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Relevant bibliographies by topics / Latin pop (Music)

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Journal articles

Academic literature on the topic 'Latin pop (Music)'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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Journal articles on the topic "Latin pop (Music)"

1

Rivera-Rideau, Petra, and Jericko Torres-Leschnik. "The Colors and Flavors of My Puerto Rico." Journal of Popular Music Studies 31, no. 1 (2019): 87–108. http://dx.doi.org/10.1525/jpms.2019.311009.

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Luis Fonsi and Daddy Yankee’s song “Despacito” shattered numerous records to become one of the most successful Spanish-language songs in U.S. pop music history. Declared 2017’s “Song of the Summer,” the “Despacito” remix featuring Justin Bieber prompted discussions about the racial dynamics of crossover for Latin music and Latina/o artists. However, little attention was paid to the ways that “Despacito”’s success in the Latin music market demonstrated similar racial dynamics within Latin music, especially in the song’s engagement with reggaeton, a genre originally associated with Black and wor

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2

Cabrera, Daniel Antonio Milan. "PENGARUH MUSIK AMERIKA LATIN TERHADAP INDONESIA." Sorai: Jurnal Pengkajian dan Penciptaan Musik 13, no. 1 (2020): 36–50. http://dx.doi.org/10.33153/sorai.v13i1.3093.

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Since the beginning of the last century, Latin American music has been succes in the U.S. music industry because its intrinsic musical characteristics and its involvement within the film industry. Through the U.S. and Europe, it has been influencing popular music around the world; including Indonesia, Malaysia, Singapore, and India, countries that also contributed to the diffusion of Latin styles in Indonesia. The corpus of original works of Indonesian-Latin music is quite huge and has great quality; particularly audio recordings done in the 1950s and 1960s that mixed Latin, Western, and regio

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3

Galm, John K., Billy Bergman, Andy Schwartz, Isabelle Leymarie, Tony Sabournin, and Rob Baker. "Hot Sauces: Latin and Caribbean Pop." Notes 42, no. 4 (1986): 781. http://dx.doi.org/10.2307/897791.

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4

Spanu, Michael. "Sacred Languages of Pop: Rooted Practices in Globalized and Digital French Popular Music." Open Cultural Studies 3, no. 1 (2019): 195–206. http://dx.doi.org/10.1515/culture-2019-0018.

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Abstract Nowadays, popular music artists from a wide range of cultures perform in English alongside other local languages. This phenomenon questions the coexistence of different languages within local music practices. In this article, I argue that we cannot fully understand this issue without addressing the sacred dimension of language in popular music, which entails two aspects: 1) the transitory experience of an ideal that challenges intelligibility, and 2) the entanglement with social norms and institutions. Further to which, I compare Latin hegemony during the Middle Ages and the contempor

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Dorsch, Hauke. "“Indépendance Cha Cha”: African Pop Music since the Independence Era." Africa Spectrum 45, no. 3 (2010): 131–46. http://dx.doi.org/10.1177/000203971004500307.

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Investigating why Latin American music came to be the sound-track of the independence era, this contribution offers an overview of musical developments and cultural politics in certain sub-Saharan African countries since the 1960s. Focusing first on how the governments of newly independent African states used musical styles and musicians to support their nation-building projects, the article then looks at musicians’ more recent perspectives on the independence era.

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Min, Wonjung, Dal Yong Jin, and Benjamin Han. "Transcultural fandom of the Korean Wave in Latin America: through the lens of cultural intimacy and affinity space." Media, Culture & Society 41, no. 5 (2018): 604–19. http://dx.doi.org/10.1177/0163443718799403.

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This article has examined how the Hallyu phenomenon is integrated into a transnational global cultural landscape, focusing on Chilean reception of K-pop. It analyzed how Hallyu fans engage with a social media-saturated environment in Chile, mapping out transnational pop cultural flows within the digital media environment through which the participatory culture of media users is spread. What is interesting is that Chilean society, in general, shows negative attitudes toward K-pop fans. More importantly, while many Chileans consider K-pop fans weird and strange, often disparaging their family me

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Molloy, Molly. "Book Review: Iconic Mexico: An Encyclopedia from Acapulco to Zocalo." Reference & User Services Quarterly 55, no. 3 (2016): 251. http://dx.doi.org/10.5860/rusq.55n3.251a.

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Historian Eric Zolov writes about rock music, the “global sixties” and other pop culture topics in Mexico and Latin America. As editor of Iconic Mexico he and seventy-three other scholars present 100 “of the most iconic elements of Mexican history, culture and politics” (xi). The topics range from the globally familiar (Tequila, Bullfighting, Chile Pepper, Gringo) to the exotic and muy mexicano (Lucha Libre, Malinche, Superbarrio, Jesus Malverde).

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Edwards, Matthew J. "Stillness, Collaboration, and Assisted Movement: The Global Trajectories Charted Through Latin American Pop Music." Journal of Latin American Cultural Studies 28, no. 3 (2019): 449–64. http://dx.doi.org/10.1080/13569325.2019.1653836.

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Tamatjita, Nurmiyati, and Agus Harjoko. "Klasifikasi Lagu Berdasarkan Genre pada Format WAV." IJCCS (Indonesian Journal of Computing and Cybernetics Systems) 10, no. 1 (2014): 145. http://dx.doi.org/10.22146/ijccs.6542.

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AbstrakDalam dunia yang berkembang pesat, media audio semakin komplek. Karena itulah diperlukan sebuah mekanisme penentuan jenis lagu (genre) yang tepat secara efektif dan efisien. Pencarian secara manual sudah tidak efektif dan efisien lagi karena banyaknya data yang tersimpan. Zero Crossing Rate (ZCR), Average Energy (E) dan Silent Ratio (SR) adalah 3 Feature Extraction yang digunakan untuk klasifikasi pencarian 12 genre.Tiga dimensi adalah bentuk visualisasi pengukuran tingkat kemiripan sebuah data berdasarkan hasil klasifikasi yang diinput oleh user. Dalam penelitian ini pengujian klasifik

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10

Bukreev, V. A. "USION AS A STYLE IN MUSIC OF THE 60 S - 90 S OF THE XX CENTURY." Herald of Culturology, no. 3 (2020): 30–42. http://dx.doi.org/10.31249/hoc/2020.03.02.

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The article discusses the phenomenon of the emergence of modern fusion musical style (English fusion – «alloy», «melting», «mixture»), as an organic combination of various styles and directions of pop-jazz-rock cultures, as well as a creative search for a musical dialogue with traditions and various genres of academic, ethnic and folk music of the countries of Asia, Africa, Europe, Latin America, as the basis of fusion style is the support for combining elements of traditions of different musical cultures.

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