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Journal articles on the topic 'Lamb, Charles'

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Published: 4 June 2021
Last updated: 13 February 2022

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1

Milnes, Tim. "Charles Lamb: Professor of Indifference." Philosophy and Literature 28, no. 2 (2004): 324–41. http://dx.doi.org/10.1353/phl.2004.0033.

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2

Gardner, J. "Charles Lamb and the Manchester Observer." Notes and Queries 60, no. 2 (April 16, 2013): 238–41. http://dx.doi.org/10.1093/notesj/gjt044.

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3

TAUSSIG, GURION. "‘Lavish Promises’: Coleridge, Charles Lamb and Charles Lloyd, 1794–1798." Romanticism 6, no. 1 (April 2000): 78–97. http://dx.doi.org/10.3366/rom.2000.6.1.78.

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4

Simpson, David. "What Bothered Charles Lamb about Poor Susan?" Studies in English Literature, 1500-1900 26, no. 4 (1986): 589. http://dx.doi.org/10.2307/450614.

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5

Najarian, James. "Thinking about the Minor with Charles Lamb." Wordsworth Circle 51, no. 3 (June 1, 2020): 322–37. http://dx.doi.org/10.1086/710272.

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6

Makdisi, Saree. "William Blake, Charles Lamb, and Urban Antimodernity." SEL Studies in English Literature 1500-1900 56, no. 4 (2016): 737–56. http://dx.doi.org/10.1353/sel.2016.0035.

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7

Chandler, D. "Charles Lamb and the South Sea House." Notes and Queries 51, no. 2 (June 1, 2004): 139–43. http://dx.doi.org/10.1093/nq/51.2.139.

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8

Chandler, David. "Charles Lamb and the South Sea House." Notes and Queries 51, no. 2 (June 1, 2004): 139–43. http://dx.doi.org/10.1093/nq/510139.

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9

Rogers, Ben J. "A Pun from Charles Lamb inMoby Dick." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 13, no. 3 (January 2000): 41–44. http://dx.doi.org/10.1080/08957690009598113.

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10

P, Joshua Gnana Raj, and B. J. Geetha. "Mary Ann Lamb: A Romantic Poet." Think India 22, no. 2 (October 25, 2019): 358–62. http://dx.doi.org/10.26643/think-india.v22i2.8737.

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Mary Ann Lamb is a Romantic poet whose work in the literature of English was in the shadows, though she was the sister of Charles Lamb. This diminished image of Mary could also be because of her being caught hold of the Bipolar Disorder, on one such onset she stabbed her own mother Elizabeth Lamb. It was her brother who was her guardian and also brought her into the field of writing. The works done by Mary was always in collaboration with Charles. This collaboration made the sister and brother to bring three major works for juvenile literature which are namely Tales from Shakespeare, Mrs Leicester’s School, and Poetry for Children. This paper is done in order to establish and explore the poem “The End of May.” to show the writing style of Mary.
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11

Wright, Laura, and Christopher Langmuir. "Interpreting Charles Lamb’s ‘Neat-Bound Books’." Studia Anglica Posnaniensia 54, no. 1 (March 1, 2019): 157–77. http://dx.doi.org/10.2478/stap-2019-0008.

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AbstractIn this paper we consider a much-quoted phrase published by the essayist Charles Lamb (1775–1834) in the London Magazine in 1822 about a desirable quality in books: that they should be ‘strong-backed and neat-bound’. We identify meanings of modifier neat as evidenced by different communities of practice in early nineteenth-century newspapers, and in particular we present meanings of neat as used in certain Quaker writings known to have been read with approval by Lamb. By this method we assemble a series of nuanced meanings that the phrase neat-bound would have conveyed to contemporary readers – specifically, the readership of the London Magazine.
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12

Lodge, Sara. "Charles Lamb and the Fellowship of the Pun." Essays in Romanticism 20, no. 1 (January 2013): 37–54. http://dx.doi.org/10.3828/eir.2013.20.4.

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13

Shaw, Philip, Joseph E. Riehl, and Michael O'Neill. "That Dangerous Figure: Charles Lamb and the Critics." Yearbook of English Studies 31 (2001): 249. http://dx.doi.org/10.2307/3509403.

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14

Erickson, Lee. "Charles Lamb on Romantic Reading and Social Decorum." Wordsworth Circle 39, no. 3 (June 2008): 79–85. http://dx.doi.org/10.1086/twc24045754.

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15

Harriman-Smith, James. "Representing the Poor: Charles Lamb and the Vagabondiana." Studies in Romanticism 54, no. 4 (2015): 551–68. http://dx.doi.org/10.1353/srm.2015.0004.

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16

Woodbridge, Jr., Benjamin. "Sir Thomas Browne, Lamb e Machado de Assis." Machado de Assis em Linha 7, no. 13 (June 2014): 01–04. http://dx.doi.org/10.1590/s1983-68212014000100002.

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17

Bennett, Betty T. "Three Unpublished Songs by Charles Lamb for Mary Shelley." Wordsworth Circle 33, no. 3 (June 2002): 122–23. http://dx.doi.org/10.1086/twc24044847.

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18

Stone, Heather B. "William Hazlitt, Charles Lamb and the "London Magazine", 1821." Wordsworth Circle 44, no. 1 (January 2013): 41–44. http://dx.doi.org/10.1086/twc24045875.

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19

Neme Sánchez, Rauf. "Los cuentos de Shakespeare, de Charles y Mary Lamb." Cuadernos Literarios 4, no. 7 (December 1, 2007): 191–94. http://dx.doi.org/10.35626/cl.7.2007.107.

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20

Higgins, David. "Writing to Colonial Australia: Barron Field and Charles Lamb." Nineteenth-Century Contexts 32, no. 3 (September 2010): 219–33. http://dx.doi.org/10.1080/08905495.2010.511764.

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21

Nield, Christopher S. "Distant Correspondents: Charles Lamb, Exploration and the Writing of Letters." Romanticism 10, no. 1 (April 2004): 79–94. http://dx.doi.org/10.3366/rom.2004.10.1.79.

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22

James, Felicity. "“Wild Tales” from Shakespeare: Readings of Charles and Mary Lamb." Shakespeare 2, no. 2 (December 2006): 152–67. http://dx.doi.org/10.1080/17450910600983786.

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23

Gonçalves, Flavia. "A tragédia Macbeth reescrita para o público infantil por Charles Lamb." Belas Infiéis 8, no. 3 (July 25, 2019): 127–44. http://dx.doi.org/10.26512/belasinfieis.v8.n3.2019.22936.

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Este artigo tem como propósito refletir sobre algumas questões envolvidas na reescrita de peças de William Shakespeare para o público infantil, focalizando a narrativa Macbeth, publicada em Tales from Shakespear. Designed for the use of young persons (1807) pelos irmãos Charles e Mary Lamb. Para o embasamento teórico, são primordialmente utilizadas as teorias dos Estudos da Tradução, com as concepções de André Lefevere e a teoria dos polissistemas de Itamar Even-Zohar. Inicialmente, são feitas breves considerações sobre a biografia dos autores e sobre a contextualização da obra no sistema literário infantil. Na sequência, apresentamos as características da fonte textual que podem ser consideradas questões complexas em uma adaptação para crianças. Então, a análise comparativa demonstra as particularidades da narrativa de Charles Lamb que a transformam em um novo original, que acaba tornando-se a verdadeira história de Shakespeare para os leitores que não conhecem a tragédia Macbeth.
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24

Buzan, Bert C. "Implementation of Civil Rights Policy.Charles S. Bullock III , Charles M. Lamb." Journal of Politics 47, no. 2 (June 1985): 738–40. http://dx.doi.org/10.2307/2130908.

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25

Gray, Martin, and Jane Aaron. "A Double Singleness: Gender and the Writings of Charles and Mary Lamb." Modern Language Review 88, no. 4 (October 1993): 952. http://dx.doi.org/10.2307/3734447.

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26

Leadbetter, Gregory. "Charles Lamb, Coleridge and Wordsworth: Reading Friendship in the 1790s. Felicity James." Wordsworth Circle 40, no. 4 (September 2009): 155–57. http://dx.doi.org/10.1086/twc24043553.

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27

Hickey, A. "FELICITY JAMES. Charles Lamb, Coleridge and Wordsworth: Reading Friendship in the 1790s." Review of English Studies 61, no. 248 (October 25, 2009): 153–55. http://dx.doi.org/10.1093/res/hgp091.

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28

Monteiro, Daniel Lago. "À roda da vida: escrita de si e persona literária nos ensaios de Charles Lamb e nas crônicas de Machado de Assis." Literatura e Sociedade 22, no. 25 (June 5, 2018): 181–96. http://dx.doi.org/10.11606/issn.2237-1184.v0i25p181-196.

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O presente artigo se propõe a investigar as afinidades entre os ensaios de periódicos de Charles Lamb (1775-1834) e as séries de crônicas de Machado de Assis (1839-1908), a fim de observar o comportamento uniforme de um narrador-eu que costura os acontecimentos cotidianos à luz de suas memórias e experiências de vida.
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29

Natarajan, Uttara. "The Spirit of His Age." Nineteenth-Century Literature 66, no. 4 (March 1, 2012): 449–65. http://dx.doi.org/10.1525/ncl.2012.66.4.449.

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This essay treats Walter Pater's engagement with two key Romantic precursors, William Hazlitt and Charles Lamb. Hazlitt's influence is on Pater's characteristic genre, the verbal portrait that delineates a historical and cultural moment, as it manifests itself in an individual personality. Lamb's importance to Pater, on the other hand, is as paradigm or type: the man himself, as much as his writing. For Pater, Lamb's value is especially in his antiquarianism (an extraordinary, intimate relationship with the past), which is, at the same time and paradoxically, the indicator of modernity. The combination of past and present that Pater posits in Lamb captures the modern consciousness first described in The Renaissance (1873); equally, Lamb also embodies Pater's “reserve,” the ruling tenet of Appreciations (1889). Lamb's centrality to Pater's particular concerns and critical positions, illuminating in itself, also indicates a continuity from Pater's earliest to his later writings. Further, by uncovering the close and direct connections between Hazlitt, Lamb, and Pater, this essay establishes an identifiable line of succession in the practitioners of an important, but still largely neglected, prose genre of the nineteenth century.
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30

Milnes, Tim. "Charles Lamb, Coleridge and Wordsworth: Reading Friendship in the 1790s by Felicity James." Studies in Romanticism 50, no. 4 (2011): 722–26. http://dx.doi.org/10.1353/srm.2011.0008.

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31

Ortín, Marcel. "From Charles Lamb to Josep Carner: Translation and Rewriting of the Familiar Essay." Translation Review 87, no. 1 (September 2, 2013): 30–45. http://dx.doi.org/10.1080/07374836.2013.834695.

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32

Scigliano, Marisa. "Nineteenth Century Literary Society: The John Murray Publishing Archive." Charleston Advisor 22, no. 2 (October 1, 2020): 39–42. http://dx.doi.org/10.5260/chara.22.2.39.

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Nineteenth Century Literary Society is drawn from archive of the House of John Murray publishing company, held by the National Library of Scotland. The family-run firm, with Scottish roots, spanned seven generations and flourished in London from 1768 until 2002. John Murray is especially remarkable for publishing seminal English-language works of the 19th century, including those by Charles Darwin, David Livingstone, Charles Lyell, and Samuel Smiles, the father of self-help. The largest collection of Lord Byron’s private writings and manuscripts, assembled by the publisher, form a large part of the resource. Women writers feature prominently in the John Murray’s collection, including Jane Austen, Isabella Bird, Elizabeth Eastlake, and Caroline Lamb.
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33

Ali, Kainat, Shadab Fatima, Tarique Tarique, and Rashid Ali Chandio. "Stylistic analysis of charles lamb’s essay dream children-reverie." International journal of linguistics, literature and culture 5, no. 6 (October 26, 2019): 68–77. http://dx.doi.org/10.21744/ijllc.v5n6.760.

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The study has been designed to analyze a literary piece that is “Dream Children Reverie” written by Charles Lamb via stylistics. The stylistic study deals with linguistic, graphological, phonological, grammatical, syntactical and structural aspects of the essay. In the study, the text has been explicated via stylistics analysis of the literary devices and style in which the text has been composed of. The study excavates various literary devices from the essay like symbolism, imagery, humor, and pathos that provides ancillary support to the overall meaning and impact of the essay. The present paper is a comprehensive study of literary text via a linguistic perspective. In addition, the study is also useful to find out themes in the essay Dream Children Reverie and it ensures to depict the self-portraying nature of the composition.
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34

Hirsch, Arnold R. "Housing Segregation in Suburban America since 1960: Presidential and Judicial Politicsby Charles M. Lamb." Political Science Quarterly 120, no. 4 (December 2005): 701–3. http://dx.doi.org/10.1002/j.1538-165x.2005.tb01439.x.

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35

Baladouni, Vahé. "CHARLES LAMB: A MAN OF LETTERS AND A CLERK IN THE ACCOUNTANT'S DEPARTMENT OF THE EAST INDIA COMPANY." Accounting Historians Journal 17, no. 2 (December 1, 1990): 21–36. http://dx.doi.org/10.2308/0148-4184.17.2.21.

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Charles Lamb (1775–1834), English author, who became famous for his informal, personal essays and literary criticism, is presented here in his vocational role as accounting clerk. Lamb's long years of experience in and out of London's counting-houses permitted him to capture the early nineteenth-century business and accounting life in some of his renowned essays and letters to friends. His unique wit, humor, and warm humanity bring to life one of the most interesting periods in accounting history.
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36

Weiner, Marie-France, and John Russell Silver. "The doctor as an artist." Journal of Medical Biography 25, no. 2 (December 21, 2015): 80–90. http://dx.doi.org/10.1177/0967772015619303.

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Charles Bell, Francis Seymour Haden, Jean-Martin Charcot, Paul Richer, Henry Tonks and Harry Lamb were gifted draughtsmen. Some used their skills to illustrate their work, a few abandoned medicine altogether to become artists in their own right. With the exception of Haden few were able to combine an artistic and a medical career. Their medical training and their wartime experiences influenced their artistic portrayal of the wounded. Their significant contribution, however, resides in the way in which they influenced other greater artists through their teaching.
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37

Hawkins, John. "A Charge to the Grand Jury of the County of Middlesex. delivered at the General Quarter Session of the Peace, holden at Hick's Hall in the said County, on Monday the Eighth Day of January 1770." Camden Fourth Series 43 (July 1992): 421–30. http://dx.doi.org/10.1017/s0068690500001768.

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At the General Quarter Session of the Peace holden at HICK's HALL, in Saint-John-Street, in and for the County aforesaid, on Monday the Eighth Day of January 1770, before Bartholomew Hammond, Saunders Welch, John Spencer Colepeper, Elisha Biscoe, Edward Jennings, Henry Lamb, William Timbrell, Joseph Keeling, Esqrs. Sir Robert Darling, Knt. Nathan Carrington, Stephen Cole, John Barnfather, Charles Dod, Jeremiah Bentham, Peter Lewis Perrin, Rupert Clarke, Joseph Newsom, George Mercer, John Cox, Benjamin Cowley, David Wilmot, Burford Camper, and Thomas Edmonds, Esqrs.
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38

Kleit, Rachel Garshick. "Housing Segregation in Suburban America Since 1960: Presidential and Judicial Politics ? By Charles M. Lamb." Presidential Studies Quarterly 37, no. 1 (March 2007): 170–72. http://dx.doi.org/10.1111/j.1741-5705.2007.02591_5.x.

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39

Grovier, K. "An Allusion to Charles and Mary Lamb in Wordsworth's 'A slumber did my spirit seal'." Notes and Queries 51, no. 2 (June 1, 2004): 152. http://dx.doi.org/10.1093/nq/51.2.152.

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40

Grovier, Kelly. "An Allusion to Charles and Mary Lamb in Wordsworth's ‘A slumber did my spirit seal’." Notes and Queries 51, no. 2 (June 1, 2004): 152. http://dx.doi.org/10.1093/nq/510152.

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41

Dai, Yun-fang. "“I should like to have my name talked of in China”: Charles Lamb, China, and Shakespeare." Multicultural Shakespeare: Translation, Appropriation and Performance 20, no. 35 (December 30, 2019): 83–97. http://dx.doi.org/10.18778/2083-8530.20.07.

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Charles and Mary Lamb’s Tales from Shakespeare played an essential role in Chinese reception history of Shakespeare. The first two adaptations in China,Xiewai qitan 澥外奇譚and Yinbian yanyu 吟邊燕語, chose Tales as the source text. To figure out why the Lambs’ Tales was received in China even earlier than Shakespeare’s original texts, this paper first focuses on Lamb’s relationship with China. Based on archival materials, it then assumes that the Lambs’ Tales might have had a chance to reach China at the beginning of the nineteenth century through Thomas Manning. Finally, it argues that the decision to first bring Shakespeare to China by Tales was made under the consideration of the Lambs’ writing style, the genre choice, the similarity of the Lambs’ and Chinese audiences, and the marketability of Tales. Tracing back to the first encounter between Tales and China throws considerable light on the reception history of Shakespeare in China. It makes sense that nothing is coincidental in the history of cultural reception and the encounters have always been fundamentally influenced by efforts from both the addresser and the receptor.
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42

Lim, Jessica W. H. "The (Unexpected) Adventures of Ulysses: Charles Lamb and American Literary Culture in the Nineteenth-Century American Classroom." Notes and Queries 64, no. 1 (February 1, 2017): 74–76. http://dx.doi.org/10.1093/notesj/gjw248.

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43

Adamany, David. "Implementation of Civil Rights Policy. Edited by Charles S. Bullock, III and Charles M. Lamb. (Monterey, Calif.: Brooks/Cole Publishing, 1984. Pp. x + 223. $14.25, paper.)." American Political Science Review 79, no. 2 (June 1985): 521–22. http://dx.doi.org/10.2307/1956672.

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44

Roomi, R., D. Hallam, J. J. Going, M. Jaswon, A. Jaleel, and J. M. Watson. "Saadi Hussain Al-Roumani Edward Ambrose Cresswell Charles Hardinge Going Nicholas Jaswon Derek Clifford Lamb John Taylor Smith." BMJ 318, no. 7197 (June 5, 1999): 1561. http://dx.doi.org/10.1136/bmj.318.7197.1561.

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45

Ruwe, Donelle R. "Benevolent Brothers and Supervising Mothers: Ideology in the Children's Verses of Mary and Charles Lamb and Charlotte Smith." Children's Literature 25, no. 1 (1997): 87–115. http://dx.doi.org/10.1353/chl.0.0624.

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46

Khan, Jalal Uddin. "Literature of the New Year: Literary Variations on the Celebration of the New Year." IJOHMN (International Journal online of Humanities) 5, no. 4 (August 5, 2019): 1–29. http://dx.doi.org/10.24113/ijohmn.v5i4.105.

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Is the New Year really new or old? Happy or sad? Is it only part of the process and the cycle of seasons making one look back and think of death? Is it a time to wish to stay where one is or hope for opportunities and possibilities? Like a point in a circle, is every day a New Year’s day? Is it a time for nostalgia and reminiscence or promises and resolutions for the future? With the (Gregorian and the British Government) changes in the Western calendar at different times in history and with different countries/cultures celebrating the New Year at different times of the year and with the fiscal year, political (election) year, and academic year being different from the traditional New Year of January 1st, does the New Year mark the beginning and the ending in just an arbitrary way? Centuries ago Britain’s earliest Poets Laureate introduced the tradition of writing a New Year poem. Since then there have been many authors writing New Year essays and poems. They include Robert Herrick, Charles Cotton, Johann Von Goethe, S. T. Coleridge, Charles Lamb, Lord Alfred Tennyson, William Cullen Bryant, Helen Hunt Jackson, Emily Dickinson, George Curtis, Thomas Hardy, Fiona Macleod (William Sharp), D. H. Lawrence, Rabindranath Tagore, and Sylvia Plath, among others.
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47

Newbon, Pete. "Simon P. Hull, Charles Lamb, Elia and the London Magazine (London: Pickering & Chatto, 2010), pp. 240. £60 / US $99 hardback. 9781851966615." Romanticism 17, no. 3 (October 2011): 383–85. http://dx.doi.org/10.3366/rom.2011.0055.

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48

BEAL, AMY C. "“Why We Sing”: David Mahler's Communities." Journal of the Society for American Music 7, no. 1 (February 2013): 1–28. http://dx.doi.org/10.1017/s1752196312000466.

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AbstractAmerican composer David Mahler (b. 1944) has nurtured a career that is independent, diverse, and hard to classify. Democratic, inclusive, and community oriented, Mahler thinks deeply about sound in specific environments, and how music gets made, both by amateurs and professionals. Mahler's work is thus integrally connected to places, to the people in them, and to the songs those people sing. He is influenced and inspired by U.S. traditions of band music arrangements, the ragtime of Joseph Lamb, the songs of Stephen Foster, the bitonality of Charles Ives, the simple harmonic motion of classic minimalism, and the indeterminacy of John Cage. His teachers included Harold Budd, Morton Subotnick, and James Tenney, and he has been an important influence on many composers of his generation, including Michael Byron, Peter Garland, Larry Polansky, Thom Miller, and Stuart Dempster. Defining himself as a “Listener-in-Residence,” he has composed, performed, taught, organized, and directed, all while remaining almost completely unaffiliated with academic institutions. This article provides a portrait of Mahler's career in the context of the communities that have shaped his work and explores how his music responds to the world around him.
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49

Carp, Robert A. "Judicial Conflict and Consensus: Behavioral Studies of American Appellate Courts. Edited by Sheldon Goldman and Charles M. Lamb (Lexington: University Press of Kentucky, 1986. 320 p. $30.00)." American Political Science Review 81, no. 2 (June 1987): 633–34. http://dx.doi.org/10.2307/1962002.

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50

Shaughnessy, Robert. "Death, The One and the Art of Theatre. By Howard Barker. Abingdon, Oxon: Routledge, 2005. Pp. 105. £12.99 Pb.; £50 Hb The Theatre of Howard Barker. By Charles Lamb. Abingdon, Oxon: Routledge, 2005. Pp. 228 + 8 illus. £18.99 Pb." Theatre Research International 31, no. 1 (February 10, 2006): 106–8. http://dx.doi.org/10.1017/s0307883305311916.

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