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Journal articles on the topic 'Las vegas (nev.), fiction'

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1

Spanier, David. "Art & craft: Creative fiction and Las Vegas." Journal of Gambling Studies 11, no. 1 (1995): 77–90. http://dx.doi.org/10.1007/bf02283206.

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2

&NA;. "PLASTIC AND RECONSTRUCTIVE MICROSURGERY TRAINING AT HUMANA HOSPITAL SUNRISE SURGICAL TRAINING UNIT, LAS VEGAS, NEV ADA." Plastic and Reconstructive Surgery 81, no. 6 (1988): 1013. http://dx.doi.org/10.1097/00006534-198806000-00118.

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3

Oswick, Cliff, and Tom Keenoy. "Cinematic Re-Presentations of Las Vegas: Reality, Fiction and Compulsive Consumption." M@n@gement 4, no. 3 (2001): 217. http://dx.doi.org/10.3917/mana.043.0217.

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4

Simpson, Tim. "Scintillant Cities: Glass Architecture, Finance Capital, and the Fictions of Macau’s Enclave Urbanism." Theory, Culture & Society 30, no. 7-8 (2013): 343–71. http://dx.doi.org/10.1177/0263276413504970.

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This article analyzes articulations among urban enclaves, finance capital, and glass architecture by exploring MGM’s corporate investments in the Las Vegas CityCenter development and the Chinese enclave of Macau. CityCenter is an unsuccessful $9 billion master-planned urban community financed by MGM and Dubai World. Macau is a former Portuguese colony and Special Administrative Region of the People’s Republic of China which has, since its return to the PRC in 1999, replaced Las Vegas as the world’s most lucrative site of casino gaming revenue. Taken together, CityCenter and Macau are illustrat
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5

Devitt, D. A., R. L. Morris, D. Kopec, and M. Henry. "Golf Course Superintendents' Attitudes and Perceptions Toward Using Reuse Water for Irrigation in the Southwestern United States." HortTechnology 14, no. 4 (2004): 577–83. http://dx.doi.org/10.21273/horttech.14.4.0577.

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Golf course superintendents in the southwestern United States (Tucson, Ariz.; Phoenix, Ariz.; Las Vegas, Nev.; Orange County, Calif.) were surveyed to assess attitudes toward using reuse water for irrigation. Eighty-nine golf course personnel returned the survey, with 28% indicating that they irrigate with municipal water, 36% with well water, and 27% with reuse water. The reason for switching to reuse water varied by state, with 40% of respondents switching in Arizona because of mandates, 47% switching in Nevada because of cost incentives, and 47% switching in California because it was consid
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6

Tous-Rovirosa, Anna. "PaleoTV, NeoTV and MetaTV in US Drama Series." Comunicar 17, no. 33 (2009): 175–83. http://dx.doi.org/10.3916/c33-2009-03-009.

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This paper analyses the paleoTV, neoTV and metaTV features in three US drama series belonging to drama series genres and adventure subgenres: adventures («Lost»), crime («CSI: Crime Scene Investigation») and politics («The West Wing»). The aim of the research is to study these TV series in relation to the three eras which divide the short history of TV up to today, to determine the features that define this media in serial fiction and its relation to its own diachronic moment. The methodology of this work is based on the concepts of several scholars and makes references to other US fiction ser
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7

Aarseth, Espen. "Game or Supernovel? Playing and Reading Massive Game Novels." European Review 31, S1 (2023): S66—S76. http://dx.doi.org/10.1017/s1062798723000443.

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For half a century, digital machines have lent their computational power to mediate text-based, diegetic worlds, in the shape of software that we call games, video games, or sometimes interactive fiction. Perhaps the first such was Gregory Yob’s simple labyrinth-monster game Hunt the Wumpus (1973), but ever since then the games (if that is what they should be called) have become larger and far more complex, and, in recent decades, a single such work can contain more text than, say, Shakespeare’s collected plays. Given this massive textual content, as well as the often experimental and innovati
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8

Wijkmark, Sofia. "Våld, konsumtion och ekologi i Lotta Lotass Min röst skall ni komma från en annan plats i rummet." Tidskrift för litteraturvetenskap 45, no. 4 (2015): 17–27. http://dx.doi.org/10.54797/tfl.v45i4.8947.

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Violence, Consumerism and Ecology in Lotta Lotass’ Min röst skall nu komma från en annan plats i rummet.
 This article explores the relationship between violence, consumerism and ecology in the novel Min röst skall nu komma från en annan plats i rummet [My voice emerging from another place in the room] (2006), by Swedish author Lotta Lotass. The analysis focuses on how Lotass’ experiments with the gothic subgenre of serial-killer fiction utilize its critical potential to comment on the destructive forces of contemporary society, the history of this society and its possible future. Min rös
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9

Kirsch, Breanne A. "Science Fiction and Fantasy: Redefining Humans from the Past to the Future. A Report of the Lita Imagineering Interest Group Program, American Library Association Annual Conference, Las Vegas, June 2014." Technical Services Quarterly 32, no. 2 (2015): 206–9. http://dx.doi.org/10.1080/07317131.2015.1000721.

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10

Simon, Gabriel, Qiushi Ren, Robert K. Maloney, Sandy T. Feldman, and Kurt Buzard. "Biomechanical Behavior of the Cornea and Its Response to Radial Keratotomy/Comment by Robert K. Maloney, MD, MA (Oxon) Los Angeles, Calif/Comment by Sandy T. Feldman, MD La Jolla, Calif/Comment by Kurt Buzard, MD Las Vegas, Nev/Response by Gabriel Simon, MD, PhD, and Qiushi Ren, PhD." Journal of Refractive Surgery 10, no. 3 (1994): 343–56. http://dx.doi.org/10.3928/1081-597x-19940501-08.

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11

Khreiche, Mario. "Gamified Flow and the Sociotechnical Production of AI." Eludamos: Journal for Computer Game Culture 10, no. 1 (2020): 55–65. http://dx.doi.org/10.7557/23.6172.

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Recent advances in AI, computer algorithms, and automation applications across industries have generated hyperbolic discourses about disruptive technologies. Futurists envision fleets of driverless cars delivering human bodies, armies of robots taking over jobs, and advanced AI systems outgrowing their superfluous masters. Extending into science fiction, such predictions distract from scrutinizing contexts in which lesser versions of these technologies already proliferate and appreciating subtler, long-term implications. Particularly the interfaces of a rapidly expanding attention capitalism a
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12

"EXHIBITORS 1995 American Occupational Health Conference, Las Vegas, Nev." Journal of Occupational and Environmental Medicine 37, no. 4 (1995): 524–31. http://dx.doi.org/10.1097/00043764-199504000-00141.

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13

Chaparro, Angel. "Las Vegas Is a Faithful Mormon City: Phyllis Barber’s Search for Identity through Fiction and Place." ODISEA. Revista de estudios ingleses, no. 11 (March 23, 2017). http://dx.doi.org/10.25115/odisea.v0i11.310.

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Abstract: In Phyllis Barber’s memoir How I Got Cultured: A Nevada Memoir, Las Vegas exercises a pivotal role. The Mormon ideals of purity, modesty and chastity do not come to mind when thinking of Las Vegas. Barber’s literature is a literary search for identity, and identity that allows good and evil in a wide array of possibilities. Las Vegas is in that sense the perfect stage to perform her search. Furthermore, Barber’s autobiography contributes with a new different approach to Las Vegas as an iconic city and to the West as a paradigm in which American identity was formed.Resumen: En How I G
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14

"Valvular Heart Disease:New Strategies 2006. Meeting of the Heart Valve Society of America, Las Vegas, Nev., May 15–17, 2006." Cardiology 106, no. 2 (2006): 109–26. http://dx.doi.org/10.1159/000092744.

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15

"16th International Conference on Dialysis. Advances in Chronic Kidney Disease 2014. January 22-25, 2014, Caesars Palace, Las Vegas, Nev.: Abstracts." Blood Purification 36, no. 3-4 (2013): 237–64. http://dx.doi.org/10.1159/000356547.

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16

"Official Call to the Officers and Members of the American Medical Association to attend the Interim Meeting of the House of Delegates in Las Vegas, Nev, December 8-11, 1991." JAMA: The Journal of the American Medical Association 266, no. 13 (1991): 1777. http://dx.doi.org/10.1001/jama.1991.03470130053031.

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17

Rogers, Ian Keith. "Without a True North: Tactical Approaches to Self-Published Fiction." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1320.

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IntroductionOver three days in November 2017, 400 people gathered for a conference at the Sam’s Town Hotel and Gambling Hall in Las Vegas, Nevada. The majority of attendees were fiction authors but the conference program looked like no ordinary writer’s festival; there were no in-conversation interviews with celebrity authors, no panels on the politics of the book industry and no books launched or promoted. Instead, this was a gathering called 20Books2017, a self-publishing conference about the business of fiction ebooks and there was expertise in the room.Among those attending, 50 reportedly
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18

Mayo, Sherry. "NXT Space for Visual Thinking." M/C Journal 1, no. 4 (1998). http://dx.doi.org/10.5204/mcj.1722.

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"Space, the limitless area in which all things exist and move." -- Merriam-Webster Dictionary(658) Can we determine our point in time and space at this moment of pre-millennium anticipation? The evolution of our visualisation of space as a culture is shifting and entering the critical consciousness of our global village. The infinite expansion of space's parameters, definitions and visualisation remains the next frontier -- not only for NASA, but for visual culture. Benjamin's vision of loss of the aura of originality through reproduction has come to pass, so has the concept of McLuhan's globa
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19

Felton, Emma. "The City." M/C Journal 5, no. 2 (2002). http://dx.doi.org/10.5204/mcj.1958.

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In the television series Sex and the City, there is a scene which illustrates a familiar contempt for suburban life as dull and boring. Implicit is the oppositional view that urban life by comparison, is the more exciting one. Charlotte (one of four women whose sexual and romantic relationships are the focus of the series), has spent time with her in-laws in an upper middle class suburban enclave, and is confessing to her three girl friends her fantasies and ultimate sexual encounter with her in-law's hunk of a gardener. She's racked with guilt over the incident, not least because she is marri
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