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Books on the topic 'Lady Mary Wroth'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Mary, Wroth. The poems of Lady Mary Wroth. Louisiana State University Press, 1992.

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2

Jacobson, Miriam Emma. 1998 Brown University senior honors theses: Miriam Emma Jacobson (English), Jubin Meraj (Religious Studies), Dimitrios Mitsouras (Computer Science), Mary Jean Sia Uy (History). Wayland Press, Brown University, 1998.

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3

Pritchard, R. E. Lady Mary Wroth. Edinburgh University Press, 1996. http://dx.doi.org/10.1515/9780585159041.

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4

Taylor, Sue. Lady Mary Wroth. Loughton & District Historical Society, 2005.

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5

Hannay, Margaret P. Mary Sidney, Lady Wroth. Taylor & Francis Group, 2016.

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6

Hannay, Margaret P. Mary Sidney, Lady Wroth. Taylor & Francis Group, 2016.

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7

Hannay, Margaret P. Mary Sidney, Lady Wroth. Taylor & Francis Group, 2016.

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8

Hannay, Margaret P. Mary Sidney, Lady Wroth. Taylor & Francis Group, 2016.

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9

Mary Sidney, Lady Wroth. Ashgate, 2010.

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10

Love's Victory: Lady Mary Wroth. Manchester University Press, 2020.

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11

Roberts, Josephine A. The Poems of Lady Mary Wroth. Louisiana State University Press, 1992.

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12

Sidney, Philip, Alison Findlay, and Michael G. Brennan. Love's Victory: By Lady Mary Wroth. Manchester University Press, 2022.

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13

Lady Mary Wroth: Pamphilia to Amphilanthus in Manuscript and Print. ACMRS Press, 2017.

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14

Orgis, Rahel. Narrative Structure and Reader Formation in Lady Mary Wroth's Urania. Taylor & Francis Group, 2016.

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15

Orgis, Rahel. Narrative Structure and Reader Formation in Lady Mary Wroth's Urania. Taylor & Francis Group, 2016.

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16

Orgis, Rahel. Narrative Structure and Reader Formation in Lady Mary Wroth's Urania. Taylor & Francis Group, 2016.

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17

Orgis, Rahel. Narrative Structure and Reader Formation in Lady Mary Wroth's Urania. Taylor & Francis Group, 2016.

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18

Narrative Structure and Reader Formation in Lady Mary Wroth's Urania. Taylor & Francis Group, 2016.

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19

Trollope, Anthony. Lady Anna. Edited by Stephen Orgel. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199537716.001.0001.

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abstract When it appeared in 1874, Lady Anna met with little success, and positively outraged the conservative - ‘This is the sort of thing the reading public will never stand…a man must be embittered by some violent present exasperation who can like such disruptions of social order as this.’ (Saturday Review) - although Trollope himself considered it ‘the best novel I ever wrote! Very much! Quite far away above all others!!!’ This tightly constructed and passionate study of enforced marriage in the world of Radical politics and social inequality, records the lifelong attempt of Countess Lovel

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20

Ezell, Margaret J. M. Enacting Libertinism: Court Performance and Literary Culture. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198183112.003.0010.

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The behaviour of Charles II’s court soon scandalized many observers with its open disregard for moral and social propriety. Young men seeking influence at court, including John Wilmot, the Earl of Rochester, Charles Sackville, Lord Buckhurst, and Sir Charles Sedley, asserted aristocratic privilege to behave as they pleased in public as they competed for attention from Charles II. They were prolific poets and satirists who also wrote for the public stage. Rivalling them were the King’s many public mistresses, from the most powerful Lady Castlemaine, to actresses including ‘Moll’ Davies and Nell

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21

Widdicombe, Toby. A Reader's Guide to Raymond Chandler. Greenwood Publishing Group, Inc., 2001. http://dx.doi.org/10.5040/9798216005155.

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The author of such works as The Big Sleep (1939), Farewell, My Lovely (1940), The Lady in the Lake (1943), and The Long Goodbye (1953), Raymond Chandler was one of the most popular mystery writers of his time. His works continue to be read today and have been adapted many times into films. Chandler's writings have also been receiving growing amounts of scholarly attention, and while most of this attention has focused on his use of language, critics are now studying the fictitious world he created and the milieu in which he wrote. This reference is a detailed guide to his writings. A chronology

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22

Senf, Carol A. Science and Social Science in Bram Stoker's Fiction. Greenwood Publishing Group, Inc., 2002. http://dx.doi.org/10.5040/9798216011569.

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Best known today as the author of Dracula, Bram Stoker also wrote several other works, including The Jewel of Seven Stars, Lady Athlyne, and The Lair of the White Worm. In his exploration of supernatural subjects, such as vampirism, he is clearly a Gothic writer. The fantastic elements of his novels seem very much at odds with the world of science. Stoker, nonetheless, draws upon a large body of scientific theory and technological innovation throughout his writings. This book studies his blending of Gothic subjects with emerging discoveries in science and technology. The volume begins with an

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23

Frisch, Walter. Harold Arlen and His Songs. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780197503270.001.0001.

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Abstract Harold Arlen and His Songs is the first full-length study of the work of one of the great composers of the American Songbook. Although he created many standards, Arlen lacks the name recognition of some of his peers. He wrote in wide range of styles, from ballads like “Over the Rainbow,” to comic “list” numbers like “Lydia the Tattooed Lady,” to jazz- and blues-infused songs like “Blues in the Night,” to intense torch songs like “The Man That Got Away.” While analysis of American popular song of this era (ca. 1920–1970) has often focused on the music, this study treats Arlen’s works a

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24

Pogue, Kate Emery. Shakespeare's Family. Praeger, 2008. http://dx.doi.org/10.5040/9798216013990.

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While many things about Shakespeare's life are unknown, certainly, like everyone else, he had a family. This book gathers into a single source as much information as possible concerning Shakespeare's immediate family, from his grandfathers on the maternal and paternal sides to his granddaughter, the last member of his direct family line. But readers may ask, to what extent did the relationships in the plays reflect the actual familial structures of Shakespeare's day? To what extent did Shakespeare experience personally the familial dynamics about which he wrote so eloquently? And to what exten

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25

Brewer Redwine, Elizabeth, ed. Sara Allgood’s Memories. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780192867100.001.0001.

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Abstract Sara Allgood, Abbey Theatre actress, Hollywood contract player, Inghinidhe na hÉireann member, and early film performer, wrote this autobiography, entitled ‘Memories’, towards the end of her life, encouraging readers to acknowledge the roles of performers and theatre-makers in the creation of the Abbey. The book allows readers into the worlds of late 19th-century Dublin, the early Abbey, the Easter Rising, both world wars, Hitchcock’s first films, and early to mid-century Hollywood. In her engaging voice, Sara Allgood shares intimate memories of well-known Abbey and theatrical figures

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