely, the actual sexual intercourse is less noticeable, and it has gradually shifted from the physical discourse to the mental discourse. According to Foucault, sexuality is a mode of discourse; that is, sexual intercourse can not be only regarded as a kind of physical discourse but also a kind of mental discourse. Moreover, discourses for Foucault are loci of power, and through the practice of discourses, power is exercised in our society. In this sense, Connie has finally been aware of the power derived from the practice of mental discourse, and Foucault calls it “bio-technico-power”, which is artificial and is similar to Nietzsche’s “will to power”. That is, like Foucault and Nietzsche, Lawrence also notices the power of human free will. And it is this human free will which enables Connie to have the power to break through the barrier of class and complete her wholeness of self when she must make her own choice between Clifford and Mellors. The thesis consists of five chapters. In addition to the introduction in Chapter One and the conclusion in Chapter Five, this thesis includes three more chapters. In Chapter Two, I will explore the concept of “class” in British industrial society and see how it is represented in Lady Chatterley’s Lover. Chapter Three will focus on the exploration of how Foucault’s notions of sexuality and power are closely connected with Lawrence’s own theory of sex. Chapter Four will be the study of how Foucault’s theory is operated in this novel and how Connie, through the exercise of Foucault’s notions of sexuality and power, rises above the barrier of class and makes her own choice.
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Yu, Cristo, and 余良園. "Dichotomous Characters and Dualistic Relationships in D. H. Lawrence's Women in Love and Lady Chatterley's Lover." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/42641945930808557722.

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碩士<br>國立中正大學<br>外國語文研究所<br>87<br>This thesis aims to demonstrate a reading of Women in Love and Lady Chatterley’s Lover in terms of D. H. Lawrence’s philosophical thoughts. In Chapter One, I will concentrate on the main concepts in Lawrence’s philosophy: the unconscious, the blood consciousness, the mental consciousness, the emotional mind, the phallic consciousness, and the cerebral sex consciousness. In Chapter Two, the characters in Women in Love and Lady Chatterley’s Lover will be analyzed in terms of the blood consciousness and the mental consciousness. Last, in Chapter Three, two thematic issues for the problematic love relationship and sexual relationship in Women in Love and Lady Chatterley’s Lover will be dealt with from the perspective of Lawrence’s philosophical ideas concerning sex and love.
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Lai, Pi-chun, and 賴碧君. "Helene Cixous' Concepts of "ecriture feminine"and "jouissance" as Exemplified in D. H. Lawrence's Lady Chatterley's Lover." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/67199535189096317920.

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碩士<br>國立高雄師範大學<br>英語學系<br>91<br>Abstract This thesis aims to examine D. H. Lawrence’s Lady Chatterley’s Lover in terms of Hélène Cixous’ concepts of “écriture feminine” and “jouissance,” so as to provide a more adequate reading of Lawrence’s poetic representation of female sexuality. Typically, he was labeled as a filthy and obscene author because of his representation of sex and sexuality in his novels. My project moves toward a new understanding of his novel from a poststructuralist feminist perspective─mainly relies on Hélène Cixous’ concepts. I hope to show that poststructuralist critical paradigms─the discursive, the deconstructive and dialogic, can do greater justice to Lawrence’s poetic writings. This thesis consists of six chapters. Chapter One provides background knowledge and introduces my purpose and argument for this study. Chapter Two goes on to review some of the finds of early studies of D. H. Lawrence and his Lady Chatterley’s Lover. Chapter Three introduces the basis of my methodology─poststructuralist feminist theory and concepts of Hélène Cixous. Chapter Four examines Lawrence’s Lady Chatterley’s Lover by applying Cixous’ concept of “écriture feminine”. Chapter Five examines Lawrence’s Lady Chatterley’s Lover by applying Cixous’ concept of “jouissance”. Chapter Six summarizes my own findings and further describes my difficulties during the research process and the limitation of this study. The most important goal is to get Lawrence’s readers to read Lady Chatterley’s Lover with a quite different view. We have to challenge and see beyond our conventional beliefs and, of necessity, must drop the typical way of reading of this novel. Instead of branding this novel as pornography as was once the case, or otherwise taking a narrow view of this groundbreaking work, we must give it a proper reading.
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Books on the topic "Lady Chatterley's lover"

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Lawrence, D. H. Lady Chatterley's lover. ISIS Large Print Books, 1993.

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Lawrence, D. H. Lady Chatterley's lover. Easton Press, 1988.

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Geoff, Dwyer, and Worthen John, eds. Lady Chatterley's lover. Signet Classics, 2011.

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H, Lawrence D. Lady Chatterley's lover. Clipper Large Print, 2012.

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H, Lawrence D. Lady Chatterley's lover. Roads, 2014.

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H, Lawrence D. Lady Chatterley's lover. Barnes & Noble Books, 1995.

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H, Lawrence D. Lady Chatterley's Lover. El Paso Norte Press, 2009.

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H, Lawrence D. Lady Chatterley's lover. New American Library, 2003.

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H, Lawrence D. Lady Chatterley's Lover. Random House Publishing Group, 2000.

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H, Lawrence D. Lady Chatterley's Lover. University of Cambridge ESOL Examinations, 2000.

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Book chapters on the topic "Lady Chatterley's lover"

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Tuman, Myron. "Lady Chatterley's Hidden Lover." In The Hidden D. H. Lawrence. Routledge, 2024. http://dx.doi.org/10.4324/9781003495093-2.

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Brosch, Renate. "Lawrence, D. H.: Lady Chatterley's Lover." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8949-1.

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Allan, Jonathan A. "Reading Infertility in Lady Chatterley's Lover." In Men, Masculinities, and Infertilities. Routledge, 2022. http://dx.doi.org/10.4324/9781003010432-2.

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Gifford, Terry. "‘Other' and ‘other' in The White Peacock and Lady Chatterley's Lover." In D. H. Lawrence, Ecofeminism and Nature. Routledge, 2022. http://dx.doi.org/10.4324/9781003083757-3.

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Iwai, Gaku. "Class Conflicts in Ambivalence from “Daughters of the Vicar” and “Hadrian” to Lady Chatterley's Lover." In D. H. Lawrence and Ambivalence in the Age of Modernity. Routledge, 2024. http://dx.doi.org/10.4324/9781032675671-9.

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Messenger, Nigel. "Lady Chatterley’s Lover (1928)." In How to Study a D. H. Lawrence Novel. Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-09125-6_6.

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Burack, Charles Michael. "The Destruction Phase of Lady Chatterley’s Lover." In D. H. Lawrence’s Language of Sacred Experience. Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403978240_2.

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Burack, Charles Michael. "The Revitalization Phase of Lady Chatterley’s Lover." In D. H. Lawrence’s Language of Sacred Experience. Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403978240_3.

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Smith, Stewart. "D. H. Lawrence’s Lady Chatterley’s Lover and the Erotic Transcendence of Nihilism." In Nietzsche and Modernism. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75535-9_3.

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Becket, Fiona. "The Law and the Profits: the Case of D.H. Lawrence’s Lady Chatterley’s Lover." In Scandalous Fictions. Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230287846_4.

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Conference papers on the topic "Lady Chatterley's lover"

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Shen, Nanyan. "An Ecofeminist Reading of Lawrencers Lady Chatterleyrs Lover." In 2018 2nd International Conference on Management, Education and Social Science (ICMESS 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icmess-18.2018.41.

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Kuai, Chong. "An Ecofeminist Reading of Lady Chatterley’s Lover." In 7th Annual International Conference on Social Science and Contemporary Humanity Development (SSCHD 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211215.011.

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Du, Hongyan. "The Triumph of the Strategies of Submission: Constance in Lady Chatterley’s Lover." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.465.

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