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Relevant bibliographies by topics / Landscape painter / Dissertations / Theses

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Dissertations / Theses on the topic 'Landscape painter'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Milette, Nicole. "Landscape-painter as landscape-gardener : the case of Alfred Parsons R.A." Thesis, University of York, 1997. http://etheses.whiterose.ac.uk/2530/.

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Wallersteiner, Anthony. "A Cornish palimpsest : Peter Lanyon and the construction of a new landscape, 1938-1964." Thesis, University of Kent, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342268.

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Ley, Vicky. "Landscape in the secular paintings of Piero di Cosimo : an aspect of late Quattrocento and early Cinquecento art." Thesis, Birmingham City University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289475.

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Martiníková, Zuzana. "Nepříliš známý malíř." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2014. http://www.nusl.cz/ntk/nusl-232411.

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Master's thesis called Not too well-known painter reacts on art of regional painter Jaromír Martiník. It is an exhibition of the work of this painter. Thanks to the intervention of author of this exhibition brings up his work into unusual context of artist from Beskydy, who is influenced by oriental philosophy.

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5

Constantin, Stephanie. "The painters of the Barbizon circle and landscape painting : techniques and working methods." Thesis, Courtauld Institute of Art (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289372.

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6

Sloman, Susan Legouix. "Gainsborough in Bath 1758-1774." Thesis, University of Bristol, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324365.

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7

Beyer, Anjelie, and mikewood@deakin edu au. "Our ground : A study of artmaking and landscape in Mildura." Deakin University. School of Social Inquiry, 1999. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20060831.115529.

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8

Kowalczyk, Stephanie W. "Beyond the Painted Diary: Love, Loss, and Modernity in the Landscapes of John Singer Sargent." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1470007149.

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9

Anderson, Derek T. "Prehistoric rockshelter utilization in the Paint Rock Canyon Archaeological Landscape District." Laramie, Wyo. : University of Wyoming, 2007. http://proquest.umi.com/pqdweb?did=1317324761&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.

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10

Scalliet, Marie-Odette Payen Antoine. "Antoine Payen peintre des Indes orientales : vie et écrits d'un artiste du XIXe siècle (1792-1853) /." Leyde : Research School CNWS, 1995. http://books.google.com/books?id=f7nZAAAAMAAJ.

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11

Davies, Charlotte Adele. "Landscapes of ephemeral embrace : a painter's exploration of immersive virtual space as a medium for transforming perception." Thesis, University of Plymouth, 2005. http://hdl.handle.net/10026.1/353.

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The following text has been written to illuminate the research embodied In Ephemere, a fullyimmersive virtual environment which integrates stereoscopic 3D computer-generated images and spatialized 3D sound, with a user interface based on breathing, balance, and gaze. This artwork was begun when I entered the doctoral program at CAiNA (Centre of Advanced Inquiry Into the Interactive Arts) in 1997, and was completed in 1998. The work Ephemere is grounded in a very personal vision, developed over more than 25 years of artistic practice, including, most significantly, painting. Ephemere follows on

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Tully, Jennifer L. "An Electron Microscopy and Inductively Coupled Plasma-Mass Spectroscopy Investigation of Great Miami River Sediment Pollution in the Industrialized Landscape of Hamilton, Ohio." Miami University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=miami1366848005.

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13

Burton, Calvin. "Painting as Becoming: Reflections Between Content and Form." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd_retro/48.

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Painting As Becoming: Reflections Between Content and FormThis thesis is the culmination of my two years at graduate school. It lays out some of my ideas about painting as a particular approach to art making. The development of my work has not always followed a linear path some ideas take longer to emerge, some vices longer to recognize. The text is separated into four main sections: Form, Development, Color, and Landscape. The main issue that I explore is the relationship between abstraction and representation. Tending to be over-logical, I have avoided explicit content' in my work, b

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Favry, Amélie. "Affirmation du sentiment national belge au travers de la représentation du paysage, 1780-1850." Doctoral thesis, Universite Libre de Bruxelles, 2005. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211052.

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Entre 1780 et 1850, les Belges développent une image symbolique de leur environnement physique. Cette image, conjuguée à une action de transformation du terrain, participe à la structuration de l’environnement belge en un territoire national. Elle témoigne d’une grande stabilité durant l’époque considérée. Dans cette optique symbolique, l’environnement belge incarne les caractères de la communauté nationale, il exprime non seulement le long passé partagé par le sol et les hommes, les interactions séculaires qui les lient, mais aussi les aspirations nourries par les Belges à l’égard de l’avenir

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15

Josenhans, Frauke Verena. "Avant le Sud, la Provence vue par les peintres allemands (1768-1867)." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3149.

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La Provence n’est pas une destination traditionnellement associée avec la peinture allemande. Pourtant, cette région attire les peintres déjà au siècle des Lumières. Les vestiges romains et le souvenir de Pétrarque en font une étape du Grand Tour ainsi que du Kavalierstour. Les artistes allemands, si nombreux à aller en Italie, commencent aussi à remarquer le sud de la France. Les raisons qui les poussent à entreprendre ce voyage sont variées : pour les peintres au XVIIIe siècle, comme Jakob Philipp Hackert, il s’agit d’une escale en route vers l’Italie qui donne déjà un avant-goût de la pénin

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16

Sprang, Sabine van. "Entre réalité et fiction: les festivités du Papegai en 1615 à Bruxelles de Denijs Van Alsloot (1568? - 1625/1626) et de son collaborateur Antoon Sallaert (1594-1650) :Analyse et mise en contexte d'une suite de tableaux commandés par les archiducs Albert et Isabelle." Doctoral thesis, Universite Libre de Bruxelles, 2006. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210886.

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La thèse a pour objet l'étude approfondie d'une série de huit tableaux monumentaux intitulée "Les Festivités du papegai en 1615 à Bruxelles". Exceptionnelle par le type de sujet et par le format, cette série fut commandée par les archiducs Albert et Isabelle (1598-1621) à leur peintre Denijs van Alsloot (1568 ?-1625/26) afin de célébrer la victoire de l'infante au tir de l'oiseau de bois (le "papegai") du Grand Serment des arbalétriers à Bruxelles. Elle est aujourd’hui incomplète, mais la confrontation des sources écrites avec les tableaux subsistants (en ce compris quelques répliques et varia

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17

Monah, Roxana. "Écrire le voyage au XIXe siècle : les peintres et la tentation de la littérature." Thesis, Sorbonne université, 2020. http://accesdistant.sorbonne-universite.fr/login?url=http://theses.paris-sorbonne.fr/2020SORUL070.pdf.

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Cette thèse se propose d’analyser le phénomène des écrits viatiques des peintres français du XIXe siècle. Nous allons interroger les raisons qui poussent les peintres à écrire le voyage et la place qu’occupent ces écrits dans l’économie de leur pratique scripturale. Nous donnerons quelques repères sur la manière dont ces écrits s’inscrivent dans le phénomène plus large de la littérature de voyage de l’époque, étant donné les rapports nouveaux qui s’établissent entre les actants culturels dans ce siècle épris de voyages et marqué par une vision nouvelle des relations entre le champ artistique e

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18

Lin, Yun An, and 林芸安. "The 19th Century Landscape Painter, Thomas Cole''s View of Nature and National Imagination." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/56071288034314947535.

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碩士<br>國立臺北藝術大學<br>美術學系碩士班美術史組<br>102<br>Thomas Cole (1801-1848) is an American renowned landscape painter who born in Bolton-le-Moors, Lancashire, England. By centering on the relationship of nature and human, Cole’s works leaves quite a legacy for later generations in a continuing quest. In order to take a deeper look at Cole’s career as an artist, the thesis offers several angles in highlighting the importance of Thomas Cole, including his background, his painting techniques and his belief as an artist. Thomas Cole is a cultural transmitter who introduces European culture into the United Sta

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19

Holý, Ondřej. "Krajina Železných hor jako malířské téma." Master's thesis, 2021. http://www.nusl.cz/ntk/nusl-438601.

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The diploma thesis is divided into three parts to meet the requirements of the Department of Art Education. The main part consists of an artistic - historical chapter, which discusses the phenomenon of painting in the Iron Mountains as a place for the development of landscape painting at the turn of the 18th and 19th centuries. The work focuses on the analysis of landscape motifs in a given locality. He compares the motifs that inspired painters and seeks their connection to the work of other painters and puts them in the context of open-air painting. The chapter deals in detail with five pain

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20

Groenewald‐Schmidt, Arnika. "Das etwas andere Italien.: Ein Scirocco‐Tag an der Küste nahe Rom von Nino Costa." 2019. https://tud.qucosa.de/id/qucosa%3A35257.

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Ist das Italien? Wo sind der strahlend blaue Himmel, die wiedererkennbaren Landschaftsmotive und die Tarantella‐tanzenden Ciociare? Der römische Landschaftsmaler Nino Costa (1826‐1903) war sich der Konventionen von Italiendarstellungen im 19. Jahrhundert durchaus bewusst, entschied sich jedoch für eine subtilere und persönlichere Präsentation seiner Heimat. Das monumentale Landschaftsgemälde Ein Scirocco‐Tag an der Küste nahe Rom ist eines seiner Hauptwerke und vereint in sich die Prinzipien seiner Kunst. Es zeigt einen Küstenabschnitt in der Nähe Roms zur Zeit des Sciroccos, dem heißen, Sahar

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21

Thompson, Marilyn Rae. "Nature and the painted landscape." 1987. http://hdl.handle.net/2097/22278.

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22

Shauck, R. Barry. "Sources of artistic inspiration among plein air landscape painters." Thesis, 2017. https://hdl.handle.net/2144/23308.

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This study reports the stories of ten K–12 studio teachers, ten artist teachers at the higher education level, and twelve practicing artists from the mid-Atlantic and New England states as a means to describe the ways in which each person has been inspired to arrange and structure his or her work to gain joy, pleasure, and purpose from studio teaching and/or plein air landscape painting. Researchers, including Getzels and Csikszentmihalyi (1966; 1968a; 1968b; 1975) have studied creativity in artists, art students, and high achievers across various disciplines. Yet, a vital underpinning about

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23

Van, Huyssteen Wessel Hendrick. "How to paint a highway: documenting non-place." Thesis, 2017. https://hdl.handle.net/10539/24519.

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A research report submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Master of Arts in Fine Arts, 2017<br>The central question I want to ask in this dissertation is: How to paint a highway? It sounds simple, but considering all that highways represent, the answer is anything but straightforward. The motivation for this study came about due to my travels on the N1 between two of my homes - one in Johannesburg, Gauteng, and the other in Rosendal, eastern Free State. [No abstract provided. Information

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24

HUANG, SHI-ZHE, and 黃士哲. "The study of environmental perception of Chinese landscape (shan-shui) painters." Thesis, 1987. http://ndltd.ncl.edu.tw/handle/34834404236822693350.

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25

Tan-Feng, Liu, and 劉譚鳳. "Techniques of Expressing the Sky in Landscape Painting - A Study of the Romantic Landscape Painters Turner and Constable." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/kx4954.

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碩士<br>中國文化大學<br>美術學系碩士在職專班<br>103<br>The sky in the landscape painting changes from times. In the past, the traditional sky painting is attached to landscape painting subject as a supporting role. However, with the booming of “Back to Nature” climate in 18th century, painters directly changed their innovative thoughts. With the trend of natural creation subjects, sky painting became an important expression content in the nature. Therefore, the paper makes a deep discussion by taking the sky painting expression techniques of landscape painters as the topic and British romantic landscape painter

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26

Charvátová, Eliška. "František Kaván - přátelství v korespondenci 1894-1941, Korespondence Františka Kavána s Františkem Topičem, Oldřichem Blažíčkem a Ladislavem Janem Živným." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-338210.

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This diploma thesis presents compiled and edited collection of letters from the czech landscape painter František Kaván (1866-1941), a scholar of Julius Mařák's painting school, to the publisher and gallerist František Topič (1858-1941), the painter Oldřich Blažíček (1887-1953) and the librarian and bibliographer Ladislav Jan Živný (1872-1949). The edition is based on 104 letters kept in the Museum of Czech Literature in Prague and the Archives of the National Gallery in Prague. The correspondence describes a life of the painter from the year 1894 to 1941. The diploma thesis analyses and comme

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27

Davis, Charles Barrett. "Landscapes of Color." Thesis, 2011. http://hdl.handle.net/1969.1/ETD-TAMU-2011-12-10352.

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In this work, I propose a digital painting process to create virtual paintings that can be created with paint layers. The process enables the artists to manipulate the look of the painting by placing lights in the three-dimensional environment, changing the surface properties of the geometry, and changing the camera angle that the audience views the work. The initial step is the development of a digital paint system for use with a tablet device. Artist's decisions such as pen pressure, color choice, and brush placement are recorded and exported to a RenderMan scene file. A height parameter is

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28

Rey, Una. "Long to belong: Contemporary narratives of place. Stories in landscape painting from a non-Indigenous perspective." 2009. http://hdl.handle.net/1959.13/44597.

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Research Doctorate - Doctor of Philosophy (PhD)<br>How do Anglo-Australian artists paint themselves into the landscape with relevance and integrity, in spite of our complicated history? How do we submit to our own ‘small narratives’ and express an experience of land which considers but is not muted by postcolonial dialogues? How do individual artists form a visual language respondent to place and instructed by creative chance? The painting studio is where these questions are raised and where formal problems arise. Disparate ideas are tested in the search for marks and images to build an ambigu

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Kalaidjian, Alex. "Automated Landscape Painting in the Style of Bob Ross." Thesis, 2007. http://hdl.handle.net/10012/2761.

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This thesis presents a way of automatically generating a landscape painting in the artistic style of Bob Ross. First, a relatively simple, yet effective and versatile, painting model is presented. The brushes of the painting model can be used on their own for creative applications or as a lower layer to the software components responsible for automation. Next, the brush strokes and parameters used to automatically paint eight different landscape features, each with its own adjustable attributes and randomized forms, are described. Finally, the placement of all of the automated landscape fe

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30

Eriksen-Miller, Louisa. "Landscape as metaphor : the interpretation of selected paintings by (Amy) Bertha Everard." Thesis, 2002. http://hdl.handle.net/10413/3406.

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This dissertation is a study of selected works of the South African landscape painter Amy Bertha Everard (l 873-1965) with the emphasis on discovering relevant means of interpreting her use of landscape as metaphor. In Chapter One Bertha 's family history and background is traced. This includes developments in her work from the earliest known sketches and paintings, her travels, experiences and artistic training. Chapter Two examines Bertha 's relationships with family and friends, with a section at the end that discusses the candidate 's interpretation of some of the letters that have been ma

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31

MENG-YU, KUO, and 郭孟喻. "A Study of Tamsui's Landscape Paintingsafter Taiwan Restoration（1946-1995）－by Taking Taiwanese Painters Liao Chi-Chun, Chang Wan-Chuan,Tsai In-Tang, Liao Te-Cheng ,and Ho Chau-Chu for Examples." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/65773749386093466346.

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碩士<br>國立臺中教育大學<br>美術學系碩士班<br>98<br>Tamsui, having its own unique history, geographic and cultural contexts, was seen a scenic spot where had plentiful of rich drawing themes in the painters’ eye. After restoring, People have multiple explanations toward Taiwan landscape paintings no matter in the ways of cultural significance, styles, or characteristics. Therefore, this article hopes to compare the background, the styles, the materials, the painting techniques, and the painting theories of Liao Chi-Chun, Chang Wan- Chuan, Tsai In-Tang, Liao Te-Cheng, and Ho Chau-Chu by researching landscape pa

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32

Shaw, Rayford Wesley. "A Structural analysis and visual abstraction of the pictorial in the Aeneid, I-VI." Thesis, 2000. http://hdl.handle.net/10500/16021.

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The pictorial elements of the first six books of the Aeneid can be evidenced through an examination of its structural components. With commentaries on such literary devices as parallels and antipodes, interwoven themes, cyclic patterns, and strategic placement of words in the text, three genres of painting are treated individually in Chapter 1 to illustrate the poet's consistency of design and to prove him a craftsman of the visual arts. In the first division, "Cinematic progression," attention is directed to the language which conveys movement and frequentative action, with special

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