Relevant bibliographies by topics / Las Palmas (Artist group)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Las Palmas (Artist group)'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Las Palmas (Artist group)"

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Feser, Frauke. "The visiting artist researcher experiment." Journal of Science Communication 14, no. 01 (2015): C02. http://dx.doi.org/10.22323/2.14010302.

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The visiting artist researcher experiment discussed here brought together visual artists and climate scientists, amongst them my research group which studies storms. The artists’ stay led to a dialogue between our diverging perspectives and an open exchange of ideas. The exchange in my research group was more interactive than I had expected. Many conversations provided insights into ideas and work flows of the artists and, eventually, a new view on our storm studies.
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Benjamin, Elliot. "The creative artist support group: a case study." Journal of Public Mental Health 13, no. 3 (2014): 142–45. http://dx.doi.org/10.1108/jpmh-11-2013-0072.

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Purpose – The purpose of this paper is to describe the therapeutic benefits of a community-based creative artists support group. The author is also the participant/facilitator of the group, which has been ongoing for the past eight months. The relevant experiences of three participants in the group have been chosen, to briefly illustrate the diverse kinds of social and therapeutic value that people with creative artistic inclinations may benefit from. Design/methodology/approach – The philosophy of the author's facilitation of this creative artist support group is based upon the humanistic psy
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Alamsyah, Alamsyah, Siti Maziyah, and Vicky Very Angga. "Dari Kentrung hingga Ken Palman: Pasang Surut Kesenian Kentrung Jepara, 1970-2021." Jurnal Sejarah Citra Lekha 8, no. 1 (2023): 44–55. http://dx.doi.org/10.14710/jscl.v8i1.49936.

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This article discusses the development of kentrung art, a traditional art originating from a city on the north coast of Java, namely Jepara. Kentrung has been present to accompany the people of Jepara for a long time and has become one of the instruments in religious rituals in Jepara. In addition, kentrung is also one of the entertainment's communities. In the 1970s to 1980s, kentrung experienced its heyday because it was in great demand by the public. However, in subsequent periods, kentrung faced challenges threatening its existence. Using historical methods, this article examines the adapt
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Hernández-Castellano, Pedro M., M. Dolores Marrero-Alemán, Ana M. Aranda-Loureiro, Fernando Ortega-García, Rubén Paz-Hernández, and Antonio N. Benítez-Vega. "Development of Interactive Learning Materials in Engineering of Manufacturing Processes." Materials Science Forum 903 (August 2017): 63–69. http://dx.doi.org/10.4028/www.scientific.net/msf.903.63.

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This work presents several interactive learning materials developed by the Group of Educational Innovation Manufacturing Engineering of the University of Las Palmas de Gran Canaria. This work presents the methodology followed, the main results achieved, the first classroom experiences, their evolution, new materials that are being developed, and the conclusions obtained from this line of work.
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Costantini, Erica, and Elena Tammaro. "the arts at play: working with artists and PCP in organizations." Rivista Italiana Costruttivismo 6, no. 1 (2018): 25–32. http://dx.doi.org/10.69995/guui7820.

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The workshop presented at the EPCA 2016 conference, after highlighting the strong connections between PCP and contemporary arts and their effectiveness in improving organizational growth, introduced a methodology for operating inside organizations which assumes the co-construction of the intervention by a PCP consultant, responsible for the analysis of client’s needs and group processes, an artist, the catalyst for change, and a producer, the crucial mediator between consultant, client and artist. The workshop participants experienced this intervention methodology by working directly with an a
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Rycroft, Simon. "The Artist Placement Group: an archaeology of impact." cultural geographies 26, no. 3 (2019): 289–304. http://dx.doi.org/10.1177/1474474018821860.

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Baek, Yoonjee, Changmu Jung, and Heesun Joo. "Residents’ Perception of a Collaborative Approach with Artists in Culture-Led Urban Regeneration: A Case Study of the Changdong Art Village in Changwon City in Korea." Sustainability 13, no. 15 (2021): 8320. http://dx.doi.org/10.3390/su13158320.

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This study asserts that the higher the degree of artists’ and residents’ participation in a culture-led renewal project, the higher the level of residents’ satisfaction. Engaging artist groups and introducing cultural programs can facilitate building a collaborative network between artists and residents. This paper adopts an experimental study method and defines the experimental and control groups as follows: the experimental group (Changwon city) has relatively high artist participation, and the control group (Sacheon, Gimhae, Miryang cities) have relatively low artist involvement. Multiple r
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MARTINS, ROSANA, IRENE KNYSAK, and ROGÉRIO BERTANI. "A new species of Loxosceles of the laeta group from Brazil (Araneae: Sicariidae)." Zootaxa 94, no. 1 (2002): 1. http://dx.doi.org/10.11646/zootaxa.94.1.1.

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A new species of Loxosceles, L. puortoi, is described from Palmas, State of Tocantins, Brazil. This is the first native species of the laeta group known for Brazil. Males can be distinguished from other species of this group by the very long and narrow femur and tibia of the male palp. Females can be distinguished by the presence of four narrow and long spermathecae with similar width and not largely fused in the basal portion, tibia and tarsus of the palp not incrassate and leg II longer than leg IV.
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Malveira, Ricardo, Renata Ferreira da Silva, Renata Patrícia da Silva, and Amanda Mauricio Pereira Leite. "NAS TRANSPARÊNCIAS DA CIDADE PRÁTICA IMAGÉTICA, PERFORMATIVA E RITUAL." Revista Observatório 4, no. 2 (2018): 1033. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n2p1033.

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Olhar, pensar e sentir a cidade sempre foi importante e na atualidade torna-se uma necessidade. O presente estudo busca promover uma breve discussão sobre prática artística como estratégia para perceber o espaço urbano da cidade de Palmas como lugar de intervenção e pesquisa. A percepção de transparências são os resultados da performance-instalação intitulada “Na rotatória tem encruzilhada”, organizada pelo grupo de pesquisa Transver.
 
 PALAVRAS-CHAVE: Rotatória; Encruzilhada, performance-instalação.
 
 
 ABSTRACT 
 Looking, thinking and feeling the city has alwa
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Bezerra, Gustavo Iago Silva, Érico Bezerra De Sena, and Kelly Cristina Gomes Alves. "MORTALIDADE PREMATURA POR DOENÇAS DO APARELHO CIRCULATÓRIO EM PALMAS, TOCANTINS." Revista de Patologia do Tocantins 4, no. 2 (2017): 54. http://dx.doi.org/10.20873/uft.2446-6492.2017v4n2p54.

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Introdução: As Doenças Crônicas Não Transmissíveis (DNCT) representam a principal causa de morte no mundo, principalmente em populações de baixa renda. Destacam-se as doenças do aparelho circulatório, respondendo, no Brasil, por 31% do total de óbitos. Objetivos: Identificar os óbitos por doenças do aparelho circulatório e investigar os fatores de risco em Palmas, Tocantins, no período de 2011 a 2013. Métodos: Trata-se de um estudo transversal e descritivo. Os dados foram coletados dos relatórios de óbitos por Doenças do Aparelho Circulatório da Secretaria Municipal de Saúde de Palmas ocorrido
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Dissertations / Theses on the topic "Las Palmas (Artist group)"

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Smith, Helen. "Artist as navigator : understanding how the social qualities of art influence organizational change : a methodology for art as a social practice." Thesis, Robert Gordon University, 2015. http://hdl.handle.net/10059/1377.

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• What insights can art reveal in the context of organizational change? • How do artistic practices influence the way communities address change? • In what ways can an individual artistic practice concerned with the role of art in society add new insights to theories and practices of contemporary art? These questions are approached through three interrelated methods. In the first the artist as researcher consciously addresses organizational change through her artistic practice, over a three year period, within the different communities of Woodend Barn, a volunteer-led arts centre in the North
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Guerra, Aredal Maria Elena. "Art and Transformation under State Repression : The CADA group; art activism as social movement for political resistance during the Pinochet years." Thesis, Stockholms universitet, Romanska och klassiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-143298.

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Artist communities are often the first in revolting within a repressive society in the outer marginal borders of state control. This silent revolt takes place in the time period before larger oppositional movements gain momentum. However, the research has been scarce, especially when looking at the specific circumstance of the 17 years long Chilean dictatorship and the social influence that the artists had during this period. This Bachelor thesis will treat the subject and time period from a specific cultural angle, namely the effect the artistic production made by a specific art group, Colect
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Borders, Elizabeth Furlong. "Working in an Artist Collective in Portland Oregon: The artistic benefits of cooperation and place in an underground art world." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/188.

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This ethnography explores the underground art world in Portland, Oregon by showing how a Portland area artist collective, Oregon Painting Society, navigates their art world. Participant observation, in-depth interviews, and a short latent content analysis triangulate data to show the features and values of the underground art world. Using Becker's concept of art worlds, I show how artists working outside of a traditional art career in a commercial gallery system do their work by exploring how Portland's art world is structured and sustained. I find that group work, cooperation, and resource sh
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Fréri, Nathalie. "La place et le rôle de l'auteur dans le théâtre d'aujourd'hui : essai d'analyse socio-littéraire." Thesis, Bordeaux 3, 2012. http://www.theses.fr/2012BOR30065.

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Si le théâtre est le lieu de l’élaboration de la langue où le poète a naturellement sa place, force est de constater que l’auteur dramatique des années deux mille peine paradoxalement à trouver sa place dans le théâtre et la société de son temps. Confrontés à la frilosité institutionnelle, à la méfiance des publics et à une méconnaissance généralisée, les auteurs dramatiques actuels tentent de faire entendre leur voix et n’hésitent pas à revendiquer leurs droits auprès des instances publiques. Ce travail se propose de porter un regard actuel et transversal sur la place et la fonction de l’aute
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Ysasi, Alonso Alejandro. "La obra gráfica de Pedro Quetglas “Xam” (1915-2001): la riqueza de un patrimonio." Doctoral thesis, Universitat de les Illes Balears, 2014. http://hdl.handle.net/10803/284394.

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És una investigació, anàlisis, i aproximació a l’obra gràfica de l’artista mallorquí, del segle XX, Pere Quetglas, conegut pel pseudònim de “Xam”. La seva activitat s'ha sistematitzat sobre la base la biografia, tècniques treballades i el seu entorn. Xam, es va exercitar en la caricatura, el dibuix, el cartell, el gravat xilogràfic, la pintura, els monotips, la serigrafia i en el gravat calcogràfic. Del conjunt de tota la seva producció l’autor se centra en l'obra gràfica produïda a partir de 1944, quan pot datar-se la seva primera xilografia, i la seva defunció, l’any 2001, en el qual realit
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Aldana, Erin Denise 1973. "Interventions into urban and art historical spaces : the work of the artist group 3Nós3 in context, 1979-1982." 2008. http://hdl.handle.net/2152/18298.

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My dissertation analyzes the work of the artist group 3Nós3 (the name is a pun in Portuguese meaning "three knots/ we three"), who performed artistic actions in public space that they referred to as "urban interventions" on the streets of São Paulo from 1979 to 1982. These ranged from placing garbage bags over the heads of monumental sculptures to taping Xs across the doorways of art galleries along with signs reading "What is inside remains the same; what is outside expands." Within the context of the military regime that had ruled Brazil since 1964, the urban interventions targeted symbols o
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Strnadlová, Anna. "Tichá přátelství: Vladimír Fuka, Jiří Kolář, Zdeněk Urbánek, Emanuel Frynta, Jan Hanč a Jan Rychlík." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-415303.

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The period after the February 1948 posed great changes for the cultural sphere, the groups and clubs were dissolved, artists who did not want to squeeze into the limits of socialist realism had no choice than to close themselves in the privacy of their homes and studios. After 1950, however, a group of friends around Jiří Kolář formed in Prague, who shared the same views on political and cultural development and, despite various artistic orientations, captured everyday experiences in pictures or texts. The thesis focuses on the friendship of Jiří Kolář, Vladimír Fuka, Eva Fuka, Zdeněk Urbánek,
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Books on the topic "Las Palmas (Artist group)"

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Reação em Cadeia (Exhibition) (2nd 2020 Culturgest Porto, Gallery; Fidelidade Arte, Gallery). Reação em cadeia: Chain reaction : 2020. Edited by Sardo Delfim, Marchand Bruno (Curator), Roth Evan, et al. Culturgest - Fundação Caixa Geral de Depósitos, 2021.

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Sarmiento, Arturo Cantero. Las Palmas, 1950: Vida, hechos y milagros de la famosa Iglesia Cubana. Ediciones del Cabildo Insular de Gran Canaria, 1994.

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Serreli, Giacomo. Sonos langanos: Percorsi musicali di Mauro Palmas e Elena Ledda. Condaghes, 1999.

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group), Spicaisa (Artist. Spicaisa: Due mani sinistre : le opere di Isabella Mandelli e Pietro Spica in mostra a Milano. Vanilla edizioni, 2018.

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Maine, University of, Columbia College (Chicago, Ill.). Center for Book & Paper Arts, and Minnesota Center for Book Arts, eds. Betwixt & between: The life and works of fluxus artist. Columbia College, Chicago, Center for the Book and Paper Arts, 2000.

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Richardson, Sara. Artist/architect collaborations: A bibliography. Vance Bibliographies, 1987.

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group), Jochen Schmith (Artist. Certain arrangements: Jochen Schmith. Kunstverein, 2010.

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Garcia, Angel Moya. Prinz Gholam: While being other. Quodlibet, 2022.

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Artel, Rael, та Larissa Babij. R.E.P. Revolutionary experimental space: R.E.P. Revoli︠u︡t︠s︡iĭnyĭ eksperymentalʹnyĭ prostir. Редактор R.E.P. (Artist group). The Green Box, Kunst Editionen, 2015.

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Richardson, Sara. Artist, architect collaboration: A bibliography. Vance Bibliographies, 1987.

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Book chapters on the topic "Las Palmas (Artist group)"

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Chinoy, Helen Krich. "Lee Strasberg: Artist of the Theater." In The Group Theatre. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137294609_6.

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Stroeken, Koen. "Chapter Twelve: Street Cred." In Simplex Society. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-41115-1_14.

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AbstractHip hop performances present another case when opponents dissing each other attract a crowd for harnessing the energy between attendants. The slur appropriated by the artist representing a discriminated group illustrates the principle: use the energy of the simplex instead of evading it. Immunity through contagion. Far from representing an ideology, the artist lets inspiration in and sings the message which can be felt to have collective reason. The tensor of street cred de-simplicates politics. Artists claiming a ‘moral self’ in opposition to ‘immoral others’ are simplicating the situ
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Li, Zihan. "Research on the K-pop Value Chain: A Case Study of K-pop Artist Group BTS." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-062-6_147.

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Agnese, Roberta. "Archival Reenactement and the Role of Fiction." In Cultural Inquiry. ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_10.

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The Atlas Group created a digital mixed-media archive of contemporary Lebanese history, made up of produced and found documents. These archives look immediately ambiguous: they don’t collect historical documents; they actually contain visual artefacts created by the Lebanese artist Walid Raad. These digital mixed-media archives — partly accessible on the web but also physically exhibited and performed — are not intended to preserve the memory of the past, but they become indeed useful to actualize history by giving it back in the form of a historical fiction. What if archives should not deal w
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Kiliszek, Joanna. "Living Simulacrum." In Cultural Inquiry. ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_22.

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The Neoplastic Room at the Muzeum Sztuki in Łódź was originally designed in 1948 by the avant-garde artist Władysław Strzemiński. Destroyed in 1950 and reconstructed in 1960, it became the focal point of the museum, with the ‘International Collection of Modern Art’ by the a.r. group being exhibited there. At the same time, it became a point of reference for contemporary artists and a strategy for building a permanent collection for the museum, as well as a reflection on how the past can give a vision of the future. This essay focuses on the gesture of ‘re-curating’ the Neoplastic Room in relat
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Thelandersson, Fredrika. "Social Media Sadness: Sad Girl Culture and Radical Ways of Feeling Bad." In 21st Century Media and Female Mental Health. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-16756-0_5.

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AbstractThis chapter turns to social media platforms and looks at the figure of the sad girl as she emerged online as an indirect response to a popular culture overtly focused on happiness. It discusses how she appeared on primarily Tumblr and Instagram, exploring the general sad girl discourses on these platforms as well as some examples that received extra attention. These include the artist Audrey Wollen and her sad girl theory, the girl group Sad Girls Y Qué, the Instagram club Sad Girls Club, the social media brand My Therapist Says, and prominent Instagram accounts. Here I look at the cr
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Petersen, Anne Ring. "The square, the monument and the re-configurative power of art in postmigrant public spaces." In Postmigration. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839448403-014.

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This chapter explores how art in public spaces shapes, and is shaped by, disagreements and conflicts resulting from the need to tackle »togetherness in difference« (Ien Ang), and how contemporary artistic practices play out in postmigrant public spaces, understood as plural domains of human encounter impacted by former and ongoing migration, and by new forms of nationalism. The chapter focuses on two art projects in Copenhagen, Denmark. The first one is The Red Square, a part of the public park Superkilen in the multicultural Nørrebro district. Designed by the artist group Superflex (in collab
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"MÉLANGE: Artist Trading Cards, Flats, Scrapbooking." In Creative Activities for Group Therapy. Routledge, 2013. http://dx.doi.org/10.4324/9780203119136-25.

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"Abettors." In Artist, Audience, Accomplice. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478059677-002.

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Chapter 1 focuses on five performative interventions and performances by Chris Burden from the 1970s and early 1980s. Reframing the conventional interpretation of such works as centered on spectacularized effects and simulations of violence featuring the performing artist’s own body, this chapter argues that such interventions were largely undertaken to test the boundaries of one’s authority and power over other individuals whose role is distinct from that of the audience. Focusing on a subset of accomplices termed abettors, this chapter elaborates on the discussion of accomplice liability by
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"Prologue: The Teaching Artist Manifesto." In The Reflexive Teaching Artist: Collected Wisdom from the Drama/Theatre Field. Intellect, 2014. http://dx.doi.org/10.1386/9781783202232_2.

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It is the age of the Teaching Artist. National governments and urban US cities have begun to identify the arts as a tool for educational reform in our public schools (President’s Committee on the Arts and the Humanities 2011; UNESCO 2006; UNESCO 2010; The Improve Group 2012).
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Conference papers on the topic "Las Palmas (Artist group)"

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Martí Gil, Alejandro, Eduardo Quevedo Gutiérrez, Pedro Hernández Castellano, et al. "Proceso de aprendizaje en la fabricación integrada de una plataforma robótica educativa multidisciplinar." In IN-RED 2020: VI Congreso de Innovación Educativa y Docencia en Red. Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/inred2020.2020.11960.

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Educational robotics has come to the classrooms and is here to stay. STEAM (Science, Technology, Engineering, Arts and Mathematics) learning has put the use of robots in classrooms in vogue, though these are mostly closed products and at a high price. The educational innovation project “Design, implementation and tests of a modular low-cost educational robotics platform” from the University of Las Palmas de Gran Canaria, expects to design an open, modular and low-cost educational robot to make robotics more accessible. One of the challenges which the project hopes to accomplish is for this rob
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Henchoz, Nicolas, Pierre-Xavier Puissant, Ana Solange Leal, Tânia Moreira, and Hugues Vinet. "Artist residencies for innovation." In SIGGRAPH '19: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2019. http://dx.doi.org/10.1145/3306211.3320140.

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Maupu, Damien, Emanuele Goffredo, Nile Hylton, Mungo Pay, and Martin Pražák. "Artist-driven crowd authoring tools." In SIGGRAPH '17: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2017. http://dx.doi.org/10.1145/3084363.3085035.

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Kim, Jason, Jordan Wild, Fatima Anes, Seehyun Kim, and Sally Kong*. "Artist-Centered Design for Feature Animation." In SIGGRAPH '21: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2021. http://dx.doi.org/10.1145/3450617.3464506.

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Mandal, Avirup, Parag Chaudhuri, and Subhasis Chaudhuri. "Artist Controlled Fracture Design Using Impurity Maps." In SIGGRAPH '22: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2022. http://dx.doi.org/10.1145/3532719.3543202.

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Andrus, Curtis, Burak Ertekin, Guillaume Pernin, and Stefan Feess. "Artist-Friendly Tools for Realistic Knitted Cloth." In SIGGRAPH '23: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2023. http://dx.doi.org/10.1145/3587421.3595465.

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Kim, Jaehun, Minz Won, Xavier Serra, and Cynthia C. S. Liem. "Transfer Learning of Artist Group Factors to Musical Genre Classification." In Companion of the The Web Conference 2018. ACM Press, 2018. http://dx.doi.org/10.1145/3184558.3191823.

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Roy-Veilleux, Ghislain, Steve Agland, and Federico Naum. "Launcher: balancing stability and flexibility in CG artist software." In SIGGRAPH Talks '25: Special Interest Group on Computer Graphics and Interactive Techniques Conference Talks. ACM, 2025. https://doi.org/10.1145/3721239.3734114.

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Palmer, Sean, and Kendall Litaker. "Artist friendly level-of-detail in a fur-filled world." In SIGGRAPH '16: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2016. http://dx.doi.org/10.1145/2897839.2927466.

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Arcelin, Bastien, and Nicolas Chaverou. "Audio2Rig: Artist-oriented deep learning tool for facial and lip sync animation." In SIGGRAPH '24: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2024. http://dx.doi.org/10.1145/3641233.3664312.

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Reports on the topic "Las Palmas (Artist group)"

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Biazus-Dalcin, Camila, Louise Marryat, Sarah Gray, et al. My data: an animated film, co-produced with people who use drugs. University of Dundee, 2023. http://dx.doi.org/10.20933/100001299.

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This video was co-produced with people on their drug use recovery journey to explore the perceptions of administrative data use for research and to share this information with the wider community. This work was led by members of the Substance Use Research Group (SURG), School of Health Sciences, University of Dundee. This project was funded by Research Data Scotland (RDS), https://www.researchdata.scot/ A film by: Craig Glencross, David Hood, Jade Renton, Maxine Thomson, Ryan Westwood, Stewart Bernard, Sarah Hulin, Robert Doig, Ashley McMaihin and everyone at Restoration Fife who shared their
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