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Books on the topic 'Latin American Music Center'

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1

Ricardo, Lorenz, Hernández Luis R. 1965-, Dirié Gerardo, and Indiana University, Bloomington. Latin American Music Center., eds. Scores and recordings at the Indiana University Latin American Music Center. Indiana University Press, 1995.

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2

Representing the good neighbor: Music, difference, and the Pan American dream. Oxford University Press, 2013.

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3

Music in Cuba. University of Minnesota Press, 2001.

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4

American Music Center (New York, N.Y.). American Music Center membership directory. The Center, 1985.

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5

Center, Latin American Network Information. LANIC: Latin American Network Information Center. Latin American Network Information Center, 2001.

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6

Encyclopedia of Latin American popular music. Greenwood, 2012.

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7

Williams, Edward J. Latin American Christian Democratic parties. UMI, 1994.

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8

Jones, Edward Huws. The Latin-American fiddler. Boosey & Hawkes, 2013.

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9

Ficher, Miguel. Latin American classical composers: A biographical dictionary. Scarecrow Press, 1996.

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10

Furman, Schleifer Martha, and Furman John M, eds. Latin American classical composers: A biographical dictionary. 2nd ed. Scarecrow Press, 2002.

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11

Aaron, Clark Walter, ed. From tejano to tango: Latin American popular music. Routledge, 2002.

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12

Figueroa, Frank M. Encyclopedia of Latin American music in New York. Pillar Publications, 1994.

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13

Musics of Latin America. W. W. Norton & Company, 2012.

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14

Wakefield, Charito Calvachi. Navidad latinoamericana =: Latin American Christmas. 2nd ed. Latin American Creations Publishing, 1999.

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15

Music of Latin America & the Caribbean. Prentice Hall, 2010.

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16

The Latin tinge: The impact of Latin American music on the United States. 2nd ed. Oxford University Press, 1999.

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17

Lindeen, Mary. Cool Latin music: Create & appreciate what makes music great! ABDO Pub., 2008.

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18

Lindeen, Mary. Cool Latin music: Create & appreciate what makes music great! ABDO Pub., 2008.

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19

Lindeen, Mary. Cool Latin music: Create & appreciate what makes music great! ABDO Pub., 2008.

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20

American Latin music: Rumba rhythms, bossa nova, and the salsa sound. Twenty-First Century Books, 2013.

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21

Miller, John D. Evaluation: RHUDO/South America Training Program, Latin American Center for Urban Management. Abt Associates, 1991.

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22

Dockter, Brent. Yankee Doodle melodies: An illustrated history of American patriotic and presidential sheet music from the American Music Research Center. University of Colorado at Boulder, College of Music, American Music Research Center, 2009.

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23

Rock the nation: Latin/o identities and the Latin rock diaspora. Continuum, 2010.

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24

Avant-Mier, Roberto. Rock the nation: Latin/o identities and the Latin rock diaspora. Continuum, 2010.

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25

Palomino, Pablo. The Invention of Latin American Music. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190687403.001.0001.

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This book reconstructs the transnational history of the category of Latin American music during the first half of the twentieth century, from a longer perspective that begins in the nineteenth century and extends the narrative until the present. It analyzes intellectual, commercial, state, musicological, and diplomatic actors that created and elaborated this category. It shows music as a key field for the dissemination of a cultural idea of Latin America in the 1930s. It studies multiple music-related actors such as intellectuals, musicologists, policymakers, popular artists, radio operators,
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26

Washburne, Christopher. Latin Jazz. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780195371628.001.0001.

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Latin Jazz: The Other Jazz is an issue-oriented historical and ethnographic study that focuses on key moments in the history of the music in order to unpack the cultural forces that have shaped its development. The broad historical scope of this study, which traces the dynamic interplay of Caribbean and Latin American musical influence from eighteenth- and nineteenth-century colonial New Orleans through to the present global stage, provides an in-depth contextual foundation for exploring how musicians work with and negotiate through the politics of nation, place, race, and ethnicity in the eth
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27

Whitmore, Aleysia K. World Music and the Black Atlantic. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190083946.001.0001.

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In the mid-twentieth century, African musicians took up Cuban music as their own. They claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and ’70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African–Latin American collaborations expressly for this market niche. This book follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them—from
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28

Martinez, Odeline De La. Latin American Music. Jonathan Cape, 1999.

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29

Experiencing Latin American music. University of California Press, 2018.

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30

Hess, Carol A. Experiencing Latin American Music. University of California Press, 2018.

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31

Review, Latin American Literature and Arts, 40: Latin American Music. Americas Society, 1989.

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32

Jerome, Kitzke, Richmond Eero, and American Music Center (New York, N.Y.), eds. The American Music Center opportunities for composers. 5th ed. American Music Center, 1992.

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33

Kuss, Malena. Latin American Music: An Encyclopedic History. Schirmer Books, 2002.

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34

Kuss, Malena. Latin American Music: An Encyclopedic History. Schirmer Books, 2002.

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35

Sheehy, Daniel, and Dale Olsen. Garland Handbook of Latin American Music. Taylor & Francis Group, 2015.

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36

various. Play Latin: All-Time Hits from Latin America. Faber & Faber, 1999.

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37

Handbook of Latin American Music, Second Edition. 2nd ed. Routledge, 2007.

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38

A, Olsen Dale, and Sheehy Daniel Edward, eds. The Garland handbook of Latin American music. 2nd ed. Routledge, 2008.

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39

Lopez, Francisco, and Raquel Gonzalez Paraiso. A Collection of Latin American Folksongs. Hal Leonard Corporation, 1999.

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40

Alonso-Minutti, Ana R., Eduardo Herrera, and Alejandro L. Madrid. The Practices of Experimentalism in Latin@ and Latin American Music. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190842741.003.0001.

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This chapter introduces the main theoretical issues discussed in the book and puts them in dialogue with contemporary discussions about them. The book’s adoption of the plural term “experimentalisms” points toward a purposeful decentering of the usual US and Eurocentric interpretative frameworks. The case studies in this volume contribute to this by challenging discourses about Latin@s and Latin Americans and experimentalism that have historically marginalized them. As such, the notion of “experimentalisms” works as a performative operation of sound, soundings, music, and musicking that gives
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41

A, Olsen Dale, and Sheehy Daniel Edward, eds. The Garland handbook of Latin American music. Garland Pub., 2000.

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42

Music in Latin American Culture: Regional Traditions. Schirmer, 1999.

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43

Schechter, John M. Music in Latin American Culture: Regional Traditions. Schirmer, 1999.

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44

Schechter, John M. Music in Latin American Culture: Regional Traditions. Schirmer, 1999.

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45

Olsen, Dale, and Daniel Sheehy, eds. The Garland Handbook of Latin American Music. Routledge, 2007. http://dx.doi.org/10.4324/9780203934548.

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46

Olsen & Sheehy. The Garland Handbook of Latin American Music. Routledge, 2000.

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47

Music in Latin American Culture- W/CD. Thomson; Schirmer, 1999.

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48

(Editor), Marcelo Suarez-Orozco, and Mariela Páez (Editor), eds. Latinos: Remaking America (David Rockefeller Center for Latin American Studies). University of California Press, 2002.

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49

(Editor), Marcelo Suarez-Orozco, and Mariela Páez (Editor), eds. Latinos: Remaking America (David Rockefeller Center for Latin American Studies). University of California Press, 2002.

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50

Preto-Rodas, Richard A., and Alfred Hower. Crônicas Brasileiras (University of Florida Center for Latin American Studies). 2nd ed. University Press of Florida, 1994.

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