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1

Norris, Christopher. "Larkin After Freud (After Larkin)." Critical Quarterly 55, no. 3 (2013): 19–25. http://dx.doi.org/10.1111/criq.12053_3.

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2

Pollitt, Katha. "Philip Larkin." Grand Street 9, no. 3 (1990): 250. http://dx.doi.org/10.2307/25007389.

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3

COX, BRIAN. "PHILIP LARKIN." Critical Quarterly 29, no. 1 (1987): 2. http://dx.doi.org/10.1111/j.1467-8705.1987.tb00055.x.

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4

O'Gorman, F. "Larkin Hearing." Literary Imagination 14, no. 1 (2012): 35–45. http://dx.doi.org/10.1093/litimag/ims024.

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5

Hodgson, Andrew. "Larkin Aloud." Literary Imagination 18, no. 2 (2016): 168–79. http://dx.doi.org/10.1093/litimag/imw013.

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6

A. Banerjee. "Larkin Reconsidered." Sewanee Review 116, no. 3 (2008): 428–41. http://dx.doi.org/10.1353/sew.0.0033.

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7

Larkin, Jennie. "NIA DIVISION OF NEUROSCIENCE." Innovation in Aging 7, Supplement_1 (2023): 252. http://dx.doi.org/10.1093/geroni/igad104.0836.

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8

Pearson, Scott M. "Reply to Larkin." Auk 109, no. 1 (1992): 203–4. http://dx.doi.org/10.2307/4088288.

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9

Juliana Gray. "Larkin and Wife." Hopkins Review 3, no. 1 (2009): 72–73. http://dx.doi.org/10.1353/thr.0.0143.

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10

Kim, Kwang-Sun. "Yeats and Larkin." Yeats Journal of Korea 11 (September 30, 1999): 75–107. http://dx.doi.org/10.14354/yjk.1999.11.75.

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11

Rowe, M. W. "The Transcendental Larkin." English 38, no. 161 (1989): 143–52. http://dx.doi.org/10.1093/english/38.161.143.

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12

Smith, P. M. "The Postmodernist Larkin." English 38, no. 161 (1989): 153–61. http://dx.doi.org/10.1093/english/38.161.153.

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13

RHODES, NEIL. "LARKIN AND HERBERT." Notes and Queries 35, no. 3 (1988): 342—a—342. http://dx.doi.org/10.1093/nq/35-3-342a.

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14

Woodrow, D. "Edward Henry Larkin." BMJ 325, no. 7371 (2002): 1040e—1040. http://dx.doi.org/10.1136/bmj.325.7371.1040/e.

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15

TRENGOVE-JONES, TIM. "LARKIN AND EUROPE." English Studies in Africa 35, no. 2 (1992): 53–75. http://dx.doi.org/10.1080/00138399208690893.

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16

Rossen, Janice, and James Booth. "Philip Larkin: Writer." World Literature Today 66, no. 4 (1992): 724. http://dx.doi.org/10.2307/40148706.

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17

JOHNSON, REBECCA. "‘DEAR MR. LARKIN…’." Notes and Queries 44, no. 3 (1997): 364–65. http://dx.doi.org/10.1093/nq/44-3-364.

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18

JOHNSON, REBECCA. "‘DEAR MR. LARKIN…’." Notes and Queries 44, no. 3 (1997): 364–65. http://dx.doi.org/10.1093/nq/44.3.364.

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19

Efetov, Konstantin B., David E. Khmelnitskii, Yuri N. Ovchinnikov, and Paul B. Wiegmann. "Anatoly Ivanovich Larkin." Physics Today 59, no. 4 (2006): 88–89. http://dx.doi.org/10.1063/1.2207057.

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20

Butterfield, Rex. "EN (Norman) Larkin." Australian Veterinary Journal 70, no. 12 (1993): 464. http://dx.doi.org/10.1111/j.1751-0813.1993.tb00867.x.

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21

De Kretser, Michelle. "Larkin(g) around." Poetics 17, no. 1-2 (1988): 69–80. http://dx.doi.org/10.1016/0304-422x(88)90023-x.

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22

Northcote, T. G. "Peter Anthony Larkin." Reviews in Fish Biology and Fisheries 6, no. 4 (1996): 375–78. http://dx.doi.org/10.1007/bf00164322.

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23

Pirnajmuddin, Hossein, Fazel Asadi Amjad, and Fatemeh Shahpoori Arani. "Clase, capital y distinción en The Whitsun Weddings de Philip Larkin." Anuario de Estudios Filológicos 45 (July 4, 2022): 261–84. http://dx.doi.org/10.17398/2660-7301.45.261.

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Con la publicación de las cartas de Philip Larkin, se reveló que su afirmación de celebrar el lector común y el estilo de vida inglés común, en contraste con las actitudes de los elitistas modernistas, no era del todo sincera. Algunos poemas de su colección The Whitsun Weddings (Las bodas de Pentecostés) describen en particular la ambivalencia de Larkin hacia cuestiones de clase social, habitus y distinción. Haciendo uso de la teorización de la sociedad y la cultura de Pierre Bourdieu, este artículo explora cuestiones de clase social, la integración de los personajes en su clase social y habit
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24

Cauldwell, Richard. "Openings, rhythm and relationships: Philip Larkin reads Mr Bleaney." Language and Literature: International Journal of Stylistics 8, no. 1 (1999): 35–48. http://dx.doi.org/10.1177/096394709900800102.

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Mr Bleaney is one of Philip Larkin’s most popular poems. In this article I discuss five recordings, by Larkin himself, of the first two sentences in free direct speech from a presumed landlady: ‘This was Mr Bleaney’s room. He stayed/The whole time he was at the Bodies, till/They moved him’. The recordings are similar in that they all project the opening as being in medias res; they differ, however, because across the five recordings Larkin places prominences in different locations and makes different choices of tone. The differences suggest that Larkin projects the direct speech into differing
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25

Stanger, Howard R. "From Factory to Family: The Creation of a Corporate Culture in the Larkin Company of Buffalo, New York." Business History Review 74, no. 3 (2000): 407–33. http://dx.doi.org/10.2307/3116433.

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The Larkin Company of Buffalo, New York, was established in the 1870s as a small soap producer and grew to become a large mail-order house. Larkin's success could be attributed to a unique sales strategy created by Elbert Hubbard, called “The Larkin Idea,” which had as its motto, “From Factory-to-Family: Save All Cost Which Adds No Value.” The company sold its products exclusively through the mail to women in cooperative buying clubs. Employing a variety of marketing, advertising, and employee welfare practices, the Larkin Company built a unified corporate family of “Larkinites“—employees, cus
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26

Anisimova, Alla, and Olga Ponedilchenko. "MULTILINGUAL SPECIFICS OF THE CONCEPT "LOVE" IN THE POETRY OF PHILIP LARKIN." English and American Studies, no. 19 (May 2, 2022): 15–22. http://dx.doi.org/10.15421/382202.

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The article examines the peculiarities of the presentation of the concept "love" in the poetry of Philip Larkin: lexical and semantic units that embody the concept of "love" in the poems of Larkin have been revealed. The novelty of the obtained results of the performed scientific article is that the selected works of Philip Larkin have been analyzed, a structured approach to their analysis is developed, the main carriers of culture and their functions are identified. The results of the study can be used in the comparative analysis of the linguistic and cultural aspects in the work of different
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27

Bonfim, Carlos. "Quilombismo. Un concepto emergente del proceso histórico-cultural de la población afrobrasileña." LiminaR Estudios Sociales y Humanísticos 21, no. 2 (2024): 48. http://dx.doi.org/10.29043/liminar.v21i2.1069.

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Traducción y presentación del documento: “Quilombismo: um conceito emergente do processo histórico-cultural da população afro-brasileira”. In: NASCIMENTO, Elisa Larkin (org.), Afrocentricidade. Uma abordagem epistemólógica innovadora. Coleção Sankofa, vol. 4 [1980]. Cotejada con la edición más reciente revisada por Elisa Larkin: O Quilombismo. Documentos de uma militancia Pan-Africanista.
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28

Çelik Alexander, Zeynep. "The Larkin's Technologies of Trust." Journal of the Society of Architectural Historians 77, no. 3 (2018): 300–318. http://dx.doi.org/10.1525/jsah.2018.77.3.300.

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In The Larkin's Technologies of Trust, Zeynep Çelik Alexander uses the card ledger invented by Darwin D. Martin, corporate secretary for the Larkin Company, as a starting point for a new history of a well-known modernist building: the Larkin Administration Building in Buffalo, New York, designed by Frank Lloyd Wright. Founded in 1875 as a soap manufacturer, the Larkin Company had grown dramatically by the beginning of the twentieth century, in large part because of innovative marketing strategies made possible by ingenious information-processing techniques. But it was also thanks to Wright's d
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29

Yates, Keith. "In Memoriam: Philip Larkin." Modern Churchman 29, no. 1 (1986): 3–6. http://dx.doi.org/10.3828/mc.29.1.3.

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30

Montesano, Michael. "John Larkin, 1936–2021." Philippine Studies: Historical and Ethnographic Viewpoints 70, no. 2 (2022): 321–33. http://dx.doi.org/10.13185/ps2022.70208.

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31

Kirker, Harold. "The Larkin House Revisited." California History 65, no. 1 (1986): 26–33. http://dx.doi.org/10.2307/25158349.

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32

Covey, Neil. "Larkin, Distance, and Observation." Modern Language Studies 23, no. 3 (1993): 11. http://dx.doi.org/10.2307/3195174.

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33

Gargaillo, Florian. "Philip Larkin and Envy." Essays in Criticism 70, no. 2 (2020): 199–220. http://dx.doi.org/10.1093/escrit/cgaa002.

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34

Hassan, Salem K. "Women in Philip Larkin." English Studies 77, no. 2 (1996): 142–54. http://dx.doi.org/10.1080/00138389608599016.

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35

Butterfield, Rex. "The Late Norman Larkin." Australian Veterinary Journal 70, no. 12 (1993): 464. http://dx.doi.org/10.1111/j.1751-0813.1993.tb00868.x.

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36

Rekdal, Paisley. "Philip Larkin′s Koan." College Mathematics Journal 47, no. 2 (2016): 133. http://dx.doi.org/10.4169/college.math.j.47.2.133.

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37

RUSSELL, DONALD G. "John C. Larkin, M.D." Radiology 156, no. 2 (1985): 554. http://dx.doi.org/10.1148/radiology.156.2.554-b.

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38

Carlyle, T. "TC TO HENRY LARKIN." Carlyle Letters Online 27, no. 1 (1999): 78. http://dx.doi.org/10.1215/lt-18520329-tc-hl-01.

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39

Larkin, John. "Dave." Public Voices 1, no. 3 (2017): 68. http://dx.doi.org/10.22140/pv.473.

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40

O’Connor, Emmet. "Jim Larkin and the Communist Internationals, 1923–9." Irish Historical Studies 31, no. 123 (1999): 357–72. http://dx.doi.org/10.1017/s0021121400014206.

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In 1924 James Larkin agreed with British and Soviet communists to undertake the leadership of communism in Ireland. The triangular relationship soon became poisoned with dissension, insubordination and deceit. Not only did Larkin refuse to form a communist party, he went to great lengths to ensure that no one else did either. By 1925 British communists, contrary to Moscow’s directives, were attempting to work in Ireland independently of Larkin, and by 1927 Moscow too was plotting to clip his wings.Larkin’s communist career is treated in some detail in two publications. Emmet Larkin’s biography
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41

Du, Xiangyu. "The View of Death in Philip Larkins The Trees and The Building." Communications in Humanities Research 20, no. 1 (2023): 147–51. http://dx.doi.org/10.54254/2753-7064/20/20231316.

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Philip Larkin was one of the most important poets in British poetry after the Second World War and one of the outstanding representatives of the Movement. Death is one of his core themes in his poetry. This article is designed to show Larkin s views and attitudes of death through the analysis his The Trees and The Building, employing New Criticism theory. Under the guidance of this perspective, this article shows that Larkin is preoccupied with death, but is not simply pessimistic and despairing in the face of death. Although the poem The Building is filled with sad and dark atmosphere, it is
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42

Martin, Charles. "Just a Smack at Larkin." Hudson Review 52, no. 3 (1999): 400. http://dx.doi.org/10.2307/3853439.

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43

Franca Neto, Alípio Correia de, and Philip Larkin. "Quatro poemas de Philip Larkin." Cadernos de Literatura em Tradução, no. 9 (August 1, 2008): 281–94. http://dx.doi.org/10.11606/issn.2359-5388.i9p281-294.

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44

Franca Neto, Alípio Correia de, and Philip Larkin. "Um Poema de Philip Larkin." Cadernos de Literatura em Tradução, no. 3 (August 1, 1999): 43–48. http://dx.doi.org/10.11606/issn.2359-5388.i3p43-48.

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45

Gifford, Michael. "Comments on Larkin on Spinoza." Southwest Philosophy Review 32, no. 2 (2016): 57–59. http://dx.doi.org/10.5840/swphilreview201632237.

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46

Campbell, Ian. "Henry Larkin and the Carlyles." Huntington Library Quarterly 54, no. 2 (1991): 127–41. http://dx.doi.org/10.2307/3817108.

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47

Goerg, Odile. "Larkin, Brian. – Signal and Noise." Cahiers d'études africaines, no. 201 (March 30, 2011): 263–66. http://dx.doi.org/10.4000/etudesafricaines.14250.

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48

Woolley, J. "Larkin: Romance, Fiction and Myth." English 35, no. 153 (1986): 237–67. http://dx.doi.org/10.1093/english/35.153.237.

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49

Pitcher, Tony J. "The Larkin Lectures - Editor's note." Fish and Fisheries 6, no. 3 (2005): 165. http://dx.doi.org/10.1111/j.1467-2979.2005.00195.x.

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50

SWINDEN, PATRICK. "Larkin and the Exemplary Owen." Essays in Criticism XLIV, no. 4 (1994): 315–32. http://dx.doi.org/10.1093/eic/xliv.4.315.

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