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Books on the topic 'Late medieval sculpture'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Fredell, Joel Willis. Medieval portraiture and the roots of late Gothic aesthetics. University Mircofilms International, 1986.

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2

Metropolitan Museum of Art (New York, N.Y.), ed. Late Medieval sculpture in the Metropolitan, 1400 to 1530. Metropolitan Museum of Art, 2007.

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3

Vic, Nachtergaele, ed. Klein beeldhouwwerk uit de late middeleeuwen: De zwikken van de Kortrijkse Gravenkapel. Kon. Geschied- & Oudheidk. Kring, 2016.

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4

Jarak, Mirja. Studije o kasnoantičkoj i ranosrednjovjekovnoj skulpturi s otoka Raba: Studies on late antique and early medieval sculpture from the island of Rab. FF Press, 2017.

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5

Theunissen, Christel. Koorbanken in Brabant 1425-1550: 'Van goeden houte gemaekt' : het werk van laatmiddeleeuwse schrijnwerkers en beeldsnijders. Uitgeverij Vantilt, 2017.

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6

Jens, Fleischer, Hjort Øystein, and Rasmussen Mikael Bøgh, eds. Byzantium: Late antique and Byzantine art in Scandinavian collections. Ny Carlsberg Glyptotek, 1996.

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7

Reinhardt, Holger. Spätgotischer Taufstein mit Baldachin in der Erfurter Severikirche: Forschung, Untersuchung und Restaurierung. Thüringisches Landesamt für Denkmalpflege und Archäologie, 2010.

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8

Xavier, Dectot, and Musée de Cluny, eds. Paris ville rayonnante: Musée de Cluny-Musée National du Moyen Âge, 10 février-24 mai 2010. Réunion des musées nationaux, 2010.

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9

Late Byzantine Sculpture. Brepols Publishers, 2014.

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10

Lutz, Gerhard. Tilman Riemenschneider's Jerome and Late Medieval Alabaster Sculpture. Giles Limited, D., 2023.

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11

Masterly Hand. Brepols Publishers, 2014.

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12

By the Hand That Obeys the Intellect: Death and Remembrance in Late Medieval and Early Modern Sculpture. Zephyrus Scholarly Publications LLC, 2022.

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13

Frassetto, Michael, ed. The Early Medieval World. ABC-CLIO, LLC, 2013. http://dx.doi.org/10.5040/9798216185604.

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The Early Medieval World: From the Fall of Rome to the Time of Charlemagne addresses the social and material culture of this critical period in the evolution of Western society, covering the social, political, cultural, and religious history of the Mediterranean world and northern Europe. The two-volume set explains how invading and migrating barbarian tribes-spurred by raiding Huns from the steppes of Central Asia-contributed to the fall of the Western Roman Empire, and documents how the blending of Greco-Roman, Germanic, and Christian cultures birthed a new civilization in Western Europe, cr

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14

Frassetto, Michael, ed. The Early Medieval World. ABC-CLIO, LLC, 2013. http://dx.doi.org/10.5040/9798216185598.

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The Early Medieval World: From the Fall of Rome to the Time of Charlemagne addresses the social and material culture of this critical period in the evolution of Western society, covering the social, political, cultural, and religious history of the Mediterranean world and northern Europe. The two-volume set explains how invading and migrating barbarian tribes-spurred by raiding Huns from the steppes of Central Asia-contributed to the fall of the Western Roman Empire, and documents how the blending of Greco-Roman, Germanic, and Christian cultures birthed a new civilization in Western Europe, cr

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15

Speaking Sculptures in Late Medieval Europe. Lund Humphries Publishers, Limited, 2024.

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16

Brooks, Francesca. Poet of the Medieval Modern. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198860136.001.0001.

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The early Middle Ages provided twentieth-century poets with the material to reimagine and rework local, religious, and national identities in their writing. Poet of the Medieval Modern focuses on a key figure within this tradition, the Anglo-Welsh poet and artist David Jones (1895–1974), and represents the first extended study of the influence of early medieval culture and history from England on Jones and his novel-length late modernist poem The Anathemata (1952). The Anathemata, the second major poetic project after In Parenthesis (1937), fuses Jones’s visual and verbal arts to write a Catho

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17

Giles, Kate, and Aleksandra McClain. The Devotional Image in Late Medieval England. Edited by Christopher Gerrard and Alejandra Gutiérrez. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198744719.013.28.

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In the later Middle Ages, the parish churches of England were populated not simply by parishioners and clergy, but by a community of images: paintings on the walls, depictions in stained glass, and sculptures carved in wood, alabaster, or metal. Lit by beeswax and tallow candles and adorned with gifts of rosaries, textiles, and votive offerings, they held the gaze of worshippers, forming a series of devotional foci within the parish church. In England, most of these images have disappeared, swept away by the reforms and iconoclasm of the sixteenth and seventeenth centuries. They survive as ref

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18

Wyvern Collection: Medieval and Later Ivory Carvings and Small Sculpture. Thames & Hudson, Limited, 2019.

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19

Famke, Peters, and Christina Ceulemans. Masterly Hand : Interdisciplinary Research on the Late-Medieval Sculptor Master of Elsloo in an International Perspective: Proceedings of the Conference Held at the Royal Institute for Cultural Heritage in Brussels on 20-21 October 2011. Brepols Publishers, 2013.

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20

The tomb and the tiara: Curial tomb sculpture in Rome and Avignon in the later Middle Ages. Clarendon Press, 1992.

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