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Relevant bibliographies by topics / Laputa castle in the sky

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Academic literature on the topic 'Laputa castle in the sky'

Author: Grafiati

Published: 24 April 2022

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Journal articles on the topic "Laputa castle in the sky"

1

Chandra, Yuliyanto. "SKY Castle: Consuming Education from the Cases of Two Tiger Parents." Lingua Cultura 14, no. 2 (December 30, 2020): 151–59. http://dx.doi.org/10.21512/lc.v14i2.6566.

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The research aimed to analyze how the Korean series, SKY Castle, successfully captured the idea that education could becommoditized in consumer culture for ensuring class mobility, which was majorly done by two exemplary tiger parents inKorea. Methodologically, the research applied a qualitative approach and employed a detailed analysis of the main character and one supporting character, Han Suhjin and Cha Minhyuk, respectively. Both characters’ actions and utterances would be selectively used to support the arguments of the research. Their relationship with other characters would also be used as further explanations. The research sheds light on how the two aforementioned characters fervently pursue and spend millions on education as it is perceived to strengthen their position in the social totem pole. The underlying theories to support the discussion are those of cultural and economic capital, consumption, commodification, and tiger parents. These are interconnected in the Korean context, especially due to the shifting value of education in the contemporary era.

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SUN, NAN. "The Migration Theory in 〈SKY Castle〉 and 〈Tiger Mother and Cat Dad〉." Chunwon Research journal 15 (August 31, 2019): 373–402. http://dx.doi.org/10.31809/crj.2019.08.15.373.

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Han, Gwieun. "Desire, Gaze, and Subjectification in the TV Drama Sky Castle(스카이 캐슬)." Korean Language Education 165 (May 31, 2019): 299–329. http://dx.doi.org/10.29401/kle.165.10.

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An, Mi Hwa, and Ae Ran Jang. "The Semiotic Interpretation of Drama Costumes in SKY Castle : A Focus on Peirce’s Semiotics." Journal of the Korean Society of Costume 70, no. 5 (October 31, 2020): 118–30. http://dx.doi.org/10.7233/jksc.2020.70.5.118.

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Seong, Changgyu. "Comparative Study on Characters in the Drama SKY Castle and “Daddy” by Sylvia Plath." Journal of East-West Comparative Literature 47 (March 31, 2019): 117–36. http://dx.doi.org/10.29324/jewcl.2019.3.47.117.

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6

Ryu, Sangjin, Haipeng Zhang, Markeya Peteranetz, and Tareq Daher. "Fluid Mechanics Education Using Japanese Anime: Examples from “Castle in the Sky” by Hayao Miyazaki." Physics Teacher 58, no. 4 (April 2020): 230–33. http://dx.doi.org/10.1119/1.5145464.

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7

Tarasenko, M. "SHABTIS IN THE COLLECTION OF THE MUSEUM OF ORIENTAL ART IN ZOLOCHIV CASTLE." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 136 (2018): 74–82. http://dx.doi.org/10.17721/1728-2640.2018.136.1.16.

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A group of six shabtis from the collection of the Museum of Oriental Art in Zolochiv Castle, Lviv region, Ukraine are published and analysed in the paper. 1. Green glazed shabti of Psamtek, Late Period, inv. no. 5879. 2. Sky blue glazed faience shabti of Pa-di-Amun, 21st Dynasty, inv. no. 5890. 3. “Female” brown terracotta pseudo-shabti, Roman Period or modern imitation, inv. no. C-I-284. 4. “Female” brown terracotta pseudo-shabti, Roman Period or modern imitation, inv. no. C-I-2286. 5. Small blue glazed faience shabti without inscriptions inv. no. ЕP 7117. 6. Small brown terracotta shabti without inscriptions inv. no. ЕP 5888. At least five of them came from the private collections of the 19th century (Lubomirski, Pininski).

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8

Szubiakowski, Jacek P., and Jarosław Włodarczyk. "The Solar Dial in the Olsztyn Castle: Its Construction and Relation to Copernicus." Journal for the History of Astronomy 49, no. 2 (May 2018): 158–95. http://dx.doi.org/10.1177/0021828618776057.

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The article discusses the construction, function, and origin of the solar dial in the Olsztyn Castle, traditionally attributed to Copernicus. The dial, preserved partially on the wall of the cloister and presumably designed to determine the time of equinoxes, served as an astronomical instrument mapping the daily paths of the sun in the sky. The article provides a comprehensive mathematical model of the instrument, taking into account the astronomical and architectural factors which affected its functioning. The analysis allows to alienate the essential properties of the dial as an observational instrument and to contend that measurements were recorded indelibly on the wall and averaged by interpolation. Furthermore, it reconsiders the arguments which support the hypothesis ascribing the construction of the Olsztyn instrument to Copernicus. (Some mathematical appendices appear only in the online issue of the journal.)

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9

Paik, Jungmi. "A Christian Counseling Approach for the Youth Family through a Family Analysis of Drama SKY Castle." Theological Forum 101 (September 30, 2020): 147–77. http://dx.doi.org/10.17301/tf.2020.09.101.147.

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10

Denison, Rayna. "Before Ghibli was Ghibli: Analysing the historical discourses surrounding Hayao Miyazaki’s Castle in the Sky (1986)." East Asian Journal of Popular Culture 4, no. 1 (April 1, 2018): 31–46. http://dx.doi.org/10.1386/eapc.4.1.31_1.

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Books on the topic "Laputa castle in the sky"

1

Laputa: The castle in the sky. Bellevue, WA: Tokuma Pub., 1992.

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2

ill, Bergsma Jody, ed. Sky castle. Bellevue, WA: Illumination Arts Pub. Co., 1998.

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3

Yuji, Oniki, ed. Castle in the sky. San Francisco: Viz Communications, 2003.

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4

A, James Susan, ed. Castle in the sky: George Whittell, Jr. and the Thunderbird Lodge. Lake Tahoe, NV: Thunderbird Lodge Preservation Society, 2002.

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5

Inc, Game Counselor. Game Counselor's Answer Book for Nintendo Players. Redmond, USA: Microsoft Pr, 1991.

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6

Tom, Badgett, ed. Ultimate unauthorized Nintendo game strategies: Winning Strategies for 100 Top Games. New York: Bantam Books, 1989.

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7

Miyazaki, Hayao. Laputa, the Castle in the Sky: The Castle in the Sky (Magical Adventure Series). Tokuma Pub Co, 1993.

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8

Miyazaki, Hayao. Castle In The Sky, Volume 3 (Castle In The Sky). VIZ Media LLC, 2003.

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9

Miyazaki, Hayao. Castle in the Sky. Walt Disney Pictures, 2003.

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10

Graham-Biehl, Anne. A Castle in the Sky. Austin Macauley, 2018.

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Book chapters on the topic "Laputa castle in the sky"

1

"6. Orphans of the Sky: Laputa: Castle in the Sky." In Miyazakiworld, 86–100. Yale University Press, 2018. http://dx.doi.org/10.12987/9780300240962-007.

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McFarland, Ben. "Predicting the Chemistry Inside a Cell." In A World From Dust. Oxford University Press, 2016. http://dx.doi.org/10.1093/oso/9780190275013.003.0006.

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The process of scientific discovery is something like a walk near Freswick Castle. I assume you’ve never been there. (Neither have I, but a friend has.) Freswick Castle stands at the end of Scotland’s northeast end, at the mouth of the Burn of Freswick in the district of Caithness. As of this writing, it is unlisted in Google Maps, and I had to manually scan the coast to find it. Outside the castle is a simple, unlabeled structure that doubles as a biochemical parable. The castle itself is narrow and three stories tall, with orange shingles and gray stone, set on an arc of narrow beach between hills to the north and cliffs to the south. The building is approximately the cruciform shape of a shrunken cathedral, with the rightward wing moved to the top of the structure so it resembles a lowercase f. If you wander the grounds near Freswick Castle, you will discover a stone wall in the wind-blown waves of yellow- green grass, worn but still standing firm like Hadrian’s Wall. From above, it is a period preceding the castle’s f. Let’s approach this as a scientist, with measurement. From the castle side, this structure resembles the circular stump of a roofless tower, eight feet tall and twice that wide. The stones are ancient sand, compacted and weathered, stained different shades of red from iron deposited millions of years ago, but the mortar is new. But inspection is not enough—we should go in. Walk around to the other side, and an opening appears, as shown in Figure 2.1. The structure is not a closed circle, but it is a spiral wall open to the sea, and to you. Inside, a small stone bench invites you to sit. A window slit next to the bench is an eye to the outside. Surrounded by a jigsaw of rocks, you can hear the echo of waves all around and watch the blue-gray sky above. If the spiral’s opening is a mouth, then you are Jonah in the whale. You are both inside and outside at once.

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3

Greenberg, Raz. "Heaven and Earth." In Animating the Spirited, 66–80. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496826268.003.0006.

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One of the most famous archetypes of heroines in Japanese anime is that of the magical girl—a girl who holds the dual identity of both an earthly being (usually a regular schoolgirl) and a heavenly being (a super-powered girl, usually on a mission against sinister beings). While seemingly corresponding with the Western genre of superheroes, and knowingly drawing inspiration from American fantasy sitcoms of the 1960s such as "Bewitched" and "I Dream of Jeannie", the roots of the magical girl genre go deeper into traditional Japanese culture (for example, the Taketori monogatari and goddess of creation, Izanami). The author traces the divide between the earthly and heavenly identities of many anime heroines by examining the major common elements found in three film genres—adventure (Hayao Miyazaki's 1986 film "Castle in the Sky"), science fiction (Mamoru Oshii's 1995 film "Ghost in the Shell"), and historical drama (Satoshi Kon's 2001 film "Millennium Actress").

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Zalasiewicz, Jan. "Breaking the surface." In The Planet in a Pebble. Oxford University Press, 2010. http://dx.doi.org/10.1093/oso/9780199569700.003.0018.

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The pebble is a small but perfectly integrated part of a metal factory. This factory has produced copper, silver, zinc, lead and gold (real gold, not its iron sulphide facsimile, pyrite). It is about 100 kilometres long and 60 kilometres across, by about 6 kilometres deep. It is called Wales. The metals have sustained, puzzled, frustrated, and finally abandoned many generations of Welsh miners. Many hundreds of generations, indeed, for these metals have been sought, avidly, since at least the Bronze Age, more than 3000 years ago, when shafts were dug through solid rock with little more than hand-held antler bone and rounded cobble. It is no small feat to chase the metal underground, for its path is tortuous, its presence capricious and its surroundings dangerous. The Welsh miners have been celebrated at home in literature and songs, and also in more surprising quarters, as in the Japanese filmmaker Hayao Miyazaki’s portrayal of them in Castle in the Sky (a children’s animé film, perhaps, but deeply serious at core, like everything that Miyazaki has done). So how is a country-sized metal factory created? Tiny fragments of the answer reside within the pebble. A streak of white crosses the pebble, cutting across both the strata and the tectonic cleavage surfaces. Cutting both these fabrics, it must then be younger. Such evidence of what-came-first and what-came-next is at the heart of geology, and has been so since the very beginnings of the science, since before geological time was pinned and measured by the application of atomic clocks and of fossil time-zonations. And for all today’s shiny atom-counting machines and well-stocked libraries and museums, this kind of logic is still the first thing the geologist applies when any new and unfamiliar problem comes into view. But what is it in the pebble that is younger? Peer with the hand lens, and the white streak is resolved as a mineral vein: that is, as a mass of tiny crystals that have grown within a fracture in the rock.

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