Relevant bibliographies by topics / Landscape painting, Austrian

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Landscape painting, Austrian'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Landscape painting, Austrian"

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Śnieżyńska-Stolot, Ewa. "Maksymilian Cercha malarz Tatr. Z cyklu „Zapomniani mieszkańcy Krakowa”." Rocznik Biblioteki Naukowej PAU i PAN 65 (2020): 131–39. http://dx.doi.org/10.4467/25440500rbn.20.009.14168.

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Maksymilian Cercha a Painter of the Tatras. From the “Forgotten Citizens of Kraków” Series Maksymilian Cercha (1818–1907), whose life was linked to Kraków, was born in an assimilated Italian family and is known as a drawer, cataloguer of gravestones in the churches of Kraków and a co-author of a publication titled the Monuments of Kraków. In this paper however, his Tatra-themed paintings are discussed, which are yet to be included in the Art History. Cercha was Jan Nepomucen Głowacki’s student, who established Tatra mountains themed landscape painting in Kraków. In the summertime, he used to t
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Zhang, Chunyan. "“Civilizing Nature” in Australian Painting." Advances in Social Sciences Research Journal 9, no. 12 (2022): 328–38. http://dx.doi.org/10.14738/assrj.912.13639.

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In Australian paintings and literary works of the colonial period, the wilderness and the Aboriginal people were represented as natural hurdles to be crossed and overcome, elements to be struggled against by the colonists who were attempting to “appropriate the environment exclusively to a British agenda of ‘civilization’ .” [1] This is manifestation of the Darwinian evolutionary rhetoric, the idea that societies progress from hunter-gatherer to Western industrialism in a linear hierarchy. This theme is prevalent in paintings and literature. Establishing this narrative was of paramount importa
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Taylor, Ken. "A Symbolic Australian Landscape: Images in Writing and Painting." Landscape Journal 11, no. 2 (1992): 127–43. http://dx.doi.org/10.3368/lj.11.2.127.

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Diprose, Rosalyn. "The Art of Dreaming: Merleau-Ponty and Petyarre on Flesh Expressing a World." Cultural Studies Review 12, no. 1 (2013): 32–43. http://dx.doi.org/10.5130/csr.v12i1.3411.

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I do not understand painting very well, and especially not Australian Indigenous painting, the dot painting of Western and Central Desert artists such as Kathleen Petyarre. I grew up without art on the wall, among gum trees, red dirt, dying wattle, and ‘two thirds (blue) sky’. While this might suggest that I inhabit the same landscape as Petyarre, I also grew up without ‘the Dreaming’, the meaning that this dot painting is said to be about. How and why then can this painting have the impact on me that it does? And, given the history of colonisation in Australia, including the colonisation of I
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Myers, Fred. "Emplacement and Displacement: Perceiving the Landscape Through Aboriginal Australian Acrylic Painting." Ethnos 78, no. 4 (2013): 435–63. http://dx.doi.org/10.1080/00141844.2012.726635.

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Royo-Grasa, Pilar. "Painting the Australian Landscape with a South-Asian Brush: An Interview with Roanna Gonsalves." Le Simplegadi, no. 18 (November 2018): 283–93. http://dx.doi.org/10.17456/simple-119.

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Heckenberg, Kerry. "Conflicting Visions: The Life and Art of William George Wilson, Anglo-Australian Gentleman Painter." Queensland Review 13, no. 1 (2006): 1–21. http://dx.doi.org/10.1017/s1321816600004244.

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Research for this paper was prompted by the appearance of a group of nine small landscape paintings of the Darling Downs area of Queensland, displayed in the Seeing the Collection exhibition at the University Art Museum (UAM), University of Queensland from 10 July 2004 until 23 January 2005. Relatively new to the collection (they were purchased in 2002), they are charming, small works, and are of interest principally because they are late-colonial depictions of an area that was of great significance in the history of Queensland.
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Medynska-Gulij, Beata. "Who were cartographers of manuscript topographic maps in the Enlightenment?" Abstracts of the ICA 1 (July 15, 2019): 1–2. http://dx.doi.org/10.5194/ica-abs-1-247-2019.

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<p><strong>Abstract.</strong> The most difficult challenge is to provide the name of the cartographer, i.e. the author of graphic picture of topography with the use of watermedia on paper, for each important European topographic work. Even though we know the names of chiefs of survey and the most important engineers in field mapping teams, it is not possible to precisely describe their role in creating graphic style for fair copy. The aim of this study was to identify several types of design authorship of manuscript topographic maps in the Enlightenment.</p><p>Wre
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Romanenkova, Julia V. "Archetypes of Boris Smotrov`s works as a tool for national self-identification of the individual in chaotic conditions of the turn of the 21st century." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 60 (2021): 237–48. http://dx.doi.org/10.37816/2073-9567-2021-60-237-248.

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The paper discusses the works of Moscow artist Boris Smotrov. It provides a general analysis of the tools of his artistic style as well as the data on his main vectors of creative activity (painting, poster graphics). The author dwells on the master’s works in the field of painting, focusing on national themes. The study distinguishes dominant blocks of the painter's works (landscape, thematic painting), detects specifics of the artistic language, methods of working with color, his mastering of the line and pays attention to the interaction of painting and graphics in B. Smotrov’s creative bag
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Russo, Kathleen Lucey. "Elisabeth Vigée-LeBrun: Artist, Adventurer, Auto-Biographer." Paragone Past and Present 6, no. 1 (2025): 1–28. https://doi.org/10.1163/24761168-00601001.

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Abstract Elisabeth Vigée-LeBrun (1755–1842) was one of the most prolific and successful portrait painters in history. She was patronized by many powerful and aristocratic people of the age, most notably Queen Marie Antoinette, of whom she painted many portraits and with whom she had much in common. This included scandal for both of these women of the same age, particularly regarding rumored lovers. The Comte de Vaudreuil and the Comte de Calonne were two of these men painted by Vigée-LeBrun. Vigée-LeBrun also painted many beautiful self-portraits, including those with her daughter, Julie. Some
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Dissertations / Theses on the topic "Landscape painting, Austrian"

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Parker, Margaret Ina. "Landscape painting : connection, perception and attention /." Access full text, 2006. http://www.lib.latrobe.edu.au/thesis/public/adt-LTU20080225.113947/index.html.

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Thesis (M.Visual Arts) -- La Trobe University, 2006.<br>Research. "An exegesis submitted in partial fulfilment of the requirements for the degree of Master of Visual Arts by Research, School of Visual Arts and Design, Faculty of Humanities and Social Sciences, La Trobe University, Bundoora". Includes bibliographical references (leaves 87-92). Also available via the World Wide Web.
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Parker, Margaret Ina, and margaret_p@optusnet com au. "Landscape Painting: Connection, Perception and Attention." La Trobe University. Visual arts and design, 2006. http://www.lib.latrobe.edu.au./thesis/public/adt-LTU20080225.113947.

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I investigate the lived experience, the actuality of responding to land as a painter. This thesis consists of intensive investigations in the field and further exploration in the studio, resulting in a body of paintings and drawings which form the exhibition. The exegesis explores theories and ideas surrounding the work. The psychological engagement between people, land and art is of major concern. The choice of place selected to paint and the subject matter of rocks is discussed. Painters who work outside or have painted at the same site are considered for comparison with my working methods o
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Donald, Colin University of Ballarat. "Quoting landscape : an investigative journey across the landscape of the Westen district of Victoria." University of Ballarat, 2004. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/12759.

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"This research project aims to provide a contemporary visualisation of "specific sites." The visualisation of these selected landscapes will draw upon and add to existing traditions of representation of this region, embedding my experiences within this dialogue."<br>Master of Arts (Visual Arts)
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Donald, Colin. "Quoting landscape : an investigative journey across the landscape of the Westen district of Victoria." Thesis, University of Ballarat, 2004. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/37534.

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"This research project aims to provide a contemporary visualisation of "specific sites." The visualisation of these selected landscapes will draw upon and add to existing traditions of representation of this region, embedding my experiences within this dialogue."<br>Master of Arts (Visual Arts)
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Donald, Colin. "Quoting landscape : an investigative journey across the landscape of the Westen district of Victoria." University of Ballarat, 2004. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/14594.

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"This research project aims to provide a contemporary visualisation of "specific sites." The visualisation of these selected landscapes will draw upon and add to existing traditions of representation of this region, embedding my experiences within this dialogue."<br>Master of Arts (Visual Arts)
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Suwannakudt, Phaptawan. "The Elephant and the Journey: A Mural in Progress." Thesis, The University of Sydney, 2005. http://hdl.handle.net/2123/1101.

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The Elephant and the Journey is about what and how people see in the land and how this is expressed through art forms. The dissertation consists of three main parts. The first in the introduction explains the use of the narrative figuration form in Thai temple mural painting in my practice, and how I used it to apply to the contemporary context in Australia. The second concerns three main groups of work including Australian landscape paintings in the nineteenth century, aboriginal art works and Thai mural painting, which apply to the topic of landscape. The second part in Chapters I and II
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Suwannakudt, Phaptawan. "The Elephant and the Journey: A Mural in Progress." University of Sydney, 2005. http://hdl.handle.net/2123/1101.

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Master of Visual Arts<br>The Elephant and the Journey is about what and how people see in the land and how this is expressed through art forms. The dissertation consists of three main parts. The first in the introduction explains the use of the narrative figuration form in Thai temple mural painting in my practice, and how I used it to apply to the contemporary context in Australia. The second concerns three main groups of work including Australian landscape paintings in the nineteenth century, aboriginal art works and Thai mural painting, which apply to the topic of landscape. The second
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Woodger, Jeff Robert University of Ballarat. "An inquiry into Suiboku and Kano School influences on Rococo and Romantic landscape painting through Claude Lorraine (1600-1682) and Salvator Rosa (1615-1673)." University of Ballarat, 2006. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/12791.

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"This research project examines the impact and influence of Chinese and Japanese ink landscape painting on the genre of Grand Manner Classical and Romantic landscape painting in Europe, from its beginnings as an independent genre in the 17th century. Specifically, the grand theme of woods and rivers will be investigated and its stylistic and philosophical relationship to Chinese and Japanese aesthetics demonstrated. The work examines how Far Eastern landscape painting conventions and techniques can be effectively acquired, and practically applied to painting in the manner of Classical and Roma
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Woodger, Jeff Robert. "An inquiry into Suiboku and Kano School influences on Rococo and Romantic landscape painting through Claude Lorraine (1600-1682) and Salvator Rosa (1615-1673)." Thesis, University of Ballarat, 2006. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/38512.

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"This research project examines the impact and influence of Chinese and Japanese ink landscape painting on the genre of Grand Manner Classical and Romantic landscape painting in Europe, from its beginnings as an independent genre in the 17th century. Specifically, the grand theme of woods and rivers will be investigated and its stylistic and philosophical relationship to Chinese and Japanese aesthetics demonstrated. The work examines how Far Eastern landscape painting conventions and techniques can be effectively acquired, and practically applied to painting in the manner of Classical and Roma
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Woodger, Jeff Robert. "An inquiry into Suiboku and Kano School influences on Rococo and Romantic landscape painting through Claude Lorraine (1600-1682) and Salvator Rosa (1615-1673)." University of Ballarat, 2006. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/15614.

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"This research project examines the impact and influence of Chinese and Japanese ink landscape painting on the genre of Grand Manner Classical and Romantic landscape painting in Europe, from its beginnings as an independent genre in the 17th century. Specifically, the grand theme of woods and rivers will be investigated and its stylistic and philosophical relationship to Chinese and Japanese aesthetics demonstrated. The work examines how Far Eastern landscape painting conventions and techniques can be effectively acquired, and practically applied to painting in the manner of Classical and Roma
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Books on the topic "Landscape painting, Austrian"

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Karrenbauer, Carlo. Maler sehen den Bodensee: 200 Jahre Landschaftsmalerei aus privatem Besitz. Edition Stadler, 1991.

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Frankenberger, Richard, and Elisabeth Wahl. Richard Frankenberger: Landschaften -- Aquarelle und Zeichnungen, 1965 bis 1993. Verlag Bibliothek der Provinz, 2017.

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1797-1890, Loos Friedrich, Wolf-Timm Telse author, and Stadtmuseum Warleberger Hof (Kiel, Germany), eds. Friedrich Loos: Ein Landschaftsmaler zwischen Romantik und Realismus : von Rom nach Kiel. Wachholtz Verlag, 2015.

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1949-, Kos Wolfgang, Juffinger Roswitha, Mayr-Oehring Erika, and Salzburger Residenzgalerie, eds. Faszination Landschaft: Österreichische Landschaftsmaler des 19. Jahrhunderts auf Reisen : Residenzgalerie Salzburg, 23.7.-24.9.1995. Residenzgalerie, 1995.

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Steiermark, Steiermarkhof Landwirtschaftskammer, ed. Landschaft: Gerald Brettschuh, 75 Jahre. Hofgalerie, Steiermarkhof, 2016.

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artist, Loos Friedrich 1797-1890, and Österreichische Galerie Belvedere, eds. Friedrich Loos: Ein Künstlerleben zwischen Wien, Rom und dem Norden. Belvedere, 2015.

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Neue Galerie am Landesmuseum Joanneum. Die steirische Landschaft in der Malerei des 19. und 20. Jahrhunderts aus der Sammlung der Neuen Galerie: Graz, 3. Juli-24. August 1986. Die Galerie, 1986.

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Rudolf, Leopold, and Schiele Egon 1890-1918, eds. Egon Schiele: Landschaften. Prestel, 2004.

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Ferdinandeum, Tiroler Landesmuseum, ed. Blickwechsel: Landschaft zwischen Bedrohung & Idylle : Franz Radziwill - Franz Sedlacek - Rudolf Wacker - Anton Lehmden - Max Peintner - Ernst Nepo - Rudolf Lehnert - Alphons Schnegg - Sido Schrom - Ingmar Alge - Markus Bacher - Bernhard Buhmann - Peter Doig - Markus Draper - Aris Kalaizis - Neo Rauch - David Schnell - Maja Vukoje : Tiroler Landesmuseum Ferdinandeum, Innsbruck, 1. Juni - 28. Oktober 2012. Tiroler Landesmuseen, 2012.

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Ender, Thomas, and Teresa Indjein. Abre alas: Thomas Ender : encontro com uma nova luz : Áustria-Brasil. Edited by Austria. Bundesministerium für Europäische und Internationale Angelegenheiten and Caixa Cultural Brasília. Bundesministerium für europäische und internationale Angelegenheiten, 2007.

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Book chapters on the topic "Landscape painting, Austrian"

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Gamerith, Andreas. "Die Malerei al fresco. Ein niederösterreichisches Phänomen?" In Niederösterreich im 18. Jahrhundert, Band 2: Gesellschaft, Kultur und Religion. NÖ Institut für Landeksunde, 2024. http://dx.doi.org/10.52035/noil.2024.18jh02.11.

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Painting al fresco. A Lower Austrian Phenomenon? Monumental painting was one of the striking characteristics of the artistic landscape in Lower Austria during the 18th century. Although many of the remarkable fresco decorations are related to developments in the art centre of Vienna, the demands of the clients led to very independent results. While Italian specialists dominated the field of fresco painting until 1730, local artists established themselves thereafter. The monasteries in particular used the medial power of the paintings for their artistic concepts, which were in principle strongl
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"Landscapes in Painting and Literature." In Australian Music and Modernism, 1960–1975. Bloomsbury Academic, 2019. http://dx.doi.org/10.5040/9781501348211.ch-008.

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Cameron, Liz. "Embodied Realisms in Australian Aboriginal Art." In The Oxford Handbook of Global Realisms. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780197610640.013.28.

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Abstract Aboriginal art represents a profound manifestation of realism, embodiment, and truth-telling that starkly contrasts Eurocentric perceptions within Australian landscape paintings. This chapter explores the unique characteristics of Aboriginal art, highlighting its capacity to convey profound truths, preserve cultural knowledge, and embody the spiritual connection between people and place that extends beyond mere visual representation. Specifically, it aims to unravel the elements of cultural and spiritual realism in Aboriginal art while drawing on comparisons with Eurocentric artists t
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Raband, Ivo. "Aurea Aetas Antverpiensis : Land(scapes) in the Blijde Inkomst for Ernest of Austria into Antwerp, 1594." In Landscape and Earth in Early Modernity. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463729437_ch07.

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This chapter discusses the importance assigned to agricultural land and landscape in the context of the Joyous Entry of Archduke Ernest of Austria into Antwerp in 1594. It analyzes and contextualizes the first tableau vivant of the Entry, the “Stage of Agriculture,” placing particular stress on the significance of the coming of a second Golden Age, such as that described by Virgil in his fourth Eclogue and Georgics. Antwerp’s City Council further addressed the stage’s central themes of agriculture and land(scape) with its gift for the archduke: Pieter Bruegel’s painting series of The Seasons.
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"Whisperings of Wilderness in Australian Centenary Landscapes." In Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting in Australia and the United States. Terra Foundation for American Art, 2020. http://dx.doi.org/10.37862/aaeportal.00293.8.

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"Whisperings of Wilderness in Australian Centenary Landscapes." In Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting in Australia and the United States. Terra Foundation for American Art, 2020. http://dx.doi.org/10.37862/aaeportal.00293.8.

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"Seduction and Possession: The Power of the Erotic in Romantic Australian Landscape Painting." In Rethinking the Erotic: Eroticism in Literature, Film, Art and Society. BRILL, 2014. http://dx.doi.org/10.1163/9781848883505_008.

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"Figures of Predatory Looking: Managing Death in Antebellum American and Colonial Australian Landscape." In Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting in Australia and the United States. Terra Foundation for American Art, 2020. http://dx.doi.org/10.37862/aaeportal.00293.4.

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"Figures of Predatory Looking: Managing Death in Antebellum American and Colonial Australian Landscape." In Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting in Australia and the United States. Terra Foundation for American Art, 2020. http://dx.doi.org/10.37862/aaeportal.00293.4.

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"Figures of Predatory Looking: Managing Death in Antebellum American and Colonial Australian Landscape." In Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting in Australia and the United States. Terra Foundation for American Art, 2020. http://dx.doi.org/10.37862/aaeportal.00293.4.

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