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Relevant bibliographies by topics / Latin epic

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Academic literature on the topic 'Latin epic'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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Journal articles on the topic "Latin epic"

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Lounsbury, Richard C., and H. MacL Currie. "Silver Latin Epic." Classical World 82, no. 5 (1989): 396. http://dx.doi.org/10.2307/4350433.

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Whitton, Christopher. "Latin Literature." Greece and Rome 68, no. 1 (March 5, 2021): 120–28. http://dx.doi.org/10.1017/s0017383520000297.

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These days Flavian epic and intertextuality go together like toast and butter, or a persistent cough and fever, depending on your taste. Either way, Intertextuality in Flavian Epic. Contemporary Approaches is not perhaps the most startling of titles. But the book within is an impressive collection, its four editors (Neil Coffee, Chris Forstall, Lavinia Galli Milić, and Damien Nelis) leading a star cast of Flavians in a wide-ranging and stimulating set of chapters.

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Perkell, Christine, and A. M. Keith. "Engendering Rome: Women in Latin Epic." Phoenix 56, no. 1/2 (2002): 164. http://dx.doi.org/10.2307/1192479.

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S, Bharathi. "Silapathikaram quotes in grammatical text." International Research Journal of Tamil 4, no. 1 (December 30, 2021): 117–21. http://dx.doi.org/10.34256/irjt22113.

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Epics has been created in various languages such as Greek, Latin, Persian and Tamil in the world. Even in Tolkappiyam, there is no reference the existence of epics in Tamil. Dandiyalankara is the first script recorded about epics in Tamil. Silappathikaram is the first epic to appear in Tamil literature. This epic and Tolkappiyam were appeared during Sangam literature followed by AD Appeared in the second century. The author of this epic is Ilangovadi. He is the son of Cheramannan Neduncheralathan and the brother of Cheran Senkuttuvan. Silappathikaram is one of the greatest epics that appeared in the Tamil language. It is no exaggeration to say that as the epics were developed next to vintage literature appeared. Grammar rules are composed and written by Vaithiyanatha Desikar in the AD seventeenth century. He has used quotations from various grammatical texts in the context of the text with rich evidence for the text. He has used these quotations to clarify grammatical explanatory threads, for further explanation and for textual concentration. The purpose of this article is to illustrate how grammatical lyricism supports grammatical interpretation.

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Swain, Simon. "Arrian the epic poet." Journal of Hellenic Studies 111 (November 1991): 211–14. http://dx.doi.org/10.2307/631906.

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We know of several Greek translators of works originally written in Latin. Of non-Christian, purely literary material, we know of six. First, there is Claudius' powerful freedman, Polybius, who turned Homer into Latin prose and Vergil into Greek prose (SenecaConsol. ad Polyb. 8.2, 11.5). Then, under Hadrian we have Zenobius ‘the sophist’, who translates Sallust'sHistoriesand “so-called Wars’ (Suda Z 73). The translation into Greek of Hyginus' Fabulae can be dated precisely, for its unknown author tells us that he copied it up on 11th September 207 (CGILiii 56.3off.). Similarly, the extant translation of Eutropius'Breviariumby Paianios, probably a pupil of Libanius, can be dated securely to about 380. The translation of the same by Capito (SudaK 342), which survives in excerpts, is placed with some confidence at the beginning of the sixth century. The date and identity of the last of our translators, ‘Arrian the epic poet’, who rendered theGeorgicsof Vergil (SudaA 3867), is unclear.

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Faber, Riemer A. "INTERMEDIALITY AND EKPHRASIS IN LATIN EPIC POETRY." Greece and Rome 65, no. 1 (March 15, 2018): 1–14. http://dx.doi.org/10.1017/s0017383517000183.

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The concept of intermediality arose in the theoretical discourse about the relations between different systems or products of meaning, such as the relations between music and art, or image and text. The word gained currency in the 1980s in German- and French-language studies of theatre performance, and in scholarship on opera, film, and music, in order to capture the notion of the interconnections between different art forms. For reasons of utility, the concept has been divided into three kinds: intermediality may refer to the combination of media (as in opera, in which music, dance, and song are conjoined into one aesthetic experience); the transformation or transposition of media (as in a film version of a book); and intermedial references or connections, whereby attention is drawn to another system of meaning, as in the references in literature to a work of art. The term has entered the field of classics especially via the study of the relations between the narrative and inscriptional modes in literary epigram.

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Malamud, Martha. "Vandalising Epic." Ramus 22, no. 2 (1993): 155–73. http://dx.doi.org/10.1017/s0048671x00002496.

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William Levitan concluded a study of the fourth century poet Optatian with the sentence, ‘The marble bones of Rome itself were chopped for a thousand years to raise the buildings of Europe.’ The theatres, baths and other edifices constructed by the Romans never wholly perished; they served the local populations for centuries as quarries for building materials. The writers of late antiquity treated the Latin literary tradition the same way that later inhabitants treated the ruins of Roman buildings, as a source for appropriate building blocks. The dismemberment of magnificent structures, whether architectural or literary is, to be sure, a kind of vandalism, but perhaps in the post-modern, resource-hungry world of the mid-1990's we can bring ourselves to think of it as something more positive, as an attempt to salvage and recycle valuable material.

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Roling, Bernd. "Victorious Virgin: Early Modern Mary Epics between Theological-Didactical and Epic Poetry (Virgo Victrix: Frühneuzeitliche Marienepik zwischen theologischem Lehrgedicht und Epos)." Daphnis 46, no. 1-2 (March 15, 2018): 30–64. http://dx.doi.org/10.1163/18796583-04601012.

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This paper deals with a neglected subgenre of biblical poetry, namely with epic poems on the life of the Blessed Virgin. After an introduction into the poetic treatment of Mary in early modern latin poetry in general, one single epic poem is discussed in detail, the Mariados libri tres of the Italian-German scholar Giulio Cesare Delfini. As it will be demonstrated, Delfini’s poem included long explanations of medico-theological problems, like the digestion of the Divine Virgin or her intellectual skills, which the poet treated in addition in separate glosses. As result the poem presents itself as hybrid between didactic and epic poetry. In addition the study contains as an Appendix a list of (approximately) all accessible Latin poems, written between 1550 and 1650, on the incarnation and birth of Christ.

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Flatt, Tyler. "Vitalia Verba: Redeeming the Hero in Juvencus." Vigiliae Christianae 70, no. 5 (November 14, 2016): 535–64. http://dx.doi.org/10.1163/15700720-12341276.

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Juvencus’ epic portrayal of Christ establishes a new kind of Christian heroism, a concept refined through intertextual engagement with the Old Latin Bible, the Aeneid, and imperial Latin epic. Christ-as-verbum, The Word, wields verbal power against the furor of the enemies of salvation. His virtus, transcending and redefining the martial valor of the Vergilian tradition, is derived not from human achievement but from the vertical economy of grace—it is a gift (munus, donum) of God the Father streaming abundantly from heaven to earth. Juvencus takes advantage of the expanded semantic range of virtus in late antiquity to subvert and repurpose the heroic core of Latin epic: the miracles (munera, dona) of Jesus expose the helplessness of humanity, and restore it to physical and spiritual health through forceful word-deeds (vitalia gesta, vitalia verba). Through its close identification with fides, Christ’s expansive virtus imparts heroic stature to even the weakest disciple.

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Antoniadis, Theodoros. "Epic as Elegy." Mnemosyne 70, no. 4 (June 16, 2017): 631–53. http://dx.doi.org/10.1163/1568525x-12342185.

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This article contributes to the discussion on the significance of the Latin Love Elegy, with regard to its language, themes and conventions, as a means of generic innovation in Valerius Flaccus’Argonautica. In particular, it will be demonstrated that in the scenes of lament and separation that take place in books 2 and 3, Valerius incorporates a selection of elegiac themes and motifs to enhance the effect and sensationalism of these episodes as well as the pathos in the rhetoric of his female protagonists (in particular the Lemnian wives and Hypsipyle as well as Clite, the wife of king Cyzicus). At the same time he will be seen to take a step further by inverting and/or refashioning some of these topoi and tropes so as to leave his own metapoetic comment on his negotiations with other genres in theArgonautica.

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Dissertations / Theses on the topic "Latin epic"

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Hershkowitz, Debra. "Madness in Greek and Latin epic." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296228.

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Manioti, Nikoletta. "All-female family bonds in Latin epic." Thesis, Durham University, 2012. http://etheses.dur.ac.uk/3523/.

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This thesis deals with the representation of all-female family bonds in Virgil’s "Aeneid", Ovid’s "Metamorphoses", Valerius Flaccus’ "Argonautica" and Statius’ "Thebaid". The themes of sisterly unanimity, love and marriage, loss and mourning, and storytelling, provide the framework within which I investigate the literary models in epic, tragedy and other genres, of each episode featuring all-female interaction. Furthermore, I demonstrate how the Roman ideal of unanimity is combined with the Apollonian representation of Medea and Chalciope in the portrayal of Dido and Anna in Virgil, which then provides the basis for four often more extreme pairs of unanimae sorores in Latin epic. The final one in the series, consisting of the sisters-in-law Argia and Antigone, attests to a very Roman view about the power of adoptive relationships. In the same vein, the stories of Amata and Lavinia, and Ceres and Proserpina, are constructed around the Roman mother’s expectations of her role in her daughter’s marriage, while love stories including sisterly interference characterised by envy can be compared to specific examples of legendary Roman women. Roman mourning practices are present in all instances of heroines losing a mother, daughter or sister, and a specific analogy to the lament for Marcellus is identified in the Ovidian myth of Clymene and the Heliades. The suicide of Ismene after Jocasta’s similar death, on the other hand, corresponds to the idea of a Roman daughter following the example set by her mother taken to its limits. Finally, sister storytellers behave similarly to Roman matrons while the stories they tell are once again influenced by the interaction of Ovid’s contemporary women. Overall, I show how these epics can indirectly offer an insight into the lives of Roman women by modelling their mythical heroines both on literary tradition and on contemporary Roman ideals and practices.

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McFadyen, Johnny. "Arthur in medieval Latin : chronicle, epic and romance." Thesis, University of Bristol, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.633118.

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This dissertation investigates the character and use of Arthurian narratives in medieval Latin literature, with particular emphasis on the socio-political, ideological and literary functions they were designed to serve. It focuses on a little-known assortment of writings from the twelfth and thirteenth centuries, contextualising Latin Arthurian material with analyses of contemporary history and literary culture. It begins with a re-evaluation of Geoffrey of Monmouth's role in'the development of Arthurian literature, especially his influence on Latin historiography and medieval romance, evaluating what I perceive to be a noticeable shift in register between his earlier work, Historia Regum Britanniae, and his later poem, Vita Merlini. I argue that the later work anticipates the rise of romance writing, and also consider it in relation to the emergence of the individual in twelfth-century literature. The dissertation then examines a number of understudied Latin Arthurian works, through individual case studies, in order to demonstrate the varied and interesting uses that post-Galfridian writers found for the Arthurian legend. The study of this heterogeneous collection of texts is intended to produce a deeper understanding and appreciation of Latin Arthuriana and to reassess its position in relation to the wider literary canon. A short conclusion also establishes some connections between these Latin texts and vernacular literature, and calls for further investigation into the relationship between these two linguistic traditions.

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Jorge, Diane. "Female characterisation in the epic poetry of P. Papinius Statius." Master's thesis, University of Cape Town, 1990. http://hdl.handle.net/11427/18652.

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"No serious Latinist will deny the probability that Statius will again emerge from the current scholarly re-evaluation of Silver Age Epic as the great poet he seemed to the finest spirits of High Middle Ages and Renaissance, rather than as the pale imitator of Virgil he appeared to the censorious criticism of the nineteenth century, obsessed as it was with its twin heresies of originality and inevitable progress." (Tanner, R G 1986. Epic Tradition and Epigram in Statius ANRW II 32.5, 3020) Publius Papinius Statius (c.AD 40-96) is best known for his occasional poetry, the Silvae, which is in scholarly vogue at present. He also composed a monumental twelve-book epic, little known until this century, concerning the myth of the Seven Against Thebes, as well as beginning a poem, popular in the Middle Ages, intended to chronicle the full career of the hero, Achilles. Death prevented the completion of the latter work, so that there are only 1127 lines extant. I here undertake an evaluation of female characterisation in the Thebaid and Achilleid, as a positive contribution to the rehabilitation programme described in the quotation above. Because Statius' poetry properly observes the ancient literary convention of imitatio, an examination of any feature thereof necessarily first takes account of the treatment of these myths before Statius. Although there is no precise literary precedent for the Achilleid, there are various possible Greek and Roman sources for the Thebaid, among them Euripides' Phoenissae and Hypsipyle, Apollonius' Argonautica and Seneca's Phoenissae. Naturally Homer's Iliad provided many of the poetical techniques for depicting the pathos of young warriors killed in battle and the subsequent grief of their relatives. A vital consideration, given Statius' reputation as a "pale imitator of Virgil", is to identify the influence of the Aeneid on Statius' techniques of characterisation, as well as to assess his usage of Virgilian style and phraseology. An equally significant contribution to Statius' presentation of women, and one of especial importance for the Achilleid, is made by Ovidian poetry, particularly the Metamorphoses and Heroides. To a lesser extent Statius was influenced by contemporary Latin epics: Valerius Flaccus' mythological Argonautica, Lucan's politico-historical Pharsalia and Silius Italicus' Punica. In analysing the presentation of heroines and goddesses in the Thebaid, little attempt is made to divine a method or spirit of characterisation "common" to both poems. Rather, the contrast between the portrayal of female personality in the two epics emphasises the very different tone of each: the distinctly comic tone of the Achilleid is reflected in the light-hearted portrayal of the three main characters Thetis, Deidamia and Achilles; on the other hand, the tragic atmosphere of the Thebaid is reflected in the intense portrayal of the chief female characters, Argia, Antigone, Jocasta and Hypsipyle. Insofar as it is ever valid or possible to expect literature to reflect the "real" perceptions and ideals of author and audience, I make some brief attempt to set Statius' treatment of his female characters against the prevailing attitudes and socio-cultural norms of his day. Statius' portrayal of women in his Silvae is of some relevance here, though chiefly the poems are to be regarded as literary texts rather than sociological documents.

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Moss, Carina M. "Elegy with Epic Consequences: Elegiac Themes in Statius’ Thebaid." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1592134478208502.

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Kennedy, Ross Alexander. "The Franciad of Joshua Barnes : a previously unstudied Anglo-Latin Epic." Thesis, University of Cambridge, 2004. https://www.repository.cam.ac.uk/handle/1810/272128.

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Callaway, Cathy L. "The oath in epic poetry /." Thesis, Connect to this title online; UW restricted, 1990. http://hdl.handle.net/1773/11449.

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McIntyre, James Stuart. "Written Into the landscape : Latin epic and the landmarks of literary reception." Thesis, University of St Andrews, 2009. http://hdl.handle.net/10023/543.

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Landscape in Roman literature is manifest with symbolic potential: in particular, Vergil and Ovid respond to ideologically loaded representations of abundance in nature that signal the dawn of the Augustan golden age. Vergil's Eclogues foreground a locus amoenus landscape which articulates both the hopes of the new age as well as the political upheaval that accompanied the new political regime; Ovid uses the same topography in order to suggest the arbitrary and capricious use of power within a deceptively idyllic landscape. Moreover, for Latin poets, depictions of landscape are themselves sites for poetic reflection as evidenced by the discussion of landscape ecphrases in Horace's Ars Poetica. My thesis focuses upon the depiction and refiguration of the locus amoenus landscape in the post-Augustan epics of the first century AD: Lucan's Bellum Civile, Valerius Flaccus' Argonautica, Statius' Thebaid and Silius Italicus' Punica. Landscape in these poems retains the moral, political and metapoetic force evident in the Augustan archetypes. However, I suggest that Lucan's Neronian Bellum Civile fundamentally refigures the landscapes of Latin epic poetry, inscribing the locus amoenus with the nefas of civil war in such a manner that it redefines the perception of landscape in the succeeding Flavian poets. Lucan perverts the landscape, making the locus horridus, a landscape of horror, fear and disgust, the predominant landscape of Latin epic; consequently, the poems of Valerius, Statius and Silius engage with Lucan's refiguration of landscape as a means of expressing the horror of civil war. In the first part of my thesis I examine archetypal landscapes, including those of the Augustan poets and Lucan's Bellum Civile. Taking an approach which engages with literary reception theory and the concept of the â horizon of expectationâ as a framework within which literary topographies can be understood as articulating a response to the thematics of civil war, in the second part of my thesis I demonstrate the manner in which landscapes represent a coherent and paradigmatic response to Lucan's imposition of his civil war narrative within the literary landscape of Roman literature.

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McIntyre, James Stuart. "Written into the landscape : Latin epic and the landmarks of literary reception /." St Andrews, 2008. http://hdl.handle.net/10023/543.

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McCloskey, Jason A. "Epic conflicts culture, conquest and myth in the Spanish Empire /." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3350507.

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Thesis (Ph.D.)--Indiana University, Dept. of Spanish and Portuguese, 2008.
Title from PDF t.p. (viewed on Oct. 8, 2009). Source: Dissertation Abstracts International, Volume: 70-03, Section: A, page: 0890. Adviser: Steven Wagschal.

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Books on the topic "Latin epic"

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Keith, Alison. A Latin epic reader: Selections from ten epics. Mundelein, Illinois, USA: Bolchazy-Carducci Publishers, Inc., 2012.

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The epic of Latin America. 4th ed. Berkeley: University of California Press, 1992.

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Flavian epic. Corby: Oxford University Press, 2016.

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Engendering Rome: Women in Latin epic. Cambridge [England]: Cambridge University Press, 2000.

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Epic visions: Visuality in Greek and Latin epic and its reception. Cambridge: Cambridge University Press, 2013.

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Roman epic poetry: Essays. Kraków: Ksie̜garnia Akademicka, 2003.

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Heinze, Richard. Virgil's epic technique. Berkeley: University of California Press, 1993.

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Fraker, Charles F. The Libro de Alexandre: Medieval epic and Silver Latin. Chapel Hill: U.N.C., Dept. of Romance Languages, 1993.

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Hershkowitz, Debra. Valerius Flaccus' Argonautica: Abbreviated voyages in silver Latin epic. Oxford: Clarendon Press, 1998.

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Biblical epic and rhetorical paraphrase in late antiquity. Liverpool, Great Britain: F. Cairns, 1985.

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Book chapters on the topic "Latin epic"

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Schaffenrath, Florian. "Neo-Latin Epic." In Encyclopedia of Renaissance Philosophy, 1–6. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-02848-4_852-1.

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Kallendorf, Craig. "The Neo-Latin Epic." In The Virgilian Tradition II, 75–89. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003149057-8.

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Ferri, Rolando. "The Language of Latin Epic and Lyric Poetry." In A Companion to the Latin Language, 344–66. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444343397.ch20.

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Delgado, Maria M. "“Escaping from an ordinary world into a more epic one”." In A Companion to Latin American Cinema, 446–58. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118557556.ch26.

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Carneiro, Sarissa. "Women and War in the Colonial Spanish American Epic." In The Routledge Handbook of Violence in Latin American Literature, 88–101. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780367520069-6.

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Frakes, Jerold C. "Mandatory Muslim Metamorphosis in Middle High German Epic." In Vernacular and Latin Literary Discourses of the Muslim Other in Medieval Germany, 59–95. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119192_4.

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Schaffenrath, Florian. "A Comparison of Neo-Latin Epic Poetry in Tyrol and Croatia: A Case Study of Eighteenth-Century Marian Epic Poetry." In Neo-Latin contexts in Croatia and Tyrol: challenges, prospects, case studies, 191–208. Wien: Böhlau Verlag, 2018. http://dx.doi.org/10.7767/9783205204701.191.

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Gillies, Patricia Harris Stäblein. "Staging Francophone Identities: Latin First Crusade Narratives and the Epic Conflict of French and Occitan." In Medieval Texts and Cultures of Northern Europe, 453–72. Turnhout: Brepols Publishers, 2019. http://dx.doi.org/10.1484/m.tcne-eb.5.114922.

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Žanna, Nekraševič-Karotkaja. "Artistic Expression of the Translatio imperii Concept in the Latin Epic Poetry of the Polish-Lithuanian Commonwealth in the 16th Century and the European Literary Context." In Biblioteca di Studi Slavistici, 75–96. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-198-3.05.

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In this article the author analyzes how the Renaissance epic poetry of the Polish-Lithuanian Commonwealth approaches the theme of translatio imperii, which is a concept and a political stereotype of transfer of metaphysical world domination from country to country. After the fall of Constantinople (1453), the concept of translatio imperii gradually lost its universal character and was interpreted within the confines of a nation. Among the analyzed poems are: Bellum Prutenum (1516) by Ioannes Visliciensis and Radivilias (1592) by Ioannes Radvanus. The artistic expression of both the “Jagiellonian” and Lithuanian (i.e., Grand Duchy of Lithuania) patriotism, which incorporated the concept of translatio imperii, had an enormous impact on the formation of the national identity of the Belarusian, Lithuanian, and Polish peoples.

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"Epic Hero and Epic Fable." In Explorations in Latin Literature, 62–82. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108680226.005.

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Conference papers on the topic "Latin epic"

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Silva, Eder Andrade da, Igora Wilis Mauerberg Barbosa, Jose Carlos Navas Palma, Matheus Vinicius Brandão, Rafael Andrade Taveira, Rafaela Faust Meyer, and Oswaldo Hideo Ando Junior. "Sistema de Descontaminação de Máscaras Baseado no Efeito Luminescente Causado por Espectro Ultravioleta (UV-C)." In Congresso Latino-Americano de Software Livre e Tecnologias Abertas. Sociedade Brasileira de Computação - SBC, 2020. http://dx.doi.org/10.5753/latinoware.2020.18605.

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Com o surgimento da pandemia houve um crescimento exponencial no consumo de Equipamentos de Proteção Individual (EPI) e Equipamentos de Proteção Coletiva (EPC), causando escassez momentânea. Nesse sentido com o intuito de proteger contra a contaminação de bactérias e vírus presentes no ambiente, o seu uso se tornou obrigatório para os profissionais da saúde de modo a evitar a contaminação e proliferação do COVID-19. Portanto, visando mitigar e auxiliar pontualmente as demandas, foram desenvolvidos e doados diversos tipos de EPI e EPC à rede pública de atendimento à saúde. Além disso, junto o agravamento da pandemia, verificou-se uma maior conscientização e preocupação com o bem bem-estar e integridade física dos agentes de saúde em relação ao risco de contaminação associado às atividades laborais. Consequentemente, fez-se fundamental o uso mais prolongado dos EPIs, em especial as máscaras, bem como de EPCs. Diante do exposto, este artigo apresenta o desenvolvimento open source de um sistema auxiliar de desinfecção denominado sistema de descontaminação de máscaras baseado no efeito luminescente causado por espectro ultravioleta (UV-C). Considerando essas premissas foi desenvolvido um sistema de higienização de máscaras que consiste em uma caixa de higienização por radiação ultravioleta (UV-C), composto por um circuito eletrônico integrado à estrutura e com comando remoto por aplicativo. Finalmente, destaca-se que radiação UV-C é um método de desinfecção consagrado e amplamente utilizado em ambientes hospitalares e laboratoriais na descontaminação de superfícies.

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Santia, Paula, Michael Silva-Peñaherrera, and Fernando G. Benavides. "O-359 Mental health in a sample of 72,452 workers from 8 countries of Latin America: results of health and working conditions surveys." In 28th International Symposium on Epidemiology in Occupational Health (EPICOH 2021). BMJ Publishing Group Ltd, 2021. http://dx.doi.org/10.1136/oem-2021-epi.117.

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"CUANDO NO CREEMOS EN LA EFICACIA DE LA METADONA. A PROPÓSITO DE UN CASO." In 23° Congreso de la Sociedad Española de Patología Dual (SEPD) 2021. SEPD, 2021. http://dx.doi.org/10.17579/sepd2021p114v.

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ANTECEDENTES: Varón 56 años. Inicio de consumo de heroína con 14 años. En prisión desde el año 1989 hasta el 2003 por delitos relacionados con el consumo. Diagnósticos médicos: Retraso mental por anoxia neonatal; Esquizofrenia paranoide. En seguimiento en Salud Mental de zona con tratamiento antipsicótico depot. Grado de minusvalía: 65% EXPOSICION DEL CASO: Comienza en programa de mantenimiento de metadona en el CAD Latina en el año 2010. Durante los dos primeros años comienza el consumo esporádico de cocaína con varios brotes esquizofrénicos que acaban con el paciente tutelado por la Comunidad de Madrid. Tras nuevo brote y aumento de dosis de metadona a 35mg/día e inyección depot mensual a 150mg, consigue abstinencia a todas las sustancias a excepción del tabaco: dos cajetillas al día. En 2013 el paciente se estabiliza por lo que permite que se comience a intervenir en recuperación de hábitos de alimentación, sueño, higiene y actividad física, así como reducción de consumo de tabaco, consiguiendo avances significativos en todas las áreas. Durante este tiempo aparecen nuevas patologías: HTA, diabetes, leucocitosis, EPOC severo. Se redujo el tratamiento depot hasta inyección mensual de 50mg. En 2018 se produce el cambio de médico del paciente y la consiguiente reducción de metadona. A mediados de 2020, la dosis es de 20mg/día. El paciente comienza con ideas referenciales desembocando en 5 brotes psicóticos en 4 meses, precisando ingreso y control externo en miniresidencia, aumento de dosis de metadona y de inyectable a dosis previas. CONCLUSIONES El estigma asociado a la metadona y el desconocimiento de su eficacia demostrada como antipsicótico, hacen que se retire de forma inadecuada. En un paciente estabilizado durante años, esta reducción le ha generado consecuencias físicas y psicológicas.

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Santos, Naíra Suele da Conceição, Izadora Nogueira Ehlers, and Beatriz Maria Jorge. "OS DESAFIOS ENFRENTADOS PELA EQUIPE DE ENFERMAGEM NO CENTRO CIRÚRGICO DURANTE A PANDEMIA DO COVID-19: UMA REVISÃO INTEGRATIVA DA LITERATURA." In I Congresso Brasileiro de Saúde Pública On-line: Uma abordagem Multiprofissional. Revista Multidisciplinar em Saúde, 2022. http://dx.doi.org/10.51161/rems/3288.

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Introdução: No final do ano de 2019 houve os primeiros relatos de infecção pelo vírus SARS-CoV-2, o que posteriormente veio a se tornar a pandemia da Covid-19. O aumento progressivo da doença associado à sua letalidade houve a superlotação dos centros hospitalares e a sobrecarga dos profissionais de saúde, o que ocasionou a necessidade de uma rápida adaptação em todos os setores da saúde. Objetivos: Identificar e analisar a produção científica sobre os desafios enfrentados pela equipe de enfermagem no centro cirúrgico diante da pandemia da Covid-19. Material e métodos: Trata-se de uma revisão integrativa da literatura realizada no mês de Janeiro de 2022 por meio de consultas às bases de dados: Latino-Americana e do Caribe em Ciência da Saúde, Scientific Eletronic Library Online e Google acadêmico. Utilizaram-se os descritores: Infecção por coronavírus, Centro cirúrgico e Enfermagem. Foram incluídos artigos primários publicados entre 2020 e 2021. Resultados: A amostra foi composta por 10 artigos, sendo três publicados em 2020 e sete no ano de 2021. As equipes de enfermagem atuantes nos centros cirúrgicos enfrentaram desafios administrativos e assistenciais, com a implementação de novos protocolos no qual modificou o fluxo de atendimento e a necessidade de novas capacitações, como por exemplo, a sequência de paramentação e desparamentação de EPIs específicos para diminuir as chances de contágio pelo coronavírus. A comunicação entre funcionários na passagem de plantões e discussões de casos foram alteradas para reuniões por teleconferência e as visitas aos pacientes foram suspensas e seus familiares passaram a receber informações por via telefônica. Conclusão: Diante do estudo, conclui-se que, as esquipes de enfermagem no centro cirúrgico tiveram que se adaptar a uma nova forma de trabalhar para, assim, diminuir as chances de contágio pelo coronavírus e garantir a segurança dos profissionais e pacientes durante todo o período perioperatório.

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