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1

Puga, Ana Elena. "Gentle Transnational Spirits." TDR: The Drama Review 68, no. 2 (2024): 160–68. http://dx.doi.org/10.1017/s1054204324000030.

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Kamisato Yudai’s Immigrant Ghost Stories (2022) evokes past generations that suffered violence yet nevertheless haunt the present as gentle spirits, whether as reincarnated animals, reincarnated people, or repeated patterns of physical gesture and movement. Blurring the borders between fiction and documentary, storytelling and physical theatre, the work stages transnationality as both an economic practice and a sociocultural necessity, encouraging us to acknowledge the heterogeneity of Japanese–Latin American and other Japanese transnational identities.
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2

Espiritu, Yen Le. "About Ghost Stories: The Vietnam War and “Rememoration”." PMLA/Publications of the Modern Language Association of America 123, no. 5 (2008): 1700–1702. http://dx.doi.org/10.1632/pmla.2008.123.5.1700.

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In her book Ghostly matters: Haunting and the sociological imagination, avery gordon writes that “to study social life one must confront the ghostly aspects of it”—the experiential realities of social and political life that have been systematically hidden or erased. To confront the ghostly aspects of social life is to tell ghost stories: to pay attention to what modern history has rendered ghostly and to write into being the seething presence of the things that appear to be not there (Gordon 7–8). By most accounts, Vietnam was the site of one of the most brutal and destructive of the wars bet
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3

Gartenberg, Charlotte. "Inheriting Ghosts in Latin American Jewish Literature: Forging Stories and Selves Out of Deathly Pasts in Sergio Chejfec and Eduardo Halfon." Shofar: An Interdisciplinary Journal of Jewish Studies 39, no. 1 (2021): 120–40. http://dx.doi.org/10.1353/sho.2021.0011.

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4

Luster, Michael, and W. K. McNeil. "Ghost Stories from the American South." Arkansas Historical Quarterly 45, no. 1 (1986): 73. http://dx.doi.org/10.2307/40025538.

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5

Cochran, Robert, Richard Alan Young, and Judy Dockery Young. "Ghost Stories from the American Southwest." Arkansas Historical Quarterly 51, no. 2 (1992): 182. http://dx.doi.org/10.2307/40025854.

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6

McCarthy, William B., and W. K. McNeil. "Ghost Stories from the American South." South Central Review 3, no. 4 (1986): 116. http://dx.doi.org/10.2307/3189692.

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7

Burdick, Kim, and W. K. McNeil. "Ghost Stories from the American South." Journal of American Folklore 99, no. 393 (1986): 327. http://dx.doi.org/10.2307/540814.

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8

Brennan, Shannon, Leah B. Glasser, Paul J. Ohler, and Jana Tigchelaar. "Home and Unheimlich: The Ghost Stories of Edith Wharton, Mary E. Wilkins Freeman, and Harriet Beecher Stowe." Edith Wharton Review 41, no. 1 (2025): 49–73. https://doi.org/10.5325/editwharrevi.41.1.0049.

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Abstract The roundtable discussion brings Wharton's ghost stories into conversation with the ghost stories of Harriet Beecher Stowe and Mary E. Wilkins Freeman. Focusing on both continuities and discontinuities among the selected ghost stories, the four participating scholars explore these American women writers' interest in the uncanny, particularly through its presence in home spaces. The uses to which these three writers have put the genre of the ghost story offer essential threads in understanding the genealogy of women’s experiences of power.
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9

Zheng, Yi. "Writing about women in ghost stories: subversive representations of ideal femininity in “Nie Xiaoqian” and “Luella Miller”." Neohelicon 47, no. 2 (2020): 751–66. http://dx.doi.org/10.1007/s11059-020-00524-3.

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AbstractOn the one hand, because of the double historical prejudices from literary criticism against ghost stories and women’s writing, little attention has been paid to investigate the ideals of femininity in women’s ghost stories in nineteenth-century America. This article examines “Luella Miller,” a short story by Mary E. Wilkins Freeman, who indirectly but sharply criticized the ideal of femininity in her time by creating an exaggerated example of the cult of feminine fragility. On the other hand, although extensive research has been done on Chinese ghost stories, especially on the ghost h
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10

Maluly, Luciano Victor Barros. "Escrito por jornalistas latino-americanos, Remolinos surpreende ao experimentar narrativas jornalísticas sobre migração e refúgio." Revista Extraprensa 17, no. 2 (2024): 292–98. https://doi.org/10.11606/extraprensa2024.226563.

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Remolinos: stories of Latin American migrants in Europe, the United States and Canada is a collection of seven reports written by migrant journalists and researchers. The work, with stories of migration and refuge, has the merit of reporting these displacements and moving beyond them, narrating how Latin American migrants live, survive and reinvent themselves in countries of the global North. Published in 2024 and organized by journalist and doctor in Communication Sciences from the University of São Paulo Enio Moraes Júnior, the book has institutional support from the Center for Latin America
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11

Guerrero, Carolina. "Radio Ambulante: A wealth of Latin American stories." UNESCO Courier 2020, no. 1 (2020): 10–11. http://dx.doi.org/10.18356/8f3de0d6-en.

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12

Puleo, Gus, and Roberto Gonzalez Echevarria. "The Oxford Book of Latin American Short Stories." Hispanic Review 66, no. 4 (1998): 494. http://dx.doi.org/10.2307/474873.

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13

Hurley, Teresa M. "Violations: Stories of Love by Latin American Women." Bulletin of Spanish Studies 84, no. 1 (2007): 142–43. http://dx.doi.org/10.1080/14753820601141097.

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14

Gingrich, Brian P. "American Women’s Ghost Stories in the Gilded Age, by Dara Downey." Women's Studies 46, no. 8 (2017): 855–56. http://dx.doi.org/10.1080/00497878.2017.1396830.

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15

Țapu, Mihai. "Subverting Transnationalized Latin-American Machismo. Junot Diaz’s Short Stories." Metacritic Journal for Comparative Studies and Theory 6, no. 1 (2020): 132–46. http://dx.doi.org/10.24193/mjcst.2020.9.09.

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16

Davies, Lyell. "Telling Migrant Stories: Latin American Diaspora in Documentary Film." Canadian Journal of Film Studies 28, no. 1 (2019): 123–26. http://dx.doi.org/10.3138/cjfs.28.1.2019-0010.

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17

Foster, David William, and Ilán Stavans. "Tropical Synagogues: Short Stories by Jewish-Latin American Writers." World Literature Today 69, no. 1 (1995): 113. http://dx.doi.org/10.2307/40150910.

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18

Agosin, Marjorie. "Stories of night and dawn: Latin American women today." Women's Studies International Forum 8, no. 5 (1985): 507–9. http://dx.doi.org/10.1016/0277-5395(85)90081-0.

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19

Artz, Lee. "Telenovelas: Television Stories for Our Global Times." Perspectives on Global Development and Technology 14, no. 1-2 (2015): 193–226. http://dx.doi.org/10.1163/15691497-12341341.

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A complete international political economy connects transnational media structures with programming content demonstrating themes and ideologies that promote transnational capitalist social relations, including consumerism, individualism, deference to authority, and a dampening of citizenship. Series melodramas, known internationally as telenovelas, does not appear as a cultural or media response by Latin American cultures resisting American imperialism, but as a hybrid genre articulating popular consent for transnational capitalist hegemony.
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20

FARRINGTON, TOM. "The Ghost Dance and the Politics of Exclusion in Sherman Alexie's “Distances.”." Journal of American Studies 47, no. 2 (2013): 521–40. http://dx.doi.org/10.1017/s0021875812001417.

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Critical responses to (Spokane/Coeur d'Alene) Sherman Alexie's stories of the Spokane Indian reservation and its (semi-)fictional inhabitants in The Lone Ranger and Tonto Fistfight in Heaven (1993, herein TLR) tend to polarize over the problem of the collection's cultural authenticity. The majority of these criticisms fall into one of two categories: those who condemn the author's prose for trafficking moribund Indian stereotypes, and those who defend his commitment to realistic portrayals of a struggling reservation community. In either case, it is the perceived capacity of the stories to dev
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21

Fuentes, Víctor. "Surrealism in Latin American Literature: Searching for Breton’s Ghost by Melanie Nicholson." Hispanic Review 82, no. 3 (2014): 377–80. http://dx.doi.org/10.1353/hir.2014.0028.

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22

Gutiérrez, Manuel. "Surrealism in Latin American Literature: Searching for Breton’s Ghost by Melanie Nicholson." Revista de Estudios Hispánicos 49, no. 1 (2015): 205–8. http://dx.doi.org/10.1353/rvs.2015.0003.

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23

Lacy-Salazar, Carol. "Landscapes of a New Land: Fiction by Latin American Women; Short Stories by Latin American Women: The Magic and the Real:Landscapes of a New Land: Fiction by Latin American Women.;Short Stories by Latin American Women: The Magic and the Real." Latin American Anthropology Review 5, no. 2 (1993): 99–100. http://dx.doi.org/10.1525/jlat.1993.5.2.99.

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24

Molina-Gavilán, Yolanda, Andrea Bell, Miguel Ángel Fernández-Delgado, M. Elizabeth Ginway, Luis Pestarini, and Juan Carlos Toledano Redondo. "Chronology of Latin American Science Fiction, 1775-2005." Science Fiction Studies 34, Part 3 (2007): 369–431. https://doi.org/10.1525/sfs.34.3.0369.

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This bibliography presents the most comprehensive inventory to date of science fiction published in Latin America. Arranged chronologically and spanning more than two centuries (1775-2005), it gives bibliographic information about sf novels, anthologies, magazines, and key short stories originally published in Spanish or Portuguese. The listings are prefaced by an essay that reviews the genre’s development and its major exponents in each country and region studied. The bibliography also contains a directory of primary works available in English translation and concludes with a guide to relevan
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25

Lindstrom, Naomi, and Kathy S. Leonard. "Cruel Fictions, Cruel Realities: Short Stories by Latin American Women Writers." World Literature Today 72, no. 2 (1998): 345. http://dx.doi.org/10.2307/40153799.

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26

Meyer, Doris, and Celia Correas de Zapata. "Short Stories by Latin American Women: The Magic and the Real." Hispania 75, no. 1 (1992): 117. http://dx.doi.org/10.2307/344766.

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27

Schwartz, Marcy. "Reading on Wheels: Stories of Convivencia in the Latin American City." Latin American Research Review 51, no. 3 (2016): 181–201. http://dx.doi.org/10.1353/lar.2016.0040.

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28

Cervone, Emma. "Of Calimero and other stories." Revista Euro latinoamericana de Análisis Social y Político (RELASP) 3, no. 6 (2023): 55–80. http://dx.doi.org/10.35305/rr.v3i6.93.

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In my article, I explore the common roots of the different expressions, manifestations, politics, and embodiments of anti-black racism by examining the similarities and differences of anti-black imaginaries in Italy and the way they resonate with anti-black racism in the African diaspora contexts, including the Latin American one. While this comparative perspective reaffirms the global dimension of different forms of racism and anti-racist struggles, it also places the case of Italy, with its colonial past and postcolonial present, in direct conversation with the larger global context of racis
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29

Chasteen, John Charles. "Fighting Words: The Discourse of Insurgency in Latin American History." Latin American Research Review 28, no. 3 (1993): 83–111. http://dx.doi.org/10.1017/s0023879100016964.

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“What I suffer is pleasant because it shows that I am putting myself above the run of common men, that I am worthy of my Patria and of you…” Insurgent officer to his wife, 1893 The appeal of sacrifice so frequently encountered in expressions of nationalism is an equally familiar theme in the rhetoric of political warfare in Latin America. Stories of political warfare take up a considerable part of Latin American historiography. The intent of this exploratory article is to suggest how the rhetoric and narrative written about nineteenth-century insurgency can be read to illuminate the political
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30

Santiago Vispo, Nelson. "Energizing a Sustainable Future: Latin American Chemistry's Crucial Role." Bionatura Journal 1, no. 3 (2024): 1–4. http://dx.doi.org/10.70099/bj/2024.01.03.24.

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Latin America, a region rich in renewable energy potential, faces a pivotal moment in its energy evolution. The abundant sunlight, wind, and water resources present a clear path toward clean and sustainable energy generation. However, historical challenges such as high technology costs, limited government support, and infrastructure gaps have hindered progress.1 Recent developments offer a glimmer of hope. The falling cost of renewable technologies, coupled with a growing awareness of climate change and increasing government support, fosters a favorable environment for change. The success stor
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31

Jasim Mohammed, Mohammed Nasif, and Waad Adil Lateef. "Horror and Fear in Ghost Stories: A Comparison between Henry James’s “The Turn of the Screw” and Edgar Allan Poe’s “The Fall of the House Usher”." JOURNAL OF LANGUAGE STUDIES 4, no. 4 (2023): 656–66. http://dx.doi.org/10.25130/jls.4.4.32.

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The Present paper discusses Horror and fear in Henry James’ “The Turn of the Screw” and Poe’s “The fall of the House Usher”, which are ghost stories. It compares and contrasts the two stories in accordance with American school. The aim of the compararison is to find out the implications and the underlying identities of both similarities and differences so that even the differences can be given their proper place in a deeper and more comprehensive understanding of the artist. The study applies the theory of suspense to analyze the theme of the unknown in the two stories of mystery and suspense.
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32

Ramírez-Blacio, Anita Maribel, Víctor Hugo Briones-Kusactay, María Fernanda Contreras-Peña, et al. "New Business Opportunities for Latin American Small and Medium-Sized Enterprises in the Context of the Space Age." Journal of Posthumanism 5, no. 5 (2025): 707–13. https://doi.org/10.63332/joph.v5i5.1382.

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The growing global space economy presents significant opportunities for small and medium-sized enterprises (SMEs) in Latin America. This article explores how Latin American SMEs can be integrated into the spatial value chain, taking advantage of market expansion, digitalization and international partnerships. Through an analysis of public policies, market trends and success stories, strategies are identified for SMEs to participate in sectors such as component manufacturing, satellite data services and Internet of Things (IoT) applications.
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33

Betancourt, Manuel. "Melodrama, Telenovela, and the New Latin American Women’s Picture." Film Quarterly 74, no. 2 (2020): 95–99. http://dx.doi.org/10.1525/fq.2020.74.2.95.

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FQ columnist Manuel Betancourt examines how the Latin American tradition of melodrama is being reimagined by contemporary filmmakers in ways that reveal its ongoing relevance. Focusing on four recent films—Los adioses (The Eternal Feminine, dir. Natalia Beristáin, 2017), Amores modernos (Modern Loves, dir. Matías Meyer, 2020), La quietud (The Quietude, dir. Pablo Trapero, 2018), and A vida invisível (Invisible Life, dir. Karim Aïnouz, 2019)—Betancourt suggests that these recent riffs on the genre present fertile ground for narratives about how women’s agency and bodies remain tethered to patri
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34

Feal, Rosemary Geisdorfer, Kathleen Ross, Yvette E. Miller, and Enrique Jaramillo Levi. "Scents of Wood and Silence: Short Stories by Latin American Women Writers." Hispania 75, no. 5 (1992): 1205. http://dx.doi.org/10.2307/344385.

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35

Lockhart, Darrell B. "Tropical Synagogues: Short Stories by Jewish-Latin American Writers (review)." Shofar: An Interdisciplinary Journal of Jewish Studies 13, no. 2 (1995): 135–37. http://dx.doi.org/10.1353/sho.1995.0036.

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36

Lacy-Salazar, Carol. "Landscapes of a New Land: Fiction by Latin American Women; Short Stories by Latin American Women: The Magic and the Real." Latin American Anthropology Review 5, no. 2 (2008): 99–100. http://dx.doi.org/10.1525/jlca.1993.5.2.99.

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37

Glickman, Nora. "Latin American Jewish Documentaries by Women: An Emerging Genre." Latin American Jewish Studies 2, no. 2 (2024): 5–18. https://doi.org/10.26613/lajs/2.2.35.

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Abstract In this article, I look at the documentary films of four Latin American Jewish directors whose filmography has rapidly expanded over the past two decades: Guita Schyfter from Mexico, Sandra Kogut from Brazil, Jeanine Meerapfeel from Argentina and Germany, and Gabriela Bohm from Argentina and the United States. In the course of interviews conduct­ed in their films, the directors-descendants of Holocaust survivors-juxtapose the testi­monies of people who emigrated from Europe to Latin America with stories of their own journeys from America to Europe. It explores how they react to their
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38

Sorgenfrei, Carol Fisher. "‘Supernatural Soliciting’: Pathways from Betrayal to Retribution in Macbeth and Yotsuya Kaidan." New Theatre Quarterly 31, no. 1 (2015): 28–32. http://dx.doi.org/10.1017/s0266464x15000032.

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Although written two centuries apart and in divergent cultures, the kabuki play Tōkaidō Yotsuya Kaidan and Shakespeare's Macbeth exhibit marked similarities (as well as differences) in plot. Here, Carol Fisher Sorgenfrei analyzes some of the ways that these plays reflect (mostly male) anxieties regarding shifting patterns of gender and political power in Jacobean England and Tokugawa Japan. Professor Emerita of Theatre at UCLA, Carol Fisher Sorgenfrei is a specialist in Japanese theatre and intercultural performance, and was recently a Research Fellow at the International Research Institute in
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39

Lie, Nadia. "Two Forms of Multidirectional Memory:Um Passaporte HúngaroandEl abrazo partido." European Review 22, no. 4 (2014): 575–84. http://dx.doi.org/10.1017/s1062798714000362.

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This article confronts two films about the request for a European passport by a Latin American citizen:Um Passaporte Húngaro(A Hungarian Passport, 2001) andEl abrazo partido(Lost Embrace, 2003). Both films deal with memory of the Jewish-Latin American migration that took place within the context of the Holocaust, and both gear this problematic towards other, more contemporary, stories of displacement. It is argued that this multidirectional quality operates in two ways in relation to the concept of nationality: whereas one film puts it to work in order to critique and deconstruct the nation (c
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40

Ehrick, Christine. "Buenas Vecinas?" Feminist Media Histories 5, no. 3 (2019): 60–84. http://dx.doi.org/10.1525/fmh.2019.5.3.60.

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During World War II, US–Latin American relations were shaped by the noninterventionist Good Neighbor policy and the projection of soft power via US government-orchestrated public relations and propaganda campaigns. This included extensive film and radio propaganda overseen by the US Office of Inter-American Affairs (OIAA) and disseminated throughout the region. One dimension of that campaign involved radio propaganda aimed specifically at women, who were regaled with stories of heroic Latin American women and carefully curated female perspectives on life in the United States during wartime. In
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41

Hirschman, Albert O. "The Political Economy of Latin American Development: Seven Exercises in Retrospection." Latin American Research Review 22, no. 3 (1987): 7–36. http://dx.doi.org/10.1017/s0023879100036992.

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In revisiting Latin America to gather impressions for this essay, I soon convinced myself that the most conspicuous characteristic of the region's recent experience is diversity and that the most interesting stories to be told are about specific, often contrasting experiences of individual countries. So, except for the first and last sections, I shall not deal here with Latin America in overall terms. Rather, I shall present a series of loosely connected and necessarily brief “exercises” in comparative political economy. Not surprisingly, primary attention will be given to the four countries I
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42

Muganiwa, Josephine. "AN ANALYSIS OF THE PORTRAYAL OF WOMEN IN GABRIEL GARCIA MARQUEZ’S STRANGE PILGRIMS." Latin American Report 30, no. 1 (2017): 41–48. http://dx.doi.org/10.25159/0256-6060/2173.

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This article analyses the portrayal of women by Gabriel Garcia Marquez (1927–2014) in his collection of short stories, Strange pilgrims (1992). It consists of 12 stories and offers a variety of women in various roles.This helps to answer the question on whether Marquez is sympathetic towards women (housewives, prostitutes, clerks and fortune tellers to name a few). Does he dismiss them as victims? Are they villains? Are the women actively involved in influencing the course of their lives? How representative are they of the Latin American character?
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43

Andermann, Jens. "Placing Latin American memory: Sites and the politics of mourning." Memory Studies 8, no. 1 (2014): 3–8. http://dx.doi.org/10.1177/1750698014552402.

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This introduction sketches out some spatial and locational aspects of memory and mourning in postdictatorial Latin America. The special issue aims to shed light on memorial sites’ role in the process of reclaiming individual and collective stories from victims of dictatorial repression. If, as Susana Draper has argued, during Latin America’s “return to democracy,” an “architectonics of transition” inscribed in urban spaces new diagrams of citizenship and exclusion predicated on the timeless present of consumption, memory’s “architectures of affect” commemorating victims of past state terror re
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44

Aultman, Julie M. "Abuses and Apologies: Irresponsible Conduct of Human Subjects Research in Latin America." Journal of Law, Medicine & Ethics 41, no. 1 (2013): 353–68. http://dx.doi.org/10.1111/jlme.12025.

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As much as we can be squeamish and angry over what was being done in these studies, they force us to consider how we tell these stories and the policy we make now, as so much of our research is global and the risks and benefits of experimentation always in need of recalibration.Susan M. ReverbyA growing distrust exists among Latin American populations as past abuses in medical research have rightly been publicized, and as researchers continue to intentionally and unintentionally circumvent the systems of regulation and oversight. Beyond the cultural gaps between researcher and subject, the Lat
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45

Watson, James. "Quintus in Britannia: visiting Roman Britain with the Cambridge Latin Course." Journal of Classics Teaching 21, no. 41 (2020): 90–96. http://dx.doi.org/10.1017/s2058631020000094.

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AbstractThis article records its author's travels to sites in Britain that either provide settings for or are relevant to the stories of the Cambridge Latin Course. A version of this article was delivered as an oral presentation, entitled ‘In the footsteps of Quintus Caecilius: visiting Roman Britain with the Cambridge Latin Course’, at the American Classical League Centennial Institute in New York in June 2019. The article provides an overview of the sites, attempts to situate them in the geography and history of Roman Britain, and considers how such knowledge might be of benefit to teachers
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46

Chavolla, Hugo, and Ignacio López-Calvo. "Arab-Latin American Literary Perspectives on the Palestinian Exile." Theory in Action 17, no. 4 (2024): 47–65. http://dx.doi.org/10.3798/tia.1937-0237.2419.

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Latin America has been deeply involved in the Israeli-Palestinian conflict, with some countries taking a firm stance for one side or the other. While some countries have been vocal in their support, common threads run through the region’s perspective on the conflict: believing in the importance of a two-state solution and focusing on human rights. But beyond the political and economic support provided to the Palestinian cause, Latin American countries have also served as cultural exclaves and safe spaces for Palestinian communities across Latin America. In this essay, we aim to delve into the
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47

Pérez-Torres, Rafael. "Gatekeeping Stories of Dissent and Mobility." American Literary History 31, no. 2 (2019): 312–24. http://dx.doi.org/10.1093/alh/ajz012.

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AbstractThree new studies consider the significance of storytelling in a Latinx and hemispheric American context around the turn of the millennium. Where neoliberal policies seem to position ethnoracial subjectivities in realms of social abjection or racial containment, these studies contribute to interdisciplinary conversations about racial affiliation, economic aspiration, and political dissent in literature. Each considers writers either engaging complex negotiations between racial and class affiliations, challenging social expectations for cultural products in an ethnic marketplace, or spe
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48

Betancourt, Manuel. "Cineando: The Master's House: Latin American Cinema's New Class-Warfare Genre." Film Quarterly 74, no. 1 (2020): 80–83. http://dx.doi.org/10.1525/fq.2020.74.1.80.

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While Bong Joon-ho's Parasite is the most well-known recent example of the home-invasion thriller, Latin American cinema has produced a number of other films—many made before Bong's Oscar-winning film premiered at the 2019 Cannes Film Festival—using similar settings to create urgent stories about economic inequality. Emerging during a period of political and economic instability, these films present the luxury home as a stand in for an antiseptic capitalist order and a dulled bourgeois complacency, providing its occupants with a sense of safety and comfort that is as arbitrary as it is illusor
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49

Carrasco, Davíd. "Borderlands and the “biblical hurricane”: Images and Stories of Latin American Rhythms of Life." Harvard Theological Review 101, no. 3-4 (2008): 353–76. http://dx.doi.org/10.1017/s0017816008001909.

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Macondo was already a fearful whirlwind of dust and rubble being spun about by the wrath of the biblical hurricane when Aureliano skipped eleven pages so as not to lose time with facts he knew only too well, and he began to decipher the instant that he was living, deciphering it as he lived it, prophesying himself in the act of deciphering.
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50

Riascos, Jaime. "Ancient and Indigenous Stories: Their Ethics and Power Reflected in Latin American Storytelling Movements." Marvels & Tales 21, no. 2 (2007): 253–67. http://dx.doi.org/10.1353/mat.2007.a241689.

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