Relevant bibliographies by topics / Late soviet culture

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Late soviet culture'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Late soviet culture"

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Komaromi, Ann. "The Unofficial Field of Late Soviet Culture." Slavic Review 66, no. 4 (2007): 605–29. http://dx.doi.org/10.2307/20060375.

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This article proposes a new interdisciplinary model for investigating unofficial culture and dissident social activity in the post-Stalin period. Although binary oppositions like art versus politics and unofficial versus official are recognized today to be ideologically implicated and critically outmoded, Ann Komaromi argues that they have a certain usefulness when reconceived as structural components of an autonomous unofficial field. This critical model is developed with polemical reference to Pierre Bourdieu's theory of the field of culture. The late Soviet opposition between art and politi
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Mitkus, Tomas, and Raimonda Steiblytė. "LATE SOVIET FILM INDUSTRY: CREATIVITY AND WORK CULTURE." Creativity Studies 11, no. 1 (2018): 116–28. http://dx.doi.org/10.3846/cs.2018.2372.

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In this paper authors analyse work environment in late Soviet period Lithuanian film industry. This study looks at primary sources (session memos, annual reports, professional film union’s memos etc.) and analyses what key elements influenced work ethics of Soviet Lithuanian film crew. Findings suggest that censorship, tolerance of low work ethics and strict annual production planning influenced work environment that accepted low film creative value and negative attitude towards administration.
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Smart, Freya. "What can the 1985 Soviet film The Most Charming and Attractive tell us about attitudes toward the consumer culture of the late Soviet era?" Australian and New Zealand Journal of European Studies 15, no. 3 (2024): 13–18. http://dx.doi.org/10.30722/anzjes.vol15.iss3.18240.

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This essay explores whether the 1985 Soviet film The Most Charming and Attractive, which presents a negative attitude toward late Soviet consumer culture, can tell us anything about real Soviet attitudes toward the consumer culture of the late Soviet era. This essay explores the film’s status as a form of popular entertainment and a propaganda device and argues that this status significantly limits the film’s ability to act as a reliable historical source since ideological and financial pressures would likely have been prioritised over historical accuracy. Ultimately, The Most Charming and Att
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Abramov, Roman N., and Alexander V. Voinkov. "Nostalgia of Sound: The Social and Cultural Phenomenon of the “Soviet Wave” Music Community." Čelovek 35, no. 1 (2024): 178–93. http://dx.doi.org/10.31857/s0236200724010127.

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Nostalgia for the late Soviet past takes various forms and is intertwined in complex ways with global trends to look to the past for inspiration in creating new examples of mass culture. New generations of those who were born and raised after the collapse of the Soviet system are being introduced to nostalgic reminiscences. The article analyzes the socio-cultural phenomenon of electronic music Soviet Wave, which combines the stylistics of the late Soviet popular culture and contemporary electronic music. This phenomenon can be understood as post-nostalgia for the late Soviet, since it involves
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Martianov, Victor S., and Leonid G. Fishman. "The Rise and Decline of Soviet Morality: Culture, Ideology, Collective Practices." Changing Societies & Personalities 4, no. 3 (2020): 372. http://dx.doi.org/10.15826/csp.2020.4.3.106.

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In the article, it is proposed that the collapse of Soviet society was presaged by a growing crisis in late Soviet morality. On the periphery of late Soviet morality, collective cultural practices are seen to have successfully functioned based on a limited ethics of virtue. In the absence of an alternative to Soviet ideology, social regulation started to draw upon values intended for the reproduction of local communities. A growing contradiction between the limited values of the new social class/corporate entities and the need to develop universal values for a big society is currently the key
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Ivanenko, Aleksey I. "The Phenomenon of Late Soviet Mysticism." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 6 (December 20, 2021): 120–29. http://dx.doi.org/10.37482/2687-1505-v148.

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This article studies the phenomenon of mysticism in Soviet culture of the 1960s – 1980s. The starting point are the elements of mystical discourse in late Soviet cinematography, which captured both Soviet life and the Afghan War. This is surprising since official Soviet ideology strongly rejected mysticism. The very definition of mysticism in Soviet dictionaries was not entirely correct, since it gravitated towards theistic mysticism, focused on experiencing mystical unity with the Absolute. Meanwhile, starting from 1965, the Soviet Union saw a “mystical renaissance” due to the popularization
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Roeck, Galina L. De, and Nancy Condee. "Soviet Hieroglyphics: Visual Culture in Late Twentieth-Century Russia." Slavic and East European Journal 40, no. 3 (1996): 580. http://dx.doi.org/10.2307/310165.

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Edele, Mark. "The Soviet Culture of Victory." Journal of Contemporary History 54, no. 4 (2019): 780–98. http://dx.doi.org/10.1177/0022009418817821.

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The Soviet Union after the Second World War can serve as a prime example of how victory ’locks in’ a political system. In a mirror image of Wolfgang Schivelbusch’s argument of how ‘cultures of defeat’ encourage social and political innovation, the Soviet ‘culture of victory’ reaffirmed a dictatorial system of government and a command economy based on collectivized agriculture and centrally planned industry. At the same time, however, the war also engendered changes, which played themselves out somewhat subterraneously at first. They include a complex system of veterans’ privileges, a growing w
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Pluzhnik, Victoria V. "VOICE, TEXT, AND IMAGE IN LATE SOVIET DOCUMENTARY CINEMA: “AND STILL I BELIEVE...” BY MIKHAIL ROMM." Articult, no. 1 (2021): 68–79. http://dx.doi.org/10.28995/2227-6165-2021-1-68-79.

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The subject of the article is the late Soviet cultural logics manifested through the medial specifics of the film. Based on the material of the documentary film "And Still I Believe..." by Mikhail Romm (1974), the question is raised about the relationship between voice, text and image, and cultural and anthropological modes they offer the viewer. One of the key concepts for analyzing the film and determining these modes is the concept of intermediality. In relation to Soviet culture, two main strategies of intermediality in Soviet art practices are identified, based on existing research, throu
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Michael, Kuhn. "The Image of Late Soviet Pioneer Camp in Russian Mass Culture Works of the 2010s." Humanitarian Vector 15, no. 5 (2020): 85–93. http://dx.doi.org/10.21209/1996-7853-2020-15-5-85-93.

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During the first two decades of the 21st century, an increasing interest of Russian policymakers towards the Soviet past can be recorded, which is reflected in the modern Russian mass culture (movies, literature, music) providing more and more often a fruitful approach to reappraise the role of pioneer camps in the Soviet Union to its people. Based on an example of two significant mass culture products of the 2010s with different languages ‒ Aleksandr Karpilovskiy’s movie “Private Word of a Pioneer 2“ (2015) (rus. “Chastnoe pionerskoe. Ura kanikuly!!!”) and the novel “Food Block“ (2018) (rus.
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Dissertations / Theses on the topic "Late soviet culture"

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McGaughey, Aaron. "The Irkutsk cultural project : images of peasants, workers & natives in late imperial Irkutsk province, c.1870-1905." Thesis, University of Nottingham, 2015. http://eprints.nottingham.ac.uk/28435/.

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This thesis explores depictions of established Russian-Siberian peasants, settlers from European Russia, non-agricultural workers, indigenous Buriats and Jews in Irkutsk province during the late imperial period. In particular, it focuses on characterisations of these groups that were created by the Irkutsk 'cultural class' (kul'turnogo klassa) in the late imperial period. The sources it uses are print media such as journals and newspapers produced in or associated with Irkutsk to create a 'microhistorical' study. It is structured around categories of analysis that were used at the time in scie
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Ojala, Karin. "I bronsålderns gränsland : Uppland och frågan om östliga kontakter." Doctoral thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-308474.

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In archaeological research, the province of Uppland has often been viewed as the northern ‘periphery’ of the Nordic Bronze Age region. At the same time, many researchers have also emphasized the distinctive and ‘independent’ regional character of Uppland and northern Mälardalen. Throughout the twentieth century, Late Bronze Age contacts between Uppland and areas to the east – especially Finland, the Baltic countries and Russia – were much discussed and played an important role in the creation of Mälardalen as a distinctive Bronze Age region. This dissertation examines how images of the Late Br
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Hoffmann, Fritz. "Erwachsenenbildung in der DDR anhand betrieblicher Dokumente der Vereinigung Volkseigener Betriebe, des Kombinats Baumwolle und anderer Kombinate der Textilindustrie des Bezirkes Karl-Marx-Stadt." Doctoral thesis, Universitätsbibliothek Chemnitz, 2007. http://nbn-resolving.de/urn:nbn:de:swb:ch1-200700699.

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Darstellung der politischen, fachlichen und kulturell-sportlichen Erwachsenenbildung in der DDR, theoretischer und konkreter Untersuchungsergebnisse in der Textilindustrie des Bezirkes Karl-Marx-Stadt, unter Beachtung der Erziehungsdiktatur der SED.
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Cederlöf, Henriette. "Alien Places in Late Soviet Science Fiction : The "Unexpected Encounters" of Arkady and Boris Strugatsky as Novels and Films." Doctoral thesis, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-105822.

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This dissertation deals with how science fiction reflects the shift in cultural paradigms that occurred in the Soviet Union between the 1960s and the 1970s. Interest was displaced from the rational to the irrational, from a scientific-technologically oriented optimism about the future to art, religion, philosophy and metaphysics. Concomitant with this shift in interests was a shift from the future to an elsewhere or, reformulated in exclusively spatial terms, from utopia to heterotopia. The dissertation consists of an analysis of three novels by the Strugatsky brothers (Arkady, 1925-1991 and B
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Hoffmann, Fritz. "Erwachsenenbildung in der DDR anhand betrieblicher Dokumente der Vereinigung Volkseigener Betriebe, des Kombinats Baumwolle und anderer Kombinate der Textilindustrie des Bezirkes Karl-Marx-Stadt: Erwachsenenbildung in der DDR anhand betrieblicher Dokumente der VereinigungVolkseigener Betriebe, des Kombinats Baumwolle und anderer Kombinate der Textilindustrie des Bezirkes Karl-Marx-Stadt." Doctoral thesis, 2006. https://monarch.qucosa.de/id/qucosa%3A18712.

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Darstellung der politischen, fachlichen und kulturell-sportlichen Erwachsenenbildung in der DDR, theoretischer und konkreter Untersuchungsergebnisse in der Textilindustrie des Bezirkes Karl-Marx-Stadt, unter Beachtung der Erziehungsdiktatur der SED.
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Books on the topic "Late soviet culture"

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Thomas, Lahusen, and Kuperman Gene, eds. Late Soviet culture: From perestroika to novostroika. Duke University Press, 1993.

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Nancy, Condee, ed. Soviet hieroglyphics: Visual culture in late twentieth-century Russia. Indiana University Press, 1995.

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Nancy, Condee, ed. Soviet hieroglyphics: Visual culture in late twentieth-century Russia. Indiana University Press, 1995.

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Zvinyackovskiy, Vladimir, Marina Larionova, and Liya Bushkanec. Returning to Chekhov. INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1859639.

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"Chekhov's intellectual" — who is he in the XXI century? A character of modern life or forgotten classics? A nostalgic motif of older generations or a concept of European culture?
 For the answer, it makes sense to return to the origins at the intersection of the most important discourses of the late XIX century: ethnic and ethical, pedagogical and political, theatrical, urban, etc.
 The author of the monograph, a representative of the last generation of Soviet Czech studies, a student of Z.S. Paperny and A.P. Chudakov (the book ends with memoir episodes about them), returning to Che
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Postoutenko, Kirill, ed. Totalitarian Communication. transcript Verlag, 2010. http://dx.doi.org/10.14361/9783839413937.

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Totalitarianism has been an object of extensive communicative research since its heyday: already in the late 1930s, such major cultural figures as George Orwell or Hannah Arendt were busy describing the visual and verbal languages of Stalinism and Nazism. After the war, many fashionable trends in social sciences and humanities (ranging from Begriffsgeschichte and Ego-Documentology to Critical Linguistics and Critical Discourse Analysis) were called upon to continue this media-centered trend in the face of increasing political determination of the burgeoing field. Nevertheless, the integration
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Condee, Nancy. Soviet Hieroglyphics: Visual Culture in Late Twentieth-Century Russia. Indiana University Press, 1995.

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Condee, Nancy. Soviet Hieroglyphics: Visual Culture in Late Twentieth-Century Russia. Indiana University Press, 1995.

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Kuperman, Gene. Late Soviet Culture from Perestroika to Novostroika (Post-Contemporary Interventions). Duke University Press, 1993.

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Kuperman, Gene. Late Soviet Culture from Perestroika to Novostroika (Post-Contemporary Interventions). Duke University Press, 1993.

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Brooks, Jeffrey, and Sergei I. Zhuk. The Distinctiveness of Soviet Culture. Edited by Simon Dixon. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199236701.013.025.

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The quintessentially Soviet element of cultural development in the USSR between 1932 and 1991 was Socialist Realism. The period prior to the 1930s was its preface and that from the mid-1950s a long post-script. By the mid-1980s, Soviet publics had moved irreversibly beyond Socialist Realism in all the arts, and no viable new contender could assume the particularist mantle. The best official offerings to compete with new Western movements after 1945 were too little and too late. In the absence of a viable particularist contender and with institutions of isolationism eroding, Soviet culture inex
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Book chapters on the topic "Late soviet culture"

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Brown, Kate. "Afterword on Chernobyl (2019): A Soviet Propaganda Win Delivered 33 Years Late." In Energy Culture. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14320-5_13.

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Boškovic, Aleksandar, and Ainsley Morse. "Chapter 4. Soviet socialist su(pe)rrealism for children." In Children’s Literature, Culture, and Cognition. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.17.04bos.

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This chapter posits a kind of Soviet Surrealism, or “su(pe)rrealism”, in photo-illustrated Soviet children’s literature of the interwar period. The techniques of manipulating photo-images that carried out the montage in a single frame were widely employed in photo-illustrated children’s books published in the late 1930s. Unlike earlier Soviet children’s books, which mostly employed photography toward “capturing real life” and promoting mass education, these late-1930s photobooks conjured a fairy-tale wonderland in which reality is somewhat bracketed and objects are given visible agency. Instea
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Tessmann, Anna. "Astrological Samizdat in the Context of (Post-)Soviet Esoteric Culture." In Religious Life in the Late Soviet Union. Routledge, 2023. http://dx.doi.org/10.4324/9781003311294-15.

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Zhuk, Sergei I. "‘The Disco Mafia’ and ‘Komsomol Capitalism’ in Soviet Ukraine during Late Socialism." In Material Culture in Russia and the USSR. Routledge, 2020. http://dx.doi.org/10.4324/9781003086024-12.

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Bullock, Philip Ross. "The Transnational Lyric Community of Soviet Unofficial Music under Late Socialism." In Cultural Inquiry. ICI Berlin Press, 2024. http://dx.doi.org/10.37050/ci-30_05.

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Despite the seeming liberalism of Khrushchev’s ‘Thaw’, limitations were still placed on the Soviet arts, and the era witnessed the emergence of a parallel form of underground or unofficial culture. This essay considers a number of vocal works by composers, including Gubaidulina and Schnittke, who experimented with a cosmopolitan range of literary texts, as well as with a more radical musical language. In doing so, these composers not only established a lyric community at home but also engaged with their counterparts in avant-garde circles in Western Europe.
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Foletti, Ivan, and Pavel Rakitin. "Re-Inventing Late Antique and Early Medieval Armenia in World War ii Soviet Union." In Re-Thinking Late Antique Armenia: Historiography, Material Culture, and Heritage. Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.convisup-eb.5.135382.

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Kasongo, Mukile, and Georgia Nasseh. "The Spectre of Maksim Gorky." In Translating Russian Literature in the Global Context. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0340.19.

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The relationship between the Soviet Union and the African continent has increasingly attracted the attention of historians and literary critics alike, with Angola frequently treated as a fruitful case study. This chapter traces the socio-cultural microhistory of the transmission of the work of Maksim Gorky (1868–1936) in Angola––a transmission which underpinned, crucially, the development of a littérature engagé during the struggle for Angolan independence from the Portuguese Empire in the late 1950s and early 1960s. Gorky’s influence on the generation of Angolan writers active in the 1950s an
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Mayofis, Maria. "The Late-Soviet Episteme of Childhood and Its Divergent Manifestations." In Historical and Cultural Transformations of Russian Childhood. Routledge, 2022. http://dx.doi.org/10.4324/9781003274223-9.

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Krumina-Konkova, Solveiga. "The Entry of Indian Spiritual Movements into the Cultural Space of Soviet Latvia in the 1970s–1980s 1." In Religious Life in the Late Soviet Union. Routledge, 2023. http://dx.doi.org/10.4324/9781003311294-14.

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Antonyan, Yulia. "Power, Family and Business: Practices of Oligarchic Economy in Late Soviet and Post-Soviet Armenia (Before 2018)." In Family Firms and Business Families in Cross-Cultural Perspective. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-20525-5_4.

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Conference papers on the topic "Late soviet culture"

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Zaitseva, D. S. "CONCEPTUALIZATION THE EXPERIENCE OF SOVIET FASHION TO RECONSIDERATION OF THE SLOW FASHION PHENOMENON." In 4th International Conference Modern Culture and Communication. Institute for Peace and Conflict Research, 2024. http://dx.doi.org/10.31312/978-5-6048848-7-4-19.

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The requirements imposed on the Soviet taste in clothing, formed mainly in the 1950s (first of all, a sense of proportion, modesty, simplicity, elegance, rejection of excesses), are explained by socialist morality, the ideological situation, the peculiarities of the functioning of the economic system in the USSR. However, some consumer habits and strategies formed in the 1950s and later can be rethought in the spirit of the concept of “slow fashion”, relevant in the XXI century. In particular, the predominance of classical style, the spread of bricolage practices and the building of special em
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Vardanian, Maryna. "Ukrainian culture (re)imagined: children's literature and translation in wartime." In Languages and Cultures in Times of War: (Im)possible, (Re)imagined, (Un)manageable. Uzhhorod National University = ДВНЗ "Ужгородський національний університет", 2025. https://doi.org/10.14324/000.ch.10206592.

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The chapter focuses on the study of children’s literature translations, which play a significant role in shaping and reinterpreting images of Ukrainian culture, especially in the context of war. The analysis includes the canon of Ukrainian authors, themes, genres, and illustrations of works translated from or into Ukrainian, which contribute to the global representation of Ukrainian culture and language. Special attention is paid to the impact of the full-scale Russian invasion of Ukraine in 2022 on the development and changes in translation activity, particularly in the selection of works for
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MAXIM, Vasile, and Oleg BUGA. "The negative impact of the czarist and soviet empire regime on the cultural-religious heritage of Bassarabia." In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p142-144.

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This paper highlights the disastrous impact of the Tsarist and Soviet regime on the religious cultural heritage of Bessarabia. It essentially removes the negative impact on the ethno-cultural and educational system, through the policy of forced Russification of the indigenous population. The atrocities committed are elucidated by the destruction of cultural objects as well as religious edifices and their transformation into social-sports objectives, psychiatric hospitals, agricultural warehouses, wine-wine and painting exhibition halls, etc. Atheistic politics left its negative mark by margina
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Tsiphuria, Lela. "Rethinking the Story of the Surami Fortress: Multicultural and Anti-imperial Dimensions of Georgian Novella and Films." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9029.

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The Surami Fortress (1859-1860), a 19-the century novella by the Georgian writer Daniel Chonkadze (1830-1860), was filmed twice as full-length movies in the 20th century, by the Soviet-Georgian cinematog­ra­phers. The first Georgian film based on a literary text, The Suram Fortress (Film Department of Gansakhcomi, 1923, 65 mins.), was directed by Ivan Perestiani (1870-1959), one of the founders of Georgian cinema, the film di­rec­tor, script-writer and actor of Greek descent, born in Russian city. Later, the famous Georgian film director and artist of Armenian descent, Tbilisi-born Sergo Paraj
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Olarescu, Dumitru. "The historical-biographical film: destinies and personalities." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.10.

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The history of national cinema shows that the evolution of non-fiction biographical film began with subjects dedicated to prominent personalities. These were included in the film magazine “Soviet Moldova” and in the almanac “Life in pictures”. In 1961, the first historical-biographical film “The Legendary Brigade Commander”- a eulogy to Grigore Kotovski (director A. Litvin) appeared at the “Moldova-film” studio, followed by other films dedicated to the heroes of the times: Pavel Tkacenko, Elena Sârbu, Tamara Cruciok, which were dominated by a pronounced propagandistic character. A new level of
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Chiseliţă, Vasile. "Th e repertoire of the performer Nina Ermurachi in the “Folclor” orchestra: dominant categories and aesthetic trends." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.25.

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Th e study ”Th e repertoire of the performer Nina Ermurachi in the Folclor orchestra: dominant categories and aesthetic trends” addresses some methodological and epistemological aspects of the theme, designed as a preliminary stage of a wider research on the contribution of the professional folk orchestra “Folclor” in the work of cultural patrimonialization on the platform of neo-traditional art from the late Soviet period (1960-1980). Th e focus is on elucidating the heuristic relevance of some seminal notions from cultural studies theory. Th e author tries to argue the complexity, multiplici
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Dmitrieva, E. E. "Rachmaninov`s Senar and Bunin`s Grasse: Russian Estate Life, Continued in Exile." In IV Международный научный форум "Наследие". SB RAS, 2023. http://dx.doi.org/10.25205/978-5-6049863-7-0-105-126.

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The idea that the Russian estate as a phenomenon lived a short life, which began in 1762 and abruptly ended in 1917 with the Russian Revolution and destruction of the institute of private landownership, dominated Russian historiography for quite a long period of time. However, in the last decades, this perspective changed significantly, and now researchers are more focused on studying what role estate life played in Russian culture after 1917. There were many forms of the existence of estate life: some estates transformed into museums of everyday life in the countryside or places where famous
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Damian, Victor. "“Yeshiva Tsirelson” and the Synagogue of glaziers and bookbinders — projects to recreate the Jewish religious and educational center in Chisinau (the beginning of the 90s of the XX century — the beginning of the 20s of the XXI century): history and perspectives." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.21.

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During the period of 20-30th of XXth century, I. L.Tsirelson initiated the establishing of some kindergartens, a lyceum, the “Yeshiva of Tsirelson”, and some other. During the Soviet times, only the Synagogue of Glaziers and Bookbinders functioned in Chisinau. Th e process of national Jewish renaissance in Chisinau started in the late 80s of the XX century. Th e key role in the renaissance had played the future Chief Rabbi of Chisinau and Moldova, Z. L. Abelsky (Habad). During the period of 1990—1992 Z. L. Abelsky established a yeshiva, Jewish kindergarten, two schools and some other cultural
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Eperjesi, Zoltán. "Azerbaijan in the Turkic world." In Employment, Education and Entrepreneurship 2024. Faculty of Business Economics and Entrepreneurship, 2024. https://doi.org/10.5937/eee24078e.

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Regional, international cooperation among the Turkic nations started rather late compared to other international organisations on cultural and ethnic grounds, the main reason being that Kazakhstan, Uzbekistan, Turkmenistan and Kyrgyzstan in Central Asia and Azerbaijan in the South Caucasus were republics of the Soviet Union until 1991, when they gained independence. The five Member States of the Organisation of Turkic States (OTS) had a population of almost 160 million at the beginning of 2024, covering an area of 4.196 million km2, stretching from China to the Balkans. Hungary has had observe
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Vlada, Marin, and Adrian Adascalitei. "ROMANIAN EXPERIENCE IN COURSES DEVELOPMENT. SOCIETY DEVELOPMENT: VISION ON LEARNING - GRIGORE C. MOISIL, 110 YEARS AFTER BIRTH." In eLSE 2016. Carol I National Defence University Publishing House, 2016. http://dx.doi.org/10.12753/2066-026x-16-264.

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Motto: "The only source of knowledge is experience. Learn from yesterday, live for today, hope for tomorrow. The important thing is not to stop questioning." Albert Einstein (1879 - 1955) "I am for new things, but, more, than the things that are new today , I appreciate the things that will be new starting tomorrow." Grigore C. Moisil (1906-1973) CONTENT 1. The need for computer and concepts 2. Development of sciences and evolution of university courses 3. Grigore Moisil, the father of Romanian Informatics 4. Grigore Moisil's vision on learning The need for computer was not the dream of a scie
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