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Journal articles on the topic 'Lady Mary Wroth'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Watt, D. "Lady Mary Wroth: Poems." English 46, no. 186 (1997): 252–55. http://dx.doi.org/10.1093/english/46.186.252.

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2

Silcox, Mary V. ":Mary Sidney, Lady Wroth." Sixteenth Century Journal 43, no. 1 (2012): 157–58. http://dx.doi.org/10.1086/scj23210771.

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3

Findlay, Alison. "Dramatizing Home and Memory: Lady Mary Sidney and Lady Mary Wroth." Home Cultures 6, no. 2 (2009): 135–47. http://dx.doi.org/10.2752/175174209x416562.

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4

Nelson, Karen. "Mary Sidney, Lady Wroth. Margaret P. Hannay." Early Modern Women: An Interdisciplinary Journal 6 (September 1, 2011): 303–5. http://dx.doi.org/10.1086/emw23617354.

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5

Sullivan, Ceri. "Lady Mary Wroth. poems: a modernized edition." Women's Writing 4, no. 2 (1997): 297–311. http://dx.doi.org/10.1080/09699089700200366.

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6

Salzman, Paul. "Mary Sidney, Lady Wroth (review)." Parergon 28, no. 1 (2011): 225–27. http://dx.doi.org/10.1353/pgn.2011.0003.

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7

Biddle, Martin. "Did Lady Mary Wroth have Nonsuch in Mind?" Notes and Queries 66, no. 4 (2019): 524–26. http://dx.doi.org/10.1093/notesj/gjz120.

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8

PRITCHARD, R. E. "‘I EXSCRIBE YOUR SONNETS’: JONSON AND LADY MARY WROTH." Notes and Queries 44, no. 4 (1997): 526–28. http://dx.doi.org/10.1093/nq/44.4.526.

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9

Pritchard, R. E. "'I Exscribe Your Sonnets': Jonson and Lady Mary Wroth." Notes and Queries 44, no. 4 (1997): 526–28. http://dx.doi.org/10.1093/notesj/44.4.526.

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10

Kastnerová, Martina. ""Now lett your constancy your honor prove...": "Constant Art" of Lady Mary Wroth." ESPES. The Slovak Journal of Aesthetics 7, no. 1 (2018): 10–23. https://doi.org/10.5281/zenodo.6377747.

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The paper intends to analyse developing of the literary representation of women in Elizabethan and Jacobean culture, forming an integral part of female authorship during this period. However, instead of taking aim at the male poetic tradition, the genius of Wroth is to absorb it and use it for her own ends. Reclaiming the virtues of the woman through constancy, she upends the conventional views of the woman. Thus, Wroth strengthens the autonomy of the woman by allowing her to make the decision to accept a role subordinate to man.

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11

Larson, Katherine R. "Pamphilia to Amphilanthus in Manuscript and Print by Lady Mary Wroth." Early Modern Women 13, no. 2 (2019): 128–31. http://dx.doi.org/10.1353/emw.2019.0019.

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12

PRITCHARD, R. E. "GEORGE HERBERT AND LADY MARY WROTH A ROOT FOR ' THE FLOWER' ?" Review of English Studies XLVII, no. 187 (1996): 386–89. http://dx.doi.org/10.1093/res/xlvii.187.386.

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13

Sokolov, Danila. "Mary Wroth, Ovid, and the Metamorphosis of Petrarch." Modern Language Quarterly 81, no. 1 (2020): 1–31. http://dx.doi.org/10.1215/00267929-7933063.

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Abstract The language of arboreal metamorphosis in Lady Mary Wroth’s pastoral song “The Spring Now Come att Last” from Pamphilia to Amphilanthus (1621) may invoke the myth of Apollo and Daphne. However, the Ovidian narrative so central to Petrarchan poetics celebrates the male poet by erasing the female voice. This essay instead explores parallels between Wroth’s poem and the metamorphosis of the Heliades, who turn into poplars while mourning their brother Phaeton in book 2 of the Metamorphoses. Their transformation is predicated on an act of female speech, however precarious and evanescent. T

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14

Eskin, Catherine R., and Josephine A. Roberts. "The First Part of the Countess of Montgomery's Urania, Lady Mary Wroth." Sixteenth Century Journal 28, no. 1 (1997): 272. http://dx.doi.org/10.2307/2543286.

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15

Eskin, Catherine R., and Josephine A. Roberts. "The First Part of the Countess of Montgomery's Urania, Lady Mary Wroth." Sixteenth Century Journal 27, no. 3 (1996): 878. http://dx.doi.org/10.2307/2544075.

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16

Gil, Daniel Juan. "The Currency of the Beloved and the Authority of Lady Mary Wroth." Modern Language Studies 29, no. 2 (1999): 73. http://dx.doi.org/10.2307/3195408.

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17

MacArthur, Janet. "“A Sydney, though un-named”: Lady Mary Wroth and her Poetical Progenitors." ESC: English Studies in Canada 15, no. 1 (1989): 12–20. http://dx.doi.org/10.1353/esc.1989.0028.

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18

Caillet, Pascal. "L’héroïsme au féminin : réécriture des codes dans Pamphilia to Amphilanthus de Lady Mary Wroth." Revue LISA / LISA e-journal, Vol. VI – n° 3 (March 1, 2008): 167–81. http://dx.doi.org/10.4000/lisa.390.

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19

Luckyj, Christina. "The Politics of Genre in Early Women’s Writing: The Case of Lady Mary Wroth." ESC: English Studies in Canada 27, no. 3 (2001): 253–82. http://dx.doi.org/10.1353/esc.2001.0036.

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20

Bell, Ilona. "Margaret P. Hannay. Mary Sidney, Lady Wroth. Burlington, VT: Ashgate, 2010. Pp. 430. $99.95 (cloth)." Journal of British Studies 50, no. 3 (2011): 726–27. http://dx.doi.org/10.1086/659791.

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21

Jajtner, Tomáš. "“The True Forme of Love”: Transforming the Petrarchan Tradition in the Poetry of Lady Mary Wroth (1587–1631)." Prague Journal of English Studies 5, no. 1 (2016): 9–26. http://dx.doi.org/10.1515/pjes-2016-0001.

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Abstract The following article deals with the transformation of the Petrachan idea of love in the work of Lady Mary Wroth (1587-1631), the first woman poet to write a secular sonnet sequence in English literature, Pamphilia to Amphilanthus. The author of the article discusses the literary and historical context of the work, the position of female poets in early modern England and then focuses on the main differences in Wroth’s treatment of the topic of heterosexual love: the reversal of gender roles, i.e., the woman being the “active” speaker of the sonnets; the de-objectifying of the lover an

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22

Salzman, Paul. "Lady Mary Wroth, Pamphilia to Amphilanthus in Manuscript and Print, edited by Bell, Ilona, and S. W. May." Emotions: History, Culture, Society 2, no. 1 (2018): 153–55. http://dx.doi.org/10.1163/2208522x-02010008.

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23

Bassnett, Madeline. "“Injoying of true joye the most, and best”: Desire and the Sonnet Sequences of Lady Mary Wroth and Adrienne Rich." ESC: English Studies in Canada 30, no. 2 (2004): 49–66. http://dx.doi.org/10.1353/esc.2004.0016.

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Logan, Katharina. "Wroth, Lady Mary. Pamphilia to Amphilanthus in Manuscript and Print. Ed. Ilona Bell. Texts by Steven W. May and Ilona Bell." Renaissance and Reformation 42, no. 3 (2019): 271–72. http://dx.doi.org/10.33137/rr.v42i3.33436.

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Lewalski, Barbara Kiefer. "Josephine A. Roberts, ed. The Poems of Lady Mary Wroth. Baton Rouge: Louisiana State University Press, 1992. 8 pls. + xiv + 251 pp. $14.95 paper." Renaissance Quarterly 47, no. 1 (1994): 218–20. http://dx.doi.org/10.2307/2863147.

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Quilligan, Maureen. "Margaret P. Hannay. Mary Sidney, Lady Wroth. Farnham: Ashgate Publishing Limited, 2010. xxxiv + 363 pp. index. illus. chron. bibl. $99.95. ISBN: 978–0–7546–6053–8." Renaissance Quarterly 63, no. 4 (2010): 1422–23. http://dx.doi.org/10.1086/658617.

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27

Scott-Baumann, E. "MARGARET P. HANNAY, Mary Sidney, Lady Wrothi." Notes and Queries 58, no. 4 (2011): 616–18. http://dx.doi.org/10.1093/notesj/gjr196.

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28

MacCulloch, Diarmaid. "Mary and Sixteenth-Century Protestants." Studies in Church History 39 (2004): 191–217. http://dx.doi.org/10.1017/s0424208400015096.

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Let us contemplate Thomas Cranmer, Primate of All England, sitting on an altar to preside over the trial of Anabaptist heretics. The time is May 1549; the altar, unceremoniously covered over to support the judge, is that of the Lady Chapel in St Paul’s Cathedral in London; several of the heretics on trial have denied the Catholic doctrine of the incarnation, and one will later be burned at the stake. In a compelling paradox, an archbishop tramples an altar of Our Lady in the course of defending the incarnation. One witness in the crowd of onlookers was a pious and scholarly Welsh Catholic, Sir

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29

Coffey, Bysshe Inigo. "The Draper’s Assistant and Mary Shelley’s Lost Journal." Romanticism 30, no. 1 (2024): 19–29. http://dx.doi.org/10.3366/rom.2024.0625.

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Among the Abinger Papers in the Bodleian Library is a document, MS. Abinger c. 73, fols. 99–104, the testimony of one William Tyler, a draper’s assistant from Marlow, Buckinghamshire who wrote poems and saw the Shelleys plain. Jane, Lady Shelley (the wife of the Shelleys’ only surviving son, Sir Percy Florence) gathered as many reminiscences of her father-in-law as she could. Tyler’s is by far the longest. (Appended to this essay is a transcription of his testimony reproduced in full for the first time). Tyler has been virtually erased from the literary and biographical records of the Shelleys

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30

Warren, Kim Cary. "Recasting Mary McLeod Bethune’s Legacy." Pacific Historical Review 93, no. 3 (2024): 388–416. http://dx.doi.org/10.1525/phr.2024.93.3.388.

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From the 1930s until the time of her death in 1955, Mary McLeod Bethune was the most well-known African American woman in the United States. A race and gender leader commonly referred to as the “First Lady of the Struggle,” Bethune famously led the largest black women’s club, had regular meetings in the White House, and helped with the founding of the United Nations. Because of her achievements, Bethune’s name and likeness have been used on a U.S. postal stamp, numerous schools, and statues. This article examines two memorials to Bethune—showing how Bethune’s words and likeness have been used

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31

Mason, Margaret J. "The Blue Nuns in Norwich: 1800–1805." Recusant History 24, no. 1 (1998): 89–122. http://dx.doi.org/10.1017/s0034193200005860.

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The last years of the English Conceptionist nuns, the Blue Nuns, were spent in a large corner house in Magdalen Street, Norwich, from which the cheerful abbess, Mother Bernard Green, wrote notes to their benefactress, Lady Jerningham, at Cossey. This community had for 140 years lived near the Bastille in Paris. It had seen the Duchess of Cleveland quête in its church, Mary of Modena at a profession; it had taught girls who grew up to be notable English Catholic ladies, including Lady Jerningham herself. It had suffered the deaths of too many of its small community during and after the Revoluti

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32

Elliott, Bernard. "A Leicestershire Recusant Family: The Nevills of Nevill Holt—II." Recusant History 17, no. 3 (1985): 374–85. http://dx.doi.org/10.1017/s0034193200001199.

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On Henry Nevill II’s death at the ripe old age of 85 on 28 June 1728, the terms of his will were duly carried out. In it he arranged that ‘his youngest daughter, the Lady Mary Countess Migliorucci, should have the custody and management of his said son during his insanity, not doubting but she will see him taken all imaginable care of and used with that tenderness and regard that is due to be had for one in his unfortunate circumstance’. Then he left to his grandson, Cosmas Henry Joseph Count Migliorucci (whom he desired to take the surname of Nevill) the sum of £5,000. Next, he left to his el

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33

Paisana, Joanne. "How the Other Half Lives: Under the Arch with Lady Henry Somerset." Open Cultural Studies 1, no. 1 (2017): 161–71. http://dx.doi.org/10.1515/culture-2017-0015.

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Abstract The reforming work of Isabella Caroline Somerset (Lady Henry Somerset 1851-1921) is largely overlooked today. Dedicated to women’s causes at home and abroad and to temperance in particular, having first-hand knowledge of the privileged and the underprivileged, this determined, multi-talented and opinionated woman uncharacteristically wrote a fictional novel, Under the Arch (1906). In the novel, London aristocrats are portrayed rubbing shoulders with slum dwellers, but there is little real connection. The problems that the social policies introduced by the Liberals from 1906-1914 would

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34

Yeager, Mary A. "Mavericks and Mavens of Business History: Miriam Beard and Henrietta Larson." Enterprise & Society 2, no. 4 (2001): 687–768. http://dx.doi.org/10.1017/s1467222700005346.

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This is the story of two women with differing visions about business who have largely been forgotten. Miriam Beard, the maverick daughter of Progressive reformers Charles and Mary Beard, wrote the first international cultural history of the businessman in 1938. Henrietta M. Larson was Harvard Business School's first lady, the first female faculty member and the first woman to be tenured there. The two women never met or interacted. Yet their lives and histories were entangled when one woman, Henrietta, wrote a critical review about the contributions of the other. This article uses their untold

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35

Davis, William A. "Reading Failure in(to) Jude the Obscure: Hardy's Sue Bridehead and Lady Jeune's “New Woman” Essays, 1885–1900." Victorian Literature and Culture 26, no. 1 (1998): 53–70. http://dx.doi.org/10.1017/s1060150300002278.

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Thomas hardy was at work on his last novel, Jude the Obscure, when two of the best-known New Woman novels of the 1890s, Sarah Grand's The Heavenly Twins and George Gissing's The Odd Women, appeared in 1893. Hardy read The Heavenly Twins, or at least parts of it, in May 1893 and noted its criticism of the “constant cultivation of the [female] animal instincts” (i.e., the marital and maternal instincts) in his notebook (qtd. in Literary Notebooks 2:57). Hardy met Sarah Grand later in the spring and praised her to his friend Florence Henniker as a writer who had “decided to offend her friends (so

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Brading, D. A. "Divine Idea and ‘our Mother’: Elite and Popular Understanding in the Cult of Our Lady of Guadalupe of Mexico." Studies in Church History 42 (2006): 240–60. http://dx.doi.org/10.1017/s0424208400003983.

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In 1648 the creole elite of Mexico City was enthralled to learn that in December 1531 the Virgin Mary had appeared to a poor Indian and had miraculously imprinted on his cape the likeness of herself, which was still venerated in the chapel at Tepeyac just outside the city limits. The moment was opportune, since in 1622 Archbishop Juan Pérez de la Serna had completed the construction of a new sanctuary devoted to Our Lady of Guadalupe and in 1629 the image had been brought to the cathedral in a vain attempt to lower the flood waters that engulfed the capital for four years. In effect, Image of

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37

Harris, Barbara J. "A New Look at the Reformation: Aristocratic Women and Nunneries, 1450–1540." Journal of British Studies 32, no. 2 (1993): 89–113. http://dx.doi.org/10.1086/386024.

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Ever since the first flowering of scholarship on women in the late nineteenth and early twentieth centuries, convents have occupied a central place in historians' estimate of the position of women in medieval and early modern Europe. In 1910, Emily James Putnam, the future dean and president of Barnard College, wrote enthusiastically in The Lady, her path-breaking study of medieval and renaissance aristocratic women, “No institution in Europe has ever won for the lady the freedom of development that she enjoyed in the convent in the early days. The modern college for women only feebly reproduc

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38

Ghosh, Sreyasi. "Sister Nivedita : Lady with the Lamp in History of the Swadeshi Movement (1905) of India." RESEARCH REVIEW International Journal of Multidisciplinary 05, no. 05 (2020): 07–10. https://doi.org/10.5281/zenodo.3828994.

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Sister Nivedita, born as Margaret Elizabeth Noble, was undoubtedly renowned as manaskanya/ spiritual daughter of Swami Vivekananda in modern Indian History. Margaret, an Irish teacher, social activist and educationist/ school founder witnessed a revolutionary change in her life after meeting with Vivekananda, greatest disciple of Ramakrishnadev. She established Ramakrishna Sarada Mission Sister Nivedita Girls” School and took an active interest in promoting Indian historical research, cultural activities and science for nation- building. During plague epidemic in Calcutta she tried her l

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39

Couch, Nena. "“MR. METROPOLITAN OPERA”: FRANCIS ROBINSON AND THE FRANCIS ROBINSON COLLECTION OF THEATRE, MUSIC, AND DANCE." Theatre Survey 51, no. 2 (2010): 281–89. http://dx.doi.org/10.1017/s0040557410000335.

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Francis Robinson (1910–80; Figure 1) fell in love with opera the day that a lady wearing a tailored suit, pince-nez, and a bird hat came from the Victor Company to his school to demonstrate the Victrola. That was the day he first heard Enrico Caruso sing. Later, still a schoolboy and never having heard the tenor in person, Robinson mourned Caruso's death. The beauty and magnificence of opera entranced him, and the celebrity of opera personalities intrigued him. He found his dream home in the Metropolitan Opera. The correspondence, photographs, clippings, programs, memorabilia, and other materi

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Milchina, V. A. "Is it or is it not she: Germaine de Staёl and the portrait painted by Borovikovsky". Shagi / Steps 9, № 4 (2023): 208–32. http://dx.doi.org/10.22394/2412-9410-2023-9-4-208-232.

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In Tretyakov Gallery there is a portrait of a lady in a light green dress and turban, painted by Vladimir Lukich Borovikovsky. In the most recent catalogue, it is labelled as the portrait of Mme de Staёl, but this attribution is accompanied by a question mark in parentheses. The identification of Borovikovsky’s model as the famous French writer Germaine de Staёl (1766–1817) arose a century ago. Most likely, it was prompted by the unquestionable fact that in 1812 de Staёl spent three weeks in Petersburg, where Borovikovsky was living, as well as by similarities between the face of the woman dep

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41

Kawai, Shoichiro. "Some Japanese Shakespeare Productions in 2014-15." Multicultural Shakespeare: Translation, Appropriation and Performance 14, no. 29 (2016): 13–28. http://dx.doi.org/10.1515/mstap-2016-0013.

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This essay focuses on some Shakespeare productions in Japan during 2014 and 2015. One is a Bunraku version of Falstaff, for which the writer himself wrote the script. It is an amalgamation of scenes from The Merry Wives of Windsor and those from Henry IV. It was highly reputed and its stage design was awarded a 2014 Yomiuri Theatre Award. Another is a production of Much Ado about Nothing produced by the writer himself in a theatre-in-the-round in his new translation. Another is a production of Macbeth arranged and directed by Mansai Nomura the Kyogen performer. All the characters besides Macbe

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42

Hassan Hadla, Halah Salman, and Laith Salman Hassan. "Free will between Slavery and Freedom: A Study of Linda Brent in Incidents in the Life of a Slave Girl by Harriet Jacobs." Journal of the College of languages, no. 46 (June 1, 2022): 44–62. http://dx.doi.org/10.36586/jcl.2.2022.0.46.0044.

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Harriet Jacobs was a writer and a reformer. As a female writer in the nineteenth century, Jacobs wrote her narrative as a means of resisting the system of slavery. She wrote her book Incidents in the Life of a Slave Girl: Written by Herself, (1842) to reflect upon the exploitation of the black people and the need to change the hierarchal attitude that governs white/black relations. She was engaged in many abolitionist events and her anti-slavery approach appeared clearly in her writings. She shares Du Bios ideas about freedom and emancipation and the need for a political and cultural change. T

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Hou, Siyan. "Psychological Growth of the Protagonist in Pygmalion from Ecological System Theory." Social Science, Humanities and Sustainability Research 4, no. 5 (2023): p159. http://dx.doi.org/10.22158/sshsr.v4n5p159.

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George Bernard Shaw was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics has extended all over the world from 1880s up until now. He wrote more than sixty plays, including major works such as Man and Superman, Pygmalion and Saint Joan. With the great capacity of using play to reflect the reality, Shaw became the leading dramatist of his era. Shaw’s Pygmalion is one of the most popular of his plays. It has been staged all over the English speaking world. And even a film based on the play called My Fair Lady has proved to be a

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Gulnaz Fatma, Nahla Pirzada, Sameena Begum, and Saba Tarique. "Analysis of Poetic Personality- “Sarojini Naidu” Nightingale of India was a Poet and Politician”." East Asian Journal of Multidisciplinary Research 2, no. 1 (2023): 1–10. http://dx.doi.org/10.55927/eajmr.v2i1.1620.

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Sarojini Naidu was a student who excelled academically, a renowned freedom fight activist in India, and a poet who wrote sonnets. She is popularly known as the "Nightingale of India" and has been given this title for many years. She was the first lady to hold the position of President of India in our country, she was a notable person in Indian women's history, and she was the first Governor of Uttar Pradesh after the state of Uttar Pradesh gained its independence. She was one of the most well-known figures of the 20th century, and her presence on our planet as a powerful figure is celebrated a

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Youn, Jin-seok. "Re-review of the Genealogy of King Naemul's Royal Family in the Fifth Century: With a focus on the background behind the enthronement of King Jijeung." Korean Society of the History of Historiography 46 (December 30, 2022): 269–300. http://dx.doi.org/10.29186/kjhh.2022.46.269.

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It is necessary to analyze several issues to figure out the genealogy of the Silla royal family during the Maripgan period and the background behind the enthronement of King Jijeung including relations between King Jijeung and King Soji, whether King Galmun of Paho was Bokho or Misaheun, marital relations between King Jabi and King Soji, relations between King Galmun of Gibo and Naesuk Lee Beol-chan, and causal relations between the Sageumgap Event and King Jijeung's ascent to power. According to Samguksagi, King Jijeung and King Soji are second cousins of Jaejong relations. According to

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46

Shirokova, Liudmila. "“In Line with” and “Against the Current”: Changes in Ideological and Artistic Focus in Dominik Tatarka’s Works." Slavic Almanac, no. 3-4 (2023): 375–92. http://dx.doi.org/10.31168/2073-5731.2023.3-4.19.

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The Slovak writer Dominic Tatarka has been working for more than forty years, and his writings fully reflect the dramatic shifts both in his personal life and that of the country as a whole. Tatarka has written in many genres. He started with existentialist and surrealist novellas (“The gloom of searching”, 1942; “The lady enchantress”, 1944), moving on to a socio-psychological novel (“The parish republic”, 1948), which reflected the author’s own experience during the war. His novels on the formation of the new man were written according to the canons of socialist realism (“The first and secon

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KAMAL, Aysel, and Sinem ATIS. "Comparative Analysis of Ahmet Hamdi Tanpinar’s Travels to European Countries." European Journal of Multidisciplinary Studies 5, no. 1 (2017): 78. http://dx.doi.org/10.26417/ejms.v5i1.p78-84.

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Ahmet Hamdi Tanpinar (1901-1962) is one of the most controversial authors in the 20th century Turkish literature. Literature critics find it difficult to place him in a school of literature and thought. There are many reasons that they have caused Tanpinar to give the impression of ambiguity in his thoughts through his literary works. One of them is that he is always open to (even admires) the "other" thought to a certain age, and he considers synthesis thinking at later ages. Tanpinar states in the letter that he wrote to a young lady from Antalya that he composed the foundations of his first

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48

Semaan, Ingrid. "The “Laurer” and the “Columbyn”: The Images of Frustrated Love in Chaucer's Merchant's Tale." Hawliyat 12 (November 19, 2018): 35–58. http://dx.doi.org/10.31377/haw.v12i0.216.

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«Rys up, my wyf, my love, my lady free» (1.2138) -however it has been the literary scholars who have followed old January with much greater alacrity than his «fresshe May» into the literary and rhetorical world of the wedding chamber and the garden that Chaucer lets the Merchant create for the married couple. The scholars, in turn, especially those interested in sources, metaphor, analogy, and allusion have been richly rewarded by the study of The Merchant's Tale, this «dense mosaic of references, allusions, quotations», as G. G. Sedgewick has described it. Unifying the richly structured compo

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Camêlo, Francisco. "A miniaturização como procedimento de escrita / Miniaturization as a Writing Procedure." Cadernos Benjaminianos 15, no. 1 (2019): 203. http://dx.doi.org/10.17851/2179-8478.15.1.203-226.

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Resumo: Propõe-se uma reflexão cruzada entre Walter Benjamin e Robert Walser, a partir de suas micrografias. Dentre os muitos objetos que colecionou durante a vida, Benjamin tinha especial apreço por livros infantis, miniaturas e brinquedos. Esse interesse pelo diminuto também se manifestava na extrema pequenez de sua letra e no desejo de chegar a cem linhas numa folha de carta de tamanho convencional, feito conseguido por Walser, que escrevia microtextos com uma grafia minúscula e sobre quem o próprio Benjamin redigiu um curtíssimo ensaio em 1929. Se, por um lado, a letra miniaturizada de Ben

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Baskın, Sami. "The love moaning of a poet: the vocabulary of the letters written by Ahmed Arif to Leyla ErbilBir şairin aşk iniltileri: Ahmed Arif’ten Leyla Erbil’e mektupların söz varlığı." International Journal of Human Sciences 12, no. 2 (2015): 729. http://dx.doi.org/10.14687/ijhs.v12i2.3249.

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<p>Ahmed Arif, who is one of the Sociable Poets of the 1940s, wrote about the topics in his works in a romantic style. The enthusiasm and the romance in his works separates him from other poets of the era. Although he wrote only one poetry book, his poems such as <em>Hasretinden Prangalar Eskittim, Haberin Var mı? (İçerde), Terketmedi Sevdan Beni </em>became famous and were composed and sung by famous singers of Turkey like Funda Arar, Ahmet Kaya, Suavi, Edip Akbayram, Cem Karaca. These events made him become a famous poet not only in a narrow society who had similar thoughts

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