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Dissertations / Theses on the topic 'Larkin'

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Published: 4 June 2021
Last updated: 31 July 2024

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1

Chakraborty, Avijit. "Larkin Lost, Larkin Found: Towards a New Poetics of Reading." Thesis, University of North Bengal, 2019. http://ir.nbu.ac.in/handle/123456789/2851.

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2

Hibbett, Ryan. "Proving poetry : Ted Hughes and Philip Larkin, now /." Available to subscribers only, 2006. http://proquest.umi.com/pqdweb?did=1212794171&sid=6&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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3

Humayun, Sarah. "Different from himself : reading Philip Larkin after modernism." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/7806.

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This thesis addresses the work of Philip Larkin in the light of critical positions, stemming from mainly modernist perspectives, which characterize it as the opposite of what counts as innovatory, experimental and progressive in twentieth-century poetry. It aims to critique this assumption without, however, trying to prove that Larkin’s work is modernist or experimental. Rather, understanding ‘form’ in modernism as an entity that resists subjectivity and ostensibly includes otherness within its self-reflexive boundaries, it aims to offer readings of Larkin’s work that do not begin from these parameters but from an understanding of otherness as relational. Additionally, it gives extended consideration to Larkin’s prose with the aim of initiating a reconsideration of Larkin’s contribution to literature in English from a perspective that includes the essays and the novels. My introduction sets out the reasons and precedents for thinking about otherness in Larkin’s work in a different way from that found in modernism-inclined literary criticism. I show that such criticism diagnoses an aesthetic regression in Larkin’s poems on the basis that they rely on the projection of personality rather than the foregrounding of form. I argue that recent critical work on modernism privileges form because of its ostensible ability to present otherness in art, but that this critical heuristic is inadequate for dealing with Larkin’s work. I then outline an alternative more suited to Larkin’s work: a way of conceptualising otherness that locates it in the relation of the work to subjectivities external to it (such as readers’), which, I argue, is not susceptible of capture through what is designated as ‘form’. The first chapter attends closely to the theme of failure to relate to otherness in Larkin’s two novels; I argue that it is this failure that Larkin’s fictions meditate on by creating fantasized love-objects that their protagonists desire and yet seek to arrest in non-response and self-identity. Building on this, the second chapter examines Larkin’s polemical deployment of the idea of ‘pleasure’ as what the reader coming from a position of otherness to the art is entitled to seek in it. Comparing Larkin’s position with Adorno’s in Aesthetic Theory, a major twentieth-century work on aesthetics in the capitalist age, I try to locate Larkin’s difference from Adorno and develop the perspective he offers in his essays and poems to show that it allows readers to approach literary writing without being constrained by formal prescriptions. The last three chapters are studies of three themes that have been the focus of special attention in Larkin criticism: subjective voice, place and death. In the third chapter, I argue that Larkin’s poetry makes use of (what I identify as) a ‘Romantic’ register that is undercut by a ‘personal’ one. I do this by examining how a Romantic voice – one that constructs the self and projects it into the world in symbolic and lyrical forms – is at odds with a personal voice which sees these forms as prisons. The result, I argue, is an art that explores the idea of being ‘different from oneself’. Chapter four, on the significance of place in Larkin, argues that while he does subscribe to certain notions of belonging to England, and more importantly, to the idea of belonging as a poetic imperative, he also problematizes what belonging means, treating it not as identification with a place, but as an unsettled and sometimes defamiliarizing relation with it. The last chapter, on the theme of death in Larkin’s work, shows that it uses ‘death’ not as a fixed point of annihilation, but one that moves backwards and forwards in life, informing its sense of possibility, and constituting an experience of something that is always present and yet always beyond experience.
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4

Roberts, Mark Patrick Davidson. "The guilty influence : Philip Larkin among the poets." Thesis, Goldsmiths College (University of London), 2014. http://research.gold.ac.uk/11185/.

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Scholarship on Philip Larkin tends to limit him as a poet, through accusations of narrowness both of subject-matter, and of received influence. The paradox between Larkin’s undoubted place as an important, beloved poet, and the supposedly limited nature of his verse, has served to isolate him – unlike other poets (e.g Ted Hughes) – Larkin’s recognised influences are few. It is commonly accepted that he was influenced perhaps only by W. H. Auden, W. B. Yeats, and Thomas Hardy. He is seen as an opponent of modernism, specifically of the poetry of T. S. Eliot, and his accepted modernist heirs; Robert Lowell, Hughes, Sylvia Plath and others. My project sets out to prove that this view of Larkin is simplistically limited. Sufficient (indeed, much) evidence exists of Larkin as having been a keen reader and assimilator of a wide range of influences, from Eliot through Dylan Thomas, Lowell and Plath. Much of this evidence (e.g. 2010’s Letters to Monica) has come to light only recently, and is yet to be fully acknowledged for the effect that it has had on our reading of Larkin. Added to this is a body of older evidence (1992’s Selected Letters) arguing for Larkin’s ‘English’ influences to be rooted in the ‘studied impersonality’ of Edward Thomas and Wilfred Owen. When compared to Hughes and Thom Gunn, similar poetic and thematic concerns unite these three poets, so often thought to be at odds. These ‘guilty’ influences, show Larkin to be a far more culturally receptive poet than he is often thought of as being. Why such evidence has gone unused or under-appreciated is considered here, as is an assessment of both Larkin’s defenders and detractors. I argue for a more open, less limiting reading of Larkin, and note that, recently, this argument has been gaining ground in scholarship.
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5

Thomson, Winifred Alice. "The collected poetry of Philip Larkin, 1945-1974." Thesis, University of Cape Town, 1986. http://hdl.handle.net/11427/22605.

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6

Lazic, Boris. ""With Meaning and Meaning's Rebuttal" : A Contrastive Reading of Philip Larkin's The Less Deceived." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-31058.

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This essay focuses on Philip Larkin’s The Less Deceived, a collection of poems published in 1955, and tries to demonstrate how the poems within it can be organized and understood according to a contrast between more and less deceived. Through close reading and comparative analysis this overarching contrast is shown to be expressed by recurrences of imagery and thematic material as well as by a series of related opposing terms which inform many of the viewpoints expressed within the collection. These oppositions include those between illusion and disillusion, distance and proximity, surface and depth, artifice and reality as well as innocence and guilt. The essay also concludes that the overarching categories of greater and lesser deception are expressed to varying degrees by the different poems and that neither category can thus be considered as favoured above the other.
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7

Tanaka, Yukio, Yasuhiro Asano, Masanori Ichioka, and Satoshi Kashiwaya. "Theory of Tunneling Spectroscopy in the Larkin-Ovchinnikov State." American Physical Society, 2007. http://hdl.handle.net/2237/8834.

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8

Cooper, Stephen Andrew. "Revolt and orthodoxy in the work of Philip Larkin." Thesis, Open University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251388.

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9

Smith, Peter MacDonald. "'Here'/'elsewhere' : a theme in the poems of Philip Larkin." Thesis, Bangor University, 1990. https://research.bangor.ac.uk/portal/en/theses/hereelsewhere--a-theme-in-the-poems-of-philip-larkin(164569aa-b9f3-4f07-86d1-f2b51b777ebd).html.

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The poems of Philip Larkin seem at first uniquely selfcentred, concentrating emphatically on a picture of the character of the poet himself, to a point where the life and times of this character, objectively described and defined by his actions, seem to dominate the poems. Yet despite the unusually high profile of the poet himself (or "himself"), Larkin's work is very far from self-centred. On the contrary, running through the poems is a pronounced inclination to look less to the self than to things other, less to the real than to the ideal, less to the near than to the remote: to look, in short, not "Here" but "Elsewhere. " The centrifugal structure in which thoughts of the self give way to thoughts of things other has two main expressions: the social and the transcendent. In looking away from the self to the lives of others--the social expression--the poet draws the kind of contrast which serves, very often, only to underline a sense of separation between the self and others. There is similarly a gap at the heart of those poems--mainly later works--which compare real life with a notional ideal, or contrast presence with absence. The same centrifugal impulse is at work in these contrasts, though its expression might be called transcendent or metaphysical. The common ground is the comparison between self and not-self. These contrasts are examined here from a variety of angles: Chapter One concentrates on a semantic approach, Chapter Two on a metaphorical, and Chapter Three on a linguistic analysis. The fourth chapter examines the role of the theme in Larkin's prose fiction, and the fifth applies the theme to the single subject of love. The closing chapter then relates the conclusion reached in the poems--that the separation of "Here" from "Elsewhere" is unalterable, and indeed should be relished--to the tradition to which it belongs, which is the Romantic tradition.
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10

Hassan, Salem Kadhem. "Time, tense and structure in contemporary English poetry : Larkin and the Movement." Thesis, University of Glasgow, 1985. http://theses.gla.ac.uk/3902/.

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11

Osterwalder, Hans. "British poetry between the movement and modernism : Anthony Thwaite and Philip Larkin /." Heidelberg : C. Winter, 1991. http://catalogue.bnf.fr/ark:/12148/cb35744530c.

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12

Larkin, Timofei I. [Verfasser], and Bernhard [Akademischer Betreuer] Keimer. "Excitonic Fano resonances in Ta2NiSe5 and Ta2NiS5 / Timofei I. Larkin ; Betreuer: Bernhard Keimer." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2016. http://d-nb.info/1118371135/34.

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13

Negri, Chiara <1996&gt. "Philip Larkin A Poet In-between the Movement and Modernist Writing and Music." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19328.

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La tesi si concentra sull'autore e poeta Philip Larkin, uno dei protagonisti inglesi del ventesimo secolo. Larkin aveva una visione particolare sulla letteratura e sul jazz, il tipo di musica che lui amava di più ed era solito recensire. Il primo capitolo è biografico, copre brevemente tutta la sua vita, le sue pubblicazioni, gli eventi importanti che gli sono accaduti e anche la sua complicata relazione con le donne. Il secondo capitolo si concentra su due correnti letterarie, quello che definiamo "The Movement" e il suo opposto, il "Modernismo". Anche se il Movement non era un gruppo organizzato, sappiamo che Larkin ne condivideva le opinioni e ne faceva parte, se non addirittura ne era l'esponente più importante. Allo stesso tempo, non teneva segreto il suo odio per il modernismo. Il secondo capitolo esplora le sue ragioni e la sua posizione su entrambi i trend letterari. Il terzo e ultimo capitolo segue la distinzione tra Movement e Modernismo ma questa volta sul tema della musica, del jazz in particolare. Larkin amava il jazz e lo recensì per anni sul Telegraph. Egli distinse chiaramente il tipo di jazz che amava da quello che definiva jazz "moderno". Il capitolo finale analizza questa distinzione attraverso le parole di Larkin stesso e dei suoi critici.
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14

Alou, Ramis Damià. "El concepto de marcador estructural: su aplicación en el discurso poético de Phipil Larkin." Doctoral thesis, Universitat Pompeu Fabra, 2008. http://hdl.handle.net/10803/7588.

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La presente tesis consta de dos partes principales. En la primera se pretende definir y delimitar el concepto de marcador estructural como herramienta de análisis textual aplicada a la traducción poética. Tras una aproximación a la especificidad del texto poético, y tras repasar las principales aportaciones teóricas a la traducción poética, identificamos los marcadores estructurales con los rasgos estilísticos que marcan el armazón semántico del texto.<br/><br/>Posteriormente, se aplica el análisis basado en los marcadores estructurales a 21 poemas de Philip Larkin, seleccionados por temas. El producto práctico de este análisis es la traducción al castellano de cada poema, acompañada de un mapa donde figuran los rasgos que forman la estructura; y el producto teórico una caracterización estilística de la poesía de Larkin, representada en un mapa donde figuran sus principales rasgos estilístico. <br/><br/>También se aporta un esbozo de crítica de la traducción basado en dicha herramienta.<br>This dissertation consists of two parts. The first one is an attempt to define and delimit the concept of structural marker as a tool of text analysis applied to poetic translation. After dealing with the specificity of the poetic text and re-examining the main theories about poetic translation, structural markers are identified with the stylistic features that mark the semantic frame of the text.<br/><br/>Afterwards, we apply the analysis based on the structural markers to 21 poems by Philip Larkin, put into groups by themes. The practical outcome of this analysis the translation to Spanish of this poems, accompanied with a map where the main structural features can be seen; and the theoretical outcome is a stylistic characterisation of Larkin's poetry, which we represent in a stylistic map.<br/><br/>We also find an outline of translation criticism based in this tool called structural marker.
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15

Knapton, James A. "Writings of England : the political imaginations of Philip Larkin, Ted Hughes and Geoffrey Hill." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408180.

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16

Davies, Alexandra Mary. "Poetry in process: the compositional practices of D.H. Lawrence, Dylan Thomas and Philip Larkin." Thesis, University of Hull, 2008. http://hydra.hull.ac.uk/resources/hull:1738.

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Philip Larkin used the image of Winston Smith's blank notebook in George Orwell's 1984 to illustrate the excitement experienced by the writer faced with an as yet unwritten text. He explains that: the books the past has given usare printed; they are magnificent, but they are finite. Only the blank book, the manuscript book, may be the book we shall give the future. Its potentialities are endless. This study of 'poetry in process' will compare the 'compositional practices' of three twentieth century poets in order to come closer to understanding the means by which poems are written. One conclusion which is perhaps inevitable from such a comparative study as this is that there is not a single approach to writing a poem. Each poet has idiosyncratic habits.
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17

Malec, Jennifer. "A 'long defence against the non-existent' : Englishness in the poetry of Phillip Larkin." Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/11599.

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Includes bibliographical references (leaves 96-97).<br>Larkin's place in the genealogy of English poetry is significant since, unlike many of his predecessors, his work lacks the hope or possibility of redemption offered by faith. Larkin countered the void created by his agnosticism by appealing to the power both of ritual and of the English landscape, and yet ultimately these attempts - although not wholly unsuccessful poetically - appear fruitless philosophically. Larkin's awareness of English society is not explicit, and yet his preoccupation with death and nothingness is inexorably linked to the political despair and religious questioning of post-war England. Through the use of the many' Englishes' of his time Larkin manages to construct a passable means by which to fill the lacuna left by godlessness. A thorough review of the critical opinion of Larkin is undertaken here, in order to sketch out the landscape of English letters and Larkin's place within, or in relation to, English poetry. His interrogation of the dominant societal structures is rigorous, and while his habit of constantly contradicting himself and his insistent ambiguity may seem to undermine his efforts, on closer inspection this lack of clarity complements his aims precisely. This dissertation will demonstrate how Larkin's use of cliche epitomises this struggle, and that in his poetry the often-assumed emptiness of such language is turned on its head. Larkin, it will be argued, deploys common English expressions as a modem substitute for the social links provided to earlier poets by means of reference to classical mythology.
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18

Mora, Christophe. "Gaz de bosons et de fermions condensés : phases de Fulde-Ferrell-Larkin-Ovchinnikov et quasicondensats." Phd thesis, Université Pierre et Marie Curie - Paris VI, 2004. http://tel.archives-ouvertes.fr/tel-00005472.

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La première partie de cette thèse concerne les phases inhomogènes<br />FFLO. Celles-ci peuvent apparaître dans les supraconducteurs<br />ou les gaz d'atomes froids fermioniques en présence d'une différence<br />homogène de potentiels chimiques entre les deux états de spin.<br />Nous regardons la compétition<br />entre les différentes phases FFLO près de la transition.<br />A 2D, nous utilisons une approche de type Ginzburg-Landau <br />pour prédire une cascade de transitions entre des phases inhomogènes<br />de plus en plus complexes.<br />A 3D ou la transition FFLO est du premier ordre, <br />nous présentons une méthode numérique <br />de résolution des équations quasiclassiques d'Eilenberger <br />basée sur un développement de Fourier. <br />Nous déterminons ainsi les phases inhomogènes de plus basse énergie.<br /><br />Dans la seconde partie, nous étendons la théorie perturbative<br />de Bogoliubov aux quasicondensats dans une représentation densité-phase.<br />Nous obtenons des prédictions pour différentes observables.
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19

Panda, Ujjwal Kr, and Indranil Acharya. "The sense of place : Divergent responses in the works of Seamus Heaney and Philip Larkin." Thesis, Vidyasagar University , Midnapore , West Bengal , India, 2017. http://inet.vidyasagar.ac.in:8080/jspui/handle/123456789/2382.

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20

Young, Robert D. "Exploring the ethical mindset of students." Theological Research Exchange Network (TREN), access this title online, 2006. http://dx.doi.org/10.2986/tren.088-0146.

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21

Pekarske, Nicole. "Intermissa, Venus /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3091955.

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22

Coscarelli-Larkin, Luisa [Verfasser]. "Der lutherische Rosenkranz : Konfessionelle und sinnliche Aspekte von Gebetszählgeräten in Porträts der Frühen Neuzeit / Luisa Coscarelli-Larkin." Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften, 2020. http://d-nb.info/1221487787/34.

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23

PINCOT, ANITA. "James larkin et ses relations avec le mouvement ouvrier britannique durant la greve de 1913 a dublin." Paris 8, 1989. http://www.theses.fr/1990PA080473.

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En aout 1913 eclata a dublin un conflit industriel qui, de par son ampleur (20. 000 travailleurs en greve ou lock-outes et representant plus de 100. 000 personnes) et sa duree (plus de six mois), prit une place de premier ordre dans cette periode d'avant-guerre. Cette lutte opposa james larkin et son syndicat, l'irish transport and general worker's union, le premier syndicat strictement irlandais, et la federation des employeurs dublinois, menee par william m. Murphy. Un point majeur du conflit etait le document donne a signer a leurs employes par le patronat et leur interdisant de joindre ou de soutenir le syndicat de larkin. Nombre de travailleurs, bien que peu attires par les idees de larkin, s'opposerent fzarouchement a ce document. Tres rapidemment, les travailleurs trouverent des allies, tant en grande-bretagne ou le british trades union congress mit tout en oeuvre pour aider financierement les grevistes, qu'en irlande. Cependant larkin prit certaines initiatives qui lui alienerent tout d'abord une certaine partie de la population irlandaise (la campagne "save the kiddies"), puis la majeure partie du mouvement ouvrier britannique (la "fiery cross") dont les dirigeants acceptaient mal l'intrusion d'un syndicalisme brutal et bruyant au sein de leur trade-unionisme. Le militantisme de larkin, ses idees de greve de solidarite, d'action directe et de mise a l'index de marchandises fit craindre le pire aux dirigeants anglais qui refuserent de s'engager plus avant dans un lutte qui risquait de remettre en cause tous les avantages, tant ouvriers que politiques, cherement acquis. La fermeture, en fevrier 1914, du fond de soutien financier britannique precipite le retour au travail, souvent dans des conditions tres difficiles pour les travailleurs. Un grand nombre d'entre eux durent s'exiler en grande-bretagne. Toutefois, le patronat ne put reclamer la victoire. Sa tentative d'ecraser le syndicalisme a travers l'irish transport and general workers' union echoua. Le syndicat, bien que profondement blesse, survecut a l'attaque<br>In august 1913, an industrial dispute broke out in dublin. Its extent (20. 000 workers on strike or locked out and representing more than 100. 000 persons) and its length (more than six months) made it one of the major events in this pre-war period. The two parties in conflict were james larkin and his irish transport and general worker' union, the first irish-based union on one hand, and the federation of the dublin employers led by william m. Murphy, on the other; the core of the conflict was the document imposed to their employees by the employers and forbidding them to join or help larkin's trade-union. Many workers, although not attracted by larkin's ideas, were strongly againts this document and left work. Soon, the workers found allies, in great-britain where the bristih trades union congress did their utmost to help financially the strikers, in ireland or abroad. But, larkin took some actions that alienated from his first a part of the irish people (the campaign "save the kiddies"), then most of the british trade union mouvement (the "fiery cross"), the leadres of which resented the intrusion of a rough and boisterous syndicalism into trade-unionisa. They feared larkin's militancy, his ideas of sympathetic strikes, his direct action and trainted goods policies and refused to get more involved in a fight that could jeapordize all the hardly won benefits, both industrial, in february 1914, the closing of the british relief fund sped up the return to work and the conditions of this return were often very hard for the workers. A great unmber of them had to exile them salves to great-britain in order to find a new job. However, the employers could not claim victory. Their attempt to smash syndicalisa through the irish transport and general worker's union had failed. The union, although deeply wound ed, had survived the attak
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Allen, Brenda. "Emperors of the text: Change and cultural survival in the poetry of Philip Larkin and Carol Ann Duffy." Thesis, University of Canterbury. English, 1999. http://hdl.handle.net/10092/4566.

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Philip Larkin and Carol Ann Duffy have been, and are, regarded as a step ahead, as the voices that aid other citizens in their struggle to delineate the nature of their concerns about their society and the changes that must be coped with, internalised and incorporated into daily life. Because they are living in times of change, Larkin and Duffy are forced to find new ways to preserve their cultural identity that are not predicated on traditions that are dying or being superseded. The most startling of these changes, however, also affects Britain at the national and international level and in this thesis I examine the writing (including archival material) and life of these poets to argue that their efforts to deal with change may be seen as mirroring the stance of their nation, since in a nation with an elected government there must be, at some level, approval for and participation in, the modus operandi of that government. That these practices are imperialistic can come as no surprise, but ideas and practices of imperialism have changed. Thus it is that the older of the poets, Philip Larkin, harks back to the time of British Imperial glory, and the younger, Carol Ann Duffy, maintains a watching and speaking brief based on humanistic values of egalitarianism. Larkin, although he purports to be liberal, especially in matters he regards as the merely conventional, fights against the very structures that could be helpful to him and prioritises the sustaining of a past that has no future except as memory and text. His refusal to conform to the social and canonical demands of his younger days, however, ensures that he experiences ambivalence toward most of the structures he criticises as well as toward those he embraces. Nevertheless, his directionless rebellion paves the way for Carol Ann Duffy to move freely between the canonical and the vernacular, in terms of diction and subject matter. To this, Duffy has added her own determination to interrogate meaning, and to represent a culture that is changing by de constructing and reconstructing canonical form in a way that Larkin did not. The first two chapters of this thesis are about the importance of data and archive, especially the written word, to ideas of the British Empire, and Larkin's over-reliance on archive in his own life. The dysfunctional subjects of Duffy's poems, who display similar reliance on data and archive, are then discussed and related to her own, contrasting awareness of the difference between data and knowledge. The third chapter, in two parts, demonstrates that the imperialist practices of each poet are carried over into the world of personal relationships. Because of his more rigid attitudes, Larkin does not achieve transcendence in this sphere, but Duffy demonstrates that moments of rapture are possible. The last three chapters deal with the most prominent features of imperialism: religion, territory and war. The chapter on war, in particular, is based on archival material that Larkin wrote during or about war, that he saw fit to keep private until after his death; and the chapter also utilises Duffy's lesser-known early works. The conclusions of these chapters confirm those of the previous chapters.
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Faulkner, A. D. "Creative block in the later work of Philip Larkin : a contextual, psychoanalytic, comparative, manuscript- and correspondence-based study." Thesis, Queen's University Belfast, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273062.

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26

Whitley, William George. "Charge density waves and superconductivity in U6Fe." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/22031.

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U6Fe has the highest superconducting transition temperature TSC ~ 4 K out of all of the U-based compounds. Unusually, the Pauli limit (1:84TSC = 7:36 T) is less than the observed critical field for both the a and c axes in this tetragonal material. Neither Pauli or usual BCS orbital limit is apparently respected. In order to explain why superconductivity exceeds the Pauli limit, it must be considered that either the superconducting state is unaffected by paramagnetic effects, or there is a large amount of spin-orbit scattering. Superconductivity is in the dirty limit for typical samples of U6Fe, which means that the latter cannot be precluded. Another unusual property of the superconducting state of U6Fe is that TSC has a positive dependence on the applied pressure P, for P < 4 kbar. This combined with other subtle signals in various measurements have led to the suggestion that a Charge Density Wave (CDW) state may exist in U6Fe below 110 K. The CDW state is typically favoured by materials with low-dimensional structural features such as chains of atoms. Such materials, if superconductors, are also candidates to exhibit the sought-after Fulde-Ferrell-Larkin-Ovchinnikov (FFLO) state, an unusual state in which the superconducting order parameter is modulated in real space. The FFLO is expected to be suppressed except in clean, Pauli limited materials. Therefore if U6Fe can be produced at high enough quality to bring the superconducting state into the clean limit, it would be a potential candidate for an FFLO state. Part of this project discusses apparatus and techniques applied with the goal of producing such quality samples of U6Fe. We have succeeded in the application of the Solid State Electrotransport (SSE) method to purifying samples, and have been able to replicate the highest Residual Resistivity Ratios (RRRs) achieved (~9, compared to 4 for typical samples), but for single crystals instead of the polycrystals produced in the past. In parallel with the progress made towards higher quality samples of U6Fe, a new X-ray scanner has been developed for grain mapping of samples. This has found application in the course of our synthesis studies. The best quality samples have been studied by X-ray diffraction on the XMaS beamline at the ESRF in Grenoble, France. Below TCDW ~ 10 K, satellites at (δH; δK; 0) = (±0:11;±0:11; 0) were observed that confirm a CDW state, albeit at much lower temperatures than anticipated. By examination of systematic satellite absences we have determined that the displacement vector → u is perpendicular to the modulation direction in k-space. Additionally it has been found that the symmetry of the lattice below TCDW is reduced from that of the room temperature I4=mcm structure. The appearance of additional Bragg peaks below ~110 K during these experiments were later cast into doubt by multiple scattering. We have, however, detected a signal in the form of a jump at ~110 K in specific heat measurements of our samples. These measurements also show a kink near to TCDW. We have additionally extended the investigation of the effect of pressure on the superconducting state. The maximum of TSC is confirmed in our samples, and the subsequent suppression of TSC and Hc2 is investigated up to 8 GPa. We have analysed our Hc2(T) curves at different pressures under a simple two-band model that fits the observed trends well and suggest that at the highest pressures U6Fe is approaching even more unusually enhanced Hc2 values.
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Stone, L. A. "Working-class consciousness in twentieth-century English literature : J. Galsworthy, D.H. Lawrence, P. Larkin, A. Sillitoe and H. Pinter." Thesis, Swansea University, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.639117.

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The origins of the term, working-class consciousness, lie strictly within the Marxist camp. Yet, analysed in a broader context its significance as an important socio-political category can be sought. Thus, a broader representation of working-class consciousness is offered to the reader and critic alike by the following authors and their literary texts: J. Galsworthy's drama <i>Strife</i> (1909), D.H. Lawrence's four short-stories, <i>The White Stocking</i> (1914), <i>A Sick Collier</i> (1913), <i>The Christening</i> (1913), <i>Odour of Chrysanthemums</i> (1911) and his two essays <i>Cocksure Women and Hensure Men</i> (1929) and <i>Nottingham and the Mining Countryside</i> (1930); P. Larkin's novel <i>Jill</i> (1946); A. Sillitoe's novella <i>The Loneliness of the Long-Distance Runner</i> (1959) and his novel <i>Saturday Night Sunday Morning</i> (1958) and H. Pinter's play <i>The Room</i> (1957). Excluding Pinter, each author in turn has presented us with a range of primary working-class attitudes and beliefs which go to make up working-class consciousness. These are centred around the fundamental importance of the family, collective identity, a variety of regulating attitudes, survival and of 'what could be'. A single, unifying working-class experience is located in the form of a higher social class. In relation to these literary representations of working-class consciousness significant comparisons and contrasts are drawn in the light of stability and change. Dividing the tests into pre-war and postwar, a series of categories are focussed upon. These include conflict, mobility, discontent and oppression, political consciousness (where the Marxist notion of working-class consciousness is criticised) and solidarity. Two unchanging elements related to working-class consciousness are identified as: a lack of control over their own lives and its unpredictability. Further, unchanging factors associated with the working-class are identified in the political contexts of power and social justice. A central concern of analysis centres around the developmental pattern of working-class consciousness in its pre-war/postwar transition - ie fragmentation. Pinter's working-class characters have taken this fragmentation to its extreme as they acquire a petty-<i>Bourgeois</i> consciousness. Finally, each author has presented us with a stark, brutal picture of a working-class consciousness existing in twentieth-century Britain.
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Barkman, Mats. "Investigation of Order Parameter Structures of the Fulde-Ferrell-Larkin-Ovchinnikov State in Superconductors Using the Finite Element Method." Thesis, KTH, Fysik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-233563.

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Brumage, Adrienne Elizabeth. "Philip Larkin : a critical study of the poetry in relation to relevant conventions and traditions of twentieth-century writing." Master's thesis, University of Cape Town, 1987. http://hdl.handle.net/11427/21970.

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Bibliography: pages 159-163.<br>My approach in this thesis has been thematic rather than chronological: I attempt to treat Larkin's poetry in detail and as representatively as possible, but the discussion takes place in relation to dominant figures and movements in the poetic practice of the twentieth century. I have chosen to concentrate on Larkin's mature poetry, for the break with the method of The North Ship is so unusually distinct that the inclusion of this earlier volume would, for my purposes, be distracting rather than informative. Within the three later volumes I do see some signs of development though no major shift of emphasis.
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Berridge, Andrew McConnell. "Itinerant metamagnetism and magnetic inhomogeneity : a magnetic analogue of the superconducting Fulde-Ferrell-Larkin-Ovchinnikov phase in Sr₃Ru₂O₇." Thesis, University of St Andrews, 2009. http://hdl.handle.net/10023/821.

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The formation of magnetic order in solids is a complex and subtle issue. There are a wide range of different types of magnetisation, all of which may be favoured under different circumstances. In this thesis we consider a novel combination of ideas where the formation of spatially modulated magnetisation is linked to a metamagnetic transition. In this we are inspired by a general principle of modulated phases intervening as intermediate states in phase transitions. In particular we draw analogies with the Fulde-Ferrell-Larkin-Ovchinnikov state of spatially modulated superconductivity. We study a mean-field theory for itinerant magnetism where the crystal lattice drives the formation of a rich phase diagram. A peak in the electronic density of states due to a van Hove singularity creates ferromagnetism and a metamagnetic transition. Furthermore we find that a modulated magnetic phase - a spin-spiral, becomes favoured along the metamagnetic transition line. The appearance of this phase causes the metamagnetic transition to bifurcate to enclose the modulated region. The topology of this reconstructed phase diagram shows remarkable similarity to that observed in experiments on Sr₃Ru₂O₇. This material shows a metamagnetic transition which can be tuned by field angle towards zero temperature. Before this point is reached a new phase with high and anisotropic resistivity appears. We believe that this anomalous phase can be explained by the formation of a phase of modulated magnetisation caused by a peak in the electronic density of states. This mechanism may also apply in a range of other materials as it is driven by rather generic features of the bandstructure.
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Chatfield, Thomas Edward Francis. "Beyond realism and postmordernism : towards a post-Christian morality in the works of Philip Larkin, Kingsley Amis and Martin Amis." Thesis, University of Oxford, 2007. http://ora.ox.ac.uk/objects/uuid:1db4198a-56e4-417d-b5e5-eb6586a6d7d6.

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This thesis evaluates and re-evaluates the relationship between the works of Philip Larkin, Kingsley Amis and Martin Amis through a detailed examination of their published works, and attempts to locate this relationship in the context of the central moral uncertainties of post-1945 British fiction. Most previous critical studies of these authors have tended to discuss the relationship between Kingsley Amis and Martin Amis in terms of an opposition between the father's realism and the son's postmodernism, and have debated Philip Larkin's influence upon Martin Amis only tangentially. Against this trend, this thesis argues that these three authors share a commitment to literature as a public, moral act, and, in particular, that their works share the intention of articulating a number of closely related secular 'human values' which map out a potential post-Christian morality in British society. The thesis also examines a common tension within their oeuvres inimical to such hopes - the fear that the possibilities of rational self-scrutiny and of becoming 'less deceived' have been discredited by the history of the twentieth century, and that this history instead evidences the dominance of irrational and self-destructive tendencies in the human. These fears, it is further claimed, are implicated in the works of all three authors in a tendency towards the construction of Edenic myths, deterministic simplifications, and despairing devaluations of the value of human life. Overall, this thesis makes the case for the significance of the common concerns of Martin Amis, Kingsley Amis and Philip Larkin's works in the context of contemporary literary studies: their efforts to create in art an unpretentiously 'public space' for the address of burning moral and existential issues, and their unresolved struggles with the question of what it might mean to live a good life in a society which no longer possesses religion as a common moral language.
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Kehrle, Jan-Michael [Verfasser], and Siegfried R. [Akademischer Betreuer] Horn. "The Fulde-Ferrell Larkin-Ovchinnikov Like State in Bilayers and Trilayers of Superconducting and Ferromagnetic Thin Films / Jan-Michael Kehrle. Betreuer: Siegfried Horn." Augsburg : Universität Augsburg, 2012. http://d-nb.info/107770108X/34.

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Jackson, Patrick Earl. "This side of despair : forms of hopelessness in modern poetry /." view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=1421604231&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2007.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 333-340). Also available for download via the World Wide Web; free to University of Oregon users.
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34

Pariser, Lili. "A Poetics of Space: Opening Up a World Through Vessel Metaphors in Modern and Contemporary Poetry." Oberlin College Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1337099353.

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35

Warren, Emile. "Phylogéographie du mélèze laricin (Larix laricina [Du roi] K. Koch) en Amérique du Nord." Master's thesis, Université Laval, 2015. http://hdl.handle.net/20.500.11794/25906.

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La structure des populations du mélèze laricin (Larix laricina [Du roi] K. Koch) a été étudiée à l’aide de polymorphismes de l’ADN mitochondrial et chloroplastique. Deux populations, situées en Alaska et au Labrador, étaient génétiquement distinctes des autres, suggérant l'existence de refuges glaciaires nordiques à ces endroits. La répartition spatiale des haplotypes a révélé un clivage génétique entre deux groupes de populations occupant l’est et l’ouest de l'aire de répartition. Ce patron témoignerait de la présence de deux lignées glaciaires génétiquement distinctes provenant d’autant de refuges localisés au sud de l'inlandsis Laurentidien. L’analyse des données polliniques a permis de corroborer la présence de refuges glaciaires au sud-ouest des Grands Lacs et à l’ouest des Appalaches, en plus des possibles refuges en Alaska et au Labrador. La haute différenciation génétique propre aux populations de l’ouest pourrait être la conséquence d’une forte compétition interspécifique lors de la recolonisation postglaciaire de cette région.<br>Geographical population structure of the North American larch, Larix laricina [Du roi] K. Koch was studied using mitochondrial and chloroplast DNA polymorphisms. Some populations from Alaska and Labrador were genetically differentiated from neighboring populations, suggesting that these two regions served as glacial refugia. The spatial distribution of haplotypes revealed a cleavage between eastern and western populations, which are probably representative of two distinct glacial lineages that expanded from the south of the ice sheet following the last glacial maximum. Mapped pollen records helped inferring the putative location of glacial refugia south-west of the Great Lakes, west of the Appalachians, as well as in Alaska and Labrador. High population differentiation among western populations likely indicates that interspecific competition was strong during the postglacial colonization of the region.
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36

Rogers, Samuel J. W. "The 'Movement', the 'British Poetry Revival', and located identity in twentieth-century British poetry : with a focus on the work of Donald Davie, Ian Hamilton Finlay, Allen Fisher, Roy Fisher, Lee Harwood, Elizabeth Jennings, Philip Larkin, and John Wain." Thesis, Bangor University, 2014. https://research.bangor.ac.uk/portal/en/theses/the-movement-the-british-poetry-revival-and-located-identity-in-twentiethcentury-british-poetry--with-a-focus-on-the-work-of-donald-davie-ian-hamilton-finlay-allen-fisher-roy-fisher-lee-harwood-elizabeth-jennings-philip-larkin-and-john-wain(beafc78d-6182-447b-ad77-4c42fec8ef11).html.

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This thesis will focus on the work of eight British poets established in the 1950s or ‘60s as part of either the ‘Movement’ or the ‘British Poetry Revival’. The research will proceed from the prominent role played by these two groupings in understandings of British poetry, as expressed in existing criticism and in a number of poetry anthologies. As will be demonstrated, the opposition of these groups frequently stands in place of a more fundamental binary view of twentieth-century British poetry, which might be expressed in terms of mainstream versus margins or traditionalism versus experimentalism. At the core of this thesis, the eight poets under discussion will be placed in a series of comparisons that deliberately invokes such a binary split. Reading their poetry with a focus on landscape and ‘located identity’, I will suggest that the opposition between Movement and Revival poetry may be re-examined with a geographical or spatial emphasis. After introducing the critical terrain, I will demonstrate how poetry anthologies have helped frame the two groups of poets with potentially incompatible models of literary history. These models will be shown to engage with questions of cultural identity and the relationship of literary texts to national space. This will lay the foundations for my central chapters, which will each begin with a literary method of distinguishing Movement and Revival practice, but will then reveal the discourses of identity, locality, and territory that are also involved. Thus, the thesis will engage with matters of realism, syntax, lyricism, and poetic structure, for instance, but will also intimately connect such considerations to its central concern with located identity. By enacting this re-phrasing of an existing binary, I aim not only to fruitfully illuminate and interlink the two bodies of poetry, but also to suggest an altered method of mapping British poetry.
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Nguyen, Thao, and Tarjei Ekelund. "NESTE STASJON: LARVIK." Thesis, Norges teknisk-naturvitenskapelige universitet, Fakultet for arkitektur og billedkunst, 2014. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-26635.

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McGinley, Susan. "Brian Larkins Elected to the National Academy of Sciences." College of Agriculture and Life Sciences, University of Arizona (Tucson, AZ), 1997. http://hdl.handle.net/10150/622321.

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39

Grigull, Tom. "Japanische Larven und Masken." Diss., lmu, 2011. http://nbn-resolving.de/urn:nbn:de:bvb:19-136210.

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40

Underwood, James. "Philip Larkin's textual identities." Thesis, University of Hull, 2015. http://hydra.hull.ac.uk/resources/hull:13639.

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41

Mathonsi, Mandlenkosi Habile Thabo. "Aspects of the biology of the pink-billed lark (Spizocorys conirostris) in the Limpopo Province, South Africa." Thesis, University of Limpopo (Turfloop Campus), 2013. http://hdl.handle.net/10386/1121.

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Thesis (M.Sc. ( Zoology)) --University of Limpopo, 2013<br>The fieldwork for this study was carried out from October 2008 to October 2010, under the supervision of Professor D. Engelbrecht of the Department of Biodiversity at the University of Limpopo. Professor Engelbrecht kindly agreed to provide me with raw breeding data of the same population collected during 2008. This study represents original work by the author and where work of other authors has been used; they are duly acknowledged in the text and listed as references. Chapter 1 is a general introduction to the family Alaudidae in which their characteristics and taxonomy are discussed. This is followed by a brief overview of the general biology and ecology of larks of the world in general, followed by a more specific emphasis on the genus Spizocorys, and finally the Pink-billed Lark. In this section, gaps in the available knowledge of Pink-billed Larks are highlighted. This chapter culminates in the aim and objectives of this study. In Chapter 2 the various aspects of the breeding biology of the Pink-billed Lark are reported. This includes, amongst others, aspects such as breeding seasonality, clutch sizes, roles of the sexes during the breeding cycle and breeding success. Chapter 3 provides the results of a morphometric study of museum study skins from across the species range. This includes an analysis of sexual size dimorphism and geographical variation of the different subspecies. This chapter also provides a brief description of the timing and pattern of moult and the various vocalizations of the Pink-billed Lark. Chapter 4 concludes the dissertation with a summary of the results of this study and highlights avenues for future research on the species and the family. The format of Chapters 2 and 3 takes the form of research papers that can be submitted for publication with minimum editing. Chapter 2 has been published in the Journal of African Zoology (see below). Chapter 3 is in preparation for submission to a peer-reviewed journal. As such, there is some repetition in the introductory paragraphs and concluding remarks of chapters 2, 3 and 4. To give this manuscript a degree of uniformity, the literature cited in all chapters has been formatted according to the manuscript requirements of the Journal of African Zoology, and a reference list appears at the end of the dissertation. Tables and figures are arranged at the end of each chapter.
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42

Dehmous, Hocine. "Fiabilité et micromécanique des matériaux composites : application à la passerelle de Laroin." Toulouse, INPT, 2007. http://ethesis.inp-toulouse.fr/archive/00000508/.

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Les méthodes fiabilistes permettent d'évaluer le risuqe de défaillance d'une structure compte tenu des incertitudes mises en jeu. Les apporches par changement d'échelle visent quant à elles à spécifier les relations entre les caractéristiques microstructurales des matériaux hétérogènes et leur loi de comportement macroscopique. Une association de ces deux démarches pour rendre compte de la fiabilité de structures composites est ici proposée. L'idée est d'évaluer l'effet sur la probabilité de défaillance de ces matériaux et, d'autre part, de mettre en oeuvre une procédure de validation enrichie des modèles micromécaniques. Cette étude s'appuie sur le cas de la passerelle de Laroin (Pyrénées Atlantiques), premier ouvrage en France réalisé à l'aide de haubans composites en carbone-époxy<br>Reliability methods make it possible to evaluate the risk of failure of a structure according to the uncertainties involved in its mechanical behavior. On the other hand, micromechanics offers the most suitable framework to derive macroscopic constitutive laws from microstructural features. We propose here to associate these two approaches in order to account for the reliability of composite materials. The aim is to analyze the effect of variabilities defined at the microscale on the probability of failure through an homogenization scheme. Such coupling will help in understanding the failure mechanisms and also provides an improved validation for micromechanical models. This study is focused on the case of the Laroin footridge, which is the first civil engineering structure in France made of composite stays in carbon-epoxy
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Dehmous, Hocine Karama Moussa Ait Tahar Kamel. "Fiabilité et micromécanique des matériaux composites application à la passerelle de Laroin /." Toulouse : INP Toulouse, 2008. http://ethesis.inp-toulouse.fr/archive/00000508.

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Reproduction de : Thèse de doctorat : Génie mécanique : Toulouse, INPT : 2007. Reproduction de : Thèse de doctorat : Génie mécanique : Boumerdes (Algérie), Université M'hamed Bouguera : 2007.<br>Thèse soutenue en co-tutelle. Titre provenant de l'écran-titre. Bibliogr. 63 réf.
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Buys, Brenda Willer, and Brenda Willer Buys. "The Bassoon Music of Libby Larsen." Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/625881.

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Libby Larsen has written three pieces for the bassoon as a featured solo instrument. These pieces are Jazz Variations for Solo Bassoon (1977), Concert Piece for Bassoon and Piano (2008) and full moon in the city (2013). This document examines the origin, style, and form of these works to provide performers further information. Highlighted is Larsen's use of American vernacular elements in the pieces. American vernacular in this document refers to the use of influences derived from American culture, music, and language.
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Cook, Alicia. "The Evolving Style of Libby Larsen." Digital Commons @ Butler University, 1996. http://digitalcommons.butler.edu/grtheses/8/.

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Mohagheghi, Hoda. "Chemische Abwehr bei Larven von Chrysomela tremulae (Chrysomelidae) /." Göttingen : Cuvillier, 2007. http://www.gbv.de/dms/bs/toc/538642998.pdf.

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Pirrie, D. "Sedimentology of the Marambio Group, Larsen Basin, Antarctica." Thesis, Open University, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327776.

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48

Wivel, Mikael. "Lysets veje : studier i Niels Larsen Stevns' erkendelse /." København : Christian Ejlers'forlag, 1998. http://catalogue.bnf.fr/ark:/12148/cb37180275m.

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DENANCY, EDOUARD. "Syndrome de larsen : acquisition de la marche : une etape essentielle ; a propos d'un cas." Amiens, 1991. http://www.theses.fr/1991AMIEM037.

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Morin, Pierre. "Contribution à l'étude de la composition chimique de l'écorce de Larix laricina /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2007. http://theses.uqac.ca.

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Thèse (M.Ress. Renouv.) -- Université du Québec à Chicoutimi, 2007.<br>La p. de t. porte en outre: Mémoire présenté à l'Université du Québec à Chicoutimi comme exigence partielle de la maîtrise en ressources renouvelables. CaQQUQ Bibliogr.: f. 52-57. Document électronique également accessible en format PDF. CaQQUQ
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