Relevant bibliographies by topics / Latin American Fantastic literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Latin American Fantastic literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Latin American Fantastic literature"

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Brescia, P. "A "Superior Magic": Literary Politics and the Rise of the Fantastic in Latin American Fiction." Forum for Modern Language Studies 44, no. 4 (September 14, 2008): 379–93. http://dx.doi.org/10.1093/fmls/cqn056.

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Cosentino, Olivia, Niamh Thornton, Natália Pinazza, Sharonah Fredrick, and Marc Ripley. "Reviews." Studies in Spanish & Latin-American Cinemas 16, no. 3 (September 1, 2019): 423–37. http://dx.doi.org/10.1386/slac_00008_5.

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La India María: Mexploitation and the Films of María Elena Velasco, Seraina Rohrer (2018) Austin: University of Texas Press, 220 pp., ISBN 978-1-47731-345-9, p/bk, $29.95 USDMexican Transnational Cinema and Literature, Maricruz Castro Ricalde, Mauricio Díaz Calderón and James Ramey (eds) (2017) Oxford and Bern: Peter Lang, 312 pp., ISBN 978-1-78707-066-0, p/bk, $69.95The Latin American (Counter-)Road Movie and Ambivalent Modernity, Nadia Lie (2017) Cham, Switzerland: Palgrave Macmillan, 260 pp., ISBN: 9783319435534, h/bk, £57.65, p/bk, £71.96Evolvi ng Images: Jewish Latin American Cinema, Norah Glickman and Ariana Huberman (eds) (2018) Austin: University of Texas Press, 264 pp., ISBN 978-1-47731-471-5, p/bk $29.95 USDThe Spanish Fantastic: Contemporary Filmmaking in Horror, Fantasy and Sci-Fi, Shelagh Rowan-Legg (2016) London and New York: I. B. Tauris, 214 pp., ISBN 978 1 78453 677 0, h/bk, $103.50; e-book, $82.80
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Bruce, Scott G. "Sunt altera nobis sidera, sunt orbes alii: Imagining Subterranean Peoples and Places in Medieval Latin Literature." Mediaevistik 32, no. 1 (January 1, 2020): 105–18. http://dx.doi.org/10.3726/med.2019.01.04.

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Owing to the enduring popularity of Jules Verne’s science fiction story Journey to the Center of the Earth (1864), modern readers have taken for granted a hollow, habitable core beneath the earth’s crust as a time-honored, though scientifically implausible, setting for speculative fiction.1 Verne’s fantastic tale of Professor Otto Lidenbrock’s descent into the Icelandic volcano Snæfellsjökull and his perilous adventures underground featuring forests of giant mushrooms and prehistoric monsters remains the most widely read work of nineteenth-century “subterranean fiction.” In 1926, the story was reprinted in a three-part serial in the widely-read American science fiction magazine Amazing Stories (Fig. 1). Throughout the twentieth century, it spawned a host of imitators, from Edgar Rice Burrough’s Pellucidar series (1914‐1963) to C. S. Lewis’ Narnian chronicle The Silver Chair (1953), as well as a successful 1959 film adaptation starring James Mason and Pat Boone.
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garcía, patricia. "Spanish and Latin American Women Writers in the Literary Canon: A Paratextual Study of Anthologies of Fantastic Literature (1946–2016)." Bulletin of Hispanic Studies 96, no. 6 (June 2019): 575–93. http://dx.doi.org/10.3828/bhs.2019.34.

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Abrego, Verónica. "Materiality in Julio Cortázar’s literature—rereading “Axolotl,” “No se culpe a nadie” and the almanac books." Neohelicon 47, no. 2 (September 21, 2020): 477–503. http://dx.doi.org/10.1007/s11059-020-00555-w.

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AbstractIn the light of the material turn in the Humanities some aspects of Julio Cortázar’s (1914–1984) work become very evident today as a laboratory of the future. For Cortázar, reading was a transforming impulse, part of a process of liberation from mental ties to which he contributed as an author, challenging the barrier between the fantastic and the real, the limit between the human and the animal, between the living and the inert. Thus, as a critic on blind Modernity, Cortázar, from his stories, questions anthropocentrism in a gesture that in the current crisis of the Anthropocene could not be more topical. Moreover, while he supported the transformation of people’s material conditions of life in Latin America, he innovated and celebrated literature in intermedial texts that are the decanted result of a creative performance, embedded in the strongly transcultural context of a diaspora that was first voluntary and then became exile.
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Prytoliuk, Svitlana. "CONCEPTUALIZATION OF THE NOTION “MAGICAL REALISM” IN GERMAN LITERATURE." Research Bulletin Series Philological Sciences 1, no. 193 (April 2021): 252–59. http://dx.doi.org/10.36550/2522-4077-2021-1-193-252-259.

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The article is devoted to the study of magical realism in German literary criticism, the origins of the term and its conceptual principles are considered. The author of the article relies on the research of German scientists, in particular M. Scheffel, D. Kirchner, H. Roland, T.W. Leine, M. Niehaus, J. Schuster and notes the differences and contradictions in the interpretation of the term, the vagueness of the concept and its heterogeneity. It is emphasized that the period of formation of the magic-realistic method of writing in Germany in the historical perspective generally covers the period from 1920 to 1960 and includes the beginning of the era of National Socialism and the Second World War. In German literature, the term was not immediately established, its assertion and dissemination were hampered by several factors: first, its contradiction, because it combines semantically opposite concepts – “realism”, which directly correlates with reality, the true image of reality, and “magical”, based on the supernatural, fantastic, reaching beyond reality; second, the moment of its origin falls on a rather complex and contradictory period of German history, which is reluctantly mentioned or silenced; third, magical realism has sometimes been mistakenly identified with the notion of “Neue Sachlichkeit”. Analysis of all factors shows that the origin and formation of the magic-realistic method in German literature has its own characteristics and uniqueness and differs from the world-famous examples of Latin American or English literature. As a result, the author notes that German magical realism is historically determined and in many of its examples reflects the traumatic postwar experience with a pronounced inrospectivity and humanistic orientation. As an aesthetic concept, magical realism expands the boundaries of realism: by depicting the objective world in its real dimensions, it focuses its gaze on the unreality hidden behind real objects.
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Wood, F. "The ‘soccer war’ and the ‘city that sailed Away’: magical realism and New Journalism in the work of Ryszard Kapuscinski." Literator 19, no. 1 (April 26, 1998): 79–92. http://dx.doi.org/10.4102/lit.v19i1.514.

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In this article, I examine Ryszard Kapuscinski’s Another Day of Life (1987) and The Soccer War (1990). Kapuscinski is a Polish journalist who has written a number of books about his experiences as a foreign correspondent in Asia, Africa and Latin America. We encounter a range of diverse and sometimes contradictory approaches in his writing, since Kapuscinski utilises realist and fantastic, surreal, postmodern, intensely subjective techniques to convey his experiences and perceptions.As a result of his blending of realist and non-realist modes, Kapuscinki's work can be related to two important trends in contemporary literature: magical realism and New Journalism. Kapuscinski's writing illustrates certain significant points of comparison between these two approaches. These aspects of Kapuscinski's writing can, to an extent, be viewed in terms of Gilles Deleuze and Felix Guattari's concept of rhizomatics and nomadism. This article indicates that Kapuscinski's writing differs from some forms of magical realism and New Journalism in certain key respects.The significance of Kapuscinski's work lies partly in the way in which it juxtaposes and interrelates various modes, thereby challenging fixed, monologic ways of viewing events. As a result of this, his writing evades easy definitions and conclusive categorisation. Finally, one of the most striking aspects of Kapuscinki's work lies in the way in which it provides a dramatic reflection of the interface between the fantastic and reality and between the surreal, the postmodern and journalistic realism.
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Nodier, Charles, Elizabeth Berkebile McManus, and Daniela Ginsburg. "The Fantastic in Literature." Publications of the Modern Language Association of America 134, no. 3 (May 2019): 540–54. http://dx.doi.org/10.1632/pmla.2019.134.3.540.

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Charles Nodier (1780–1844) holds the dismal distinction of being the most important French Romantic you have never heard of. A child prodigy, Nodier was reading Montaigne and Plutarch, and writing fluently in French and Latin, by the age of ten. By twenty-five he had vandalized a guillotine, founded the ironically Freemasonesque antiJacobin society called the Philadelphes, published one of the irst French works of scholarship on Shakespeare, and served a month in prison for criticizing Napoleon in the poem “La Napoléone.” It was only then that he got serious, and in 1806 Les tristes was published, a collection of short stories, poems, dialogues, and essays that marked him as a disciple of the Romanticism of Goethe and Schiller and hinted at his future affinity for the visionary, fantastic mode of E.T.A. Hoffmann.
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Standish, Peter, and Verity Smith. "Encyclopedia of Latin American Literature." Modern Language Review 93, no. 3 (July 1998): 866. http://dx.doi.org/10.2307/3736587.

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Woods, Richard D., and Verity Smith. "Encyclopedia of Latin American Literature." Hispania 81, no. 1 (March 1998): 107. http://dx.doi.org/10.2307/345475.

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Dissertations / Theses on the topic "Latin American Fantastic literature"

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Corral-Rodriguez, Rosario Fortino. "La narrativa fantastica en Mexico: Epoca moderna." Diss., The University of Arizona, 2000. http://hdl.handle.net/10150/298816.

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The purpose of this dissertation is to characterize and explain the different forms and views of Mexican Fantastic narrative, which is portrayed specially during the Romantic and Naturalistic periods. Our task goes further than just mentioning and describing the specific corpus of Fantastic texts. Its orientation towards the critical apprehension of this narrative form is a part of the general literary process. Our procedure consists of determining the ideological function the Fantastic text plays during the periods mentioned. Also, we pay close attention to the deconstruction of the verbal procedures that frequently appear throughout the ideological function. In respect to the methodological and theoretical aspect, we apply a conception of the Fantastic, supported in a Pragmatical theory. Its purpose is to overcome the Formalistic essentialism in which an important part of the critique fails.
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Deibel, Maria Rebeca. "El extraño mundo de Silvina Ocampo." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367944634.

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Olmedo, Nadina Estefania. "ECOS GÓTICOS EN LA NOVELA Y EL CINE DEL CONO SUR." UKnowledge, 2010. http://uknowledge.uky.edu/gradschool_diss/86.

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Latin American literary criticism has traditionally underestimated the significance of the Gothic aesthetic, in spite of the rich Gothic literary tradition of Latin America. Specifically in the Southern Cone - the focus of my research - there is a particular recurrence and consumption of this genre, not only in literature but also in cinema, which has not been deeply analyzed. I argue that a close examination of the Gothic and Fantastic elements in these novels and films unveils anxieties, repressions and manifestations of social decay that underlie common codes of social decency and the conventions of maintaining an oppressive social tradition. My analysis of particular novels extends from the beginning of the twentieh-century through the Boom; my discussion then extends to film productions from the 1960s to the present. In the first chapter I explore the dissemination of Gothic figures and forms from their eighteenth-century origins to the present. In the second chapter I discuss how the Gothic aesthetic was used at the beginning of the twentieth-century to comment on the effects of modernization and scientific/psychological discoveries in the Southern Cone. I also analyze the Gothic as a powerful feminist discourse. Chapter three focuses on the way the Gothic aesthetic is employed as a mechanism to communicate social and moral decay in a typical Southern Cone family. I also explore how the Gothic is used to question a political-social repression or a dictatorship. In chapter four I focus on cinema in an aesthetically and technically diverse selection of filmes. All of them employ vampirism to comment on different sexual issues, such as repression, incest, homosexuality, fetishism, sadism, and other sexual-social taboos. Finally, the conclusion demonstrates that, while the Gothic aesthetic maintains certain constants throughout the twentieth-century, its underlying meaning shifts to reflect the dominant political-social themes of each era, thus ensuring its continued relevance to popular audiences.
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Garcia, Licet. "Cuba i+real: Singularidades de lo Fantástico y la Ciencia Ficción en la Cuba Contemporánea." FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3885.

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Ever since the triumph of the Revolution in 1959, Cuba has witnessed an unprecedented productive boom in the genres of science fiction and the fantastic. A large number of the literary and cinematic works that have surfaced during the last half-century attempt to replace and ultimately reify motifs and scenarios appropriated from the various science fiction and fantastic narratives in world literature and have generated alternative or imagined settings that challenge extant sociopolitical realities and certainties of the island. My dissertation, “Cuba i+Real: singularidades de lo fantástico y la ciencia ficción en la Cuba contemporánea”, examines these literary texts in a Post-Soviet context, analyzing the ways they reimagine the themes, plot devices, and scenarios traditional to the different genres. My argument is that, in most cases, the narratives are carefully and intentionally transformed, adapting them to the strenuous political and economic circumstances of the island and to the tense social conditions of the post-Soviet era. My thesis both decentralizes and expands contemporary debates about fantastic and science fiction theories by recognizing—and including—Cuban science fiction and fantastic production within broader conversations about the relationship between science fiction, the fantastic, and politics. My dissertation builds and expands upon the contemporary currents in literature, exploring how Cuban science fiction and fantastic texts provide a new, imaginative space and frontier to interrupt and contest the Cuban Revolution's hegemonic and monolithic discursive arcs, while allowing for a unique transnational corpus formation which not only crosses many generic and formal boundaries, but also evades and goes beyond existing theoretical and thematic paradigms.
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Garrido, Paula G. "Las Formas de lo Irreal en la Cuentistica de Seis Escritoras Argentinas Contemporaneas: Luisa Axpe, Liliana Diaz Mindurry, Fernanda Garcia Curten, Paola Kaufmann, Mariana Enriquez y Samanta Schweblin." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1406901513.

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Loguzzo, Lorena. "Estrategias Desestabilizadoras en la Narrativa de Silvina Ocampo." FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/1838.

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La narrativa de Silvina Ocampo (1903-1993) no goza del lugar que merece en la ficción argentina y latinoamericana como obra de la principal cuentista del siglo XX. Hace relativamente poco que su obra comenzó a despertar el interés de la crítica, atención que se evidencia en la cantidad de artículos y disertaciones recientes. Mediante una disección de la narrativa ocampeana a partir de las grandes coordenadas que la intersectan se pueden caracterizar los aspectos peculiares y distintivos de su estilo. Desarrollada tras la consolidación del psicoanálisis y su influencia en la estética surrealista, la narrativa de Ocampo incorpora algunos de esos elementos. El género fantástico también se articula aunque mediante una selección de rasgos configurados a su modo. Si bien Ocampo rechaza la etiqueta de feminista, ciertos aspectos de su estilo sólo pueden explicarse a partir de la visión particular de una mujer escritora y su representación de la identidad y las relaciones. La lectura pormenorizada de varios cuentos recogidos en “Cuentos completos” I y II (1999), once volúmenes publicados durante su vida, pertenecientes a distintos períodos de su producción permiten realizar un análisis diacrónico que ofrece una caracterización redonda de su estilo y evolución. El análisis sincrónico de estos textos incorpora datos históricos acerca del contexto de producción; a la vez que otras obras literarias del período ofrecen un punto de comparación para identificar influencias y contribuciones. Este análisis, realizado desde el marco teórico de la crítica literaria, da cuenta de la presencia de constituyentes narrativos (narrador, ironía, ambigüedad) que configuran espacios de indeterminación, noción postulada por las teorías de la recepción. Éstos explican las peculiares características de la obra ocampeana: su habilidad para inquietar, intrigar, sorprender y, en suma, desestabilizar al lector y sus expectativas. Es más, sirven para explicar la idiosincrática representación de la realidad que emana de su obra, su interés en lo fantástico y la articulación de lo anti-convencional, como mecanismo subversivo para escapar del orden social dominante, lo cual revela sensibilidades protofeministas. La narrativa de Silvina Ocampo se resiste al reduccionismo y construye una visión peculiar y multifacética de la artista y su obra.
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Kamran, Shezra. "Fantastic languages : C.S. Lewis and Ursula K. Le Guin." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5749/.

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This thesis explores the nature and function of language as it is used in twentieth-century fantastic fiction, as represented by the work of C. S. Lewis and Ursula K. Le Guin. In it I argue that the anti-mimetic impulse behind the language of fantasy makes it a polemical, contentious mode, which situates itself against discourses (religious and scientific) that assume the existence of a reality to which language may be said to correspond in certain clearly understood, conventional ways. Both Lewis and Le Guin suggest, by contrast, that experiential reality is an arbitrary and shifting construct, although each writer has a very different attitude towards the category of the ‘real’ and the question of how it may best be articulated. Despite the fact that Lewis uses the language of authority and Le Guin the language of liberation, they both interrogate fundamental ethical, social, political and theological evaluative assumptions embedded in language, disrupting the rigidity that conventional usage confers upon words and the concomitant human tendency to submit unquestioningly to cultural conventions. Lewis challenges the modern, secular, materialist understanding of reality, contending that metaphor has the power to undermine post-secular fixed notions and reveal new semantic fields pertaining to what he understands as the ‘spiritual’. Le Guin celebrates human and non-human embodied existence, with its possibilities and limitations, refuting any transcendent reality. The thesis is divided into two parts. Part One deals with the ‘reactionary’ school of fantasy represented by Lewis. My contention is that Lewis’s Narnian Chronicles dramatise Owen Barfield’s theory of the concomitant evolution of human consciousness and language in relation to the phenomenal world. The three chapters in this part demonstrate that in the Narnia books Lewis represents initial forms of mythical, ‘participatory’ consciousness (as Barfield calls it) – that is, a world in which no linguistic or imaginative distinction is made between the human, animal, material and spiritual dimensions; followed by the loss of participation and the consequent alienation of human beings both from immaterial things and the environment; and concluding with the renewal of participation through a new use of language. Part Two is concerned with Le Guin’s sequence of fantasy novels about the imaginary world of Earthsea. Following Darko Suvin, I divide the sequence into two trilogies, which embody two contrasting responses to the conservative fantasy represented by the Narnia books. For me, the difference between these responses can best be understood through a close examination of Le Guin’s changing attitude to language in the First and Second Trilogies, which I undertake in four chapters. The first chapter explores Le Guin’s initial collusion with Lewis’s patriarchal politics, a collusion signalled by the rigid linguistic conventions and unchanging cultural practices of her imaginary world. The three final chapters deal with the Second Earthsea Trilogy, with particular emphasis on the last two books, since these have so far received little critical attention. In these books she deconstructs the earlier premises of her created world by finding new ways in which to represent the voices that had been excluded or marginalised in her previous trilogy, as well as in the work of her predecessors in fantasy. The thesis as a whole represents an effort to reassess the political implications of linguistic choices, and of attitudes to language, in twentieth-century fantastic fiction.
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Montt, Strabucchi Maria. "Imagining China in contemporary Latin American literature." Thesis, University of Manchester, 2017. https://www.research.manchester.ac.uk/portal/en/theses/imagining-china-in-contemporary-latin-american-literature(39f1026f-5a85-4bd5-b9ac-db55a80d2e14).html.

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Since the late 1980s, there has been a steady production of Latin American narrative fiction in Spanish concerning China and the Chinese. Despite the work written about China and its relation to Latin America, no comprehensive examination of the representation of China in literature has been produced thus far. This thesis analyses nine novels in which China is the main theme, exploring how China has been represented in Latin American narrative fiction in recent decades. Using 'China' as a multidimensional term informed by Sara Ahmed's understanding of 'strangerness' (2000), this thesis first explores how the novels studied here both highlight and undermine assumptions about China that have long shaped Latin America's understanding of 'China'. Secondly, using theories of the fetish, it shows 'China' to be a kind of literary/imaginary 'third' term which reframes Latin American discourses of alterity. On one level, it is argued that these texts play with the way that 'China' stands in as a wandering signifier and as a metonym for Asia, a gesture that essentialises it as an unchanging other. On another level, it argues that the novels' employment of 'China' resists essentialist constructions of Latin American identity. 'China' is thus shown here to be a symbolic figure in Latin America, serving as a concept through which criticism of the construction of fetishised otherness becomes possible, as well as criticism of the exclusion inherent in essentialist discourses of identity, such as those contained in mestizaje. These discourses of mestizaje have traditionally emphasised racial and cultural mixture, and have excluded the Chinese from discourses of Latin American identity. As a result, 'China' is used here to deconstruct bound identities, interrupting discourses of otherness within Latin America. From this perspective, it is argued that these novels tend to gesture towards an understanding of identity as 'being-with', and community as inoperative, as developed by Jean-Luc Nancy (1991, 2000), whilst taking a cosmopolitan stance, as developed by Berthold Schoene (2011). The novels have been divided between those that set their stories in China, such as Cesar Aira's 'Una novela china' (1987); those that explore Chinese communities in Latin America, such as Ariel Magnus' 'Un chino en bicicleta' (2007); and those that focus on Latin American travel to China, such as Ximena Sanchez Echenique's 'El ombligo del dragon' (2007). Indebted to Ahmed's, Nancy's and Schoene's theoretical perspectives, Chapter 1 explores how 'China', as both a physical space and a discursive context, foregrounds negotiations of power in the histories of both China and Latin America. Chapter 2 studies how 'China' is used to recall and interrogate the notion of an indistinct 'oriental'. The final chapter seeks to understand the ways in which the novels articulate travel to China as a means of challenging Eurocentric structures and 'national' epistemologies. Ultimately, by disclosing the complex operations through which 'China' is represented in Latin American literary discourses, this study explores possible further reconfigurations of Latin American notions of identity and community as non-essentialist and in constant development.
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Frenk, Susan F. "Carlos Fuentes and the Latin American 'Boom'." Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.306404.

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Rizo, Antonio. "Expressions narratives du temps dans le conte hispano-américain contemporain Thèse pour obtenir le grade de docteur de l'Université Paris III, UFR des études ibériques et latino-américaines, discipline espagnol /." Villeneuve-d'Ascq : Presses universitaires du Septentrion, 2001. http://books.google.com/books?id=2GJdAAAAMAAJ.

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Books on the topic "Latin American Fantastic literature"

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Anthology of Latin-American fantastic short stories (1800-1930). Newark, Del: Cervantes & Co., 2010.

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Unraveling the real: The fantastic in Spanish-American ficciones. Philadelphia: Temple University Press, 2010.

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Miradas oblicuas en la narrativa latinoamericana contemporánea: Límites de lo real, fronteras de lo fántastico. Madrid: Iberoamericana, 2009.

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Civilisation and authenticity: The search for cultural uniqueness in the narrative fiction of Alejo Carpentier and Julio Cortázar. New York: Peter Lang, 2013.

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Dey, Susnigdha. Contemporary Latin American literature. Delhi: B.R. Pub. Corp., 1988.

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Day, Holliday T. Art of the fantastic: Latin America, 1920-1987. Indianapolis, Ind: Indianapolis Museum of Art, 1987.

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Latin American writers. New York, N.Y: Facts on File, 1997.

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Nicholson, Melanie. Surrealism in Latin American Literature. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137317612.

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Cultural diversity in Latin American literature. Albuquerque: University of New Mexico Press, 1994.

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1963-, Valestuk Lorraine, ed. Latin American literature and its times. Detroit: Gale Group, 1999.

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Book chapters on the topic "Latin American Fantastic literature"

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Seymour-Smith, Martin. "Latin-American Literature." In Guide to Modern World Literature, 861–972. London: Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-06418-2_22.

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Chaves, José Ricardo. "Romanticism, occultism and the fantastic genre in Spain and Latin America." In Comparative History of Literatures in European Languages, 622–42. Amsterdam: John Benjamins Publishing Company, 2008. http://dx.doi.org/10.1075/chlel.xxiii.40cha.

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Morgan, Winifred. "Rough Mischief, Irreverence, and the Fantastic." In The Trickster Figure in American Literature, 131–65. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137344724_6.

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Nicholson, Melanie. "The Latin American Connection." In Surrealism in Latin American Literature, 31–44. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137317612_3.

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De Castro, Juan E. "Epilogue: Latin America Beyond Latin America?" In The Spaces of Latin American Literature, 129–40. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230611788_8.

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Loundo, Dilip. "Hinduism in Brazilian Literature." In Encyclopedia of Latin American Religions, 560–62. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-27078-4_158.

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Loundo, Dilip. "Hinduism in Brazilian Literature." In Encyclopedia of Latin American Religions, 1–3. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-08956-0_158-1.

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Nicholson, Melanie. "Introduction." In Surrealism in Latin American Literature, 1–11. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137317612_1.

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Nicholson, Melanie. "Chile." In Surrealism in Latin American Literature, 175–201. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137317612_10.

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Nicholson, Melanie. "Octavio Paz." In Surrealism in Latin American Literature, 203–25. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137317612_11.

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Conference papers on the topic "Latin American Fantastic literature"

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Cabrera Alzate, Sandra Lucia. "University bonding — Productive sector companies literature review." In 2015 XLI Latin American Computing Conference (CLEI). IEEE, 2015. http://dx.doi.org/10.1109/clei.2015.7360016.

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Cano, Christian, Andres Melgar, Abraham Davila, and Marcelo Pessoa. "Comparison of software process models. A systematic literature review." In 2015 XLI Latin American Computing Conference (CLEI). IEEE, 2015. http://dx.doi.org/10.1109/clei.2015.7360025.

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Costa, Diego P., Paulo N. M. Sampaio, and Valeria Farinazzo Martins. "Gesture interaction metaphors within 3D environments: Revisiting the literature." In 2017 XLIII Latin American Computer Conference (CLEI). IEEE, 2017. http://dx.doi.org/10.1109/clei.2017.8226414.

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Ecar, Miguel, Joao Pablo S. da Silva, Naihara Amorim, Elder M. Rodrigues, Fabio Basso, and Tiago Gazzoni Solda. "Software Process Improvement Diagnostic: A Snowballing Systematic Literature Review." In 2020 XLVI Latin American Computing Conference (CLEI). IEEE, 2020. http://dx.doi.org/10.1109/clei52000.2020.00025.

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Costa, Diogo Matheus, Eldanae Nogueira Teixeira, and Claudia Maria Lima Werner. "Software Process Definition using Process Lines: A Systematic Literature Review." In 2018 XLIV Latin American Computer Conference (CLEI). IEEE, 2018. http://dx.doi.org/10.1109/clei.2018.00022.

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Falco, Mariana, and Gabriela Robiolo. "A Systematic Literature Review in Multi-Agent Systems: Patterns and Trends." In 2019 XLV Latin American Computing Conference (CLEI). IEEE, 2019. http://dx.doi.org/10.1109/clei47609.2019.235098.

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Abilio, Ramon, Gustavo Vale, Denilson Pereira, Claudiane Oliveira, Flavio Morais, and Heitor Costa. "Systematic literature review supported by information retrieval techniques: A case study." In 2014 XL Latin American Computing Conference (CLEI). IEEE, 2014. http://dx.doi.org/10.1109/clei.2014.6965144.

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Caniza, Horacio, Diego Galeano, and Alberto Paccanaro. "Mining the biomedical literature to predict shared drug targets in DrugBank." In 2017 XLIII Latin American Computer Conference (CLEI). IEEE, 2017. http://dx.doi.org/10.1109/clei.2017.8226376.

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Garbarino-Alberti, Helena, and Sebastian Ayala Pastorino. "Knowledge management steps, tools, techniques and influencing factors in SMEs: Systematic literature review." In 2014 XL Latin American Computing Conference (CLEI). IEEE, 2014. http://dx.doi.org/10.1109/clei.2014.6965108.

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Crisostomo, Javier, Luis Flores, Karin Melendez, and Abraham Davila. "Convergence analysis of ISO/IEC 12207 and CMMI-DEV: A systematic literature review." In 2016 XLII Latin-American Computing Conference (CLEI). IEEE, 2016. http://dx.doi.org/10.1109/clei.2016.7833331.

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Reports on the topic "Latin American Fantastic literature"

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Blyde, Juan S., Matías Busso, and Ana María Ibáñez. The Impact of Migration in Latin America and the Caribbean: A Review of Recent Evidence. Inter-American Development Bank, October 2020. http://dx.doi.org/10.18235/0002866.

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This paper summarizes recent evidence on the effects of migration on a variety of outcomes including labor markets, education, health, crime and prejudice, international trade, assimilation, family separation, diaspora networks, and return migration. Given the lack of studies looking at migration flows between developing countries, this paper contributes to fill a gap in the literature by providing evidence of the impact of South - South migration in general and for the Latin American countries in particular. The evidence highlighted in this summary provides useful insights for designing policies to leverage the developmental outcomes of migration while limiting its potential negative effects.
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Herbert, Sian. Covid-19, Conflict, and Governance Evidence Summary No.30. Institute of Development Studies (IDS), February 2021. http://dx.doi.org/10.19088/k4d.2021.028.

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This fortnightly Covid-19 (C19), Conflict, and Governance Evidence Summary aims to signpost the UK Foreign, Commonwealth and Development Office (FCDO) and other UK government departments to the latest evidence and opinions on C19, to inform and support their responses. Based on the feedback given in a recent survey, and analysis by the Xcept project, this summary is now focussing more on C19 policy responses. This summary features resources on: how youth empowerment programmes have reduced violence against girls during C19 (in Bolivia); why we need to embrace incertitude in disease preparedness responses; and how Latin American countries have been addressing widening gender inequality during C19. It also includes papers on other important themes: the role of female leadership during C19; and understanding policy responses in Africa to C19 The summary uses two main sections – (1) literature: – this includes policy papers, academic articles, and long-form articles that go deeper than the typical blog; and (2) blogs & news articles. It is the result of one day of work, and is thus indicative but not comprehensive of all issues or publications.
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Näslund-Hadley, Emma, Michelle Koussa, and Juan Manuel Hernández. Skills for Life: Stress and Brain Development in Early Childhood. Inter-American Development Bank, April 2021. http://dx.doi.org/10.18235/0003205.

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Learning to cope with disappointments and overcoming obstacles is part of growing up. By conquering some challenges, children develop resilience. Such normal stressors may include initiating a new activity or separation from parents during preschool hours. However, when the challenges in early childhood are intensified by important stressors happening outside their own lives, they may start to worry about the safety of themselves and their families. This may cause chronic stress, which interferes with their emotional, cognitive, and social development. In developing country contexts, it is especially hard to capture promptly the effects of stressors related to the COVID-19 pandemic on childrens cognitive and socioemotional development. In this note, we draw on the literature on the effect of stress on brain development and examine data from a recent survey of households with young children carried out in four Latin American countries to offer suggestions for policy responses. We suggest that early childhood and education systems play a decisive role in assessing and addressing childrens mental health needs. In the absence of forceful policy responses on multiple fronts, the mental health outcomes may become lasting.
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