Academic literature on the topic 'Latin American literature|Latin American history|Womens studies'

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Journal articles on the topic "Latin American literature|Latin American history|Womens studies"

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Rostagno, Irene. "Waldo Frank's Crusade for Latin American Literature." Americas 46, no. 1 (July 1989): 41–69. http://dx.doi.org/10.2307/1007393.

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Waldo Frank, who is now forgotten in Latin America, was once the most frequently read and admired North American author there. Though his work is largely neglected in the U.S., he was at one time the leading North American expert on Latin American writing. His name looms large in tracing the careers of Latin American writers in this country before 1940. Long before Franklin D. Roosevelt launched the Good Neighbor policy, Frank brought back to his countrymen news of Latin American culture.Frank went to South America when he was almost forty. The youthful dreams of Frank and his fellow pre-World War I writers and artists to make their country a fit place for cultural renaissance that would change society had waned with the onset of the twenties.1 But they had not completely vanished. Disgruntled by the climate of "normalcy" prevailing in America after World War I, he turned to Latin America. He started out in the Southwest. The remnants of Mexican culture he found in Arizona and New Mexico enticed him to venture further into the Hispanic world. In 1921 he traveled extensively in Spain and in 1929 spent six months exploring Latin America.
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Graham-Jones, Jean. "Latin American(ist) Theatre History: Bridging the Divides." Theatre Survey 47, no. 2 (September 12, 2006): 209–15. http://dx.doi.org/10.1017/s0040557406000172.

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In October 2004, I edited Theatre Journal's special issue on Latin American theatre. In addition to five essays on subjects ranging from sixteenth-century Amerindian performance to a twenty-first-century Mexican adaptation of an Irish play, that issue included a forum on the state of Latin American theatre and performance studies in the United States today. Even though the thirteen respondents resided, independently or as affiliates, in different disciplinary homes (theatre, performance, languages, and literature) and took multiple points of departure, a common thread ran throughout their comments: the need for the U.S. academy to study and teach the diversity that is known as Latin America.1 Tamara Underiner succinctly notes that “Latin America has never answered easily as an object of inquiry for theatre studies.”2 Indeed, studying Latin American theatre and performance poses very specific challenges: the region encompasses some twenty countries whose national borders obscure larger geographical, cultural, religious, political, and socioeconomic networks; a multiplicity of languages—European, dialectal, and indigenous to the hemisphere—are still spoken, written, and performed; and numerous intersecting histories extend back far beyond the five hundred years since the Europeans arrived and precipitated what today we euphemistically refer to as “contact.” Latin America does not terminate at the U.S.–Mexican border; thus although I'm cognizant of the attendant complications when including the U.S. latino/a communities in a discussion of Latin American theatre, the cultural network is such that I consider any arbitrary separation counter to the purposes of this reflection. Otherwise, how can we take into account the larger networks navigated by such U.S.-based playwrights as Guillermo Reyes (born in Chile but raised in the United States and the author of plays about Chilean history as well as specifically U.S. identities) or Ariel Dorfman (born in Argentina, raised in New York City and Santiago, Chile, now a professor at Duke, and author of English-language plays whose subject matter is frequently authoritarian Latin America)?
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Perus, Françoise. "Historiography and regionalism in Latin American literature." Journal of Latin American Cultural Studies 6, no. 2 (November 1997): 173–81. http://dx.doi.org/10.1080/13569329709361910.

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Wiarda, Howard J. "The Political Sociology of a Concept: Corporatism and the “Distinct Tradition”." Americas 66, no. 1 (July 2009): 81–106. http://dx.doi.org/10.1353/tam.0.0155.

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The field of Latin American Studies owes much to Professor Howard J. Wiarda, whose pioneering work on “corporatism” and political culture during the 1960s and 1970s helped establish a new conceptual paradigm for interpreting the persistence of corporately defined, institutional identities throughout Latin America, despite the purported triumph of the “Liberal Tradition.” A child of Dutch parents, his early travels throughout Africa, Asia, and Latin America sparked a keen interest in the question of “third world development.” Entering graduate school in the early 1960s, Professor Wiarda gravitated to the newly emergent field of modernization studies at the University of Florida, where he received his masters and doctorate degrees in Latin American politics. It was a time of tremendous social ferment in Latin America and his early fieldwork took him to the Dominican Republic, Mexico and Brazil, among other places. In each instance, he found recognizable patterns that transcended geographic locations, patterns that seemed to directly challenge the predominant arguments set forth in the modernization literature at the time.
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Kofman, Andrey F. "Matriarch of Latin American Studies in Russia. Vera Kuteishchikova’s Birth Centenary." Literature of the Americas, no. 9 (2020): 283–307. http://dx.doi.org/10.22455/2541-7894-2020-9-283-307.

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The paper is dedicated to the famous Russian Latin Americanist Vera Nikolaevna Kuteishchikova (1919–2012), who became the second Russian woman after A. Kollontai to be awarded with the Mexican Order of the Aztec Eagle for her merits in the study of Mexican literature. However, V. Kuteishchikova’s specialization was not limited to the Mexican literature; her academic interests included a wide range of issues. The paper demonstrates that she laid the foundations for the scientific study of Latin American literature in Russia and outlined the ways for further research in the field. Therefore, V. Kuteishchikova’s life and work are considered in an inseparable context with the development of Latin American literary studies in Russia. The list of the Russian editions and translations of Latin American writers and the number of critical works published before the 1960s clearly confirm the fact that until then Latin American literary studies did not exist as an independent branch of philological science in Russia, since Russian scholars had a very vague notion of the Latin American literature. The first research work in philology on the Latin American literature was the monograph by V.N. Kuteishchikova Latin American Novel in the XX century (1964). The paper pays special attention to this significant work. An analysis of this book proves that its author identified and revealed a number of essential topics and problems that would be center of Latin American studies in Russia. With an amazing sagacity V.N. Kuteishchikova mapped out a program for Latin American studies for half a century ahead. These ideas were developed in her work in 1970s, in particular, in New Latin American Novel (1976), co-written with her husband, L.S. Ospovat. The paper traces the participation of V.N. Kuteishchikova in the creation of the academic five-volume History of Latin American Literatures; analyzes her last book Moscow – Mexico – Moscow. A Lifelong Road (2000), gives a spiritual portrait of the Russian scholar.
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Hernández, Paola S. "Latin American Shakespeares." Luso-Brazilian Review 43, no. 2 (2006): 176–78. http://dx.doi.org/10.1353/lbr.2007.0008.

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Charles, Jenneil. "Colorism and the Afro-Latinx Experience: A Review of the Literature." Hispanic Journal of Behavioral Sciences 43, no. 1-2 (February 2021): 8–31. http://dx.doi.org/10.1177/07399863211027378.

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Using Bronfenbrenner’s Social Ecological Model, this systematic critical literature review investigated factors that contributed to the development of colorism, as well as the effects of colorism on Afro-Latinx persons, in Brazil, Mexico, and Puerto Rico, and the wider Latin American region. Agencies within the macrosystem and chronosystem were used to investigate factors involved in instituting colorism in Latin America. Constituents of the microsystem and mesosystem were used to research the effects of colorism on Afro-Latinx persons. The development of colorism ideologies and practices in Latin America was largely due to the endorsement of laws, cultural values, and cultural beliefs that arose from the perceptions and interactions between the region’s main ethnic groups and the biases that emerged from these interactions during key eras throughout their history. It was found that several studies documented the de facto impact of colorism on the family, school, community, and professional lives of Afro-Latinx persons.
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Perea, Natalia Sobrevilla. "The Enduring Power of Patronage in Peruvian Elections: Quispicanchis, 1860." Americas 67, no. 1 (July 2010): 31–55. http://dx.doi.org/10.1353/tam.0.0300.

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Political patronage was at the very basis of society's functioning in nineteenth-century Latin America, yet we still know very little about its inner dynamics. Recent analyses of national politics have questioned the idea that Latin American elections were restrictive and fraudulent, or that there was no effective citizenship. These studies have widened the understanding of political participation, and have argued persuasively for the agency of those who had been previously reduced to the background. Leading scholars have stressed the importance of early widespread suffrage and electoral mobilization in Latin America, noting that detailed analysis of local power struggles promise to reveal the dynamics of social structures and electoral politics. This new literature has also firmly established that in Latin America the process through which this happened was not linear, as generous voting rights were often restricted over time.
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CARROLL R, M. Daniel. "The Prophetic Text and the Literature of Dissent in Latin America: Amos, Garcia Marquez, and Cabrera Infante Dismantle Militarism." Biblical Interpretation 4, no. 1 (1996): 76–100. http://dx.doi.org/10.1163/156851596x00121.

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AbstractThis article attempts a reading of the final form of Amos within the framework of the literary tradition of the novels of dissent in Latin America. Works by the Colombian Gabriel Garcia Márquez and the Cuban Guillermo Cabrera Infante are presented in order to demonstrate how literary strategies can take apart the pretense and cruelty of the militarism so endemic to Latin American history and society. The reading of Amos shows how pervasive militarism is in the world of the prophetic text and highlights how that text ridicules and condemns it through literary technique. Amos, therefore, echoes many of the concerns of Latin American texts. As the scripture of the Christian church, however, Amos not only can be read alongside of other protest literature but can also make a particular contribution to help the people of God on that continent confront the harsh realities of life.
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Valente, Luiz Fernando. "The Cambridge History of Latin American Literature. Vol. 3: Brazilian Literature, Bibliographies." Hispanic American Historical Review 80, no. 1 (February 1, 2000): 159–60. http://dx.doi.org/10.1215/00182168-80-1-159.

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Dissertations / Theses on the topic "Latin American literature|Latin American history|Womens studies"

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Martinez-Raguso, Michael. "(De)forming woman| Images of feminine political subjectivity in Latin American literature, from disappearance to femicide." Thesis, State University of New York at Buffalo, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3725958.

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The question at the root of this study is why the political formation of state power in Latin America always seems to be accompanied by violence against women. Two threads run throughout: an analysis of the relation between image, violence, and subject formation; and the application of this theory to the political violence exerted upon feminine subjectivity in relation to state formation in Latin America. I trace the marginalization of women through experimental dictatorial fiction of the Southern Cone up to the crisis of femicide that has emerged alongside the so-called narco-state in Mexico in the wake of NAFTA. I argue that Latin American feminist thought has sought to articulate itself as a post-hegemonic force of interruption from within the dominant order, a project that is problematized in the face of the perverse seriality of the femicide crimes and the intolerable yet enigmatic power of which they become a forced representation.

The first chapter stages a close reading of Salvador Elizondo’s Farabeuf (1965), locating in the novel’s engagement with a photograph of the Chinese Leng Tch’é execution a theory of the relation between cut, image, and the female body that understands the subtraction of the feminine as the foundation of the political. The second chapter turns to the structure of dictatorial violence in Argentina, looking at Alejandra Pizarnik’s La condesa sangrienta (1965) and Luisa Valenzuela’s “Cambio de armas” (1982) alongside the Argentine Revolution and the Dirty War, respectively. Pizarnik’s meditation on Elizabeth Bathory’s crimes highlights both the fetishization of the subversive body and the inevitable failure of sovereign power to designate itself. Valenzuela’s fragmentary story deconstructs the notion of erasure at the heart of the regime’s use of forced disappearance by staging a perverse sexual relation within an environment of domestic confinement. The third chapter examines Diamela Eltit’s critique of neoliberalism during the Pinochet regime in Chile through her cinematographic novel Lumpérica (1983) before following this economic trail northward to the femicide crisis that has ravaged the Mexican-U.S. border since 1993. I demonstrate that both oppressive power structures—official and unofficial—are founded on the fusion of economic and gender violence. A reading of Roberto Bolaño’s 2666 through the notion of the exquisite corpse situates this urgent crisis in relation to globalization and the postmodern world of images, technology, efficiency, and instantaneity for which it becomes a disturbing emblem.

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Matousek, Amanda Leah. "Born of Coatlicue: Literary Inscriptions of Women in Violence from the Mexican Revolution to the Drug War." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366249191.

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Arroyo, Calderon Patricia. "Cada uno en su sitio y cada cosa en su lugar. Imaginarios de desigualdad en America Central (1870-1900)." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1437570606.

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Joffroy, Michelle. "Engendering a revolution: Crisis, feminine subjects, and the fictionalization of 1968 in three contemporary Mexican novels by women." Diss., The University of Arizona, 1999. http://hdl.handle.net/10150/283983.

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The objectives of this dissertation are the following. To define the parameters of the novela del 68 and to argue for the conceptualization of a gendered novela del 68 as expressed in the analysis of the three novels under consideration: Panico o peligro, by Maria Luisa Puga (1983), Los octubres del otono, by Martha Robles (1982), and Los testigos, by Emma Prieto (1985; to analyze the alternative discourses and subjectivities textualized in these novels; and to analyze the "gendering" and fictionalization of the 1968 Mexican student movement. Chapter 1 provides a detailed introduction to the novela del 68 as defined in contemporary Mexican literary and cultural criticism. It provides a general overview of the major works of the novela del 68 along with a discussion of the critics who have been instrumental in defining, analyzing, and codifying the novela del 68. Chapter 2 examines how Panico o Peligro, by Maria Luisa Puga establishes a dialogical relationship to the representative works of the novela del 68 as defined by Medina and Martre. It is argued that this relationship is marked by a central structural conflict between assimilation of a traditional testimonial/autobiographical model, and differentiation by means of the strategic narrative device of autobiographical simulation. Chapter 3 examines Martha Robles's Los octubres del otono , and proposes that the novel deconstructs the traditional novela del 68's binary oppositional model of representation. This chapter presents an argument for the novel as a radial reading of history, incorporating the semiotic theories of paragrams as developed by Julia Kristeva and Severo Sarduy. Chapter 4 analyzes how Emma Prieto's Los testigos refocuses the cultural and political conflicts of 1968 through the lens of class and social identity. This chapter shows how the novel recasts the internal struggles of the MPE in the guise of a political love triangle, utilizing the language of popular detective and romance fiction to sublimate discourses of class power and masculine social and cultural hegemony. It is argued that the novel subverts a model of identity construction in the traditional novela del 68 which evades the problematics of class and gender identity.
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Palmer, Cynthia Lee. "Restoring presence, reconstructing history: Investigative narratives by Argentine women writers." Diss., The University of Arizona, 2000. http://hdl.handle.net/10150/284214.

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Argentina was ruled by a military dictatorship from 1976-1983, and underwent a period of intense political repression. This dissertation examines how three Argentine women writers--Edna Pozzi, Martha Gavensky, and Matilde Sanchez--approach the problem of reconstructing history in the aftermath of the military dictatorship from both a feminine and feminist perspective. Three novels published after the return to democratic rule are analyzed: El lento rostro de la inocencia (1983) by Edna Pozzi, Martin o el Juego de la Oca (1986) by Martha Gavensky, and El Dock (1993) by Matilde Sanchez. The purpose of this research is to show how these works, framed as investigative narratives constructed around female absence, constitute gendered histories of the Proceso de Reorganizacion Nacional (Proceso) and the "Dirty War". The conspicuous absence of the central female subject in these novels evokes multiple levels of silence and absenting of the feminine in patriarchal society and the authoritarian state. It is suggested that these endeavor to reinscribe a multiplicity of female experiences into national history, writing against the masculinist historical tradition that has systematically "disappeared" the feminine.
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Meisky, Kathleen. "La poderosa sexualidad femenina y la mujer decimononica: La falsificacion de Eliza Alicia Lynch, la Madama Paraguaya." Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1366932793.

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Myers, Melissa L. "Mujeres Fuertes: Strong Women in Environmental Work on the US-Mexico Border." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1274723786.

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Diaz, Velez Jorge. "Una Mirada Dialectica a las Representaciones Discursivas de la Invasion Estadounidense a Puerto Rico en 1898." Thesis, University of California, Berkeley, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10278213.

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The Spanish-American War of 1898 ended Spain’s colonial empire in the Western Hemisphere, and represented the symbolic pinnacle of U.S. imperialism throughout the Caribbean and the Pacific. During this historical juncture, the U.S. launched the invasion of Puerto Rico and established itself as the governing power. My analysis of this defining event in Puerto Rico’s history focuses on the ‘discursive’ and ‘representational’ practices through which the dominant representations and interpretations of the Puerto Rican campaign were constructed. In revisiting the U.S. ‘imperial texts’ of ’98, most of which have not been studied extensively, it is my intent to approach these narratives critically, studying their ideological and political significance regarding the U.S. acquisition of Puerto Rico as a colony.

The ‘War of ’98’ has been typically represented as an inter-metropolitan conflict, thus relegating to a secondary place the contestatory discourses produced within the colonies. It is the purpose of my dissertation to examine ‘dialectically’ the cultural counter-discourse produced by the Puerto Rican Creole elite alongside the U.S. official discourses on Puerto Rico, concerning its colonial past under Spanish domination, the military occupation of the island, and its political and economical future under the American flag. With this purpose in mind, I chose to study four post-1898 Puerto Rican novels, specifically José Pérez Losada’s La patulea (1906) and El manglar (1907), and Ramón Juliá Marín’s Tierra adentro (1912) and La gleba (1913), all of which have been underestimated and understudied by literary scholars.

As a gesture of resistance in the face of the disruption of the old social order (that is, the old patterns of life, customs, traditions and standards of value) caused by the U.S. invasion and occupation of Puerto Rico in 1898, the island’s intellectual elite—most of which were descendant of the displaced coffee hacendado families—responded by fabricating an ideology-driven national imaginary and iconography that proposed a hispanophile, nostalgic, and romanticized rendering of the late-19th century coffee landscape (i.e. the pre-invasion period) as an idyllic locus amoenus, thus becoming an emblem of national and cultural identity and values against American capitalist imperialism, the ‘Americanization’ of Puerto Rico’s economy and political system, and the rapid expansion of U.S. corporate sugar interests.

This dissertation has two distinct yet complementary purposes: first, it examines critically the imperial/colonial power relations between the United States and Puerto Rico since 1898, while questioning the hegemonic discourses both by the Americans and the Puerto Rican cultural elite regarding Puerto Rico’s historical and political paths; secondly, it is an attempt to do justice to the literary works of two overlooked Puerto Rican novelists, approaching them critically on several levels (historical, literary, and ideological) and bringing their works out of the shadows and into today’s renewed debates around Puerto Rico’s unresolved colonial status and U.S. colonial practices still prevalent today.

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Escondo, Kristina A. "Anti-Colonial Archipelagos: Expressions of Agency and Modernity in the Caribbean and the Philippines, 1880-1910." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1405510408.

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Miklos, Alicia Z. "Mediated Intimacies: Legal, Literary, and Journalistic Textualities of Gender Violence in Post-War Nicaragua." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429722169.

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Books on the topic "Latin American literature|Latin American history|Womens studies"

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Libre acceso: Latin American literature and film through disability studies. Albany: State University of New York Press, 2016.

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Gregory Rabassa's Latin American literature: A translator's visible legacy. Lewisberg, Pa: Bucknell University Press, 2010.

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Jitrik, Noé. The Noé Jitrik reader: Selected essays on Latin American literature. Durham: Duke University Press, 2005.

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Louisiana Conference on Hispanic Languages and Literatures (28th : 2012 : Baton Rouge, La.), ed. New readings in Latin American and Spanish literary and cultural studies. Newcastle Upon Tyne: Cambridge Scholars Pub., 2014.

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1942-, Pérez Bustillo Mireya, ed. The female body: Perspectives of Latin American artists. Westport, Conn: Greenwood Press, 2002.

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James, Higgins. A history of Peruvian literature. London: F. Cairns, 1987.

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Confronting our canons: Spanish and Latin American studies in the 21st century. Lewisburg, Pa: Bucknell University Press, 2010.

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Divergent modernities: Culture and politics in 19th century Latin America. Durham, NC: Duke University Press, 2001.

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Modern poetics and hemispheric American cultural studies. New York, NY: Palgrave Macmillan, 2009.

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Colás, Santiago. Postmodernity in Latin America: The Argentine paradigm. Durham [N.C.]: Duke University Press, 1994.

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Book chapters on the topic "Latin American literature|Latin American history|Womens studies"

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Martinez, Paulo Henrique. "Environmental History and Cultural Landscape in Israel (2003–2020)." In The Latin American Studies Book Series, 241–55. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-64815-2_13.

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Mayer, Milena Santos, and Fabiana Lopes da Cunha. "Tropas and Tropeiros in Southern Brazil: History, Memory and Heritage." In The Latin American Studies Book Series, 201–13. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67985-9_12.

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Zarankin, Andrés, and Fernanda Codevilla Soares. "“Invisible Heritage”: New Technologies and the History of Antarctica’s Sealers Groups." In The Latin American Studies Book Series, 257–69. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67985-9_15.

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Díez-Minguela, Alfonso, and María Teresa Sanchis Llopis. "Comparing Different Estimation Methodologies of Regional GDPs in Latin American Countries." In Palgrave Studies in Economic History, 17–40. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47553-6_2.

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Bértola, Luís. "Productive and Regional Development Policies in Latin America Since 1890." In Palgrave Studies in Economic History, 41–64. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47553-6_3.

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Schubring, Gert, Vinicius Mendes, and Thiago Oliveira. "The Dissemination of Descriptive Geometry in Latin America." In International Studies in the History of Mathematics and its Teaching, 377–400. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14808-9_21.

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del Socorro Gutiérrez Magallanes, María. "Chicano/a and Latino/a Studies in Mexico (History and Evolution)." In The Routledge History of Latin American Culture, 130–43. New York : Routledge, 2017. | Series: The Routledge Histories: Routledge, 2017. http://dx.doi.org/10.4324/9781315697253-10.

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Olender, Marcos. "“The Abyss of History is Deep Enough to Hold Us All” The Beginnings of the 1931 Athens Charter and the Proposition of the Notion of World Heritage." In The Latin American Studies Book Series, 129–50. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-77991-7_8.

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Klein, Herbert S. "International Migrations to Latin America and the Caribbean Until 1820." In Palgrave Studies in Comparative Global History, 69–93. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69666-5_3.

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Badia-Miró, Marc, Daniel A. Tirado-Fabregat, and Henry Willebald. "Introduction: Time, Space and Economics in the History of Latin America." In Palgrave Studies in Economic History, 1–15. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47553-6_1.

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Conference papers on the topic "Latin American literature|Latin American history|Womens studies"

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HERRERA, Pablo C. "Digital fabrication and revival craft in Latin America: Alliance between designers and artisans." In 10th International Conference on Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2016. http://dx.doi.org/10.5151/despro-icdhs2016-03_019.

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SALINAS FLORES, Oscar. "Organic Design, MoMA 1940: the breath of modernity reaches Latin America." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-094.

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CORTÉS, Dannae, Aura CRUZ, GALLAND Jani, and Marcela PÉREZ. "Imported design ideas and its spreading in Latin America: a historiographical critique." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-031.

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SALINAS-FLORES, Oscar. "Design Transformation: The effect of global change and the reconceptualization of design in Mexico and Latin America since the 1980’s." In 10th International Conference on Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2016. http://dx.doi.org/10.5151/despro-icdhs2016-03_014.

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BARBOSA, Ana Mae. "Best Maugard, Elena Izcue and Theodoro Braga: Design education in Latin America at the early twentieth century." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-006.

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AMORIM, Patricia, and Virginia CAVALCANTI. "Modern design meets Latin America: the role of pioneering design magazines Habitat and nueva visión in Brazil and Argentina." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-095.

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