Relevant bibliographies by topics / Latin American literature ; magical realism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Latin American literature ; magical realism'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Latin American literature ; magical realism"

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Sundusiah, Suci. "MEMAHAMI REALISME MAGIS DANARTO DAN MARQUEZ." LINGUA: Journal of Language, Literature and Teaching 12, no. 1 (2015): 123–36. http://dx.doi.org/10.30957/lingua.v12i1.76.

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Begun as a theme of painting art, magical realism exists as a typical place in litarature. The works of magical realism literature efforts to appear magical aspects such as superstition, beliefs, folklor and spiritual substance exceding from the logic into reality of daily lifes. The substance of the magic is integrated in the accepted traditions and cultures. This article analyzes short stories of Danarto and a novel of Marquez. Both aouthors are selected as they represent pionneers of writing style of magical realism from two different cultures. Both authors express the same writing style, b
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Abella, Mireya Sosa. "A Comparative Analysis between Latin American Magical Realism and Malaysian Realism: Intercultural Understanding through Literature." Journal of KATHA 12, no. 1 (2016): 1–22. http://dx.doi.org/10.22452/katha.vol12no1.1.

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Prytoliuk, Svitlana. "CONCEPTUALIZATION OF THE NOTION “MAGICAL REALISM” IN GERMAN LITERATURE." Research Bulletin Series Philological Sciences 1, no. 193 (2021): 252–59. http://dx.doi.org/10.36550/2522-4077-2021-1-193-252-259.

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The article is devoted to the study of magical realism in German literary criticism, the origins of the term and its conceptual principles are considered. The author of the article relies on the research of German scientists, in particular M. Scheffel, D. Kirchner, H. Roland, T.W. Leine, M. Niehaus, J. Schuster and notes the differences and contradictions in the interpretation of the term, the vagueness of the concept and its heterogeneity. It is emphasized that the period of formation of the magic-realistic method of writing in Germany in the historical perspective generally covers the period
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Brickhouse, Anna. "Unsettling World Literature." PMLA/Publications of the Modern Language Association of America 131, no. 5 (2016): 1361–71. http://dx.doi.org/10.1632/pmla.2016.131.5.1361.

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Simultaneous But Distant Events in Collision: In 1981, New York University (NYU) Celebrated the 150th Anniversary of its founding with a series of notable speakers and events; in rural Guatemala that year, the military began to carry out a policy of genocide against the Mayan Indians. In New York, the much-awaited English translation of Roland Barthes's treatise on photography, La chambre claire, appeared as Camera Lucida; in Nicaragua, the CIA-backed contras waged war on the Sandinista government, which had passed the Agrarian Reform Law to redistribute land to the campesinos who labored on i
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Hussair, Narghese. "A Comparitive Study of Magical Realism in One Hundred Years of Solitude and the Legends of Khasak." SMART MOVES JOURNAL IJELLH 8, no. 7 (2020): 212–19. http://dx.doi.org/10.24113/ijellh.v8i7.10676.

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Macondo like Malgudi, a fictional town created by the Latin American novelist Gabriel Garcia Marquez in his magnum opus One Hundred Years of Solitude with its cosmic spirituality and surreal characters lies deep-hearted in the minds of literary lovers all over the world. But far away from Colombian hills and miles apart from its vast seas lies Vijayan’s Khasak. A fine work of magical realism which changed the trajectory of Malayalam novel that got lost in translation like many other great works of Malayalam literature. This paper attempts to critically analyze both these novels in their socio-
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von Stein, Juana Christina. "Verhindertes Erzählen*." Romanistisches Jahrbuch 71, no. 1 (2020): 351–72. http://dx.doi.org/10.1515/roja-2020-0015.

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AbstractThe small oeuvre of Juan Rulfo has triggered myriad interpretations, ranging from a view of the texts as great examples of Latin American magical realism, to a classification of the works as the endpoint of revolutionary literature. The following article investigates the unconventional narrative structure of Rulfo’s texts, which enabled this heterogeneous reception. As will be shown primarily in a close examination of Rulfo’s most famous short story “Luvina”, the Mexican writer’s dominant technique can be described as a continuous combination of ellipsis and recurrence.
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Wood, F. "The ‘soccer war’ and the ‘city that sailed Away’: magical realism and New Journalism in the work of Ryszard Kapuscinski." Literator 19, no. 1 (1998): 79–92. http://dx.doi.org/10.4102/lit.v19i1.514.

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In this article, I examine Ryszard Kapuscinski’s Another Day of Life (1987) and The Soccer War (1990). Kapuscinski is a Polish journalist who has written a number of books about his experiences as a foreign correspondent in Asia, Africa and Latin America. We encounter a range of diverse and sometimes contradictory approaches in his writing, since Kapuscinski utilises realist and fantastic, surreal, postmodern, intensely subjective techniques to convey his experiences and perceptions.As a result of his blending of realist and non-realist modes, Kapuscinki's work can be related to two important
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Pérez-Torres, Rafael. "Gatekeeping Stories of Dissent and Mobility." American Literary History 31, no. 2 (2019): 312–24. http://dx.doi.org/10.1093/alh/ajz012.

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AbstractThree new studies consider the significance of storytelling in a Latinx and hemispheric American context around the turn of the millennium. Where neoliberal policies seem to position ethnoracial subjectivities in realms of social abjection or racial containment, these studies contribute to interdisciplinary conversations about racial affiliation, economic aspiration, and political dissent in literature. Each considers writers either engaging complex negotiations between racial and class affiliations, challenging social expectations for cultural products in an ethnic marketplace, or spe
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Simonsen, Karen-Margrethe. "Heterogeneic Time: An Anachronistic and Transcultural Rethinking of Eurochronology." arcadia 53, no. 2 (2018): 258–77. http://dx.doi.org/10.1515/arcadia-2018-0020.

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Abstract The focus of this article is the relation between time and transcultural space in literary history. The argument is that the concept of anachronism can help us understand the complexity of temporality and that the analysis of transcultural exchanges between European and Latin American art and literature may change literary history and further an understanding of the anachronism of Eurochronology. Two examples of a transcultural and anachronistic relation between Europe and America will be analyzed, both of them novels and writers of magical realism. Gabriel García Márquez’s novel Cien
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Grigore, Rodica. "Gabriel García Márquez, History and the Labyrinth of Literature." Theory in Action 13, no. 4 (2020): 107–30. http://dx.doi.org/10.3798/tia.1937-0237.2053.

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Gabriel García Márquez’s novel centered on Simón Bolívar, The General in His Labyrinth (El general en su laberinto, 1989) provoked mixed reactions from the literary critics. Some of them praised another masterpiece, whereas the others accused the Colombian author of creating a disrespectful portrait one of Latin America’s most important historical and symbolic figures The novel combines historical data and fiction in order to humanize the character of the Liberator and to destroy his nearly mythological image while at the same time examining the implications of previous literary discourse on t
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Dissertations / Theses on the topic "Latin American literature ; magical realism"

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Stanford, Amanda Theresa. "Outsized reality : how 'magical realism' hijacked modern Latin American fiction." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/7847.

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Creative Portion abstract (75%): Literary Fiction Manuscript Souvenirs of the Revolution Against the backdrop of the Mexican Revolution of 1910, betrayal, sexual deviance, rigid morality and a fatal subservience to moral correctness drives the Montelejos clan: complex and self-serving, innocent and deluded, larger than life, an illustrious family line in its final decline. Mariabella Montelejos, who tries to sell her only daughter for the price of a new carriage during the bloodiest part of the Revolution. Her daughter, Portensia Montelejos, who leaves her mother’s body to moulder in the front
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Rave, Maria Eugenia B. "Magical Realism and Latin America." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/RaveMEB2003.pdf.

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Spear, Keith. "A genetic model of duality in Latin American magical realism /." View online, 1995. http://repository.eiu.edu/theses/docs/32211998781347.pdf.

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Marchetto, Faye Nicole. "Lo mágico en Allende: Una investigación mágicorrealista y feminista de “El cuaderno de Maya”." University of Toledo / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1430173026.

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Mellas, Michael John. "Constructing Multiple Realities on Stage: Conceiving a Magical Realist Production of Jose Rivera's Cloud Tectonics." Miami University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=miami1218129542.

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Lewis, Abby N. "How Disassociating the Past Reassociates the Present: Distilling the Magic out of Magic Realism in Susan Power’s The Grass Dancer." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/honors/421.

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American Indian author Susan Power’s novel The Grass Dancer is often categorized as magical realism, yet Power has stated the novel is a representation of her reality and that it is not a magical realist text. The term magical realism was first applied to the work of Latin American authors such as Gabriel García Márquez whose writing depicts magical events in a matter-of-fact narrative tone. It has since expanded to include other cultures. The question is whether it is a term that can readily be applied to the literary work of all cultures. The closest Wendy B. Faris, one of the most prominent
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Bennett, Caroline Jane. "The politics and poetics of Latin American magical realism." Thesis, Goldsmiths College (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400587.

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Young, Jennifer Maria. "Paradidomi : magical realism and the American South." Thesis, University of Southampton, 2009. https://eprints.soton.ac.uk/169817/.

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The thesis is comprised of a novel and a critical reflection. The novel component, entitled The Mathers’ Land, draws on traditions of magical realism, storytelling, memory and metafiction. The framing narrative of the novel follows Luanne Richardson, a librarian who has moved South with her new boyfriend, Kenneth Miers. As soon as they arrive in Peebles, North Carolina, Kenneth disappears. Luanne only knows that he last visited a particular house that belongs to the Mathers, the richest family in Peebles. Luanne forces an encounter with the head of the family, Walter Mathers. Despite her initi
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Jansen, Anne Mai Yee. "Momentary Magic: Magical Realism as Literary Activism in the Post-Cold War US Ethnic Novel." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1365952312.

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Choi, Eunha. "Gestured Realism in Julio Ramon Ribeyro| Fiction's Fragmented and Contingent Form." Thesis, New York University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3556985.

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<p> While reconsidering Julio Ram&oacute;n Ribeyro's short fiction, this dissertation re-examines the discourses about realism that predominated in the 1960s and 1970s, during the eruption of the Latin American literary and cultural phenomenon known as the boom. Situated at the intersection of philosophical reflection and literary criticism, it interrogates the boom's totalizing conception of realism and its equally exhaustive corollaries while arguing that Ribeyro's fractured form of realism forges new models to critique the relations between fiction and the real. </p><p> The first chapte
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Books on the topic "Latin American literature ; magical realism"

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Rediscovering magical realism in the Americas. Praeger, 2004.

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The tradition of magical realism and the achievement of four major Latin American writers: Pablo Neruda, Mario Vargas Llosa, Carlos Fuentes, and Gabriel García Márquez. E. Mellen Press, 2008.

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Brando, Oscar. Fantasmas latinoamericanos: Lecturas de Quiroga, Borges, Bioy, Cortázar, Rulfo, Arreola : (seguidas de una "Pequeña ayuda teórica". Editorial Técnica, 2004.

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Mo huan xian shi zhu yi yu xin shi qi Zhongguo xiao shuo. Hebei da xue chu ban she, 2008.

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Magical realism in contemporary Chicano fiction. Vervuert Verlag, 1993.

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Bazán-Figueras, Patricia. Latin American women writers and horrific realism. E. Mellen Press, 2004.

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Moments of magical realism in U.S. ethnic literatures. Palgrave Macmillan, 2012.

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Civilisation and authenticity: The search for cultural uniqueness in the narrative fiction of Alejo Carpentier and Julio Cortázar. Peter Lang, 2013.

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Realismo mágico y conciencia mítica en América Latina: Textos y contextos. F. García Cambeiro, 1985.

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Manzanas Calvo, Ana Ma. (Ana María) and Simal González Begoña, eds. Uncertain mirrors: Magical realisms in US ethnic literatures. Rodopi, 2009.

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Book chapters on the topic "Latin American literature ; magical realism"

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Hanán Díaz, Fanuel. "Realism and magic in Latin American children’s books." In The Routledge Companion to International Children’s Literature. Routledge, 2017. http://dx.doi.org/10.4324/9781315771663-4.

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Richardson, Jill Toliver. "Afro-Latin Magical Realism, Historical Memory, Identity, and Space in Angie Cruz’s Soledad and Nelly Rosario’s Song of the Water Saints." In The Afro-Latin@ Experience in Contemporary American Literature and Culture. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-31921-6_5.

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Beckman, Ericka. "The Landowner’s Ghosts: Realism and Financialization in Contemporary Latin American Fiction." In Literature and the Global Contemporary. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63055-7_1.

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Cruz-Grunerth, Gerardo. "Deep Literature and Dirty Realism: Rupture and Continuity in the Canon." In New Trends in Contemporary Latin American Narrative. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137444714_5.

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"Magical Realism." In Encyclopedia of Latin American Literature. Routledge, 1997. http://dx.doi.org/10.4324/9780203304365-67.

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"Sources of Magic Realism/Supplements to Realism in Contemporary Latin American Literature." In Magical Realism. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822397212-010.

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Simpkins, Scott. "Sources of Magic Realism/Supplements to Realism in Contemporary Latin American Literature." In Magical Realism. Duke University Press, 1995. http://dx.doi.org/10.1215/9780822397212-009.

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SIMPKINS, SCOTT. "Sources of Magic Realism/Supplements to Realism in Contemporary Latin American Literature." In Magical Realism. Duke University Press, 1995. http://dx.doi.org/10.2307/j.ctv11cw5w1.12.

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López-Calvo, Ignacio. "Magical Realism and the ‘Boom’ of the Latin American Novel." In Magical Realism and Literature. Cambridge University Press, 2020. http://dx.doi.org/10.1017/9781108551601.009.

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Faris, Wendy B. "The Latin American boom and the invention of magic realism." In The Cambridge History of Postmodern Literature. Cambridge University Press, 2016. http://dx.doi.org/10.1017/cho9781316492697.011.

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