Relevant bibliographies by topics / Large print books

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Large print books'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Large print books"

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Newton Miller, Laura. "Demand-Driven Acquisition E-books Have Equal Cost Per Use as Print, but DDA Has Much More Active Use Overall." Evidence Based Library and Information Practice 10, no. 1 (2015): 89. http://dx.doi.org/10.18438/b8cc9c.

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A Review of:
 Downey, K., Zhang, Y., Urbano, C., & Klinger, T. (2014). A comparative study of print book and DDA e-book acquisition and use. Technical Services Quarterly, 31 (2), 139-160. http://dx.doi.org/10.1080/07317131.2014.875379
 
 Abstract
 
 Objective – To compare usage of demand-driven acquisition (DDA) e-books with print books to help determine if one acquisition model better serves the needs of library users and return on investment.
 
 Design – Case study.
 
 Setting – Library system of a large American public university. 
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Newton Miller, Laura. "Preference for Print or Electronic Book Depends on User’s Purpose for Consulting." Evidence Based Library and Information Practice 9, no. 3 (2014): 95. http://dx.doi.org/10.18438/b8b891.

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A Review of:
 Rod-Welch, L.J., Weeg, B.E., Caswell, J.V., & Kessler, T.L. (2013). Relative preferences for paper and for electronic books: Implications for reference services, library instruction, and collection management. Internet Reference Services Quarterly, 18(3-4), 281-303. 
 doi: 10.1080/10875301.2013.840713
 
 Abstract
 
 Objective – To determine patron format preference, perceived usability and frequency of e-book usage, and to study use and preference of e-reading devices.
 
 Design – Survey questionnaire.
 
 Setting – Large publi
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Bergström, Annika, and Lars Höglund. "E-books: In the shadow of print." Convergence: The International Journal of Research into New Media Technologies 26, no. 4 (2018): 895–911. http://dx.doi.org/10.1177/1354856518808936.

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The e-book has gained a large number of readers in many countries. However, the growth rate, as well as the market penetration of e-books, varies considerably between countries and language areas. In the United States and other English-speaking countries, the use of e-books is more widespread than in many European countries, such as Sweden. In both the United States and Swedish markets, the growth rate has slowed down during the latest 2 years, and the majority of readers still seem to prefer printed books. This article aims to reveal the relationship between attitudes and use of e-books and t
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Berglund, Karl. "Introducing the Beststreamer: Mapping Nuances in Digital Book Consumption at Scale." Publishing Research Quarterly 37, no. 2 (2021): 135–51. http://dx.doi.org/10.1007/s12109-021-09801-0.

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AbstractThis paper investigates consumption patterns in digital subscription-based streaming services for books by means of a large-scale dataset derived from Storytel. The aim is twofold: to empirically discuss how book consumption in the commercial top segment diverges between print books and digital streaming platforms, and to conceptually show the usefulness and considerable possibilities with computational approaches for digital publishing studies and contemporary book history. This is accomplished by introducing the concept of the beststreamer, and the average finishing degree measure. T
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Palmer, Judith Lee. "LARGE‐PRINT BOOKS: PUBLIC LIBRARY SERVICES TO OLDER ADULTS." Educational Gerontology 14, no. 3 (1988): 211–20. http://dx.doi.org/10.1080/0380127880140305.

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Cîmpianu, Cristina Maria. "Însemnări pe cărți vechi aflate la muzeul eparhial Huși despre legătoria de carte/legători." Anuarul Institutului de Cercetări Socio-Umane Sibiu 30 (March 15, 2024): 15–31. http://dx.doi.org/10.59277/aicsus.30.02.

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Bookbinding was in the past separate from printing, with the printers simply separating the book print into ‟bodies” of books tied with string and separated by pieces of cardboard. The books were therefore sold ‟unbound”, the sale of prints in this form, a long practice by the way, can be attributed to the high price of paper and printing. In addition, an equally important factor was the relatively high price of the binding and the specifics of the craft, which required artistic skill associated with a rather large execution time and raw material procurement. Therefore, the books were sold unb
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Melssen, Maria. "Low Response Rate and Other Factors Render Academic Health Science Library System Study Ungeneralizable." Evidence Based Library and Information Practice 7, no. 2 (2012): 87. http://dx.doi.org/10.18438/b8131g.

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Objective – To determine the factors, barriers and facilitators, preference, and intended use of e-book compared to print book usage by all patrons in a health science library system, which serves a university with health science degree programs and a hospital system.
 
 Design – Two online surveys.
 
 Setting – University of Pittsburgh Health Sciences Library System, which includes the University of Pittsburgh’s six schools of health sciences (medicine, dental medicine, nursing, pharmacy, public health, and rehabilitation) and the University of Pittsburgh Medical Center ho
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Oliva, Victor T. "Deselection of print monographs in the humanities and social sciences in the digital age." Collection Building 35, no. 2 (2016): 37–47. http://dx.doi.org/10.1108/cb-02-2016-0002.

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Purpose For most college and university libraries, deselection of monographs should be an essential component of collection development. Few of these libraries have unlimited space for book stack expansion. This research study aims to cover the reasons why this should be undertaken and how it can be accomplished in the humanities and social sciences. At the main campus of Adelphi University Libraries, a conservative approach was used to identify and carefully review monograph titles that were published more than 50 years ago, and, in most cases, this resulted in their deselection without signi
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Lundh, Anna Hampson, and Genevieve Marie Johnson. "The use of digital talking books by people with print disabilities: a literature review." Library Hi Tech 33, no. 1 (2015): 54–64. http://dx.doi.org/10.1108/lht-07-2014-0074.

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Purpose – The purpose of this paper is to analyse empirical studies regarding the use of digital talking books (Digital Accessible Information System (DAISY) books) as well as the possibilities and limitations that users with print disabilities encounter when using these books. Upon fulfilment of this purpose, it is also possible to identify research needs in the area of talking books. Design/methodology/approach – An analysis of 12 empirical studies concerning the use of DAISY books is conducted. The concept of affordances is employed in the analysis, which focuses on: users of talking books,
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Lee, Sang-Hoon, Jongyoo Kim, and Sanghoon Lee. "An identification framework for print-scan books in a large database." Information Sciences 396 (August 2017): 33–54. http://dx.doi.org/10.1016/j.ins.2017.02.001.

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Dissertations / Theses on the topic "Large print books"

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Kahlisch, Thomas. "Increasing availability of non-fiction publications in Braille, DAISY and large print." Deutsche Zentralbücherei für Blinde zu Leipzig (DZB), 2009. https://slub.qucosa.de/id/qucosa%3A808.

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In this presentation, various projects at DZB will be described, concerning various collaborations with publishing houses and Libreka! – an online platform of the German association of publishers “Börsenverein des Deutschen Buchhandels”, to improve the workflow of transformation of typesetting data into the DAISY 3 format. By developing adaptive content processing facilities, this data can be used to increase the availability of publications in Braille, DAISY and large Print.
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Kahlisch, Thomas. "Increasing availability of non-fiction publications in Braille, DAISY and large print." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-38294.

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In this presentation, various projects at DZB will be described, concerning various collaborations with publishing houses and Libreka! – an online platform of the German association of publishers “Börsenverein des Deutschen Buchhandels”, to improve the workflow of transformation of typesetting data into the DAISY 3 format. By developing adaptive content processing facilities, this data can be used to increase the availability of publications in Braille, DAISY and large Print.
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De, Boek Carol Jean. "The development of the large print book and its impact on partially sighted adult readers with special reference to public library services." Thesis, Cardiff University, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.236222.

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Fang, Chun-Huei, and 方淳慧. "The Comparison of Answering through Pictures by Using Large Print Book and Tablet for Students with Low Vision." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/50737364495006403942.

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碩士<br>國立臺南大學<br>特殊教育學系碩士在職專班<br>103<br>The purpose of this study was (a) to compare the performances between the large print book and the tablet during students with low vision answering through pictures, and (b) to discuss their feeling and experiences about two kinds of devices. Seven students with low vision with junior high school certificate above were invited to attend an examination. The examination was divided into two tests. First test was printed in the large print book and the magnification times was 1.5. Second test was put in the Tablet. During tests, their responding time, answer
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Books on the topic "Large print books"

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Miriam, Turner, and Dain Stephen, eds. The story of large print and Ulverscroft large print books. Ulverscroft, 1999.

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Thackeray, W. M. Christmas Books: Large Print. Independently Published, 2019.

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Rudyard, Kipling. Jungle Books: Large Print. Independently Published, 2019.

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Rudyard, Kipling. Jungle Books: Large Print. Independently Published, 2019.

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Henry, Van Dyke. Companionable Books: Large Print. Independently Published, 2020.

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Rudyard, Kipling. Jungle Books: Large Print. Independently Published, 2019.

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Rudyard, Kipling. Jungle Books: Large Print. Independently Published, 2019.

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Library: Large Print. Independently Published, 2020.

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Library: Large Print. Independently Published, 2020.

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Bailey, Elizabeth. An Angel's Touch/Large Print (Masquerade Large Print). Chivers North Amer, 1993.

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Book chapters on the topic "Large print books"

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Tolonen, Mikko, Mark J. Hill, Ali Zeeshan Ijaz, Ville Vaara, and Leo Lahti. "Examining the Early Modern Canon: The English Short Title Catalogue and Large-Scale Patterns of Cultural Production." In Data Visualization in Enlightenment Literature and Culture. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-54913-8_3.

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AbstractThis chapter presents the findings of an ongoing digital project of the Helsinki Computational History Group at Helsinki Centre for Digital Humanities (HELDIG) focused on the history of eighteenth-century book publication. The authors have created a historical-biographical database based on The English Short-Title Catalogue (ESTC), a standard source for analytical bibliographic research, and extracted a data-driven canon which considers changes over time, subject-topics, top-works, authors, publishers, publication place, and materiality. This chapter provides both methodological and historical insights into the development of print and demonstrates the huge analytical potential of harmonized metadata catalogs. While quantitative analyses of the book trade were attempted before, they did not engage with the complex process of canon formation at such a large scale. The authors’ work highlights the formative role played by publishers in this process and the epistemological shift started at the end of the seventeenth century, when religious works were increasingly replaced by literary works. As the authors argue, this shift in the production and consumption of print allowed for a reinvention of the canon during the eighteenth century.
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Atkinson, David, and Steve Roud. "12. Afterword." In Cheap Print and Street Literature of the Long Eighteenth Century. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0347.12.

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After the lapse of the Printing Act in 1695, printing, especially cheap printing, began to spread outside of London and become established in the regions. In the second half of the century, there were major booksellers issuing street literature titles in almost every area of the country. This afterword draws attention to some directions for future research. Preceding chapters have complicated easy assumptions about what actually counted as cheap print, for both producers and consumers, what is a ‘chapbook’, what sorts of titles best characterized the itinerant trade, and what they might say about their purchasers and readers, both economically and culturally. Other issues include the extent of the trade outside of London, concepts of ownership in particular titles, the role of women at the cheap end of the book trade, and the impact of cheap print on the cultural life of the country at large.
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Orgel, Stephen. "Conclusion." In The Globe in Print. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198920557.003.0007.

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Abstract For the ancients, drama was both a codification of the culture through its legends and mythology, and a source of entertainment; for many subsequent centuries that vital tradition was ossified into a small corpus of classic drama, whether ignored and discarded as pagan, or useful primarily for the study of classical languages. In English universities, however, for many decades the ancient plays were not simply texts for study but living drama; in the culture at large they served as models for new drama. Now the tradition survives chiefly in the form of books.
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Robb, Megan Eaton. "Urdu Lithography as a Muslim Technology." In Print and the Urdu Public. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190089375.003.0004.

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Scholarship on the lithographic press has focused primarily on books—in particular, on the print traditions emanating from large cities like Lucknow. While printers used lithography to make books look more like manuscripts, Urdu newspaper publishers used lithography to make newspapers look like the mass-produced correspondence that had previously bound together ashrāf social networks. Madīnah not only was an example of commercial publishing but also deserves consideration as a manifestation of piety. Journalism was a farẓ or duty understood in religious terms by the proprietor and editors of Madīnah. The example of Madīnah suggests that we must consider this potential dimension of other Urdu newspapers as well.
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Kremer, Richard L. "CONTROLLING ERRORS IN THE FIRST PRINTED BOOK OF ASTRONOMICAL TABLES." In Printing and Misprinting. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198863045.003.0016.

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Abstract The first substantial printed book of numbers was Regiomontanus’s Ephemerides. Regiomontanus was a pioneer of scientific printing, but little is known about how proofreading took place in his print shop. Regiomontanus was among the first printers to issue contemporary works, and was the first astronomer to publish his own works and to organise the printing of large tables of numbers. The surviving copies of his Ephemerides offer, therefore, a unique case study of the challenge of controlling errors in an early European print shop. By examining the forty known copies of the Ephemerides, this chapter questions Regiomontanus’s correcting procedures and sheds light on the difficulties of producing early modern astronomical books.
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Zwicker, Jonathan. "Epilogue." In Kabuki's Nineteenth Century. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192890917.003.0007.

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Abstract The large-scale digitization of books, prints, and ephemera has created a new environment for the writing of theater history which at once allows scholars easy access to an astonishing array of materials but also creates new challenges for examining those materials in person or in situ. “Stage and Print in the Digital Age” asks how the digital environment has changed the processes of research, what challenges it poses, and what lessons can be drawn from the past when writers and collectors from two centuries were already asking what relationship copies bear to originals and how we might think of writing history when the abundance of the past seems to overwhelm the ability of any writer to catalogue and know it.
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Tomko, Michael. "Catholic Literature and Print Culture in English." In The Oxford History of British and Irish Catholicism, Volume III. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198843443.003.0013.

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Abstract In the long eighteenth century, the years leading up to Catholic emancipation in Britain and Ireland have often been characterized as a ‘silent’ period in Catholic literature and culture. This is reflected in John Henry Newman’s ‘second spring’ sermon as well as in scholarly accounts of the modern Catholic literary revival and early modern recusant writing. A closer formal and historical examination, however, reveals that, in addition to literary achievements by John Dryden and Alexander Pope, Catholic writing in English during this period underwent a much more complex, extensive, and experimental development in two ways. First, beginning with John Gother’s turn to popular books of devotional instruction after the 1688 Revolution, there emerged an important print network of texts that helped disparate Catholics constitute what Joshua King has termed an ‘imagined spiritual community’. Second, despite often eschewing literary genres such as plays and novels, these devotional, apologetic, historiographic, and instructional works experimented with narrative and dramatic techniques to form a proto-literary tradition of imaginative writing. These efforts were marked by a complex ‘two-fold’ consciousness of writing as a religious minority that had been misrepresented and misread in Protestant Britain. This essay tracks these developments from Gother through Bishop Richard Challoner and into the years preceding Catholic emancipation, when Catholic writing not only adapted new print media such as the periodical and gained more literary notoriety but also became increasingly divided over how to represent the Catholic community’s past, present, and future to the nation at large.
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Scott-Warren, Jason. "Monuments and Trifles." In The Oxford Handbook of the History of the Book in Early Modern England. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780198846239.013.5.

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Abstract This chapter assesses the relationship between large and small books in early modern Britain. It explores that relationship in economic terms, thinking about how small print-jobs made large-scale printing possible; in material terms, pointing out that massive volumes were usually stitched together out of accumulations of smaller works; and in terms of the energies of modern scholarship, which has been as keen to explore the undergrowth of literary production as it has been to scale the mountain peaks. Finally the chapter turns to consider evidence of early modern readers who were enthusiasts both for weighty tomes and for catchpenny pamphlets, and of writers who played with the mysterious relationship between the miniature and the gigantic.
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Dawson, Clara. "Butterfly Books and Gilded Flies: Poetry and the Annual." In Remediating the 1820s. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474493277.003.0019.

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This chapter compares the characteristics and properties of poetry published in gift annuals and poetry published in single-author volumes, demonstrating how gift annuals shaped the poetry of the 1820s and influenced the Victorian poetics of the 1830s. The gift annuals were collaborative, multi-generic, expensive, decorative and hugely successful, particularly with women readers. Poems were subordinated to the exigencies of the publishers: they were often commissioned after the engraved illustrations and therefore were perceived to be written on demand rather than emerging from original inspiration. They operated in large part through women’s literary networks and the editors and writers were often female. By contrast, the single-authored volume sought to radiate the aura of the isolated male genius of Romanticism. Mass print culture brought about an intense conflict between marketplace values and the poetic principles associated with Romantic writing – genius, originality, inspiration, autonomy from the market and an intimate relation with a few refined readers. The chapter considers these vexed sets of relations by analysing poems by Letitia Elizabeth Landon and Alfred Tennyson, exploring differences and similarities between gift-annual poetry and single-authored book poetry in order to trace the increasing tension between the materiality of books and the literature they contained.
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Adlington, Hugh. "Critical Writing." In Penelope Fitzgerald. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9780746312957.003.0002.

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This chapter surveys the large body of Fitzgerald’s critical writing, only a fraction of which has been collected and is currently in print. This body of work includes more than fifty book, film and theatre reviews for Punch magazine, more than twenty essays on European art, literature and culture for World Review (the periodical that Fitzgerald co-edited in the early 1950s), and more than 200 reviews of fiction and biography in British and American newspapers, as well as introductions for books and editions, travel essays, art criticism, literary essays and journalistic sketches. The chapter considers the nature of Fitzgerald’s critical sympathies, priorities and tastes, and the marked stylistic continuities between her criticism and fiction. In particular, the chapter notes Fitzgerald’s fascination in her critical writing with what would become two of the most distinctive features of her own writing: a searching appreciation of the psychological and social interplay between fictional characters, and a prose style apparently without art.
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Conference papers on the topic "Large print books"

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L Gregory, Vicki, and Kiersten L Cox. "Remember When Ebooks were all the Rage? A Look at Student Preferences for Printed Text versus Electronic." In InSITE 2017: Informing Science + IT Education Conferences: Vietnam. Informing Science Institute, 2017. http://dx.doi.org/10.28945/3731.

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Aim/Purpose: In many public and academic libraries, ebooks are being pushed on users mainly due to budgetary and space needs even though readers are still showing a strong preference for print books. Background: Many librarians are focusing on how to get readers to use ebooks when they really should be considering how ebooks fit into learning, whether formal or self-learning, and the preferences that readers show for one format over the other. Library collections since the 1960s have generally focused on a strategy of “give them what they want,” but in the case of ebooks, there seems to be a t
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Gause, Rich. "Tip of the Iceberg: Part 2, Discovering What's Hidden." In Charleston Library Conference. Purdue Univeristy, 2020. http://dx.doi.org/10.5703/1288284317151.

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Remote storage for large collections is becoming common, making those books inaccessible for physical browsing by researchers. The main libraries at Temple University and the University of Central Florida (UCF) each have approximately 1.3 million print items on-site. Both libraries are storing 90% of their collections in automated retrieval systems with 10% remaining available for browsing in open stacks. In Part 1, “Choosing What Shows,” Karen Kohn, Temple’s Collection Analysis Librarian, describes the decisions and processes used for the 10% left physically visible. This second part explores
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Attarwala, Abbas, Ronald M. Baecker, and Cosmin Munteanu. "Accessible, large-print, listening & talking e-book (ALIT)." In the fifth ACM workshop. ACM Press, 2012. http://dx.doi.org/10.1145/2390116.2390129.

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Attarwala, Abbas, Cosmin Munteanu, and Ronald Baecker. "An accessible, large-print, listening and talking e-book to support families reading together." In the 15th international conference. ACM Press, 2013. http://dx.doi.org/10.1145/2493190.2494658.

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Zavidovskaia, Ekaterina, and Dmitrii Maiatskii. "COMPARATIVE STUDY OF THE ILLUSTRATIONS OF THE NOVEL INVESTITURE OF THE GODS BASED ON WOODBLOCK EDITIONS AND POPULAR PRINTS NIANHUA." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.13.

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The authors of this paper discuss visual material based on the plot of the Ming dynasty novel Investiture of the Gods (Fengshen yanyi, 封神演義), formed on the basis of large corpus of written historical works and Song-Yuan vernacular literature. Various illustrated woodblock and lithographic editions of the novel (published before 1911) are discussed in chronological order with focus on the special features and artistic level of their illustrations, whose content and technique are compared. Popular woodblock prints nianhua from Russian collections are examined in order to trace whether connection
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