Log in

Relevant bibliographies by topics / Lagos Cathedral Church of Christ

Contents

Journal articles

Academic literature on the topic 'Lagos Cathedral Church of Christ'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Lagos Cathedral Church of Christ.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Lagos Cathedral Church of Christ"

1

Avis, Paul. "Towards an Ecclesiology of the Cathedral." Ecclesiology 15, no. 3 (2019): 342–54. http://dx.doi.org/10.1163/17455316-01503007.

Full text

Abstract:

The purpose of this article is to bring to light the ecclesiological reality of cathedrals, with a main focus on the Church of England. It initiates a concise ecclesiological discussion of the following aspects of the English, Anglican cathedrals: (a) the cathedral as a church of Christ; (b) the place and role of the cathedral within the diocese; (c) the relationship between the cathedral and the diocesan bishop; (d) the mission of the cathedral. The article concludes with a brief reflection on (e) the cathedral as the ‘mother church’ of the diocese.

APA, Harvard, Vancouver, ISO, and other styles

2

Diamond, Ciaran. "The Reformation Charter of Christ Church Cathedral Dublin, 1541." Archivium Hibernicum 53 (1999): 20. http://dx.doi.org/10.2307/25484172.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Davey, Michael. "General Synod of the Church of Ireland." Ecclesiastical Law Journal 14, no. 1 (2011): 109–11. http://dx.doi.org/10.1017/s0956618x11000822.

Full text

Abstract:

Having met in Christ Church Cathedral, Dublin in 2010, in 2011 Synod returned to the less spiritual but rather plusher surroundings of the City Hotel, Armagh. It was comforting to note from the attendance figures that the level of luxury seems to have little effect on the willingness of delegates to attend.

APA, Harvard, Vancouver, ISO, and other styles

4

Alves da Cunha, João. "The Cathedral of Straw." Actas de Arquitectura Religiosa Contemporánea 3 (October 2, 2015): 228–33. http://dx.doi.org/10.17979/aarc.2013.3.0.5106.

Full text

Abstract:

This communication reflects on the great Eucharistic celebrations held occasionally by the Church in public places and proposes some guidelines to its development. To do this, it uses the examples of the Masses held by Benedict XVI in Valencia and Lisbon, the Mass by Pope Francis in Lampedusa and finally a Mass celebrated in Fatima by Jesuits General Father Adolfo Nicolás sj. Through these cases is visible how a poor and simple construction generated by a humble architecture can be as beautiful and noble as the richest, but more importantly, its testimony of Christ becomes considerably more credible.

APA, Harvard, Vancouver, ISO, and other styles

5

Seán Duffy. "The Medieval Manuscripts of Christ Church Cathedral, Dublin (review)." Catholic Historical Review 95, no. 2 (2009): 339–40. http://dx.doi.org/10.1353/cat.0.0390.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Davey, Michael. "General Synod of the Church of Ireland." Ecclesiastical Law Journal 17, no. 1 (2014): 82–83. http://dx.doi.org/10.1017/s0956618x14000970.

Full text

Abstract:

In this, the final year of the current triennium, the General Synod met again in Christ Church Cathedral, Dublin. Whether it will return to this venue, and if so how often, is open to doubt since the Synod directed that efforts be made to find a more satisfactory meeting place in Dublin having regard to the comparative costs of its regular meetings at the alternative venue in Armagh.

APA, Harvard, Vancouver, ISO, and other styles

7

Mohr, Adam. "Faith Tabernacle Congregation and the Emergence of Pentecostalism in Colonial Nigeria, 1910s-1941." Journal of Religion in Africa 43, no. 2 (2013): 196–221. http://dx.doi.org/10.1163/15700666-12341249.

Full text

Abstract:

Abstract Faith Tabernacle literature first spread into the Christian community in Lagos from Western Ghana in the 1910s. By at least 1917 Faith Tabernacle literature was being read in Lagos, and the first formal branch was established in Lagos in 1920. During the early 1920s Faith Tabernacle literature was being spread throughout Nigeria as Faith Tabernacle members traveled across the colony as labor migrants, leading to the rapid spread of the church, particularly in the major cities. By early 1929 Faith Tabernacle had established 61 branches in Nigeria with over 1,200 members. However, due to the schisms of 1925 and 1929, many Faith Tabernacle leaders, members, communicants, and entire congregations left the church to establish the first Pentecostal denominations in Nigeria, which were the Apostolic Faith (1928), the Apostolic Church (1931), the Assemblies of God (1939), and the Christ Apostolic Church (1941).

APA, Harvard, Vancouver, ISO, and other styles

8

Davydova, Lyubov N. "CONCEPTUAL FOUNDATIONS OF THE TEMPLE MUSEUM IN THE LIGHT OF RECONSTRUCTING THE CHURCH OF CHRIST NATIVITY ON THE SANDS IN ST. PETERSBURG THROUGH THE PRISM OF THE CONCEPT OF A MUSEUM-CATHEDRAL DEVELOPED BY N.F. FEDOROV." Vestnik Chuvashskogo universiteta, no. 2 (June 24, 2021): 44–54. http://dx.doi.org/10.47026/1810-1909-2021-2-44-54.

Full text

Abstract:

The purpose of this study is to show the conceptual foundations of the temple museum in the light of the reconstructing the Church of Christ Nativity on the Sands in St. Petersburg (St. Petersburg, 6-ya Sovetskaya str., 19, lit. A; architect P.E. Yegorov, 1781–1789) through the prism of the concept of a museum-cathedral developed by N.F. Fedorov (1829–1903).  The objectives of this study are to reveal the system of N.F. Fedorov’s views on the institute of a museum, to consider the cosmism of N.F. Fedorov’s philosophical views in relation to the institute of a museum, to throw light on the history of the Church of Christ Nativity on the Sands in St. Petersburg.  This paper reveals the system of views of a cosmist philosopher, a representative of the Russian religious and philosophical tradition N.F. Fedorov (1829–1903) on the institute of a museum, described in the article «The Museum, its meaning and purpose», in the notes and supplement to the article «The Museum», which we conventionally refer to as «Fedorov concept of a museum-cathedral». The cosmism of Fedorov’s philosophical views is considered in relation to the museum institute, and the term «museum cosmism» is introduced into scientific use. The article covers the history of constructing and reconstructing the Church of Christ Nativity on the Sands in St. Petersburg. The article shows the conceptual foundations of the temple museum in the light of reconstructing the Church of Christ Nativity on the Sands in St. Petersburg (the museum as a temple – the temple as a museum).

APA, Harvard, Vancouver, ISO, and other styles

9

Meigs, Samantha A., and Raymond Gillespie. "The First Chapter Act Book of Christ Church Cathedral, Dublin, 1574-1634." Sixteenth Century Journal 29, no. 3 (1998): 862. http://dx.doi.org/10.2307/2543731.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Tsykunov, I. V. "The trinity chapel flooring of Canterbury cathedral: symbols of the way to heavenly Jerusalem." Язык и текст 4, no. 3 (2017): 144–68. http://dx.doi.org/10.17759/langt.2017040315.

Full text

Abstract:

Cathedral and Metropolitical Church of Christ at Canterbury is the Mother Church of the worldwide Anglican Communion and seat of the Archbishop of Canterbury. In the Trinity chapel of cathedral is located a marble pavement with complex symbolism. Experts often argue when was created this pavement and circumstances. Researchers agree only that the Italian or French craftsmen were authors of this pavement. The author of this article proves that the Italian marble craftsmen Cosmati were creators of a mosaic pavement. Craftsmen are known for creation of pavement in a presbytery of the Westminster Abbey in London. The author of this article deciphers symbolism of marble pavement. The author of this article assumes this Cosmati floor mosaics symbolize the opening way of man to Heavenly Jerusalem.

APA, Harvard, Vancouver, ISO, and other styles

More sources

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!