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1

Skoropadskaya, Anna. "Dostoevsky's Latin language." Неизвестный Достоевский 8, no. 2 (2021): 34–47. http://dx.doi.org/10.15393/j10.art.2021.5421.

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The article refutes the opinion found in some biographical studies, which states that Dostoevsky disliked the Latin language and showed nointerest in it. An appeal to the writer's letters, his journalistic and artistic works, surviving working notes suggests the opposite: Dostoevsky not only speaks positively of the Latin language, but also uses it in the process of creating his texts. An analysis of published works and surviving work notes revealed 67 Latin words and expressions. Many of the Latin insertions are encountered more than once, some have a distinct practical nature (for example, t
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2

Katzir, Brandon. "“The Truth of Reliable Tradition”: Saadya Gaon, Arabic Rhetoric, and the Challenge to Rhetorical Historiography." Rhetorica 35, no. 2 (2017): 161–88. http://dx.doi.org/10.1525/rh.2017.35.2.161.

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This article explores the rhetoric of medieval rabbi and philosopher Saadya Gaon, arguing that Saadya typifies what LuMing Mao calls the “interconnectivity” of rhetorical cultures (Mao 46). Suggesting that Saadya makes use of argumentative techniques from Greek-inspired, rationalist Islamic theologians, I show how his rhetoric challenges dominant works of rhetorical historiography by participating in three interconnected cultures: Greek, Jewish, and Islamic. Taking into account recent scholarship on Jewish rhetoric, I argue that Saadya's amalgamation of Jewish rhetorical genres alongside Greco
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3

López-Muñoz, Manuel. "Actio in Some Neo-Latin Ecclesiastical Orations." Rhetorica 22, no. 2 (2004): 147–67. http://dx.doi.org/10.1525/rh.2004.22.2.147.

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Abstract The study of theories of actio is a basic part of Rhetoric which ought not to be neglected, especially when one is considering practical rather than literary rhetoric. The present study deals with neo-Latin ecclesiastical rhetoric and points out the differences between protestant and catholic notions about the phenomenon of preaching. The presence or absence of indications of actio permits a clear distinction among tendencies in neo-Latin theory. There is such a thing as actioin the Catholic sense, but not in the Protestant. Among catholic scholars, Fr. Luis de Granada stands out for
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4

Schildgen, Brenda Deen. "Petrarch's Defense of Secular Letters, the Latin Fathers, and Ancient Roman Rhetoric." Rhetorica 11, no. 2 (1993): 119–34. http://dx.doi.org/10.1525/rh.1993.11.2.119.

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Abstract: Like the Church Fathers before him, Petrarch was forced to defend secular learning against its detractors, and his defenses draw on many of the same arguments that Augustine and Jerome had used. In these defenses he blends classical rhetoric and Christian values, and his procedures also follow the traditions of classical rhetoric, relying on the epistolary form and utilizing the Ciceronian manner of debating all topics from opposite standpoints. Perhaps, however, because his indecisiveness complemented the classical rhetorical premise that many issues present many possible resolution
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Sgarbi, Marco. "Francesco Robortello's Rhetoric. On the Orator and his Arguments." Rhetorica 34, no. 3 (2016): 243–67. http://dx.doi.org/10.1525/rh.2016.34.3.243.

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This paper deals with the conception of rhetoric of one of the most prominent Renaissance scholars, Francesco Robortello, and focuses in particular on his vernacular manuscript entitled Dell'oratore, probably his final statement on the topic, the transcription of which is included in the appendix. The study of the manuscript will be integrated with the examination of Robortello's Latin published works on rhetoric, that is De rhetorica facultate (1548) and De artificio dicendi (1567), as well as of some of his schemes in printed and manuscript form.
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6

Paschoal, Stéfano. "Anáfora ou repetição em Música: figura e recurso expressivo." ouvirOUver 13, no. 1 (2017): 216. http://dx.doi.org/10.14393/ouv20-v13n1a2017-16.

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A base do trabalho que ora se apresenta é a Retórica clássica latina, tal qual apresentada na obra “Rhetorica ad Herennium”, cuja autoria se atribui, ainda que de forma polêmica, a M.T. Cícero. A Retórica clássica latina exerceu grande influência na produção literária e retórica dos séculos posteriores, mais expressivamente durante a Renascença e o século XVII. É interessante notar que não apenas o âmbito literário recebe influências da Retórica, mas também outro, a saber, possuidor de linguagem própria, distinta e autônoma: a música. São profícuos os tratados que buscam demonstrar as relações
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7

Watt, John W. "From Themistius to al-Farabi: Platonic Political Philosophy and Aristotle's Rhetoric in the East." Rhetorica 13, no. 1 (1995): 17–41. http://dx.doi.org/10.1525/rh.1995.13.1.17.

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Abstract: Aristotie's Rhetoric appears to have had little influence on rhetorical theory in Greek or Latin during late antiquity or the early Middle Ages, but it was closely studied by some Islamic philosophers, notably al-Farabi. Behind al-Farabi's interest in Aristotle's Rhetoric lay his adoption of Plato's doctrine of the philosopher-king, Whitch had an eloquent exponent in late antiquity in the philosopher-orator Themistius. An allusion to the Rhetoric in an oration of Themistius suggests that al-Farabi's assessment of the Rhetoric also had roots in late antiquity, possibly in circles arou
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8

Klifman, Harm. "Dutch language study and the trivium." Historiographia Linguistica 15, no. 1-2 (1988): 63–83. http://dx.doi.org/10.1075/hl.15.1-2.05kli.

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Summary In the history of European linguistics the 16th century is known as the century in which the vernacular languages of the countries above the Alps and the Pyrenees were discovered as objects of language study. The first grammars of the Dutch language appeared in this period. The study of grammar of the Dutch language took place within the context of a continuation of the Latin trivium tradition in the vernacular. As a consequence the historiographer must take into account this context and the traditional relation of grammar to dialectic and to rhetoric respectively. The first complete t
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9

Cox, Virginia. "Ciceronian Rhetoric in Italy, 1260-1350." Rhetorica 17, no. 3 (1999): 239–88. http://dx.doi.org/10.1525/rh.1999.17.3.239.

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Abstract: The later thirteenth and early fourteenth centuries in Italy saw a marked new interest in the study of Ciceronian rhetorical theory, in both Latin and vernacular contexts. This reflects the increasing prominence within the civic culture of the Italian communes of practices of oral and adversarial rhetoric which the dominant instrument of rhetorical instruction in this period, the ars dictaminis, was ill-equipped to teach. While the utility of the strategies of argument taught by Roman rhetorical theory was widely recognised in this period, the ethical attitudes implicit in that theor
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10

Ward, John O. "Rhetorical Theory and the Rise and Decline of Dictamen in the Middle Ages and Early Renaissance." Rhetorica 19, no. 2 (2001): 175–223. http://dx.doi.org/10.1525/rh.2001.19.2.175.

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This paper examines the links between Classical (Ciceronian) rhetorical theory and the teaching of medieval Latin prose composition and epistolography between the eleventh century and the renaissance, mainly in Italy. Classical rhetorical theory was not replaced by dictamen, nor was it the “research dimension” of everyday dictaminal activity. Rather Classical rhetorical theory, prose composition and epistolography responded to distinct market niches which appeared from time to time in different places as a consequence of social and political changes. Boncompagno's apparent setting aside of Cic
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11

Martinelli, Chiara. "Some pedagogical and syntactical aspects of Francesco da Buti’s (1324–1406) Regule grammaticales." Latin Grammars in Transition, 1200 - 1600 44, no. 2-3 (2017): 204–27. http://dx.doi.org/10.1075/hl.00002.mar.

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Abstract This essay aims at giving an account of some pedagogical and syntactical aspects of Francesco da buti’s (1324–1406) Regule grammaticales, a Latin grammar written in Central Italy in the second half of the 14th century. It occupies an important place in the history of positive grammar, providing an excellent example of Latin teaching in late medieval Italy. In fact, da Buti treatise deals not only with grammar, but also with rhetoric and Ars dictaminis, as was customary in the Italian tradition in the final centuries of the Middle Ages. This article analyzes the sections devoted to nou
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Alberte, Antonio. "Relevancia de los recursos plásticos en las artes medievales de predicación." Rhetorica 29, no. 2 (2011): 119–50. http://dx.doi.org/10.1525/rh.2011.29.2.119.

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In this article I underline the outstanding importance given by medieval preaching arts to plastic resources, specifically to exemplum, simile, metaphor and facies. I give an historical framework better to distinguish in these between what is traditional and new. Thereby it is easier to recognize that, though these arts continue to look back at classical rhetoric, the new cultural environment makes them different, as in the incorporation of a new resource into the catalogue of rhetorical figures, facies. To demonstrate this, I take Latin texts from the as yet unedited Corpus Artium Praedicandi
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Briggs, Charles F. "Aristotle's Rhetoric in the Later Medieval Universities: A Reassessment." Rhetorica 25, no. 3 (2007): 243–68. http://dx.doi.org/10.1525/rh.2007.25.3.243.

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Abstract This essay offers a reassessment of the reception history of the Latin translation of Aristotle's Rhetoric in the universities and mendicant studia of the thirteenth to fifteenth centuries. While it accepts James J. Murphy's assertion, originally made in 1969, that Aristotle's Rhetoric was studied as part of moral philosophy, it presents new manuscript and textual evidence of how this work was actually used. It argues for its popularity and importance among later medieval scholastics and suggests we take a more nuanced view of what they understood rhetoric to be.
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14

Castaldo, Paolo. "Retorica e logica nella critica di Lorenzo Valla del quadrato delle opposizioni." Rhetorica 37, no. 1 (2019): 35–59. http://dx.doi.org/10.1525/rh.2019.37.1.35.

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In this paper I discuss Lorenzo Valla's criticism of the traditional Square of Opposition displayed in the second book of the Dialectica. I show that, according to Valla, the opposition rules of the propositions must take into account both common speeches and the correct use of Latin language, not the formal link occurring between the parts of propositions. In Valla's perspective, this theoretical change is carried out through rhetoric and philology, and it involves a reassessment of the arts of the trivium. As regards this topic, I argue that Valla aims niether to reduce dialectic to rhetoric
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15

Sauer, Hans. "The Latin and the Old English Versions of St Augustine’s Prayer in his Soliloquia: A Study and a Rhetorical Synopsis." Anglia 137, no. 4 (2019): 561–611. http://dx.doi.org/10.1515/ang-2019-0053.

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Abstract A special kind of a short text that is embedded in a larger text is the prayer near the beginning of St Augustine’s Soliloquia, which serves as a kind of introduction to the ensuing dialogue. The relatively independent nature of this prayer was recognized early on, and in addition to its transmission in the manuscripts of the Soliloquia it has also been transmitted as an independent prayer. Something similar happened to the Old English translation. There is a full translation of the entire text, traditionally ascribed to King Alfred (and his learned helpers), but preserved only in a m
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16

McNABB, RICHARD. "Innovations and Compilations: Juan Gil de Zamora's Dictaminis Epithalamium." Rhetorica 21, no. 4 (2003): 225–54. http://dx.doi.org/10.1525/rh.2003.21.4.225.

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Abstract: This essay brings to light a previously untranslated Latin medieval rhetorical treatise from Castile and Leóón——Juan Gil de Zamora's letter writing manual Dictaminis Epithalamium, or The Marriage Song of Letter-Writing (c. 1277). Juan Gil (c. 1240––c. 1318) was among the first writers in Castile and Leóón to compose a rhetorical treatise on the technical elements of composition. I outline the theoretical and technical elements of Juan Gil's ars dictaminis. Following an explication of his theory, I historicize the Dictaminis Epithalamium within the western European rhetorical traditio
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17

Monti, Richard C. "Poetry, Rhetoric, and Science: The Case of Plaustra Bootes." Mnemosyne 65, no. 1 (2012): 94–111. http://dx.doi.org/10.1163/156852511x547794.

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Abstract This article examines the aural qualities of the collocation plaustra Bootes, its application in Latin poetry, and the precepts of rhetorical theory which explain its use. Plaustra Bootes, which occurs frequently, refers to either or both of the circumpolar constellations Ursa Major and Ursa Minor, configured as ‘wagons’, and to Bootes, the ‘Oxman’ who tends them. The case is made that the collocation is a poetic formula characterized by solemnity of diction, and that its application is limited to contexts, usually characterized by highly elaborate rhetoric, which train the attention
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18

Averna, Daniela. "La suasoria nelle preghiere agli dei: percorso diacronico dalla commedia alla tragedia." Rhetorica 27, no. 1 (2009): 19–46. http://dx.doi.org/10.1525/rh.2009.27.1.19.

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Abstract My argument concerns ways of communicating with divinities, by detailed analysis of the suasoria in a diachronic route through Greek and Latin comic and tragic theatrical texts. Particular attention is paid to the Latin palliata and, through the epic filter, to the Senecan tragic corpus. The trait d'union is the prayer of the faithful to the gods who are “orati” for favours received (e.g. as happens in the Plautine corpus), or for favours to be received (as can be seen paradigmatically in the Senecan Hercules Oetaeus). I present an interdisciplinary analysis of the intersection of rhe
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19

Roberts, Edward. "Boundary clauses and the use of the vernacular in eastern Frankish charters, c.750–c.900*." Historical Research 91, no. 254 (2018): 580–604. http://dx.doi.org/10.1111/1468-2281.12245.

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Abstract Of the thousands of surviving charters from eastern Carolingian Francia, remarkably few contain boundary clauses, even though ceremonial perambulations were a prominent aspect of property transactions. This article examines these boundary clauses asking when and why perambulations were written down in charters, and why, in an overwhelmingly Latin charter tradition, this was often done with vernacular language. The analysis suggests that boundary clauses were intended as rhetorical statements of elite identification and authority, usually signalling the involvement of powerful patrons
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20

Skouen, Tina. "The Vocal Wit of John Dryden." Rhetorica 24, no. 4 (2006): 371–402. http://dx.doi.org/10.1525/rh.2006.24.4.371.

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Abstract The English poet-critic John Dryden (1631–1700) took a keen interest in refining the mother tongue. As a literary critic, he was particularly concerned with the contrast between the sound of the vernacular and that of Latin. This study establishes a connection between Dryden's observations on sound and the recommendations concerning elocution found in such seventeenth-century rhetorics as Some Instructions Concerning the Art of Oratory (1659) by Obadiah Walker. In order to appreciate Dryden's use of sound in his own poems, I argue that one should also take into account the phonetic th
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Poisson-Gueffier, Jean FranÇois. "« Si res ad synodum traheretur » (I, 416) Les procès imaginaires dans le livre I de l'Ysengrimus." Rhetorica 38, no. 4 (2020): 411–31. http://dx.doi.org/10.1525/rh.2020.38.4.411.

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The first book of medieval Latin beast epic, Ysengrimus, relates imaginary trials. In the episodes of the stolen ham and the fishing, the characters, Ysengrin and Renart, imagine that they would convene an ecclesiastic assembly, a synod, and that they would plead their case. Their plead reverses right and wrong (translatio criminis), invents speeches to denigrate each other (sermocinatio), and seems to take the form of large digressions. These speeches, which have been considered as “interminable” and “wordy” by J. Mann and É. Charbonnier, can be reassessed through classical rhetoric. This pap
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Sakhno, Irina M. "Visual Rhetorics of Carmina Figurata in the Poetry of the Early Middle Ages." Observatory of Culture, no. 5 (October 28, 2014): 112–18. http://dx.doi.org/10.25281/2072-3156-2014-0-5-112-118.

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Examines the way the verbal image represents itself graphically in the shape of pattern poems and traces the forming of visual rhetorics back to the early medieval poetry. Pattern poems ( carmina figurata ) are considered to be the earliest genre of the visual poetry, where from new synthetic form springs. Visual images of pattern poems by Simmias of Rhode, Dosiades of Crete, Theocritus reveal the obvious interconnection between poetry and painting. The description visualises common or mythological object, while its reception is based on the reflection of the sign­symbolic level of the poetic
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Montefusco, Lucia Calboli. "Ductus and color: the right way to compose a suitable speech." Rhetorica 21, no. 2 (2003): 113–31. http://dx.doi.org/10.1525/rh.2003.21.2.113.

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In Latin rhetorical contexts, color was a well known metaphor, used to refer either to the orator's stylistic choices or to the general complexion of the whole speech (Cic. De orat. 3.96) or the specific characteristics of each of the three styles (Cic. De orat. 3.199) or even of each part of the speech (Quint. 12.10.71). In the second case, by contrast, color had the peculiar meaning of a possible point of view in the discussion of the case, as appears from its usage in Seneca's Controversiae. The term ductus was less well known. We meet it for the first time in the handbook of Consultus Fort
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Ruff, C. "JANIE STEEN. Verse and Virtuosity: The Adaptation of Latin Rhetoric in Old English Poetry." Review of English Studies 60, no. 247 (2009): 801–2. http://dx.doi.org/10.1093/res/hgp097.

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Ariana Huberman. "The Wandering Signifier: Rhetoric of Jewishness in the Latin American Imaginary (review)." Hispanic Review 78, no. 3 (2010): 453–56. http://dx.doi.org/10.1353/hir.0.0129.

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Ward, John O. "The Latin Rhetorical Commentaries by Thierry of Chartres." Rhetorica 7, no. 4 (1989): 359–68. http://dx.doi.org/10.1525/rh.1989.7.4.359.

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Putnam, Michael C. J., and Gian Biagio Conte. "The Rhetoric of Imitation: Genre and Poetic Memory in Virgil and Other Latin Poets." American Journal of Philology 108, no. 4 (1987): 787. http://dx.doi.org/10.2307/294805.

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Nichols, Stephen G. "Writing the New Middle Ages." PMLA/Publications of the Modern Language Association of America 120, no. 2 (2005): 422–41. http://dx.doi.org/10.1632/003081205x52392.

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Medieval studies are big—in fact, have rarely been livelier … or more controversial. This energy has succeeded in breaching the ramparts that traditionally divided the field into a series of vigorously defended fiefs. In a word, the discipline has gone interdisciplinary. Visual literacy, patristics, modal logic, grammar, rhetoric, onomastics, philosophical anthropology, sociology, historiography, linguistics, codicology, vernacular literature, classical and medieval Latin thought and letters, philology, and myriad other subsets conjugate in dizzying and unexpected configurations to produce exc
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Mehtonen, Päivi. "Essential Art: Matthew of Linköping's Fourteenth-Century Poetics." Rhetorica 25, no. 2 (2007): 125–39. http://dx.doi.org/10.1525/rh.2007.25.2.125.

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This article contributes to the study of medieval poetics and rhetoric by reassessing the Arabic-Aristotelian influence in the Poetria and Testa nucis of Matthew of Linköping (c. 1300–1350). In the Poetria Matthew applied a dichotomy between essential and accidental aspects (essencialia-accidentalia) which provided him with a historical, theoretical, and cultural perspective on conventional poetics. The appeal of the (Parisian teaching of) Arabic-Aristotelian poetics lay not merely in its theoretical ideas, but also in its novel multilingual and cultural aspects that differed from the self-con
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Nauta, Lodi. "Latin as a Common Language: The Coherence of Lorenzo Valla’s Humanist Program." Renaissance Quarterly 71, no. 1 (2018): 1–32. http://dx.doi.org/10.1086/696885.

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AbstractIn his critique of the language and thought of the Scholastics, Lorenzo Valla contrasts classical Latin as a natural, common language to the so-called artificial, technical, and unnatural language of his opponents. He famously champions Quintilian’s view that one should follow common linguistic usage. Scholars, however, have disagreed about the precise interpretation of these qualifications of Latin. This article argues that, depending on the historical, rhetorical, and argumentative contexts, Valla uses notions such as common and natural in different ways to suit different purposes. S
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Langlands, Rebecca. "Latin Literature." Greece and Rome 64, no. 1 (2017): 71–78. http://dx.doi.org/10.1017/s0017383516000255.

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My appreciation of textual criticism – a nowadays somewhat marginalized subdiscipline that continues nevertheless to provide the foundation of our subject – has been vastly enhanced by Richard Tarrant's new book on the subject. I read it from cover to cover with great pleasure and satisfaction (several times laughing out loud, which doesn't happen often with works of scholarship), with great interest, and with dismay at my own ignorance, and I came away determined to be a better Classicist. This little volume is the fourteenth ‘suggestive essay’ published in CUP's Roman Literature and its Cont
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Awianowicz, Bartosz. "The Classical and Jesuit Erudition of Stefan Iavorskii in His Panegyrics to Varlaam Iasinskii." Philologia Classica 15, no. 2 (2020): 246–60. http://dx.doi.org/10.21638/spbu20.2020.205.

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This article offers an overview of the Greco-Latin and early modern Jesuit sources of Stefan Iavorskii’s (1658–1722) three bilingual panegyrics addressed to his patron Varlaam Iasinskii, rector of the Kiev-Mohyla college (1669–1689), the Orthodox metropolitan of Kiev (1690– 1707), Hercules post Atlantem infracto virtutum robore honorarium pondus sustinens published in Chernihiv in 1684, Arctos Caeli Rossiaci in Gentilitiis Syderibus and Pełnia nieubywaiącey chwały w herbowym xiężycu (The Plenitude of Inexhaustible Glory in the heraldic moon), published in Kiev in 1690 and 1691. Both these work
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MacPhail, Eric. "Jean Bodin and the Praise of Superstition." Rhetorica 36, no. 1 (2018): 24–38. http://dx.doi.org/10.1525/rh.2018.36.1.24.

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This essay situates the political thought of the French Renaissance prose writer Jean Bodin within the dual tradition of political theory and epideictic rhetoric. Bodin's pragmatic reappraisal of superstition, as a bulwark against atheism and anarchy, represents a sort of convergence of paradoxical encomium and political realism in the service of religious pluralism and pacification of civil war. When juxtaposed with his more famous predecessor Niccolò Machiavelli and more renowned contemporary Michel de Montaigne, Bodin's treatment of superstition, both in his vernacular masterpiece Les six l
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Formarier, Marie. "Ῥυθμός rhythmos et numerus chez Cicéron et Quintilien. Perspectives esthétiques et génériques sur le rythme oratoire latin". Rhetorica 31, № 2 (2013): 133–49. http://dx.doi.org/10.1525/rh.2013.31.2.133.

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The strong connection between rhythm and number is one of the most significant features of Aristotle's theory of rhythm. It equally underlies Cicero's rhetoric; and hence he translated the Greek notion of ῥυθμός into numerus. However, this terminology gives cause for concern; since numerus, like ῥυθμός may be relevant not only to rhythm in oratory, but also to musical rhythm. This is why Cicero was suspected by some Atticists of confounding music and discourse, although in fact the distinction between song and speech is prominent in his treatises. Quintilian addressed this problem and proposed
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Wollek, Christian. "„Odi profanum vulgus et arceo“. Zwei lateinische Oden des Schülers Nietzsche." Nietzsche-Studien 49, no. 1 (2020): 258–75. http://dx.doi.org/10.1515/nietzstu-2020-0011.

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AbstractThe detailed interpretation and translation of Nietzsche’s early Latin odes clearly show that Horace’s lyric poetry has an exemplary function for the development of Nietzsche’s own poetic language. Even in his later works, such as Twilight of the Idols and the Dionysos-Dithyrambs, Nietzsche’s poetic style and rhetorical strategies remain indebted to his early attempts to emulate classical Latin poetry when he was a pupil at the Pforta boarding school.
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Alconchel, José Luis Girón. "Nebrija y las gramáticas del español en el siglo de oro." Historiographia Linguistica 22, no. 1-2 (1995): 1–26. http://dx.doi.org/10.1075/hl.22.1-2.02alc.

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Summary This article is intended as a contribution to the history of Spanish grammar of the 16th and 17th centures. It has two parts. In the first the author places grammar studies within the framework of Spanish linguistics of the Renaissance; in the second, he delineates their evolution with reference to Latin grammar and the teaching Spanish as a foreign language. It is well known that nationalism and the intention to establish the literary foundations of the language are the most important agents of grammatical studies during the Renaissance; yet, attention must also be paid to the rupture
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Howe, Melissa, Alexis Howard, Wendy Hsieh, and Lissette M. Piedra. "UNIMAGINED FUTURES: THE PARADOX OF FAMILISM AND ELDERCARE AMONG AGING LATINOS IN THE CHICAGOLAND AREA." Innovation in Aging 3, Supplement_1 (2019): S715. http://dx.doi.org/10.1093/geroni/igz038.2624.

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Abstract Scholars of gerontology highlight the ways aging varies cross-culturally. Whereas North Americans tend to describe “successful aging” as the maintenance of social and physical independence, Latin Americans tend to view aging as a natural process of social transition. In this study, we conducted a content analysis of nine focus groups (N =101) and 20 interviews with Latino older adults in the Chicagoland area to examine how they characterize successful aging and view the health declines that accompany aging. We found that Latino older adults often used rhetoric associated with “success
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Minkova, Milena. "De Caesare in scholis Latinis provectioribus destinatis modo activo proponendo." Nordlit, no. 33 (November 16, 2014): 297. http://dx.doi.org/10.7557/13.3168.

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<em>On the Active Use of Caesar in Latin Classes for Advanced Students. </em>Methods for active teaching of the Latin language are usually considered to be best suited for the curriculum of beginners’ classes. Such methods can, however, be used quite efficiently even when teaching advanced students either at High School or University level. Nor does it seem to be necessary to restrict the active use of Latinity to simple conversations only or to avoid using the texts of the classic Roman authors, which students of Latin need to understand well. In short, there is nothing preventing
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Giunta, Fabio. "Il Predicatore di Francesco Panigarola: un nuovo modello di eloquenza sacra per il seicento." Acta Neophilologica 45, no. 1-2 (2012): 109–18. http://dx.doi.org/10.4312/an.45.1-2.109-118.

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The seventeenth century marks the advent of preaching, in both Italy and Europe, as a literary form. Francesco Panigarola (1548-1594) did certainly play a major role in this process thanks to his treatises on sacred oratory and years of preaching activity in several Italian and European cities - during which he developed important relationships and personally experienced some of the most significant events of the century. Panigarolaʼs Il predicatore is a seventeenth-century example of rhetoric that whilst based on classical oratory complies with the precepts of the Counter- Reformation. This t
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Marshall, Sophie. "Notker und die ›taube Erde‹ – Dialog mit der ›Consolatio‹ und dem Buch der Natur." Beiträge zur Geschichte der deutschen Sprache und Literatur 141, no. 4 (2019): 507–30. http://dx.doi.org/10.1515/bgsl-2019-0031.

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Abstract Although Notker III. is known for his highly sensitive language and rhetorical skills, his texts are not considered to be poetic works. Yet, in his translation-cum-commentary on a Latin poem from Boethius’ ›Consolatio‹ Notker uses poetic techniques – figurative and especially acoustic references and a modified rhetorical structure – to communicate a new meaning. Scholarship is thus confronted with the particularities of commentary aesthetics. The article also shows that Notker’s text, interwoven with the phrases of the Latin poem, is dialogical on the level of commentary (Christian an
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La Bua, Giuseppe. "Laus deorum e strutture inniche nei Panegirici latini di etá imperiale." Rhetorica 27, no. 2 (2009): 142–58. http://dx.doi.org/10.1525/rh.2009.27.2.142.

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Abstract Latin prose Panegyrics are a fourth-century product of Gallic rhetorical schools; they celebrate the emperor's virtues by widely employing structures and topoi commonly associated with epideictic theory and practice. This paper explores the presence of hymnic features within the corpus of the Latin Panegyrics. The following passages are investigated: 1) the celebration of Diocletian and Maximian as Iovius and Herculius in Panegyrics 10(2).1–6 and 11(3).3; 2) the praise of the Tiber and the hymn to the supreme God in the Panegyric dedicated to Constantine 12(9).18; 26; 3) the hymn to G
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Gitner, Adam. "SARDISMOS: A RHETORICAL TERM FOR BILINGUAL OR PLURILINGUAL INTERACTION?" Classical Quarterly 68, no. 2 (2018): 689–704. http://dx.doi.org/10.1017/s0009838819000028.

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In his poem ‘The Last Hours of Cassiodorus’, Peter Porter has the Christian sage ask: ‘After me, what further barbarisms?’. Yet, Cassiodorus himself accepted, even valorized, at least one form of barbarism that had been rejected by earlier rhetoricians: sardismos (σαρδισμός), the mixture of multiple languages in close proximity. In its earliest attestation, Quintilian classified it as a type of solecism (Inst. 8.3.59). By contrast, five centuries later Cassiodorus in his Commentary on the Psalms used the term three times to praise the mixture of Greek, Hebrew and Latin in the Latin Psalter. Th
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Bratchikova, Nadezda S. "Old Finnish language and written Finnish literature in 1560–1640." Finno-Ugric World 10, no. 4 (2018): 14–33. http://dx.doi.org/10.15507/2076-2577.010.2018.04.014-033.

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The genesis of the old Finnish language (1560-1640) is unique due to two historical reasons: first, the literature of this period was religious; secondly, religious and literary languages represented a single entity. The material of the study was the texts of the period of Catholicism and early Lutheranism (1560-1640). The author employed the analysis of semantic models, rhetorical devices, language structures (helped to identify the peculiarities of the formation of the old Finnish language and the reasons for the growth of its influence on the audience), content analysis of texts (allowed to
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Enrique-Arias, Andrés. "Variación y cambio en la formalización de la interrogación retórica en la historia del español." Zeitschrift für romanische Philologie 136, no. 4 (2020): 1085–113. http://dx.doi.org/10.1515/zrp-2020-0058.

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AbstractThis paper aims to investigate the specific mechanisms that contribute to formalizing the rhetorical interpretation of interrogative sentences throughout the history of Spanish. To this end, data from a corpus of biblical translations from the 13th to the 20th centuries are analyzed. As Biblical Hebrew and Latin use explicit elements to signal direct polar questions, it is relatively easy to locate a large number of passages with interrogative sentences, and then, examine the distribution of the translation equivalents used in the Spanish versions. The interrogative particles of Hebrew
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Sinclair, Patrick. "Political Declensions in Latin Grammar and Oratory 55 BCE - CE 39." Ramus 23, no. 1-2 (1994): 92–109. http://dx.doi.org/10.1017/s0048671x0000240x.

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In a discussion of the rhetorical styles of Caesar and the early principes, Fronto formulates the maxim thatimperium…non potestatis tantummodo uocabulum, sed etiam orationis(‘’command’…is a word connoting not only power, but also oratory’ [p.123.16-17 van den Hout]). This essay will explore the political background and implications of trends and shifts in Roman ways of thinking about language and oratory in the transition from Republic to Principate. The word declension in my title functions in two senses: literally, in the case of Caesar's discussion of the nature of the Latin language (inDe
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Bartsch, Shadi. "Roman Literature: Translation, Metaphor & Empire." Daedalus 145, no. 2 (2016): 30–39. http://dx.doi.org/10.1162/daed_a_00373.

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The Romans understood that translation entails transformation. The Roman term “translatio” stood not only literally for a carrying-across (as by boat) of material from one country to another, but also (metaphorically) for both linguistic translation and metaphorical transformation. These shared usages provide a lens on Roman anxieties about their relationship to Greece, from which they both transferred and translated a literature to call their own. Despite the problematic association of the Greeks with pleasure, rhetoric, and poetic language, the Roman elite argued for the possibility of trans
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Antoniadis, Theodoros. "Epic as Elegy." Mnemosyne 70, no. 4 (2017): 631–53. http://dx.doi.org/10.1163/1568525x-12342185.

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This article contributes to the discussion on the significance of the Latin Love Elegy, with regard to its language, themes and conventions, as a means of generic innovation in Valerius Flaccus’Argonautica. In particular, it will be demonstrated that in the scenes of lament and separation that take place in books 2 and 3, Valerius incorporates a selection of elegiac themes and motifs to enhance the effect and sensationalism of these episodes as well as the pathos in the rhetoric of his female protagonists (in particular the Lemnian wives and Hypsipyle as well as Clite, the wife of king Cyzicus
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de Jonge, Casper C. "The Ancient Sublime(s). A Review of The Sublime in Antiquity." Mnemosyne 73, no. 1 (2020): 149–63. http://dx.doi.org/10.1163/1568525x-12342785.

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Abstract The sublime plays an important role in recent publications on Greek and Latin literature. On the one hand, scholars try to make sense of ancient Greek theories of the sublime, both in Longinus’ On the Sublime and in other rhetorical texts. On the other hand, the sublime, in its ancient and modern manifestations presented by thinkers from Longinus to Burke, Kant and Lyotard, has proved to be a productive tool for interpreting the works of Latin poets like Lucretius, Lucan and Seneca. But what is the sublime? And how does the Greek rhetorical sublime in Longinus relate to the Roman lite
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Freund, Stefan. "Christian Use and Valuation of Theological Oracles: The Case of Lactantius' Divine Institutes." Vigiliae Christianae 60, no. 3 (2006): 269–84. http://dx.doi.org/10.1163/157007206778149501.

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AbstractIn four places in his Divine Institutes the Latin apologist Lactantius (about AD 250-325) quotes Greek hexameters from Apollinic oracles. An analysis of these quotations yields the following results: the oracles either provide rhetoric lumen in so far as the pagan God appears as witness for the Christian doctrine or they are introduced as a concession to this pagan readers. Within Lactantius' apologetic concept the oracles play but a small part both in quantity and argumentation. It is unclear which sources Lactantius draws his oracles from. Since most verses cited by Lactantius are tr
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Yaw Akoto, Osei, and Joseph Benjamin A. Afful. "What Languages are in Names? Exploring the Languages in Church Names in Ghana." ATHENS JOURNAL OF PHILOLOGY 8, no. 1 (2021): 37–52. http://dx.doi.org/10.30958/ajp.8-1-2.

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Several studies over the years have employed the rhetorical question "What is in a name?" to uncover the semantic-pragmatic imports of names. This paper examines church names (ecclesionyms) which constitute part of the religio-onomastic landscape of Ghana to discover the various languages embedded in them. To achieve this task, we gathered names of churches from ‘online’ (websites of associations of Christian churches) and ‘offline’ sources (posters, signages and billboards). We manually searched the data and identified all languages embedded in the church names. Guided by Akoto’s (2018) globa
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