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Journal articles on the topic 'Landscape gardening, history'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Tyrrell, Ian. "Environment, landscape and history: Gardening in Australia." Australian Historical Studies 38, no. 130 (2007): 339–47. http://dx.doi.org/10.1080/10314610708601252.

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Xiao, Fangling. "Analyzing the Gardening Art of Yanshan Garden with Yuanye (The Craft of Gardens)." Scientific and Social Research 6, no. 3 (2024): 155–60. http://dx.doi.org/10.26689/ssr.v6i3.6478.

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The first systematic theoretical work on gardening in Chinese history, The Craft of Gardens (Yuanye) by Ji Cheng, the famous literary gardener of the Ming Dynasty, is an invaluable reference for garden design in succeeding generations. The majority of research on Lingnan classical gardens is focused on Guangdong. The Yanshan Garden in Guilin, which is considered to be the first garden in Lingnan, is a prime example of late Qing Dynasty Lingnan gardens, perfectly combining Guilin landscape design with Lingnan garden architecture. Consequently, it is crucial to examine Yanshan Garden’s gardening

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Kyselov, V. M., and G. V. Kyselovа. "HISTORICAL PARKS OF UKRAINE. FROM HISTORY TO MODERNITY." Bulletin of Odessa State Academy of Civil Engineering and Architecture, no. 81 (December 7, 2020): 18–25. http://dx.doi.org/10.31650/2415-377x-2020-81-18-25.

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Abstract. The article explores the issues of the emergence and development of historical parks in Ukraine. There are four periods of formation and development of historical parks in Ukraine: the first ‒ from the times of Kievan Rus to the middle of the 17th century (the origin of park building), the second ‒ from the middle of the 17th century before the revolution of 1917 (construction of mainly private palaces and park ensembles), the third ‒ from 1918 to 1991 (soviet period), the fourth ‒ from 1991 to the present (the period of independence of Ukraine). The definition of the concept «histor

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Dobbs, Steve. "OKLAHOMA GARDENING—TWENTY YEARS OF HELPING PEOPLE AND PLANTS GROW." HortScience 30, no. 3 (1995): 444e—444. http://dx.doi.org/10.21273/hortsci.30.3.444e.

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Oklahoma Gardening, a television program produced by the Oklahoma Cooperative Extension Service, Departments of Horticulture and Landscape Architecture and Agricultural Communications, is tied for the longest running consecutively taped gardening program in the nation. The program airs weekly on Oklahoma's PBS affiliate and ranks as the top locally produced program in the viewing region, with a dedicated weekly audience of 150,000 gardening enthusiasts. As an Extension constituent, Oklahoma Gardening is successful at program identification, development, and evaluation—a new twist for most tele

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Porshnev, V. P. "Landscape gardening art of the Seleucid Empire." Vestnik of Saint Petersburg State University of Culture, no. 4 (45) (December 2020): 85–92. http://dx.doi.org/10.30725/2619-0303-2020-4-85-92.

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Landscape art of the state of the Seleucid Empire, which inherited a considerable part of the broken-up Alexander of Macedon’s Empire still was not a subject of a separate research. Unlike Ptolemaic Egypt where imperial gardeners managed harmoniously to unite the landscape planning inherited from sacred groves and parks of Hellas with Ancient Egyptian tradition of regular planning, there is no reason to speak about any specific «Seleucid’s style». Nevertheless, landscape art of this dynasty has the great interest to historians of ancient art as it fills a time gap between gardens and parks of

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Porshnev, Valerij P. "Landscape gardening art of the Hellenistic states of Asia Minor." Vestnik of Saint Petersburg State University of Culture, no. 1 (46) (March 2021): 112–20. http://dx.doi.org/10.30725/2619-0303-2021-1-112-120.

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The article continues a cycle of publications of the author on Hellenustic landscape gardening art. The cultural region, which already in the most ancient times was a contact zone between the Greek world and the East is considered. The historical heritage of the Phrygian and Lydian kingdoms and the Persian Empire, which bequeathed to governors the Hellenistic era sacred groves, hunting reserves paradises and terrace parks with regular planning is traced. Special attention is devoted to parks of the Pontic kingdom of time of Mithridates VI Eupator’s government and parks of Pergamon. The country

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King, Rachael Scarborough. "Before and After: Landscape Gardening and the Book History of Improvement." Eighteenth-Century Studies 58, no. 3 (2025): 291–315. https://doi.org/10.1353/ecs.2024.a958725.

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Abstract: This article reveals the interconnection of estate improvements with book history in the evolution of the key eighteenth-century concept of improvement. In the late eighteenth century, landscape gardener Humphry Repton invented the form of the before-and-after illustration, using hinged overlays to show proposed changes to the landscape. He presented his clients with what came to be known as his "Red Books," manuscript volumes not only outlining alterations but also theorizing how the correct kind of improvement should maintain a balance between the human and natural worlds. In his d

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Liao, Yuanqi, and Yao Xiao. "A Brief Discussion on Mr. Congzhou Chen's Thoughts on Garden Art." Scientific Journal Of Humanities and Social Sciences 6, no. 10 (2024): 39–47. http://dx.doi.org/10.54691/d94dnd46.

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The role and significance of Mr. Chen multiple identities, personal practices, and academic history in the formation of his personal thoughts and theories on the art of gardening are discussed to explore Mr. Chen's inheritance and innovation of Chinese thoughts on landscape gardening. Analyzing Mingxuan, Yuyuan, and Nanyuan from the perspective of poetic and picturesque aesthetics, we discover the course of Mr. Congzhou Chen's gardening ideas and his inheritance and innovation of traditional garden culture. As Mr. Chen said, Mingxuan is an imitation with some new ideas, Yuyuan East is a contin

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Helsinger, Elizabeth. "Humphry Repton: Landscape Gardening and the Geography of Georgian England." Journal of Historical Geography 27, no. 3 (2001): 457–59. http://dx.doi.org/10.1006/jhge.2001.0341.

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10

Wang, Chen. "Research on Gardening Art from the Perspective of Different Aesthetic Forms." Highlights in Art and Design 3, no. 2 (2023): 104–9. http://dx.doi.org/10.54097/hiaad.v3i2.10577.

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Aesthetics is an important part of art design, and the analysis of gardening art from the perspective of different aesthetic forms can enhance the designer's aesthetic mood, understand the harmony and richness between people and the living world, and improve people's living space and spiritual realm. Ming Dynasty private gardens are a climax in the history of Chinese gardens, with good craftsmanship, good interest and fine aesthetics, which is a model for the study of contemporary gardening art aesthetics. The past analysis of the aesthetics of garden landscape is mainly from the ancient Chine

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Hryhorenko, Alla, and Yurii Klymenko. "Staromerchytskyi Park (Kharkiv region): changes in planning, taxonomic composition, landscapes, and plantings for 1997–2018." Plant Introduction 105-106 (March 7, 2025): 20–32. https://doi.org/10.46341/pi2024014.

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The paper is dedicated to establishing the trend of changes in planning, taxonomic composition, landscapes, and plantings in the Staromerychytskyi Park-Monument of landscape gardening of national importance for a short period (about 20 years). The park is located in the village of Staryi Merchyk, Bohodukhiv district, Kharkiv region (Ukraine). The history of the creation of this park ensemble is considered. The changes in the planning, and the composition of the dendroflora, which occurred during the entire period of the park’s existence, were investigated. An inventory of the park dendroflora

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Makhmudova, Malika, and Muhayyo Makhmudova. "ISLAMIC STYLE IN LANDSCAPE DESIGN ON THE EXAMPLE OF ANCIENT GARDENS OF THE TEMURID PERIOD." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 5 (May 20, 2020): 706. http://dx.doi.org/10.17770/sie2020vol5.4990.

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The article considers the history of the creation and development of the Islamic garden, the characteristic features of landscape gardening art in the Islamic style through the prism of the development of ancient gardens of the Temurid period, in particular, on examples of gardens in Central Asia, Afghanistan and India, and other countries, including their perspectives development, as well as proposals for the creation of modern landscape design. Today, with the urbanization and the growth of cities, less territory remains for the green zone, therefore one of the main problems throughout the w

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Cockburn, Jessica, Eureta Rosenberg, Athina Copteros, et al. "A Relational Approach to Landscape Stewardship: Towards a New Perspective for Multi-Actor Collaboration." Land 9, no. 7 (2020): 224. http://dx.doi.org/10.3390/land9070224.

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Landscape stewardship is increasingly understood within the framing of complex social-ecological systems. To consider the implications of this, we focus on one of the key characteristics of complex social-ecological systems: they are relationally constituted, meaning that system characteristics emerge out of dynamic relations between system components. We focus on multi-actor collaboration as a key form of relationality in landscapes, seeking a more textured understanding of the social relations between landscape actors. We draw on a set of ‘gardening tools’ to analyse the boundary-crossing wo

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Михайлова, Р. Д., О. В. Вишневська та С. В. Ясько. "ТРАДИЦІЇ ЯПОНСЬКОГО САДОВО-ПАРКОВОГО МИСТЕЦТВА В УМОВАХ СУЧАСНОГО МІСТА (НА ПРИКЛАДІ КИЄВА)". Art and Design, № 4 (15 лютого 2021): 149–59. http://dx.doi.org/10.30857/2617-0272.2020.4.12.

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The purpose of the article is to analyze the Japanese art of gardening in its tangible and intangible dimensions. The phenomenon of landscape art is considered in the context of the values of authenticity, typology and its aesthetic value in the city. Methodology.The research uses general scientific methods of analysis; comparative method, typological systematization, historical-chronological method, methods of art analysis. The results. To clarify the essence of the Japanese gardening art phenomenon, this work presents the history and conditions of its origin, its stages of development, as we

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15

Nolin, Catharina. "From Gardening Manuals to Signum's Swedish Art History. Approaches to the Historiography of Swedish Landscape Architecture." Konsthistorisk tidskrift/Journal of Art History 85, no. 1 (2016): 126–40. http://dx.doi.org/10.1080/00233609.2015.1131737.

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Khalil, Ahsan, Nijah Akram, Muti ul haq, Dr Ayesha Mehmood Malik, and Sheikh Husnain Asif. "TRACING THE ETHEREAL: EXPLORING AESTHETIC HERITAGE AND CULTURAL IDENTITY IN HISTORIC GARDENS - A CASE STUDY OF SHALIMAR GARDEN." Journal of Arts & Social Sciences 11, no. 1 (2024): 37–47. http://dx.doi.org/10.46662/jass.v11i1.444.

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Mughal gardens are a prominent figure in the history of landscape architecture, serving as a symbol of artistic talent and horticultural genius. The Mughal gardens thrived throughout the Mughal Empire's rule in South Asia, and this dissertation investigates the profound philosophy that underpinned its design planting methods. The study explores the sociocultural factors that influenced Mughal gardening practices within the historical framework of that period. This study makes use of both primary and secondary sources to illuminate the main components of Mughal Garden design, including the wide

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Ryadova, M. "THE STAGES OF FORMATION (1710-1917) AND TRANSFORMATION (1918-PRESENT) OF THE ARCHITECTURAL LANDSCAPE OF THE TSARSKOYE SELO PALACES AND PARKS ENSEMBLE." Construction Materials and Products 3, no. 1 (2020): 95–103. http://dx.doi.org/10.34031/2618-7183-2020-3-1-95-103.

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the article specifies the stages of the architectural landscape formation of the Tsarskoye Selo palaces and parks ensemble; the addition features of the Catherine, Alexander and Babolovsky parks and their transformation phases. The chronological period of the formation of the ensemble was completed in 1917, and after the October Revolution, the suburban imperial residence changed its functional purpose and status absolutely. The feature of the architectural landscape exploring in this article is that the style-forming objects of the volume-spatial composition are palaces and pavilions; the env

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Golosova, E. V., and A. V. Kotova. "LANDSCAPE ART AS PART OF THE GLOBAL PROCESS OF CULTURAL INTEGRATION." Landscape architecture in the globalization era, no. 2 (2021): 32–45. http://dx.doi.org/10.37770/2712-7656-2021-2-32-45.

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In the cultural space of the current period of history, the intensification of the process of cultural transfer contributes to changing the canonical circle of national creativity, including in landscape art. It is very rare to find gardens and parks, all the elements of which, including ideology, can be attributed to the cultural traditions of certain countries or ethnic groups. Over the past two millennia, the development of trade, military expansion and the spread of religious teachings to new territories have contributed to the transformation of national cultures - both through the process

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McEuen, Amy B., and Megan A. Styles. "Is gardening a useful metaphor for conservation and restoration? History and controversy." Restoration Ecology 27, no. 6 (2019): 1194–98. http://dx.doi.org/10.1111/rec.13026.

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20

Porshnev, Valeriy P. "Landscape art of Roman Africa." Vestnik of Saint Petersburg State University of Culture, no. 3 (60) (2024): 66–70. http://dx.doi.org/10.30725/2619-0303-2024-3-66-70.

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The cultural space of Roman Africa includes the territory of four provinces (Africa Proconsularis, Numidia, Mauretania Caesarea and Mauretania Tingiana), later united in the African Exarchate. Common borders, Mediterranean climate, more than a thousand-year history of horticulture and agriculture, starting with the Phoenician colonists who left to the Romans a rich heritage, the Romanization of the provinces, which ended with the granting of citizenship to the entire free population (edict of Caracalla 212th), the proximity of Italy and the common land holdings of Roman aristocrats on both sid

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21

Piddock, Susan, Pam Smith, and F. Donald Pate. "A Changed Landscape: Horticulture and Gardening in the Adelaide Hills Face Zone, South Australia, 1836–1890." Historical Archaeology 43, no. 3 (2009): 65–81. http://dx.doi.org/10.1007/bf03376761.

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22

Stark, Barbara L., and Alanna Ossa. "Ancient Settlement, Urban Gardening, and Environment in the Gulf Lowlands of Mexico." Latin American Antiquity 18, no. 4 (2007): 385–406. http://dx.doi.org/10.2307/25478194.

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Urban settlement in the western lower Papaloapan River basin in the Gulf lowlands was dispersed and likely employed intensive gardening near domiciles. Land surrounding homes also may have played a symbolic role in these agrarian societies. Water works—formal ponds associated with temple platforms and other prominent structures as well as with many residential mounds—support the idea of symbolic as well as practical functions in land use around buildings. Dispersed occupation occurs in low elevations suited to recessional planting, a technique that takes advantage of dry season ground moisture

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Маліновська, Анна, та Іван Романюк. "Парки-пам’ятки садово-паркового мистецтва Вінниччини як об’єкти історико-культурного туризму". Scientific Papers of the Vinnytsia Mykhailo Kotsyiubynskyi State Pedagogical University Series History, № 48 (16 червня 2024): 83–89. http://dx.doi.org/10.31652/2411-2143-2024-48-83-89.

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The purpose of the article is a comprehensive analysis of the study of parks as monuments of landscape art in Vinnytsia region. Attention is focused on historical and cultural tourism, the purpose of which is to visit places related to history and historical heritage, which includes such objects as palace and park ensembles, historical buildings, and natural monuments of the native land. The research methodology is based on the principles of historicism, scientific objectivity, and systematicity. The purpose and objectives of the study led to the use of general scientific and special historica

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Carlson, Allen. "Is Environmental Art an Aesthetic Affront to Nature?" Canadian Journal of Philosophy 16, no. 4 (1986): 635–50. http://dx.doi.org/10.1080/00455091.1986.10717140.

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In this discussion I consider one aesthetic issue which arises from certain intimate relationships between art and nature. The background to these relationships can be traced to the seventeenth and eighteenth centuries. It includes factors of considerable importance in the history of the aesthetic appreciation of nature such as the eighteenth century infatuation with landscape gardening and the continuingly influential role of landscape painting. Here, however, I concentrate on these relationships only as exemplified in a contemporary phenomenon – environmental art. By environmental art I mean

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Shevchenko, Liudmyla, Natalia Novoselchuk, and Olena Troshkina. "Traditions in the formation of historical manor parks of the Poltava Region (Ukraine)." Landscape architecture and art 21, no. 21 (2022): 105–14. http://dx.doi.org/10.22616/j.landarchart.2022.21.11.

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The article is devoted to the historical manor parks of one of the picturesque regions of Ukraine – Poltava Region. The focus of the study is on traditions and peculiarities of their formation, which developed historically in the period of the 18th-19th centuries. Historical-factual, monographic, stylistic, and comparative-historical methods were used during the research. The methods of theoretical analysis, visual inspection and graphic reconstruction were also applied. The article presents a brief history of the emergence of manor and park complexes in the region. Foreign and local specialis

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Tian, Lin. "Application of Chinese Classical Garden Landscaping Techniques in Modern Indoor Natural Landscape Design from the Perspective of Virtual Reality Technology." Advances in Multimedia 2022 (October 12, 2022): 1–10. http://dx.doi.org/10.1155/2022/4240197.

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In the multimedia information comprehensive development of multimedia culture, the traditional technology of many industries and advanced mobile technology develop in concert. Ancient Chinese gardens have a long history. They are rich in content, outstanding in style, and full of characteristics. They have great aesthetic value and are the valuable property of all mankind. This paper discusses the environmental expression, spatial layout, and element combination in traditional garden art. The study of landscape design techniques involves different subjects. Through the developed mobile multime

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Chekmarev, Vladimir. "History of Ahtyrki Manor Complex Formation." Scientific and analytical journal Burganov House. The space of culture 15, no. 4 (2019): 161–71. http://dx.doi.org/10.36340/2071-6818-2019-15-4-161-171.

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The article concerns the formation of the manor complex of Akhtyrka in the context of the development of Russian estate culture of the early XIX century. Based on textual and graphic materials, the author makes an attempt to clarify the features of the planning structure and the figurative and artistic originality of the estate, formed in the 1820s. The new manor complex was located on the picturesque steep slope of the left bank of the river Vorya, that was specially blocked to create very vast ponds, effectively edged with landscape and regular parts of the park. All elements of manor buildi

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Stamper, Paul. "Observations on Modern Gardening by Thomas Whately: An Eighteenth-Century Study of the English Landscape Garden." Landscapes 17, no. 2 (2016): 189–90. http://dx.doi.org/10.1080/14662035.2016.1251050.

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MURRAY, STEPHEN. "Landscape, Agriculture and the Rural Economy of Hockley, Essex, 1840–1916." Rural History 26, no. 2 (2015): 201–26. http://dx.doi.org/10.1017/s0956793315000047.

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Abstract:This article examines the local economy of a parish in south-east Essex during a period when economic, social and technological factors were transforming rural Britain. Record linkages are used to construct a microhistory of Hockley to analyse the exploitation of the landscape and rural livelihoods. Agricultural and occupational change reflected many national economic and social influences, but there are also counter examples to regional patterns of farming practice and large scale agrarian capitalist landownership. The agricultural depression of c.1875–96 effected a shift from arable

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Sim, Jeannie. "Tropicalia: Gardens with Tropical Attitude." Queensland Review 10, no. 2 (2003): 1–24. http://dx.doi.org/10.1017/s1321816600003275.

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What is tropicalia? It's a garden that looks tropical. Hawaiian landscape architect Richard C. Tongg explained in 1960, ‘developing gardens on the theme of “tropicalia”, [means] making gardens in the tropics look the part, instead of being pale copies of other styles’. So what makes a garden look tropical? Earlier in the 1930s, Richard Tongg with garden writer Loraine E. Kuck provided the first clues to defining tropical garden character – three essential characteristics. I have argued there are other telltales from my research into early Queensland garden history. A summary of the qualities t

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Potapenko, Irina, Viktoria Letukhova, and Nikolai Klimenko. "Ornamental trees and shrubs in green areas of the South-East coast of the Crimea." E3S Web of Conferences 175 (2020): 01005. http://dx.doi.org/10.1051/e3sconf/202017501005.

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The South-East Coast of the Crimea has been developing as recreational region. Green planting is one of the factors that improve its recreational attraction. So it is important to study cultivated here arboreal trees and shrubs for perfection their assortment for landscape gardening. We analyzed taxonomy and biomorphological structure, botanicgeographical origin of dendroflora, the history of introduction, and the present state of cultivated arboreal plants. At present cultivated dendroflora totals 229 species belonging to 107 genus of 27 families. Magnoliophyta occupies 86,0 % of species dive

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Smuts, R. Malcolm. "The Court and Its Neighborhood: Royal Policy and Urban Growth in the Early Stuart West End." Journal of British Studies 30, no. 2 (1991): 117–49. http://dx.doi.org/10.1086/385977.

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The early Stuart period witnessed a startling transformation in the physical environment of the royal court. At James I's accession, Whitehall and the great courtier's palaces along the Strand still lay in an essentially rural landscape. To the south, Westminster was a compact town of perhaps 6,500 people, while to the north and east, the three Strand parishes of St. Martin's-in-the-Fields, St. Mary le Savoy, and St. Clement Danes contained another 6,000, mostly concentrated in a narrow ribbon along the Strand itself. North of the Strand, the landscape remained open except for a thinner ribbon

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Niala, JC. "(Re)creating a Living Memorial: Urban Gardening as a Multispecies Co-creating Practice." Ecozon@: European Journal of Literature, Culture and Environment 14, no. 1 (2023): 40–55. http://dx.doi.org/10.37536/ecozona.2023.14.1.4830.

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This essay explores what happened when I recreated an allotment in the style of the year 1918. The plot was located on a charity allotment site in the city of Oxford in the United Kingdom and cultivated during the growing season of 2020 to2021. There have been people growing on the site for over a century. I planted open pollinated non-hybrid heritage seeds from the era. Reflecting on the use of landscape as an archive, I use both academic and creative responses to the soil as a repository of memory. The plot itself became a living memorial that diverse members of the public visited, to share

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Walters, Harriet. "Rural Ritual, Gardened Faith: Ford Madox Ford's Memorial Plots." Modernist Cultures 16, no. 2 (2021): 242–64. http://dx.doi.org/10.3366/mod.2021.0330.

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This article examines the importance of the working country garden to the memorial narratives of Ford Madox Ford. It begins with a study of Ford before the Great War; considering how his particular brand of Literary Impressionism was frequently used to make a case for memorializing the rural poor and their surrounding landscape from The Heart of the Country (1906) to The Fifth Queen saga (1906–08). Moving to Post-War Sussex and Kent, it examines Ford's continuing interest in the country garden and rural community, reading his gardening practices as attempted personal reconstruction through fai

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Williams, Geoffrey. "Trees in the landscape: orchard trees in a 17^th-century French dictionary." Lexicographica 37, no. 1 (2021): 203–26. http://dx.doi.org/10.1515/lex-2021-0011.

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Abstract The 17th century was a time of change in both agriculture and architecture as both nobility and newly rich bourgeois sought to embellish country residences with gardens and orchards. Not only were new plants arriving from overseas, but gardening was being revolutionised by the likes of Le Nôtre, de la Quintinie and the lesser known Fatio. This was reflected in the Dictionnaire universel de Antoine Furetière, the first genuinely encyclopaedic dictionary. This paper starts by introducing the LandLex initiative, pan-European synchronic and diachronic collaborative analyses of simple word

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Смолина, Олеся Олеговна. "Сопоставление различных персонифицированных дефиниций искусства арборскульптуры". Академический вестник УралНИИпроект РААСН, № 1(36) (30 березня 2018): 52–55. https://doi.org/10.25628/uniip.2018.36.12222.

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В архитектуре и ландшафтном дизайне зафиксировано несколько трактовок искусства арборскульптуры. В связи с этим анализируется данное понятие, впервые введенное в США, рассматриваются различные трактовки, применяемые в Австралии и Швеции, сопоставляется конгениальное понятие «формово-декоративное садоводство», используемое в России. Арборскульптура рассматривается как искусство и техника. Выявляются первоисточники упоминания искусства арборскульптуры и исследуется впервые «выращенный» арборскульптурный объект - пешеходный мост в Индии, ставший отправной точкой в истории формирования арборскульп

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Classen, Albrecht. "The Marvels of the World: An Anthology of Nature Writing Before 1700, ed. Rebecca Bushnell. Penn Studies in Landscape Architecture. Philadelphia, PA: University of Pennsylvania Press, 2021, xii, 363 pp., 35 b/w ill." Mediaevistik 34, no. 1 (2021): 340–42. http://dx.doi.org/10.3726/med.2021.01.50.

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After Rebecca Bushnell had taught a graduate course in 2017 dedicated to the early modern English discourse on nature and natural history, she realized the great need for a solid anthology of relevant texts, and the book under review represents the result of her extensive efforts to collect and edit important contributions by philosophers, mystics, and poets from late antiquity to the high and late Middle Ages, and especially from ca. 1500 until ca. 1700, addressing the following subject matters: 1. natural philosophy and natural knowledge; 2. plants; 3. animals; 4. weather, climate, and seaso

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Yueling, Wu. "COLOUR SYMBOLISM IN TRADITIONAL CHINESE LANDSCAPE DESIGN." Urban development and spatial planning, no. 87 (October 25, 2024): 157–66. https://doi.org/10.32347/2076-815x.2024.87.157-166.

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The article analyzes the role of colour and colour symbolism in traditional Chinese architecture. It is argued that in ancient China, color was not only a means of aesthetic expressiveness of the object but also expressed a certain symbolism and social status of both the owner of the object and the object itself. Using the example of China's most common historical architectural object—a small pavilion—the principles of using colours and the most characteristic variants of colouristics are analyzed. One of features of traditional China architecture is it’s symbolism, that was predetermined by i

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Herasymenko, I., and S. Maksymov. "PROBLEMATIC ISSUES OF CULTURAL HERITAGE VALUATION OF MONUMENTS." Criminalistics and Forensics, no. 65 (May 18, 2020): 477–85. http://dx.doi.org/10.33994/kndise.2020.65.47.

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The article analyzes the current state of the regulatory framework governing the valuation of cultural monuments, in particular, the Monetary Valuation of Monuments approved by the Cabinet of Ministers of Ukraine dated September 26, 2002 No. 1447. The classification of conservation categories by a monument (national and local significance) and types of monuments (archeology, history, monumental art, architecture and urban planning, landscape gardening art, historical landscape, science and technology) is given. The main problem in determining the value of monuments is to take into account not

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Kadurina, A. O. "SYMBOLISM OF ROSES IN LANDSCAPE ART OF DIFFERENT HISTORICAL ERAS." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 148–57. http://dx.doi.org/10.31650/2519-4208-2020-20-148-157.

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Background.Rosa, as the "Queen of Flowers" has always occupied a special place in the garden. The emergence of rose gardens is rooted in antiquity. Rose is a kind of “tuning fork” of eras. We can see how the symbolism of the flower was transformed, depending on the philosophy and cultural values of society. And this contributed to the various functions and aesthetic delivery of roses in gardens and parks of different eras. Despite the large number of works on roses, today there are no studies that can combine philosophy, cultural aspects of the era, the history of gardens and parks with symbol

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Zheng, Hua, Noriko Akita, Shoko Araki, and Masayo Fukuda. "Provision of Allotment Gardens and Its Influencing Factors: A Case Study of Tokyo, Japan." Land 11, no. 3 (2022): 333. http://dx.doi.org/10.3390/land11030333.

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Allotment gardens (AGs) are widely used in metropolitan areas around the world to offer agricultural opportunities to urban residents. However, there are not enough individual plots for residents to rent for urban gardening, and research on AGs from a city-wide perspective is ongoing. In addition, AGs have a long history in Tokyo, yet few international studies on the current situation of AGs have addressed Asian cities. Thus, this study intends to analyze the provision of AGs and its influencing factors in Tokyo. Using ArcGIS combined the 472-points dataset created by geo-coordinate mapping wi

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Zhitin, Ruslan. "Economic importance of park and garden zones of landowners’ estates of the Tambov Governorate in the second half of the 19th – early 20th century." Tambov University Review. Series: Humanities, no. 182 (2019): 243–49. http://dx.doi.org/10.20310/1810-0201-2019-24-182-243-249.

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The relevance of the study is determined by the need to fill the historiographical gap in the study of the parks and gardens history of Tambov estates. We consider the problem of organization of park and garden zones of Tambov landowners’ possessions in the post-reform period. We show changes in regional features of the landscape, composition, structure and elements of the park organization. We study the main reasons for the decline in park creation after 1861, the pecu-liarity and depth of this process. We show the influence of the economic crisis on Tambov land-owner’s position as a part of

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Maynard, W. Barksdale. "To Live in the New World: A. J. Downing and American Landscape Gardening Judith K. Major So Fine a Prospect: Historic New England Gardens Alan Emmet." Journal of the Society of Architectural Historians 57, no. 3 (1998): 347–50. http://dx.doi.org/10.2307/991364.

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Yakushenkov, Serguey. "From Place to Plate: Three Historical Etudes of Astrakhan. Etude #1." Studia Alimentaria 1, no. 1 (2022): 67–95. http://dx.doi.org/10.46539/saj.v1i1.4.

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Various distant outskirts of Russia very often followed a specific path in their development, in no way resembling the culture of the Central Russia. One of such areas, where special cultural and natural environments existed, was the southern province located in the Delta of the Volga River – the Astrakhan province. Early in the Middle Ages this territory became a part of highly developed and powerful states – the Khazar Khaganate, the Golden Horde, and the Astrakhan Khanate were situated here. It was during this period that the main alimentary complex of the region was formed, which was a com

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MANN, MICHAEL, and SAMIKSHA SEHRAWAT. "A City With a View: The Afforestation of the Delhi Ridge, 1883–1913." Modern Asian Studies 43, no. 2 (2009): 543–70. http://dx.doi.org/10.1017/s0026749x07002867.

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AbstractDespite the contemporary importance of the Ridge forest to the city of Delhi as its most important ‘green lung’, the concept of urban forestry has been explored neither by urban historians studying Delhi nor by environmental historians. This article places the colonial efforts to plant a forest on the Delhi Ridge from 1883 to 1913 within the context of the gradual deforestation of the countryside around Delhi and the local colonial administration's preoccupation with encouraging arboriculture. This project of colonial forestry prioritized the needs of the white colonizers living in Del

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Golosova, E. V., and H. M. Chu. "INFLUENCE OF FRENCH GARDEN CULTURE ON URBAN GREENING IN VIETNAM." Landscape architecture in the globalization era, no. 4 (2020): 32–42. http://dx.doi.org/10.37770/2712-7656-2020-4-32-42.

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The article analyzes the role of the French protectorate in the development of the greening system of major cities in Vietnam. The article presents political, economic and religious facts that influenced domestic policy in the field of urban planning and landscape architecture in the period from 1858 to 1954. The French protectorate period was an important milestone in the history of Vietnamese architecture. The French made significant changes to the construction art of Vietnam with its traditional wooden architecture. They built homes using new technologies such as mansard roofs, terraces, an

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Wright, Amy N., Jeff L. Sibley, Luther Waters, Dave Williams, and Joe Eakes. "International Opportunities in Horticulture at Auburn University." HortScience 41, no. 4 (2006): 975A—975. http://dx.doi.org/10.21273/hortsci.41.4.975a.

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International undergraduate study programs give students an advantage in the job market, broaden their understanding of and experience with other cultures, and allow them to develop professional international contacts. Since 2003, faculty and administrators in the Department of Horticulture at Auburn University have been providing horticultural study tours for faculty and undergraduate and graduate students in horticulture. In 2003 and 2004, undergraduate students and faculty participated in an about 10-day non-credit study tour of gardens in London and southeastern England. In 2005, undergrad

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Yatskevich, Anastasia. "Ethnocultural Features of the Linguocultureme «French Garden» («Jardin Français»)." Ideas and Ideals 16, no. 3-2 (2024): 406–17. http://dx.doi.org/10.17212/2075-0862-2024-16.3.2-406-417.

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In less than a century, the stable concept of «French garden» is formed and consolidated, having become the result of the activity of very specific historical figures (André Lenôtre and Louis XIV) in the national consciousness of the French and in the language. The concept can be classified as a linguocultureme with a clearly expressed nationally colored semantic meaning. The article proposes to explore the ethnocultural features of the linguocultureme «French garden», as well as to determine its role and place in the national consciousness of the French, and to outline its influence on the fo

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Alföldy, Gábor. "Historical revivalism in hungarian country house gardens between 1880 and 1930: An exploration and analysis." Acta Historiae Artium 48, no. 1 (2007): 115–89. http://dx.doi.org/10.1556/ahista.48.2007.1.3.

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The period lasting from the Compromise betweeen Austria and Hungary in 1867 to World War I was a ‘golden age’ of Hungarian horticulture and garden art. Country houses with their parks belonged traditionally to the way of living of the aristocracy. The ‘construction boom’ generated by a fruitful interplay of the favourable economic conditions of the ‘Gründerzeit’ and the related social needs and financial abilities, resulted in a multitude of new gardens. This surge of development almost coincided with the spread of historical revivalism in garden design from the 1860s and with an increasing ro

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Ballon, Hilary. "Review: Between the Ancients and the Moderns. Baroque Culture in Restoration England by Joseph M. Levine; John Evelyn's "Elysium Britannicum" and European Gardening Dumbarton Oaks Colloquium on the History of Landscape Architecture 17 by Therese O'Malley, Joachim Wolschke-Bulmahn." Journal of the Society of Architectural Historians 59, no. 4 (2000): 530–34. http://dx.doi.org/10.2307/991627.

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