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Books on the topic 'Latin plays'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Peter, Holt Marion, Puig Manuel, and Woodyard George William, eds. Latin America: Plays. PAJ Publications, 1986.

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2

Burnell, Dick. Vesuvius and other Latin plays. Cambridge University Press, 1991.

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3

1927-, Anderson William Scovil, ed. A Terence reader: Selections from six plays. Bolchazy-Carducci, 2009.

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4

Woodyard, George William. DramaContemporary: Latin America : plays by Manuel Puig, Antonio Skarmeta, Mario Vargas Llosa, Carlos Fuentes. PAJ Pub., 1986.

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5

Shakespeare, William. Three Roman plays. Penguin Books, 1994.

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6

Plautus, Titus Maccius. A Plautus reader: Selections from eleven plays. Bolchazy-Carducci Publishers, 2009.

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7

Plautus, Titus Maccius. A Plautus reader: Selections from eleven plays. Bolchazy-Carducci, 2009.

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8

Hrotsvitha. The plays of Hrotswitha of Gandersheim. Bolchazy-Carducci Publishers, Inc., 2013.

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9

Sebastian, Doggart, and Paz Octavio 1914-, eds. Latin American plays: New drama from Argentina, Cuba, Mexico and Peru. N. Hern, 1996.

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10

Carlos, Espinosa Domínguez, ed. Teatro latinoamericano en un acto. Casa de las Américas, 1986.

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11

Halac, Ricardo. Teatro. Corregidor, 1987.

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12

Halac, Ricardo. Teatro. Corregidor, 1999.

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13

Hrotsvitha. The plays of Hrotsvit of Gandersheim. Garland Pub., 1989.

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14

Nuti, Andrea. Ludus e iocus: Percorsi di ludicità nella lingua latina. Fondazione Benetton studi ricerche, 1998.

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15

1949-, Jaramillo María Mercedes, ed. Teatro latinoamericano para niños. Editorial Universidad de Antioquia, 2002.

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16

Takenaka, Masahiro. Jesuit plays on Japan and English recusancy: An essay. Renaissance Institute, Sophia University, 1995.

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17

Irene, Pérez, ed. El Grotesco criollo: Discépolo-Cossa: Stefano - La Nona. Ediciones Colihue, 1986.

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18

Plautus, Titus Maccius. Plautus' komedie Pseudolus. Aarhus Universitetsforlag, 1987.

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19

Masen, Jakob. The Jesuit theater of Jacob Masen: Three plays in translation with an introduction. P. Lang, 1987.

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20

Beyer, Hartmut. Das politische Drama im Italien des 14. und 15. Jah[r]hunderts: Humanistische Tragödien in ihrem literarischen und funktionalen Kontext. Rhema, 2008.

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21

Euripides. Euripides: Plays one. Methuen, 2000.

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22

Hawkesworth, Walter. Walter Hawkesworth's Labyrinthus: An edition with a translation and commentary. Garland Pub., 1988.

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23

M, Willcock Malcolm, ed. Pseudolus. Bristol Classical Press, 1987.

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24

Mallory, Harrison George William, ed. Seneca in performance. Duckworth with the Classical Press of Wales, 2000.

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25

Anonymous, Latins, ed. Latins anonymous: Two plays. Arte Público Press, 1996.

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26

Bartholomaeis, Vincenzo De. Origini della poesia drammatica italiana. Libreria musicale italiana, 2009.

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27

Plautus, Titus Maccius. Four comedies. Oxford University Press, 1998.

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28

Guillermo Schmidhuber de la Mora. The three secular plays of Sor Juana Inés de la Cruz: A critical study. University Press of Kentucky, 2000.

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29

Nine medieval Latin plays. Cambridge University Press, 1994.

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30

Dronke, Peter. Nine Medieval Latin Plays. Cambridge University Press, 2008.

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31

Nine Medieval Latin Plays (Cambridge Medieval Classics). Cambridge University Press, 1992.

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32

Latin Plays for Student Performances and Reading. Creative Media Partners, LLC, 2022.

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33

Schlicher, John Jacob. Latin Plays for Student Performances and Reading. Creative Media Partners, LLC, 2018.

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34

Hrotsvitha. Plays. Standard Ebooks, 2019.

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35

Albrecht, Otto Edwin. Four Latin Plays of St. Nicholas: From the Twelfth-Century Fleury Play-Book. University of Pennsylvania Press, 2017.

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36

Spectacular bodies, dangerous borders: Three new Latin American plays. LATR Books, University of Kansas, 2011.

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37

Alvarez, Natalie. Fronteras Vivientes: Eight Latina/o Canadian Plays. Playwrights Canada Press, 2013.

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38

Roman Comedy Five Plays By Plautus And Terence. Focus Publishing/R. Pullins Company, 2010.

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39

The Plays of Hrotswitha of Gandersheim. Bolchazy-Carducci Publishers, 1986.

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40

Latin American Plays: New Drama from Argentina, Cuba, Mexico and Peru. Hern Books, Limited, Nick, 2017.

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41

Plays - Blackline Masters (The World Around Us: Latin America and Canada). Macmillan/McGraw-Hill, 1995.

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42

Corregidor and Ricardo Halac. Teatro 3-Halac. Corregidor, 1993.

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43

Halac, Ricardo. Teatro: (Coleccion Dramaturgos Argentinos Contemporaneos). Corregidor, 2005.

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44

(Editor), Charles Philip Thomas, and Maritza Nunez (Editor), eds. Frida, Sor Juana, and Sisters: Women in Latin American Plays in Translation. Aventine Press, 2003.

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45

Wells, Stanley. 7. Classical plays. Oxford University Press, 2015. http://dx.doi.org/10.1093/actrade/9780198718628.003.0007.

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Shakespeare’s grammar school education gave him a thorough grounding in Latin, and possibly some Greek, and in the writings of classical authors. He drew on and developed this knowledge at every stage of his career, most conspicuously in the remarkably diverse tragedies and other plays in which he dramatized Greek and Roman history. ‘Classical plays’ first considers Titus Andronicus and then Julius Caesar, which he wrote seven or so years later. It also discusses Troilus and Cressida, Timon of Athens, and his last two classical plays Coriolanus and Antony and Cleopatra for which he drew far mo

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46

Stapfer, Paul. Shakespeare And Classical Antiquity: Greek And Latin Antiquity As Presented In Shakespeare's Plays. Kessinger Publishing, LLC, 2007.

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47

Stapfer, Paul. Shakespeare And Classical Antiquity: Greek And Latin Antiquity As Presented In Shakespeare's Plays. Kessinger Publishing, LLC, 2006.

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48

Pseudolo: Testo Latino a fronte. BUR Rizzoli, 2018.

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49

Bella Bulla. F. Dümmler, 1985.

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50

Pollard, Tanya. Greek Plays in England. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793113.003.0002.

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Chapter 1, “Greek Plays in England,” argues that England played a crucial role in new transnational conversations about rediscovered Greek plays. The chapter traces the history of scholarship, translation, and publication of Greek plays in England, with a focus on the contributions of Erasmus. It develops extended readings of two important early contributions—Jane, Lady Lumley’s Tragedy of Iphigenia, a translation of Euripides’ Iphigenia in Aulis, and George Gascoigne and Francis Kinwelmersh’s Jocasta, a translation of Euripides’ Phoenician Women—as well as discussing Thomas Watson’s Latin tra

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