Relevant bibliographies by topics / Latin American Music Center

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Latin American Music Center'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Latin American Music Center"

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Bucciferro, Claudia. "Songs of Exile: Music, Activism, and Solidarity in the Latin American Diaspora." JOMEC Journal, no. 11 (July 6, 2017): 65. http://dx.doi.org/10.18573/10.18573/j.2017.10147.

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This article addresses the connection between music and social activism in Latin America, centering on a discussion of ‘the music of exile’ as a cultural artifact of historical and conceptual significance for diasporic Latin American communities. The music produced by artists who were persecuted during the years of military rule was characterized by an engagement with social and political affairs, and often helped bring people together in the struggle for democratization. Despite censorship laws and other repressive measures enacted by the dictatorships, the music not only endured, but travele
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Monte Casablanca, Antonio, and Crystal Neill. "“Notes and Letters”: Music of the City in Flight / Trans-Migratory Poetry. By Antonio Monte Casablanca. Translated by Crystal Neill, with Amanda Minks and Lila Ellen Gray." Ethnomusicology Translations, no. 11 (May 26, 2021): 1–29. http://dx.doi.org/10.14434/emt.no.11.32396.

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In this essay I draw from memory studies and Latin American cultural studies to reflect on Notas y Letras (Notes and Letters), a collaboration by the Nicaraguan band Nemi Pipali and the poet Adolfo Beteta. I analyze these artistic expressions, music and poetry, at their place of convergence—the city of Managua—making audible some of the mechanisms that combine symbolic universes in Nicaraguan culture. This transdisciplinary reading allows me to propose that 1) music becomes a social marker of performative memory, transmitted by sounds present in hybrid Latin American cities, and 2) the migrant
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Manuel, Peter. "From Scarlatti to “Guantanamera”: Dual Tonicity in Spanish and Latin American Musics." Journal of the American Musicological Society 55, no. 2 (2002): 311–36. http://dx.doi.org/10.1525/jams.2002.55.2.311.

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Abstract This essay explores the sense of dual tonicity evident in a set of interrelated Spanish and Latin American music genres. These genres include seventeenth-century Spanish keyboard and vihuela fandangos, and diverse folk genres of the Hispanic Caribbean Basin, including the Venezuelan galerón and the Cuban punto, zapateo, and guajira. Songs in these genres oscillate between apparent “tonic” and “dominant” chords, yet conclude on the latter chord and bear internal features that render such terminology inapplicable. Rather, such ostinatos should be understood as oscillating in a pendular
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Dzivaltivskyi, Maxim. "Historical formation of the originality of an American choral tradition of the second half of the XX century." Aspects of Historical Musicology 21, no. 21 (2020): 23–43. http://dx.doi.org/10.34064/khnum2-21.02.

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Background. Choral work of American composers of the second half of the XX century is characterized by new qualities that have appeared because of not only musical but also non-musical factors generated by the system of cultural, historical and social conditions. Despite of a serious amount of scientific literature on the history of American music, the choral layer of American music remains partially unexplored, especially, in Ukrainian musical science, that bespeaks the science and practical novelty of the research results. The purpose of this study is to discover and to analyze the peculiari
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Fitz Gibbon, Elaine R. "Reevaluating Political Musiktheater and Reversing Colonialist History: Mauricio Kagel’s Mare Nostrum (1975)." Journal of the American Musicological Society 77, no. 3 (2024): 769–822. https://doi.org/10.1525/jams.2024.77.3.769.

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Abstract Long ago, in mid-October, members of an Amazonian tribe discovered the Mediterranean. Having made the arduous journey across the Atlantic, the colonizers were fascinated by the strange peoples they encountered as they traveled around this newfound sea. Or so reports the narrator of Mauricio Kagel’s 1975 work of “sitting music theater,” Mare Nostrum: Discovery, Pacification and Conversion of the Mediterranean Region by a Tribe from Amazonia. Borrowing its title from the Imperial Roman name for the Mediterranean, “Our Sea,” Mare Nostrum is an operatic farce of European colonialism. Usin
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Franchini, Bianca, Carolina Rebellato, and Núbia Isabela Macêdo Martins. "Uso da música em intervenção da Terapia Ocupacional com a população idosa: revisão integrativa da literatura/ Use of music in intervention of Occupational Therapy with elderly population: integrative literature review." Revista Interinstitucional Brasileira de Terapia Ocupacional - REVISBRATO 5, no. 2 (2021): 218–34. http://dx.doi.org/10.47222/2526-3544.rbto35070.

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Introdução: Com o processo de envelhecimento populacional, aumento da longevidade e de doenças crônicas neurodegenerativas, discute-se a importância de propostas terapêuticas não farmacológicas como prevenção de agravos, melhora da qualidade de vida do idoso e diminuição da sobrecarga do cuidador. A música tem sido descrita como um importante recurso de produção de sentido, criatividade e resgate de memórias. O terapeuta ocupacional pode utilizar a música para promover a diminuição do declínio funcional, socialização e envolvimento em ocupações. Objetivo: O objetivo da presente pesquisa foi an
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Siqueira Gouvêa Acosta Gonçalves, Camila, Paula Karina Hembecker, Thais Abreu de Almeida, Willian Felipe Hadiak Amalio de Souza, Percy Nohama, and Audrey Tieko Tsunoda. "Music Interventions on Cancer-Related Fatigue During Chemotherapy: Music for Alleviating Symptoms (MusAS) Trial Rationale and Protocol." Revista InCantare 22 (April 16, 2025): 1–20. https://doi.org/10.33871/2317417x.2025.22.9919.

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Background: Cancer-related fatigue is the most reported symptom of cancer treatment, especially chemotherapy, and is associated with psychological symptoms. Non-pharmacological interventions are recommended for symptom management, including music-based interventions. Methods: The proposed Music for Alleviating Symptoms (MusAS) study is a single-center, non-blind, randomized controlled trial with three parallel arms (two experimental and one control, with usual care) to verify the efficacy of distinct music listening approaches for diminishing adverse events during chemotherapy. A sample of 25
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Omar, Cerrillo Garnica. "Musical Convergence in Mexico City: A Conversation from a Geographical and Historical Perspective." Art Style, Art & Culture International Magazine 9, no. 9 (2022): 113–27. https://doi.org/10.5281/zenodo.6338800.

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Art Style | Art & Culture International Magazine Abstract Music is one of the most important elements of culture. When we tend to analyze the music of one place in the world, we can understand some of their cultural and social dynamics. In big cities, like Mexico City, we can notice that these processes happen in an accelerated mood, with many musical exchanges and sound mixtures that create new sociocultural ways of living in the city. The following text comes from some seminars about Mexican music. Participants in relevant Mexican researchers in music history, music anthropology, and cul
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Ahsani, S. A. H. "The State of Research on Islamic Spain." American Journal of Islam and Society 9, no. 4 (1992): 556–62. http://dx.doi.org/10.35632/ajis.v9i4.2541.

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The era of Muslim rule in Spain (711-1491 CE) witnessed great contributionsin many areas of knowledge and learning. Rapid strides weremade in such diverse fields as art and architecture, agriculture and handicrafts,linguistics and literature, humanities and Social studies, music andpoetry, and the physical and mechanical sciences. In fact, Islamic Spain,known to the Muslim world as al Andalus, served as a bridge for thetransfer of the knowledge and wisdom of Classical Greece to Europe, aprocess that eventually led to the European Renaissance.The achievements of al Andalus will not be discussed
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Irving, D. R. M. "Latin American Baroque." Early Music 39, no. 2 (2011): 295–98. http://dx.doi.org/10.1093/em/car031.

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Dissertations / Theses on the topic "Latin American Music Center"

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Enciso, Huayek Lisseth. "Foreign institutional investment in Latin American real estate." Thesis, Massachusetts Institute of Technology, 2017. http://hdl.handle.net/1721.1/113481.

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Thesis: S.M. in Real Estate Development, Massachusetts Institute of Technology, Program in Real Estate Development in conjunction with the Center for Real Estate, 2017<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 67-69).<br>Latin America has witnessed many upheavals and controversies in the recent past. However, the region continues to show strong and stable growth as business carries on despite political and social turbulence. Local economies are open to foreign investment. Markets have developed in both depth and sophistication as first risk-seeking
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Ortíz, Gabriela. "Compositional techniques in acoustic and electroacoustic music." Thesis, City University London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310446.

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McLaughlin, David. "Sampling Hip Hop and Making `Noiz': Transcultural Flows, Citizenship, and Identity in the Contestatory Space of Brazilian Hip Hop." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1431071301.

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Willsie, Lucas. "Latin American Fusion: An Analysis of U.S. and Latin American Musical Styles and their Synthesis Exhibited in "The Cape Cod Files" by Paquito D'Rivera." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505206/.

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This document focuses on background and performance practice of various musical styles encountered in Paquito D'Rivera's The Cape Cod Files. More specifically, the musical styles examined include: boogie-woogie, Argentine milonga, classical and popular Cuban music, American twelve-bar blues, contemporary atonal music, and Cuban danzón. A brief biography of Paquito D'Rivera is included to establish context of the composer's musical background. Each chapter examines one of the four movements and the musical styles found within that movement. A brief history of each musical style is provided to i
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Choi, Moonsun. "A brief evaluation of selected solo piano music by Latin American composers /." The Ohio State University, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487862972135188.

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Bofill-Calero, Jaime O. "Improvisation in Jibaro music A structural analysis." Thesis, The University of Arizona, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3560809.

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<p> Improvisation is regarded as the most sublime element in the <i> j&iacute;baro</i> folk music tradition of Puerto Rico. This tradition originated by the <i>j&iacute;baro</i>, the simple rural farmer of Puerto Rico's heartland, involves the complicated art of improvising in d&eacute;cima, a ten-line poetic form, as well as improvisation of melodic lines played on the cuatro, a small guitar-like instrument. Since <i> j&iacute;baro</i> improvisation is an art that is transmitted orally and involves a seemingly spontaneous act, it might seem odd to talk about a theory of improvisation within t
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Campinho, Miguel Audaciano. "Oscar da Silva (1870--1958) Life and Solo Piano Works." Thesis, University of Hartford, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3701473.

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<p> This essay presents the life and works for solo piano of Portuguese composer and pianist &Oacute;scar da Silva (1870&ndash;1958). It is the first publication dedicated solely to &Oacute;scar da Silva in the English language. It also presents the first chronological catalogue of da Silva&rsquo;s solo piano works. It includes both published and unpublished works, encompassing all of the extant music available in several libraries in Portugal. &Oacute;scar da Silva studied with Adolf Ruthardt and Carl Reinecke in Leipzig and with Clara Schumann in Frankfurt. He was the most prolific composer
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Longoria, Edna A. "Carlos Chavez, Gabriela Ortiz, and Edna A. Longoria| Evolving methods of incorporating indigenous and popular Mexican music." Thesis, California State University, Long Beach, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1571461.

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<p> This paper examines the evolving methods of incorporating indigenous and popular Mexican music since the Nationalistic period in M&eacute;xico. This project report also shows how the integration of Mexican folk music in Mexican composers' works has changed throughout the years. This paper analyzes the compositions <i>Sinfon&iacute;a india</i> written by Carlos Ch&aacute;vez and <i>&iexcl;&Uacute;nicamente la verdad!</i> written by Gabriela Ort&iacute;z. This paper also analyzes "<i>Tezcatlipoca, </i> A Sacrifice Dance," a chamber orchestra work by myself, a Mexican-American student comp
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Kieme, Roxanne. "Understanding "Omaramor"| An analysis of Golijov's tribute to Carlos Gardel." Thesis, California State University, Long Beach, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10251734.

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<p> Osvaldo Golijov wrote the unaccompanied cello piece, <i>Omaramor </i> as an homage to the famous Argentinian tango singer, Carlos Gardel. In this project report, <i>Omaramor</i> will be examined through a historical and cultural lens, including a reflection on past performances. This project will examine recordings and programming to learn more about the historical and cultural significance of this piece in order to benefit future cellists&rsquo; interpretation of the piece.</p>
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Viera, Vargas Hugo René. "De-centering identities popular music and the (un)making of nation in Puerto Rico, 1898-1940 /." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3331262.

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Thesis (Ph.D.)--Indiana University, Dept. of History, 2008.<br>Title from PDF t.p. (viewed on Jul 23, 2009). Source: Dissertation Abstracts International, Volume: 69-11, Section: A, page: 4468. Adviser: Arlene Diaz.
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Books on the topic "Latin American Music Center"

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Ricardo, Lorenz, Hernández Luis R. 1965-, Dirié Gerardo, and Indiana University, Bloomington. Latin American Music Center., eds. Scores and recordings at the Indiana University Latin American Music Center. Indiana University Press, 1995.

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American Music Center (New York, N.Y.). American Music Center membership directory. The Center, 1985.

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Center, Latin American Network Information. LANIC: Latin American Network Information Center. Latin American Network Information Center, 2001.

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Williams, Edward J. Latin American Christian Democratic parties. UMI, 1994.

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Jerome, Kitzke, Richmond Eero, and American Music Center (New York, N.Y.), eds. The American Music Center opportunities for composers. 5th ed. American Music Center, 1992.

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Jones, Edward Huws. The Latin-American fiddler. Boosey & Hawkes, 2013.

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Olsen, Dale A., and Daniel E. Sheehy. The Garland Handbook of Latin American Music. Routledge, 2021. http://dx.doi.org/10.4324/9781003249986.

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A, Olsen Dale, and Sheehy Daniel Edward, eds. The Garland handbook of Latin American music. Garland Pub., 2000.

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A, Olsen Dale, and Sheehy Daniel Edward, eds. The Garland handbook of Latin American music. 2nd ed. Routledge, 2008.

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Ficher, Miguel. Latin American classical composers: A biographical dictionary. Scarecrow Press, 1996.

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Book chapters on the topic "Latin American Music Center"

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Martinich, Matthew L. "Pew Research Center." In Encyclopedia of Latin American Religions. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-08956-0_472-1.

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Martinich, Matthew L. "Pew Research Center." In Encyclopedia of Latin American Religions. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-27078-4_472.

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D’Lugo, Marvin. "Music in Latin American cinema." In The Routledge Companion to Latin American Cinema. Routledge, 2017. http://dx.doi.org/10.4324/9781315720449-23.

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Linares, Ruth Jatziri García. "Muslim Community Educational Center (Mexico City, Mexico)." In Encyclopedia of Latin American Religions. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-08956-0_214-1.

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García, Ruth Jatziri Linares. "Muslim Community Educational Center (Mexico City, Mexico)." In Encyclopedia of Latin American Religions. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-27078-4_214.

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Birns, Larry, and Alex Sanchez. "From Obscurity to Center Stage: The Architectonics of Bolivia’S Foreign Policy." In Latin American Foreign Policies. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118270_7.

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Kath, Elizabeth. "Toward a Hybrid Latin American-Australian Music Scene." In Australian-Latin American Relations. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1007/978-1-137-50192-9_5.

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Favoretto, Mara. "Toward a Hybrid Latin American-Australian Music Scene." In Australian-Latin American Relations. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137501929_5.

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Palacios Mateos, Fernando. "Afro-Latin American Music in Perspective." In Routledge Handbook of Afro-Latin American Studies. Routledge, 2022. http://dx.doi.org/10.4324/9781003159247-28.

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Vaughan, Umi. "African Flavor in Latin American Music." In The Routledge History of Latin American Culture. Routledge, 2017. http://dx.doi.org/10.4324/9781315697253-6.

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Conference papers on the topic "Latin American Music Center"

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Samboní-Ortiz, Edwin A., Pablo C. Garzón-Benítez, Layla V. Zúñiga-Hidrobo, and Oscar Mauricio Caicedo Rendon. "On the feasibility of classifying flows in software-defined data center networks by an encoder-only architecture." In 2024 IEEE Latin-American Conference on Communications (LATINCOM). IEEE, 2024. https://doi.org/10.1109/latincom62985.2024.10770684.

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Smith, Valance, James Smith-Harvey, and Sebastian Vidal Bustamante. "Ako for Niños: An animated children’s series bridging migrant participation and intercultural co-design to bring meaningful Tikanga to Tauiwi." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.142.

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This presentation advances a case study for an ongoing intercultural animation project which seeks to meaningfully educate New Zealand Tauiwi (the country's diverse groups, including migrants and refugees) on the values, customs and protocols (Tikanga) of Māori (the indigenous people of Aotearoa New Zealand). Ako For Niños (‘education for children’), implemented by a migrant social services organisation and media-design team, introduces Latin American Tauiwi to Tikanga through an animated children’s series, developed with a community short story writing competition and co-design with a kaitiak
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Florido, Irapuru, and Roberto Tadeu Raittz. "Hybrid Method for Automatic Music Labeling." In 2018 XLIV Latin American Computer Conference (CLEI). IEEE, 2018. http://dx.doi.org/10.1109/clei.2018.00038.

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Tavares, Juliano Cezar Chagas, and Yandre Maldonado Gomes da Costa. "Music mood classification using visual and acoustic features." In 2017 XLIII Latin American Computer Conference (CLEI). IEEE, 2017. http://dx.doi.org/10.1109/clei.2017.8226371.

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Conceicao, Julia Luiza, Rosiane de Freitas, Bruno Gadelha, Joao Gustavo Kienen, Sergio Anders, and Brendo Cavalcante. "Applying supervised learning techniques to Brazilian music genre classification." In 2020 XLVI Latin American Computing Conference (CLEI). IEEE, 2020. http://dx.doi.org/10.1109/clei52000.2020.00019.

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da Silva Benites, Cristiano, and Ismar Frango Silveira. "The deaf and music education, a literature review to understand the means used in music teaching." In 2022 XVII Latin American Conference on Learning Technologies (LACLO). IEEE, 2022. http://dx.doi.org/10.1109/laclo56648.2022.10013383.

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Parra, Rodrigo, Jorge Ramirez, and Martin Abente Lahaye. "Design and implementation of a music composition application using speech recognition." In 2014 XL Latin American Computing Conference (CLEI). IEEE, 2014. http://dx.doi.org/10.1109/clei.2014.6965110.

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Barton, Steven Paul, Alexis Garcia, Charles Luther, Luis Rodriguez, Rafael Castillo, and Lesslie Perez. "Unique Bi-Center Technology Delivers in Demanding Directional Applications." In Latin American and Caribbean Petroleum Engineering Conference. Society of Petroleum Engineers, 2009. http://dx.doi.org/10.2118/121950-ms.

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Ulhôa, Martha. "Southern currents: Some thoughts on Latin American popular music studies." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.34.

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Da Silva Muniz, Victor Hugo, Joao Baptista de Oliveira, and Souza Filho. "Feature Vector Design for Music Genre Classification." In 2021 IEEE Latin American Conference on Computational Intelligence (LA-CCI). IEEE, 2021. http://dx.doi.org/10.1109/la-cci48322.2021.9769848.

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Reports on the topic "Latin American Music Center"

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Näslund-Hadley, Emma, María Mercedes Mateo-Berganza Díaz, Emma Strother, and Danielle S. Parrillo. The Power of Music Education: Unlocking the Talent of Latin American and Caribbean Youth. Inter-American Development Bank, 2023. http://dx.doi.org/10.18235/0005159.

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The IDB supports youth empowerment through music education in Latin America and the Caribbean. This note draws on conversations with beneficiaries, project team leaders, and partner organizations about music as an engine of social inclusion and economic development. It highlights successful initiatives, including a program focused on music entrepreneurship among young people in Colombia, an all-female orchestra and a choir for women's rights in Guatemala, young luthiers crafting stringed instruments in Peru, and a program preventing violence through music education for children and their famil
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Editors, Intersections. The Threat to Sacred Lives, Knowledge, and Landscapes. Intersections, Social Science Research Council, 2024. http://dx.doi.org/10.35650/int.4032.d.2024.

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This article describes the research and workshops of "Religion and Climate Change in Cross-Cultural Perspective" project organized by the Center for Latin American and Latino Studies at American University.
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Saiegh, Sebastián. Partisanship, Ideology, and Representation in Latin America. Inter-American Development Bank, 2014. http://dx.doi.org/10.18235/0011656.

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This paper uses joint scaling methods and similar items from three large-scale surveys to place voters, parties and politicians from different Latin American countries on a common ideological space. Contrary to the conventional wisdom, the findings reveal that the "median" voter in Latin America is located to the left of the ideological spectrum, and that voter's ideological locations are highly correlated with their partisan attachments. The location of parties and leaders suggests that three distinctive clusters exist: one located at the left of the political spectrum, another at the center,
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Park, Soontae, Antonio García Zaballos, Enrique Iglesias Rodriguez, et al. Roadmap for the Establishment of a Big Data Analysis Center for Critical Infrastructure Protection in Latin America and the Caribbean post COVID-19. Inter-American Development Bank, 2022. http://dx.doi.org/10.18235/0003930.

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This report, a joint effort between the Korea Internet &amp; Security Agency (KISA) and Inter-American Development Bank (IDB), emphasizes the rising importance of critical infrastructure protection for the Latin American and Caribbean (LAC) region and proposes ways to overcome existing and potential cybersecurity threats. Considering the unexpected and high-speed transformations brought on by the COVID-19 pandemic, it is important to get prepared for imminent threats. The report examines the status of information and communication technology (ICT) infrastructure protection in the region and su
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De Jesús, Dyanis, Alejandra Luzardo, and Michelle Pérez. Orange Economy: Innovations you may not know were from Latin America and the Caribbean. Inter-American Development Bank, 2017. http://dx.doi.org/10.18235/0006354.

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Who would have said that in the hands of creatives, designers, artists and entrepreneurs would be part of the response to the development challenges of Latin America and the Caribbean? This report is part of the Inter-American Development Bank's (IDB) Demand Solutions: Ideas for Improving Lives, which aims to give visibility to the region's creatives and to position creativity as an integral element of economic and social development. In 2015 the cultural and creative industries (CCI), which are part of what the IDB calls the Orange Economy, generated 1.9 million jobs in Latin America and the
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Editors, Intersections. Seeking Solutions in Brasilia. Intersections, Social Science Research Council, 2024. http://dx.doi.org/10.35650/int.4031.d.2024.

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Editors, Intersections. Tijuana: A Migratory Crossroads. Intersections, Social Science Research Council, 2024. http://dx.doi.org/10.35650/int.4030.d.2024.

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This article describes the workshops and public events organized by the Center for Latin American and Latino Studies in Tijuana, Mexico as part of the "Religion and Climate-Induced Displacement" project.
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Olson, Eric L. Evidence-Based Policy Approaches for Preventing Intrafamily Violence and Reducing Criminal Behavior in Latin America. Inter-American Development Bank, 2017. http://dx.doi.org/10.18235/0006372.

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Violence against women is one of the world’s greatest public health problems and one of Latin America’s major development challenges. Intrafamily violence is widespread in the region, affecting between 14 and 38 percent of all women throughout their lifetime. A series of studies commissioned by the Wilson Center and supported by the Inter-American Development Bank have begun to shed new light on the complex nature of this violence. Together, they contribute to evidence-based policy recommendations that could prevent the incidence of intra-family violence and reduce the risks of future criminal
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Velasco, Andrés, Roberto Chang, and Luis Felipe Céspedes. Is Inflation Targeting Still on Target?: The Recent Experience of Latin America. Inter-American Development Bank, 2013. http://dx.doi.org/10.18235/0011451.

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This paper reviews the recent experience of a half-dozen Latin American inflation targeting (IT) nations. Repeated and large deviations from the standard IT framework are documented: exchange market interventions have been lasting and widespread; the real exchange rate has often become a target of policy, though this target is seldom made explicit; a range of other non-conventional policy tools, especially changes in reserve requirements but occasionally taxes or restrictions on international capital movements, also came into common use. As in developed nations, during the 2008-2009 crisis iss
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García Canclini, Néstor, Ronald Inglehart, Wayne E. Baker, and Camile Herrera. Cultural Capital and its Impact on Development: Modernization, Cultural Change, and the Persistence of Traditional Values: Culture Industries and the Development Crisis in Latin America. Inter-American Development Bank, 2001. http://dx.doi.org/10.18235/0007946.

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Camilo Herrera (1975-), Colombian sociologist and economist, founding director of the Center for Cultural Studies for Political, Economic and Social Development in Bogotá. Ronald Inglehart (1934-), North American political scientist, Director of Institute for Social Research at University of Michigan; and Wayne E. Baker, Faculty Associate. Néstor García Canclini (1939-), distinguished Argentine philosopher and anthropologist, Casa de las Americas Prize (1981), and Director of Urban Culture Studies at UNAM.
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