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Books on the topic 'Latex Film Formation'
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1
Keddie, Joseph L., and Alexander F. Routh. Fundamentals of Latex Film Formation. Dordrecht: Springer Netherlands, 2010. http://dx.doi.org/10.1007/978-90-481-2845-7.
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Keddie, Joseph L. Fundamentals of latex film formation: Processes and properties. Dordrecht: Springer, 2010.
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Nevskiy, Sergey, Aleksandr Hudokormov, Mihail Pokidchenko, Irina Chaplygina, Al'fred Shyuller, Zigena Gol'dshmidt, and Yoahim Cvaynert. The history of the concept of social market economy in Germany. ru: INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/1703180.
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The monograph traces the history of the development of German neoliberal economic thought from the origins of the Freiburg School in the 1930s to the first results of the practical implementation of the concept of a social market economy in West Germany in the late 1940s-early 1960s. The author demonstrates the broad historical context of the development of German ideas about the theory and practice of the policy of order (Ordnungstheorie und Ordnungspolitik), shows the features of the formation and spread of the scientific and intellectual economic tradition in Germany, as well as beyond its borders, starting with the birth of the German historical school and the perception of its heritage by Russian socio-economic thought in the second half of the XIX — early XX century and ending with the practical implementation of the concept of order of the Freiburg school and the correlation of its ideological and spiritual and moral foundations with the social teaching of Catholicism and liberalism of Friedrich von Hayek. Special attention is paid to some controversial issues of the formation of the theory of ordoliberalism during the period of national socialism and the problems of the social market economy in modern Germany.
The book is intended to fill the shortage of specialized scientific literature on relevant issues and to acquaint the Russian reader, primarily students, teachers and researchers, with the variety of ideological and scientific-theoretical foundations of the socio-economic system of the post-war Germany.
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Keddie, Joseph L., and Alexander F. Routh. Fundamentals of Latex Film Formation: Processes and Properties. Springer, 2016.
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6
Odrobina, Ewa Emilia. Varies [sic] aspects of latex film formation in the presence of additives. Dept of Chemistry, U of Toronto, 2000.
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7
Oh, Jung Kwon. Synthesis and characterization of dye-labeled poly(vinyl acetate-butyl acrylate) latex particles and their application to film formation and polymer interdiffusion. 2004.
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8
Schotter, Jesse. The Hieroglyphics of Character. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424776.003.0003.
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This chapter examines how hybrid conceptions of language and media come to challenge representations of literary character and narrative in the modernist period. Understanding Virginia Woolf as a film theorist situated within the ferment of avant-garde film culture in London in the mid-1920s—a period which saw the formation of the journal Close-Up and the London Film Society—the chapter argues that Woolf’s engagement with film and its ‘hieroglyphs’ in her essay ‘The Cinema’ transforms her understanding of language and character in To the Lighthouse. Throughout the late 1920s, Woolf imagines writing as emulating the material and visual form of hieroglyphs, revealing the inscriptions graven upon the ‘sacred tablets’ of the minds and hearts of her characters.
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Dunagan, Colleen T. Commercials as Discursive Assemblages. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190491369.003.0003.
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Chapter Two demonstrates how commercials employ genre-specific codes and conventions to operate as discursive assemblages. The author adopts Grossberg’s concept of cultural formations as a model for analyzing dance in advertising. Through close readings of several commercials created for US companies produced between 1948 and 2012, the chapter offers an historicized reading of the strategic intersections between dance, television, film, and advertising within commercials to produce a form of marketing that simultaneously reinforces and destabilizes disciplinary boundaries. Several concepts central to the larger project are introduced here, including liveness, advertising positioning strategies, direct address and hailing, montage, and film musical conventions. While the study focuses on an analysis of the history and conventions of dance-in-advertising in the United States during the mid-to-late twentieth and early twenty-first centuries, it also includes examples of commercials created to advertise US products in foreign markets.
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Godfrey, Donald G. Founding the Society of Motion Picture and Television Engineers. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038280.003.0006.
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This chapter focuses on the Society of Motion Picture and Television Engineers (SMPTE), an organization founded by C. Francis Jenkins in 1916. The formation of the SMPTE (formerly Society of Motion Picture Engineers, SMPE) was one of Jenkins' most significant and lasting contributions in the film and television industries. In less than four decades, the SMPTE has evolved into an international association with industry, technological, and creative influence around the world. This chapter provides an overview of the atmosphere that led Jenkins to establish the SMPTE, whose sole purpose would be a discussion of technology and its standards. It also considers the first SMPE meeting and how its influence grew since then, along with its final meeting under Jenkins as president, held in Cleveland in November 1918. Finally, it cites the accolades and foundations established for the SMPE and their impact on the industries of motion pictures and later television engineering.
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Wang, Ban. China in the World. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478092452.
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In China in the World, Ban Wang traces the evolution of modern China from the late nineteenth century to the present. With a focus on tensions and connections between national formation and international outlooks, Wang shows how ancient visions persist even as China has adopted and revised the Western nation-state form. The concept of tianxia, meaning “all under heaven,” has constantly been updated into modern outlooks that value unity, equality, and reciprocity as key to overcoming interstate conflict, social fragmentation, and ethnic divides. Instead of geopolitical dominance, China’s worldviews stem as much from the age-old desire for world unity as from absorbing the Western ideas of the Enlightenment, humanism, and socialism. Examining political writings, literature, and film, Wang presents a narrative of the country’s pursuits of decolonization, national independence, notions of national form, socialist internationalism, alternative development, and solidarity with Third World nations. Rather than national exceptionalism, Chinese worldviews aspire to a shared, integrated, and equal world.
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Wang, Ban. China in the World. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478012368.
Full textAbstract:
In China in the World, Ban Wang traces the evolution of modern China from the late nineteenth century to the present. With a focus on tensions and connections between national formation and international outlooks, Wang shows how ancient visions persist even as China has adopted and revised the Western nation-state form. The concept of tianxia, meaning “all under heaven,” has constantly been updated into modern outlooks that value unity, equality, and reciprocity as key to overcoming interstate conflict, social fragmentation, and ethnic divides. Instead of geopolitical dominance, China’s worldviews stem as much from the age-old desire for world unity as from absorbing the Western ideas of the Enlightenment, humanism, and socialism. Examining political writings, literature, and film, Wang presents a narrative of the country’s pursuits of decolonization, national independence, notions of national form, socialist internationalism, alternative development, and solidarity with Third World nations. Rather than national exceptionalism, Chinese worldviews aspire to a shared, integrated, and equal world.
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Stonebridge, Lyndsey. Sands of Sorrow. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198797005.003.0007.
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In 1950, the American Council for the Relief of Palestinians produced the first international documentary on the Palestinian refugee camps, Sands of Sorrow. Directed primarily at Christian churches and charities, the film’s tone was lightly didactic, its images striking and ethnographically attentive. An early example of the then relatively new genre of humanitarian advocacy, Sands of Sorrow invited its audience to focus on the human consequences of the mass displacement of the Palestinian Arabs, caused by the war and the creation of the State of Israel. That moral injunction came with some authority. The film was introduced by the American journalist, Dorothy Thompson, famous in the war years for her internationalism, anti-Nazi campaigns, and tireless support of Jewish refugees. This chapter discusses the politics of humanitarian compassion through Thompson’s writing and advocacy. One of the first to advocate for the rights of Jewish refugees in the late 1930s, Thompson scandalized U.S. opinion when she campaigned for Palestinian refugees. Refugees, she argued, were not simply one more humanitarian crisis, but the consequence of the failure of the post-war human rights regime to deal with the violence of state formation and the persistence of nationalism.
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Henderson, Aneeka Ayanna. Veil and Vow. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469651767.001.0001.
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In Veil and Vow, Aneeka Ayanna Henderson places familiar, often politicized questions about the crisis of African American marriage in conversation with a rich cultural archive that includes fiction by Terry McMillan and Sister Souljah, music by Anita Baker, and films such as The Best Man. Seeking to move beyond simple assessments of marriage as "good" or "bad" for African Americans, Henderson critically examines popular and influential late twentieth- and early twenty-first-century texts alongside legislation such as the 1996 Defense of Marriage Act and the Welfare Reform Act, which masked true sources of inequality with crisis-laden myths about African American family formation. Using an interdisciplinary approach to highlight the influence of law, politics, and culture on marriage representations and practices, Henderson reveals how their kinship veils and unveils the fiction in political policy as well as the complicated political stakes of fictional and cultural texts. Providing a new opportunity to grapple with old questions, including who can be a citizen, a "wife," and "marriageable," Veil and Vow makes clear just how deeply marriage still matters in African American culture.
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Ramírez, Dixa. Colonial Phantoms. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479850457.001.0001.
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Colonial Phantoms argues that Dominican cultural expression from the late nineteenth century to the present day reveals the ghosted singularities of Dominican history and demographic composition. For centuries, the territory hosted a majority mixed-race free population whose negotiations with colonial power were deeply ambivalent. Disquieted by the predominating black freedom, Western discourses ghosted—mis-categorized or erased—the Dominican Republic from the most important global conversations and decisions of the 19th century. What kind of national culture do you create when leaders of the world powers, on whose recognition you depend, rarely remember your nation’s name? Dominicans, both island and diasporic, have expressed their dissatisfaction with dominant descriptors and interpellations through literature, music, and speech acts. These expressions run the gamut from ultra-conservative, anti-Haitian nationalist literature to present-day Afro-Latinx activism. Dominant fields of knowledge constructed to account for various modes of being in the Americas have not been able to discern, and, in some cases, have helped to obscure, the kinds of free black subjectivity that emerged in the Dominican Republic. Analyzing literature, government documents, music, the visual arts, public monuments, film, and ephemeral and stage performance, this book intervenes at the level of knowledge production and analysis by disrupting some of the fields. In so doing, it establishes a framework for placing Dominican expressive culture and historical formations at the forefront of a number of scholarly investigations of colonial modernity in the Americas, the African diaspora, geographic displacement (e.g., migration and exile), and international divisions of labor.
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Gordon, Matthew S., and Kathryn A. Hain, eds. Concubines and Courtesans. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190622183.001.0001.
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Concubines and Courtesans: Women and Slavery in Islamic History contains 16 essays that consider, from a variety of viewpoints, enslaved and freed women across medieval and premodern Islamic social history. The essays bring together arguments regarding slavery, gender, social networking, cultural production (music, poetry, and dance), sexuality, Islamic family law, and religion in the shaping of Near Eastern and Islamic society over time. They range over nearly 1,000 years of Islamic history—from the early, formative period (7th–10th century CE) to the late Ottoman, Safavid, and Mughal eras (16th–18th century CE)—and regions from al-Andalus (Islamic Spain) to Central Asia (Timurid Iran). The close, common thread joining the essays is an effort to account for the lives, careers, and representations of female slaves and freed women participating in and contributing to elite urban society of the Islamic realm. Interest in a gendered approach to Islamic history, society, and religion has, by now, deep roots in Middle Eastern and Islamic studies. The shared aim of the essays collected here is to get at the wealth of these topics and to underscore their centrality to a firm grasp on Islamic and Middle Eastern history.