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Dissertations / Theses on the topic 'Latin Love poetry'

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1

Houghton, L. B. T. "Death and the elegist : Latin love poetry and the culture of the grave." Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.604255.

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This thesis examines the treatment of death ritual, burial practice and the afterlife in the corpus of Latin elegy, in the light of what can be provisionally reconstructed of contemporary Roman customs and attitudes regarding death and commemoration. Through close readings of particular passages from Propertius, Tibullus, Ovid and ‘Lygdamus’, certain general tendencies in the elegists’ descriptions of their own and other characters’ demises are identified and set within the context of the genre’s overall development. In this way, the poets’ use of material relating to death, burial and beyond
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2

Beasom, Patrick Timothy. "Oculi Sunt in Amore Duces: the Use of Mental Image in Latin Love Poetry." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243199325.

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3

Beasom, Patrick Thomas. "Oculi sunt in amore duces the use of mental image in Latin love poetry /." Cincinnati, Ohio : University of Cincinnati, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1243199325.

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Thesis (Ph.D.)--University of Cincinnati, 2009.<br>Advisor: Kathryn Gutzwiller. Title from electronic thesis title page (viewed July 29, 2009). Keywords: Latin poetry; love poetry; Catullus; Propertius; Ovid; mental image. Includes abstract. Includes bibliographical references.
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4

Fraser, Barbara Kelly. "The intimacy of humankind : convergences and divergences and of love in Latin American poetry 1950-1990." Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/46116.

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This dissertation examines the interchange between individual and social love, eros and philadelphos in the writings of four Latin American poets of the Cold War Era: Pablo Neruda, Ernesto Cardenal, Gioconda Belli and Raúl Zurita. Chronologically I frame this work beginning with Neruda’s return to writing love poetry in the early 1950’s up until the breakdown of collectivist movements in the late 1980’s with the expansion of capitalism and the return to democracy in the Southern Cone and in parts of Central America. Geographically, I focus on two countries which have had democratic revolutio
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5

Lacki, Glenn Christopher. "A conspiracy of love : exile and the double Heroides." Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669896.

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6

Durham, Alexandra. "Capies, tu modo tende plagas repetition and inversion of the hunting metaphor in Roman love elegy /." Diss., Connect to the thesis, 1999. http://hdl.handle.net/10066/1478.

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7

Connolly, Margaret. "An edition of 'Contemplations of the dread and love of God'." Thesis, University of St Andrews, 1991. http://hdl.handle.net/10023/2786.

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This thesis presents an edition of Contemplations of the Dread and Love of God, a late Middle English devotional prose text for which no critical edition is currently available. I have transcribed and collated the text from all sixteen extant manuscripts and the 1506 printed edition. An investigation of the errors and variants according to the classical method of textual criticism has yielded little in the way of conclusive results, and it has therefore not proved possible to construct a stemma of manuscripts from the corpus of evidence as it now exists. My edition therefore uses one manuscrip
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8

Burkowski, Jane M. C. "The symbolism and rhetoric of hair in Latin elegy." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:44e36b32-8c44-4dd0-8241-3206e40e67f9.

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This thesis examines the hair imagery that runs through the works of Propertius, Tibullus, and Ovid. Comparative analysis of the elegists’ approaches to the motif, with particular emphasis on determining where and how each deviates from the cultural assumptions and literary tradition attached to each image, sheds light on the character and purposes of elegy as a genre, as well as on the individual aims and innovations of each poet. The Introduction provides some background on sociological approaches to the study of hair, and considers the reasons why hair imagery should have such a prominent p
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9

Mateo, Decabo Eva Maria. "Politik der kleinen Form." Doctoral thesis, Humboldt-Universität zu Berlin, 2019. http://dx.doi.org/10.18452/19931.

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Im Mittelpunkt der Dissertation „Politik der kleinen Form“ steht die Frage nach der Politizität ‚kleiner‘ Formen in augusteischer Zeit: also der sogenannten Liebeselegie des Properz, Tibull und Ovid sowie der erotischen Dichtung des Horaz. Auf der Grundlage einer Analyse der Gattungs- und Formpolitik ihrer Paraklausithyra und Recusationes wird eine neue Interpretation aufgezeigt. Jenseits von inhaltszentrierten Lesarten, die immer nur den Subversions- oder Affirmationscharakter von Literatur herausarbeiten, schlägt diese Dissertation einen dritten Weg vor: den der Ambivalenz und des Paradoxons
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10

Jolivet, Jean-Christophe. "Allusion et fiction épistolaire dans les "Héroïdes" : recherches sur l'intertextualité ovidienne /." Rome : Paris : École française de Rome ; diff. De Boccard, 2001. http://catalogue.bnf.fr/ark:/12148/cb38807426b.

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11

Bem, Lucy Ana de 1979. "O amor e a guerra no livro I d'Os amores de Ovidio." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269179.

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Orientador: Paulo Sergio de Vasconcellos<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-08T03:30:06Z (GMT). No. of bitstreams: 1 Bem_LucyAnade_M.pdf: 1381102 bytes, checksum: 5c9a54105f6fd8923369f803a7e85cbd (MD5) Previous issue date: 2007<br>Resumo: Este trabalho de pós-graduação propõe a tradução latina-portuguesa e a análise lingüística e literária do livro I d¿Os Amores de Ovídio. Essa análise visa principalmente o(s) discurso(s) que compõem o volumen: acreditamos que o discurso elegíaco, típico da p
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12

Sharper, Donna C. "Llamadas para la liberación en los salmos de Ernesto Cardenal." University of Toledo / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1481326494397004.

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13

Janka, Markus. "Ovid Ars Amatoria Buch 2 : Kommentar /." Heidelberg : C. Winter, 1997. http://catalogue.bnf.fr/ark:/12148/cb371793735.

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14

Caston, Ruth Rothaus. "Elegiac passion a study of jealousy in Roman love elegy /." 2000. http://books.google.com/books?id=-2liAAAAMAAJ.

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15

Connelly, Jill L. "Renegotiating Ovid's Heroides /." 2000. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9959089.

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16

Nicchitta, Novella. "Suppose it’s Sulpicia: a reading of the Corpus Sulpicianum." Thesis, 2021. http://hdl.handle.net/1828/12649.

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In this study, I have analyzed the poems from the Corpus Sulpicianum (3.8–3.18) as the creation of a single author, Sulpicia. My argument in favour of the uniformity of the cycle is based on the consistency of the authorial persona, poetic concerns, and author-specific blending of some elegiac tropes. Through a metaliterary analysis of the poems, an authorial identity emerges based on the trope of the docta puella. Unlike the doctae puellae of other Roman elegists who are constructed predominantly as recipients of male-authored poetry, Sulpicia through her doctrina enhances her persona as a cr
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17

Takakjy, Laura Chason. "Lucretius, Pietas, and the Foedera Naturae." 2013. http://hdl.handle.net/2152/22790.

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The presentation of pietas in Lucretius has often been overlooked since he dismisses all religious practice, but when we consider the poem’s overall theme of growth and decay, a definition for pietas emerges. For humans, pietas is the commitment to maintaining the foedera naturae, “nature’s treaties.” Humans display pietas by procreating and thereby promoting their own atomic movements into the future. In the “Hymn to Venus,” Lucretius uses animals as role models for this aspect of human behavior because they automatically reproduce come spring. In the “Attack on Love,” Lucretius criticizes ro
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