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Journal articles on the topic 'Late twentieth-century novel'

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1

Park, Jaeyoon. "Addiction Becomes Normal in the Late Twentieth Century." History of the Present 11, no. 1 (2021): 53–79. http://dx.doi.org/10.1215/21599785-8772454.

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Abstract In the past four decades, the discourse on addiction in the United States has dramatically changed. Most scholarly and popular accounts have depicted this change as an instance of “medicalization,” whereby medical definitions and imperatives have displaced those of morality, war, or criminal justice. This article seeks to revise that dominant characterization. In fact, the medicalization trend is only one part of a broader discursive shift, in which addiction has been normalized as a form of attachment and conduct—rendered ordinary, even predictable or natural, for a human life. The a
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Berman, Anna A. "The Family Novel (and Its Curious Disappearance)." Comparative Literature 72, no. 1 (2020): 1–18. http://dx.doi.org/10.1215/00104124-7909939.

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Abstract What is a family novel? Russian literary scholars—who use the term frequently—claim that it is originally an English genre, yet in English scholarship the term has virtually disappeared. This article recovers the lost history of the family novel, tracing two separate strands: usage of the term and form/content of the novels. The genre began in England with Richardsonian domestic fiction and spread to Russia, where it evolved along different lines, shaped by the different social and political context. In England, the fate of the term turns out to be tied up with the fate of women write
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Manh Ha, Quan. "Trey Ellis's Platitudes: Redefining Black Voices." Ethnic Studies Review 32, no. 1 (2009): 55–76. http://dx.doi.org/10.1525/esr.2009.32.1.55.

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Trey Ellis has emerged as a prominent African American writer of the late-twentieth century, despite the small number of his published works. “The New Black Aesthetic,” an essay that he first published in CaUaloo in 1989, one year after the publication of his first novel, Platitudes, stands as a manifesto that defines and articulates his perspective on the emerging black literary voices and culture of the time, and on “the future of African American artistic expression” in the postmodern era.1 According to Eric Lott, Ellis's novel parodies the literary and cultural conflict between such male e
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Segal, Naomi. "Daughters, death and desire in Fatal attraction, The piano and Talented Mr Ripley." Acta Neophilologica 47, no. 1-2 (2014): 31–39. http://dx.doi.org/10.4312/an.47.1-2.31-39.

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The oedipal principle characteristic of the nineteenth-century novel of adultery survives into twentieth-century narrative fiction too, as exemplified in two films of the late century, Fatal Attraction (1987) and The Piano (1993). In both, a marriage is disrupted by the desire of an outsider. This article begins with that comparison, and then it turns to a third example of triangulation, The Talented Mr Ripley (1999).
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Lee, Ji-Eun. "Literacy, Sosŏl, and Women in Book Culture in Late Chosŏn Korea." East Asian Publishing and Society 4, no. 1 (2014): 36–64. http://dx.doi.org/10.1163/22106286-12341255.

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Abstract In an effort to better understand the rise of discourse on women vis-à-vis the impact of the modern, this paper discusses issues of gender in the context of pre-twentieth-century reading practices in Korea. The usual trajectory of scholarship on pre-twentieth-century book culture first associates women with indigenous script (han’gŭl), then links them with the literary genre of the novel, and thus defines women as the main reader group for novels written in han’gŭl. However, low literacy rates and socio-cultural factors surrounding Chosŏn women challenge rather than support this assoc
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Miller, D. Q. "Deeper Blues, or the Posthuman Prometheus: Cybernetic Renewal and the Late-Twentieth-Century American Novel." American Literature 77, no. 2 (2005): 379–407. http://dx.doi.org/10.1215/00029831-77-2-379.

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Dubrow, Jennifer. "Serial fictions: Urdu print culture and the novel in colonial South Asia." Indian Economic & Social History Review 54, no. 4 (2017): 403–22. http://dx.doi.org/10.1177/0019464617728224.

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Serialisation allowed for remarkable experimentation with the new genre of the novel in colonial South Asia. The open nature of serialisation in South Asia, in which novels were not planned in advance but rather could develop and change while in progress, meant that serialised versions of novels were often more experimental than their later book editions. In this article, I use the pioneering Urdu novel Fasāna-e Āzād (1878–83) as a case study to examine serialisation’s effects on the emerging novel genre in the late nineteenth-century South Asia. By comparing the serial version and later book
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Vartija, Devin J. "Introduction to the Special Issue ‘Enlightenment and Modernity’." International Journal for History, Culture and Modernity 8, no. 3-4 (2020): 235–45. http://dx.doi.org/10.1163/22130624-20200003.

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Abstract These introductory remarks present a brief overview of the question of the Enlightenment’s relationship to modernity. It charts the emergence of a novel sense of historicity connected to eighteenth-century usage of the term ‘enlightened’ and the belated, late twentieth-century attempts to connect this usage to modernity. The three contributions to this special issue are then introduced and the commonalities and divergences between them are highlighted.
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Jordan, Jerrica. "Writing the Survivor: The Rape Novel in Late Twentieth-Century American Fiction by Robin E. Field." Tulsa Studies in Women's Literature 40, no. 1 (2021): 180–82. http://dx.doi.org/10.1353/tsw.2021.0002.

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Williams, Raymond L. "New Approaches to the novel: From Terra Nostra to twitter literature." Co-herencia 12, no. 22 (2015): 13–23. http://dx.doi.org/10.17230/co-herencia.12.22.1.

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This article addresses new approaches to the novel in the twenty-first century. It begins with an affirmation that even the most avant-garde of contemporary critics in the late twentieth and early twenty-first century share a commonality: a background in what was identified as “close reading” in the Anglo-American academic world and analyse de texte in French. After numerous declarations in recent decades about the death of the novel, the death of the author and the death of literary criticism, it is evident that the novel as a genre has survived, authors remain a subject of study, and new app
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Dangendorf, Sönke, Sylvin Müller-Navarra, Jürgen Jensen, Frederik Schenk, Thomas Wahl, and Ralf Weisse. "North Sea Storminess from a Novel Storm Surge Record since AD 1843*." Journal of Climate 27, no. 10 (2014): 3582–95. http://dx.doi.org/10.1175/jcli-d-13-00427.1.

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Abstract The detection of potential long-term changes in historical storm statistics and storm surges plays a vitally important role for protecting coastal communities. In the absence of long homogeneous wind records, the authors present a novel, independent, and homogeneous storm surge record based on water level observations in the North Sea since 1843. Storm surges are characterized by considerable interannual-to-decadal variability linked to large-scale atmospheric circulation patterns. Time periods of increased storm surge levels prevailed in the late nineteenth and twentieth centuries wi
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Wills, John. "Pixel Cowboys and Silicon Gold Mines: Videogames of the American West." Pacific Historical Review 77, no. 2 (2008): 273–303. http://dx.doi.org/10.1525/phr.2008.77.2.273.

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This article explores representations of the American West in computer and videogames from the late 1970s through 2006. The article reveals how several titles, including the early Boot Hill (1977), invoked classic nineteenth-century western motifs, employing the six-shooter, wagon train, and iron horse to sell late twentieth-century entertainment technology to a global audience. Such games allowed players, typically adolescent males, to recreate a version of history and to participate actively in the more violent aspects of the ““Wild West.”” The arcade Western emerged as a subgenre within com
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Hutchinson, George. "A Historicist Novel." PMLA/Publications of the Modern Language Association of America 134, no. 2 (2019): 391–97. http://dx.doi.org/10.1632/pmla.2019.134.2.391.

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The vortex of the twentieth century, the late 1930s and early to mid 1940s, provides an appropriate setting for Jennifer Egan's experiment in historical fiction. Many popular histories have glorified the bands of brothers and Rosie the Riveters of the so-called greatest generation. The best fiction and poetry of the 1940s offered a different, unflattering view. Journalists from that era—Martha Gellhorn, for one—said they needed fiction to get the history right (313). Literary treatments of the war focus on its incommunicability and on the crisis of meaning it inspired, but they have been vastl
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Corse, Sarah M., and Saundra Davis Westervelt. "Gender and Literary Valorization: The Awakening of a Canonical Novel." Sociological Perspectives 45, no. 2 (2002): 139–61. http://dx.doi.org/10.1525/sop.2002.45.2.139.

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We use the reception history of Kate Chopin's The Awakening to study the social context in which and processes through which literary texts are evaluated. We explain The Awakening‘s ascendancy from an initial negative critical position in 1899 to its current canonical status by the emergence of new “interpretive strategies” for understanding and evaluating texts. The dominant interpretive strategies of nineteenth-century reviewers sentimentalized women as selfless wives and mothers responsible for moral purity, making it difficult to construct a valued or fruitful narrative from The Awakening.
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Hasan, Mariwan, and Diman Sharif. "William Golding’s Lord of the Flies: A Reconsideration." NOBEL: Journal of Literature and Language Teaching 11, no. 2 (2020): 125–36. http://dx.doi.org/10.15642/nobel.2020.11.2.125-136.

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This paper reconsiders William Golding’s Lord of the Flies. Allegorical writings can illustrate ethical, social or psychological and moral issues using the manipulation of images that have stipulated meanings other than their meanings as imitations of the actual world. Allegory has been used widely throughout history in all forms of art, and comprehensible for the reader, conveys hidden meanings through symbolic figures. Lord of the Flies had been written in relation to historical circumstances of the twentieth-century and to the personal experience of William Golding. Also, it has provided a
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Stolpe, Martin B., Iselin Medhaug, and Reto Knutti. "Contribution of Atlantic and Pacific Multidecadal Variability to Twentieth-Century Temperature Changes." Journal of Climate 30, no. 16 (2017): 6279–95. http://dx.doi.org/10.1175/jcli-d-16-0803.1.

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Recent studies have suggested that significant parts of the observed warming in the early and the late twentieth century were caused by multidecadal internal variability centered in the Atlantic and Pacific Oceans. Here, a novel approach is used that searches for segments of unforced preindustrial control simulations from global climate models that best match the observed Atlantic and Pacific multidecadal variability (AMV and PMV, respectively). In this way, estimates of the influence of AMV and PMV on global temperature that are consistent both spatially and across variables are made. Combine
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Блашків, О. В. "INTELLECTUALS IN THE FACE OF HISTORIC TURMOIL: “THE REVENGE OF THE PRINTER” BY STANISLAV ROSOVETSKYJ AS ACADEMIC FICTION." Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 3, no. 93 (2019): 3–15. http://dx.doi.org/10.34142/2312-1076.2019.3.93.01.

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Since mid-twentieth century the academic novel has been treated in English literary criticism as a separate literary genre centered on the life of professors. Often the action takes place on and outside of campus, revealing the professors’ private concerns. Satire is a characteristic feature of academic novels, which usually drives the action. In these novels university appears as a “microcosm of society at large.” Even though the academic novel is an emerging genre in Ukrainian literature, there are texts which fall into this category. In the article the author analyzes “The Revenge of the Pr
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Presley, Erin M. "“Decipher its noises for us”: Understanding Sycorax’s Island in Marina Warner’s Indigo." Revista Alicantina de Estudios Ingleses, no. 25 (November 15, 2012): 269. http://dx.doi.org/10.14198/raei.2012.25.20.

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The Marina Warner’s novel Indigo, or Mapping the Waters (1992) explores the effects of colonialism on the islanders of Liamuiga and the Everard family through a complex retelling of Shakespeare’s The Tempest that spans over three hundred years. Much like the appropriative novels of Gloria Naylor, in which past and present blend and meld, Indigo also suggests that time is not linear in its development. The subtitle, or Mapping the Waters, positions a sense of place at the crux of Warner’s novel. Moving back and forth between the twentieth century and the dawn of the seventeenth century, the nov
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Blashkiv, Oksana. "Image of a Russian Professor in Stanislav Rakъs’s The Eccentric University". Izvestia of the Ural federal university. Series 2. Humanities and Arts 23, № 2 (2021): 217–32. http://dx.doi.org/10.15826/izv2.2021.23.2.036.

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This article focuses on the image of the Russian professors in The Eccentric University (2008), a novel by Stanislav Rakús. Based on previous research, the author presents a short survey of Russian images in Slovak Literature in the late nineteenth — early twentieth-first centuries, whose peculiarities are rooted in the history of interaction between the two Slavic nations. Thus, the early twentieth century idealistic image of the Russian was built on the basis of Russian literature. The first images of Russians based on personal experience were created by Czechoslovak legionnaires as a result
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Grgas, Stipe. "Don DeLillo’s Mapping of the City." ELOPE: English Language Overseas Perspectives and Enquiries 2, no. 1-2 (2005): 127–37. http://dx.doi.org/10.4312/elope.2.1-2.127-137.

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Taking as his point of departure the immense significance the city has for understanding the present moment and the special relationship the city has had with the novel, the author gives a reading of Don DeLillo and the way his work has engaged the city of New York. Focusing upon his last two novels, Underworld and Cosmopolis, the author describes how these two novels narrate the transformations the American city has undergone during the second part of the twentieth century. The bulk of his analysis deals with the function the Prologue flashback of the Bronx has in the earlier novel and the tr
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Baucom, Ian. "Globalit, Inc.; or, The Cultural Logic of Global Literary Studies." Publications of the Modern Language Association of America 116, no. 1 (2001): 158–72. http://dx.doi.org/10.1632/s0030812900105103.

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“Charter'd Companies may indeed be the form the world has now increasingly begun to take,” announces Charles Mason in Thomas Pynchon's 1997 novel Mason and Dixon. Taking that cryptic comment as a starting point and drawing on Giovanni Arrighi's account of the recurrent organization of capital by metropolitan “spaces-of-flows,” this essay investigates what it might mean for Mason's comment to be true of both his late-eighteenth-century moment and the late-twentieth-century moment of the novel's publication and asks what such a reading of the “form [of] the world” implies for contemporary attemp
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Baucom, Ian. "Globalit, Inc.; or, The Cultural Logic of Global Literary Studies." PMLA/Publications of the Modern Language Association of America 116, no. 1 (2001): 158–72. http://dx.doi.org/10.1632/pmla.2001.116.1.158.

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“Charter'd Companies may indeed be the form the world has now increasingly begun to take,” announces Charles Mason in Thomas Pynchon's 1997 novel Mason and Dixon. Taking that cryptic comment as a starting point and drawing on Giovanni Arrighi's account of the recurrent organization of capital by metropolitan “spaces-of-flows,” this essay investigates what it might mean for Mason's comment to be true of both his late-eighteenth-century moment and the late-twentieth-century moment of the novel's publication and asks what such a reading of the “form [of] the world” implies for contemporary attemp
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Bennett, Carys E., Richard Thomas, Mark Williams, et al. "The broiler chicken as a signal of a human reconfigured biosphere." Royal Society Open Science 5, no. 12 (2018): 180325. http://dx.doi.org/10.1098/rsos.180325.

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Changing patterns of human resource use and food consumption have profoundly impacted the Earth's biosphere. Until now, no individual taxa have been suggested as distinct and characteristic new morphospecies representing this change. Here we show that the domestic broiler chicken is one such potential marker. Human-directed changes in breeding, diet and farming practices demonstrate at least a doubling in body size from the late medieval period to the present in domesticated chickens, and an up to fivefold increase in body mass since the mid-twentieth century. Moreover, the skeletal morphology
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Ellis, Susannah. "Messianic Fiction in Antoine Volodine's Nuclear Catastrophe Novel Minor Angels." Paragraph 42, no. 2 (2019): 223–37. http://dx.doi.org/10.3366/para.2019.0300.

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In Specters of Marx, Derrida suggests that a non-revolutionary — ‘spectral’ — Marxism could alleviate a contemporary crisis in imagining the future in the late twentieth century. This ‘presentist’ crisis results from the collapse of Communism and the alleged triumph of neoliberal democracy, and leaves a dubious choice between neoliberal consensus and potential totalitarianism. This article outlines Derrida's call to a messianic wait for the singularity of an always-arriving future-to-come, and suggests that it provides an entry into the post-nuclear universe of Antoine Volodine's Minor Angels,
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Kielak, Dorota. "Metafizyczne enklawy w prozie Stefana Żeromskiego." Poznańskie Studia Polonistyczne. Seria Literacka, no. 27 (November 17, 2016): 165–84. http://dx.doi.org/10.14746/pspsl.2016.27.8.

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The articles presents an interpretation of selected topics from the Stefan Żeromski’s novel which form an articulation of the nineteenth century changes taking place within the metaphysics. The scene in which the protagonists from Żeromski’s novels experienced communication with the dead and lived through the inner enlightenment have been analyzed. The article also describes the poetics of articulation of metaphysical experience in the prose of Żeromski paying particular attention to the theme of light equivalentizing the internal initiation of heroes, leading them mainly to cross the barriers
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G S, Dayananda Sagar. "Indo - English Novels Amalgamation of Indian Tradition and World Tradition." Shanlax International Journal of Arts, Science and Humanities 8, S1-Feb (2021): 212–17. http://dx.doi.org/10.34293/sijash.v8is1-feb.3954.

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In India the novel is the readiest and most acceptable way of embodying experiences and ideas in the context of our time.The duality of Indo-English fiction has been attracting worldwide attention. One wonders whether the Indo-English novel is a part of the Indian tradition or the European tradition or of the abstract world tradition.The Indo-English fiction in Post-independent India assumed over the preceding thirty years all kinds of colorful traditions. It is now free from the social yard political overtones of a rabidly nationalistic variety.As regards the theme of the novel, in the late T
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Abdulah, Mohammed A., and Lanja A. Ghareeb. "Younis Rauf Dildar's Diary Between Biographies and Novelism." Koya University Journal of Humanities and Social Sciences 2, no. 1 (2019): 1–12. http://dx.doi.org/10.14500/kujhss.v2n1y2019.pp1-12.

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The emergence of writing biographies among Kurds has long history which began in the late of 19th century. Thus, started with Wafaey in 1895 who wrote down his biography but this wasn’t developed until the 90s of twentieth century and their number was countable. After 90s, writing biographies was focused more and developed. This investigation tries to care about biography and its title is (Younis Rauf –Dildar-'s diary between biographies and novelism). Due to lack of scientific investigation about biography in general and having no academic research specifically for Dildar and the importance o
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ZHUANG, GUO-OU. "Nostalgia for the Old Versus Wonder at the New: Cultural disenchantment and the temptation of modernity in Nie Hai Hua." Modern Asian Studies 48, no. 3 (2013): 550–68. http://dx.doi.org/10.1017/s0026749x11000941.

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AbstractThis paper attempts to revise aspects of the existing interpretations of Nie Hai Hua (A Flower in a Sinful Sea) by applying perspectives from post-colonial studies to the study of this late Qing Chinese novel. Here the novel is read as a national narrative that portrays the emergence of China as a modern nation state from a decaying empire, with its intelligentsia caught between their desire to embrace modernity and nostalgia for cultural traditions. From the mid-nineteenth century to the early twentieth century, traditional Chinese scholars were faced with a predicament: they were lur
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Mendelssohn, Michèle. "BEAUTIFUL SOULS MIXED UP WITH HOOKED NOSES: ART, DEGENERATION, AND ANTI-SEMITISM INTHE MASTERANDTRILBY." Victorian Literature and Culture 40, no. 1 (2012): 179–97. http://dx.doi.org/10.1017/s1060150311000301.

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The diagnosis made by Dr P. C. Remondino, M.D. was unambiguous. “Trilbyis a masterpiece when viewed in the light of a study in heredity,” he announced in the pages ofPractical Medicinein 1895. “Du Maurier has given us . . . the well digested results of a careful as well as discriminating study. . . . Neither Darwin, [nor] Galton, . . . could have given us a more comprehensive or more lucid study of the subject. Neither could Maudsley” (380–81). Despite the good doctor's critical insight,Trilby's deployment of degenerationist discourse has often gone unnoticed. On the rare occasions it has been
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Turvey, Samuel T., Jennifer J. Crees, and Martina M. I. Di Fonzo. "Historical data as a baseline for conservation: reconstructing long-term faunal extinction dynamics in Late Imperial–modern China." Proceedings of the Royal Society B: Biological Sciences 282, no. 1813 (2015): 20151299. http://dx.doi.org/10.1098/rspb.2015.1299.

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Extinction events typically represent extended processes of decline that cannot be reconstructed using short-term studies. Long-term archives are necessary to determine past baselines and the extent of human-caused biodiversity change, but the capacity of historical datasets to provide predictive power for conservation must be assessed within a robust analytical framework. Local Chinese gazetteers represent a more than 400-year country-level dataset containing abundant information on past environmental conditions and include extensive records of gibbons, which have a restricted present-day dis
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Yıldız, Murat C. "‘What is a Beautiful Body?’." Middle East Journal of Culture and Communication 8, no. 2-3 (2015): 192–214. http://dx.doi.org/10.1163/18739865-00802004.

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This article examines the emergence and spread of the ‘sportsman’ genre of Ottoman photography in late-nineteenth and early-twentieth-century Istanbul. The ‘sportsman photograph’ depicted young men posing shirtless or wearing tight-fitting athletic attire, flexing their muscles and exhibiting their bodies. These images were embedded in a wider set of athletic and leisure activities and constituted novel social and photographic practices. By tracing the deployment of ‘sportsman’ photographs in sports clubs and the press, I argue that they cemented homosocial bonds, normalized and popularized ne
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Morin, Efrat, Tamar Ryb, Ittai Gavrieli, and Yehouda Enzel. "Mean, variance, and trends of Levant precipitation over the past 4500 years from reconstructed Dead Sea levels and stochastic modeling." Quaternary Research 91, no. 2 (2018): 751–67. http://dx.doi.org/10.1017/qua.2018.98.

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AbstractA novel quantitative assessment of late Holocene precipitation in the Levant is presented, including mean and variance of annual precipitation and their trends. A stochastic framework was utilized and allowed, possibly for the first time, linking high-quality, reconstructed rises/declines in Dead Sea levels with precipitation trends in its watershed. We determined the change in mean annual precipitation for 12 specific intervals over the past 4500 yr, concluding that: (1) the twentieth century was substantially wetter than most of the late Holocene; (2) a representative reference value
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Finch, Helen. "Writing the Displaced Person: H. G. Adler’s Poetics of Exile." Humanities 8, no. 3 (2019): 148. http://dx.doi.org/10.3390/h8030148.

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This article discusses the work of the Prague Jewish writer H. G. (Hans Günther) Adler (1910–1988) as an important contribution to the poetics of German-Jewish displacement in the wake of World War II. It demonstrates the significance of Adler’s early response to questions of refugee status, displacement and human rights in literature. The article argues that Adler’s work can be seen as providing in part a response to the question raised by Hannah Arendt, Joseph Slaughter and other recent theorists of literature and human rights: what poetic form is adequate to give literary expression to the
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Paris-Popa, Andreea. "Breaking the Contract between God and the Visual-Literary Fusion: Illuminated Manuscripts, William Blake and the Graphic Novel." American, British and Canadian Studies 30, no. 1 (2018): 133–52. http://dx.doi.org/10.2478/abcsj-2018-0008.

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Abstract This essay follows three different stages of the fusion of images and words in the tradition of the book. More specifically, it tackles the transformation undergone by the initially religious combination of visual figures and scriptural texts, exemplified by medieval illuminated manuscripts into the spiritual, non-dogmatic, illuminated books printed and painted by poet-prophet William Blake in a manner that combines mysticism and literature. Eventually, the analysis reaches the secularized genre of the graphic novel that renounces the metaphysical element embedded in the intertwining
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Chinn, Sarah E. "Emergent US Literatures: From Multiculturalism to Cosmopolitanism in the Late Twentieth CenturyToward the Geopolitical Novel: US Fiction in the Twenty-First Century." American Literature 88, no. 2 (2016): 423–25. http://dx.doi.org/10.1215/00029831-3533458.

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Davies, Susanne. "Atticus Finch – Alive or dead? A Socio-legal Question." Law in Context. A Socio-legal Journal 36, no. 1 (2019): 36–46. http://dx.doi.org/10.26826/law-in-context.v36i1.85.

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In this article, the fictional lawyer Atticus Finch serves as a reference point for a broader discussion of socio-legal studies and its relevance today. Depicted in Harper Lee’s 1960 novel To Kill a Mockingbird, Finch came to occupy an exalted position in the cultural, political and legal landscapes of the late twentieth century. For generations of students and citizens, Finch served as a model of what it was to be just, civil, honourable and brave. However, in the politically charged and deeply divided context of 2019, this article asks if Atticus Finch is dead. Has the ‘hero lawyer’ and all
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Cano, Marina. "A Woman's Novel: Olive Schreiner, Mona Caird, and Hélène Cixous's Écriture Féminine." Victoriographies 9, no. 1 (2019): 1–18. http://dx.doi.org/10.3366/vic.2019.0323.

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In the 1880s and 1890s, New Woman writers changed the face of British society and British fiction through their sexually open works, which critiqued old notions of marriage, and through their stylistic experimentation, which announced the modernist novel. New Woman scholarship has often studied their work in connection with that of French feminists of the late twentieth century, such as Julia Kristeva, Luce Irigaray, and Hélène Cixous. This article reconsiders the nature of this connection through a close examination of novels by two of the most popular New Woman authors, Mona Caird (1854–1932
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Bradley, Travis G., and Jacob J. Adams. "Sonority distance and similarity avoidance effects in Moroccan Judeo-Spanish." Linguistics 56, no. 6 (2018): 1463–511. http://dx.doi.org/10.1515/ling-2018-0028.

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Abstract This article investigates consonant gemination in late Nineteenth- and early Twentieth-century haketía, a now moribund, regional dialect of Judeo-Spanish spoken in northern Morocco since the late fifteenth century. Some, but not all, consonant clusters arising across a word boundary undergo regressive total assimilation, e.g. [n.n] siudad ninguna ‘no city’ but [z.n] laz niñas ‘the girls’. We present novel descriptive generalizations to show that regressive gemination is sensitive to the degree of sonority distance between the coda and the onset. Evidence of parasitic harmony comes fro
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Howard, Richard. "Faeries, Aliens, and Leviathans: Science and Fantasy in Ian McDonald's King of Morning, Queen of Day." Irish University Review 49, no. 2 (2019): 290–303. http://dx.doi.org/10.3366/iur.2019.0407.

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Irish science fiction is a relatively unexplored area for Irish Studies, a situation partially rectified by the publication of Jack Fennell's Irish Science Fiction in 2014. This article aims to continue the conversation begun by Fennell's intervention by analysing the work of Belfast science fiction author Ian McDonald, in particular King of Morning, Queen of Day (1991), the first novel in what McDonald calls his Irish trilogy. The article explores how McDonald's text interrogates the intersection between science, politics, and religion, as well as the cultural movement that was informing a gr
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Brown, Mark. "“The boundary we need”: Death and the Challenge to Postmodernity in Don DeLillo’s "White Noise"." Journal of English Studies 18 (December 23, 2020): 17–36. http://dx.doi.org/10.18172/jes.3873.

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Don DeLillo’s White Noise is often taught as an exemplar of postmodern literature because of its concern with the postmodern themes of identity and spectacular commodification. There is much in the text, however, to suggest that DeLillo’s central characters are searching for certainties, some of which are related to earlier cultural paradigms. This paper argues that Don DeLillo’s novel explores ways to overcome the persistent displacement of meaning in postmodern texts by establishing death as one concept outside the systems of signs which is irreducible, certain and universal. DeLillo’s chara
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Horton, Emily. "“A Genuine Old-Fashioned English Butler”: Nationalism and Conservative Politics in The Remains of the Day." American, British and Canadian Studies 31, no. 1 (2018): 11–26. http://dx.doi.org/10.2478/abcsj-2018-0014.

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Abstract In the context of twenty-first century global conservatism, where anti-immigrant sentiment is everywhere apparent, the importance of Ishiguro’s writing arguably lies in its on-going challenge to this perspective’s faulty logic and its capacity to reveal the radical violence behind nationalist political attacks on minority and immigrant populations. In this article I explore this challenge explicitly through a politically-oriented reading of The Remains of the Day (1989), highlighting this novel’s joint critique of Thatcherite nationalism and late twentieth century global entrepreneuri
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He, Wang, and Wen Jin. "Hesitant Empathy: Sun Baoxuan's Diary and Approaches to Reading Fiction in Late Qing China." PMLA/Publications of the Modern Language Association of America 134, no. 1 (2019): 164–71. http://dx.doi.org/10.1632/pmla.2019.134.1.164.

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ON THE TWENTY-FIFTH DAY OF THE FIFTH MONTH OF 1903, SUN BAOXUAN—A SCHOLAR-OFFICIAL IN LATE QING DYNASTY CHINA—documented in his diary that he had acquired a copy of the periodical 新小說 (Xin xiaoshuo; “he New Novel”), founded by Liang Qichao in 1902 to propagate translated fiction and new Chinese fiction. Immediately drawn to the stories and novels it carried, Sun soon concluded that Western fiction had the unique strength of imparting knowledge and expanding rational capacity: 「觀西人政治 小說,可以悟政治原理;觀科學小說,可以通種種格物原理;觀包 探小說,可以覘西國人情土俗及其居心之險詐詭變,有非我國所 能及者」 (“Political novels teach us principles of politi
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Allen, John T., David J. Karoly, and Kevin J. Walsh. "Future Australian Severe Thunderstorm Environments. Part I: A Novel Evaluation and Climatology of Convective Parameters from Two Climate Models for the Late Twentieth Century." Journal of Climate 27, no. 10 (2014): 3827–47. http://dx.doi.org/10.1175/jcli-d-13-00425.1.

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Abstract The influence of a warming climate on the occurrence of severe thunderstorms over Australia is, as yet, poorly understood. Based on methods used in the development of a climatology of observed severe thunderstorm environments over the continent, two climate models [Commonwealth Scientific and Industrial Research Organisation Mark, version 3.6 (CSIRO Mk3.6) and the Cubic-Conformal Atmospheric Model (CCAM)] have been used to produce simulated climatologies of ingredients and environments favorable to severe thunderstorms for the late twentieth century (1980–2000). A novel evaluation of
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S, Banurekaa. "PSYCHO-SOCIAL IMPACT OF NATURE IN MARGARET ATWOOD’S SELECT NOVELS." Kongunadu Research Journal 4, no. 1 (2017): 1–4. http://dx.doi.org/10.26524/krj161.

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Margaret Atwood is one of the most talented, powerful and intelligent writers in the west today. She articulates the dilemmas, contradictions and ambiguities of the late twentieth century with all its complexities and extremities. Casting her vision of life in myriad forms her techniques and themes know no limit. Known widely as a poet and a novelist, Atwood is also a critic, a short story writer, an essayist, a caricaturist and a writer of children’s books. A versatile genius, Atwood through her novel explores the various inter-related social, physical and psychological anxieties of the peopl
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Wilford, Hugh. "An Oasis: The New York Intellectuals in the Late 1940s." Journal of American Studies 28, no. 2 (1994): 209–23. http://dx.doi.org/10.1017/s0021875800025469.

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The early political activities of the New York Intellectuals, during the 1930s and World War II, form part of the canon of twentieth century American intellectual history. Their involvement in the American Communist movement, their crucial decision to renounce Stalinism, their brief adherence to Trotskyism, and their eventual disillusionment with Communism, are all well documented. Similarly, a great deal is known about them in the 1950s, especially about the role they played in the “Cultural Cold War” as America's leading anti-Communist intellectuals, helping to launch and run such organizati
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Okuhata, Yutaka. "Rousseau in a Post-Apocalyptic Context: Angela Carter’s Heroes and Villains and Science Fiction." Humanities 8, no. 3 (2019): 142. http://dx.doi.org/10.3390/h8030142.

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The present paper discusses Angela Carter’s Heroes and Villains (1969), which parodies both “post-apocalyptic” novels in the Cold War era and Jean-Jacques Rousseau’s theory on civilisation. By analysing this novel in comparison, not only to Rousseau’s On the Origin of Inequality (1755), but also to the works of various science fiction writers in the 1950s and 1960s, the paper aims to examine Carter’s reinterpretation of Rousseau in a post-apocalyptic context. As I will argue, Heroes and Villains criticises Rousseau from a feminist point of view to not only represent the dystopian society as fu
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Paniconi, Maria Elena. "Reframing the Politics of Aesthetic Appropriation in the late-Nahḍah Novel: The Case of “Plagiarism” in Ibrāhīm al-Māzinī’s Ibrāhīm al-kātib". Journal of Arabic Literature 50, № 1 (2019): 56–80. http://dx.doi.org/10.1163/1570064x-12341380.

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AbstractIn his novel Ibrāhīm al-kātib (Ibrāhīm the Writer, 1931) the Egyptian poet, narrator, and humorist Ibrāhīm al-Māzinī borrowed several passages from his own translation—via English—of the Russian novel Sanin, by Mikhail Petrovich Artsybashev, which he had published in 1922 under the title Sanīn aw Ibn al-ṭabī‘ah (Sanīn, or The Son of Nature). In this article, I analyze several personal authorial accounts, including the introduction to the first edition of the novel Ibrāhīm al-kātib (1931), in which the author develops the idea of creative writing and translation as a mechanical process
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Vinitsky, Ilya Yu. "The Vision of an Axe. Dostoevsky and Astronautics." Dostoevsky and world culture. Philological journal, no. 1 (2021): 124–52. http://dx.doi.org/10.22455/2541-7894-2021-1-124-152.

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This essay explores the scientific and literary origins of the image of an axe thrown into outer space to orbit the earth, as it appears in the chapter “The Devil. The Vision of Ivan Fyodorovich” in Dostoevsky’s The Brothers Karamazov. Did Dostoevsky anticipate the idea of an artificial satellite, as many critics and journalists argue? How were science (in this case astronomy) and literature connected in his mind? How did Dostoevsky’s scientific and creative imagination work in general? The author shows that Dostoevsky’s “prophetic” reference to a sputnik was rooted in popular articles and tex
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Waha, Kristen Bergman. "SYNTHESIZING HINDU AND CHRISTIAN ETHICS IN A. MADHAVIAH'S INDIAN ENGLISH NOVELCLARINDA(1915)." Victorian Literature and Culture 46, no. 1 (2018): 237–55. http://dx.doi.org/10.1017/s1060150317000419.

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The novels of Indian writerA. Madhaviah (1872–1925) are deeply ambivalent toward British Protestant missions in the Madras Presidency. The son of a Brahmin family from the Tirunelveli District in what is now the state of Tamil Nadu, Madhaviah had the opportunity to form close intellectual relationships with British missionaries and Indian Christian converts while studying for his B.A. at the Madras Christian College, completing his degree in 1892. Although he remained a Hindu throughout his life, Madhaviah's first English novel,Thillai Govindan(1903), praises some missionaries for their moral
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Tarling, Nicholas. "Making a Difference: Overseas Student Fees in Britain and the Development of a Market in International Education." Britain and the World 5, no. 2 (2012): 259–86. http://dx.doi.org/10.3366/brw.2012.0057.

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International education has long existed, but between the end of the Second World War and the late twentieth century it was largely a matter of aid and scholarships. How did the current market for international education come about? It was related to the ‘massification’ of tertiary education, and, no doubt, to a diminution in the sense of post-imperial obligation. Was it also the result of a new approach to education, even a new ideology? Or was it rather the result of series of pragmatic decisions, sometimes with unintended consequences, which ideological endorsement followed rather than prec
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