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Relevant bibliographies by topics / Latin prose literature, Mediev

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Academic literature on the topic 'Latin prose literature, Mediev'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Latin prose literature, Mediev"

1

Laïd, Baptiste. "Michael Winterbottom, Style and Scholarship : Latin prose from Gildas to Raffaele Regio, Selected Papers, Roberto Gamberini (éd.) et Michael Lapidge (avant-propos), Florence, SISMEL-Edizioni del Galluzzo (mediEVI, 26), 2020." Cahiers de civilisation médiévale 260, no. 4 (2023): 444–47. http://dx.doi.org/10.3917/ccm.260.0444.

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Walter, Anke. "Latin Literature." Greece and Rome 69, no. 1 (2022): 139–48. http://dx.doi.org/10.1017/s0017383521000292.

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The second volume of Harm Pinkster's Oxford Latin Syntax is a stunning achievement and an admirably thorough account of the Latin ‘complex sentence and discourse’. Far from restricting itself to classical prose, the work covers Latin texts from c. 200 bc to c. ad 450, in both poetry and prose. Overall, I was struck by the good balance that Pinkster maintains between presenting Latin syntax in a systematic and well-structured way and leaving enough room for the portrayal of the Latin language as a dynamic phenomenon, in which the frequency of and predilection for certain linguistic construction

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Whitton, Christopher. "Latin Literature." Greece and Rome 67, no. 1 (2020): 77–87. http://dx.doi.org/10.1017/s0017383519000263.

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Cicero has a unique place in the history of Latin. A political and intellectual figure elevated to iconic status both by his own efforts and by posterity; author of more extant prose – dozens of speeches, the treatises philosophical and rhetorical, and nearly a thousand letters – than any other pagan Roman; model of good style and set-text author par excellence, from antiquity to modernity. So far, so uncontroversial. But when and how did he acquire this place atop the canon? It's a question that Caroline Bishop, Thomas Keeline, and Giuseppe La Bua have each asked, and one to which they offer

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Alina, Ryabokin. "THE ESTABLISHMENT OF THE PROFESSIONAL CHRISTIAN MUSIC IN THE EARLY MEDIEVAL TIME." EUREKA: Social and Humanities, no. 3 (May 31, 2020): 36–40. https://doi.org/10.21303/2504-5571.2020.001319.

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The article deals with the formation of sacred music by Christians in the early Middle Ages. Basing on the historical sources and scientific literature, the authors show a connection between the musical traditions of Rome, the Western Goths of Spain and the empire of Charlemagne. The teaching of professional church singers, the birth of Mass, the complexity of the musical pattern of Christian singing, the educational ideas of Isidore of Seville and Alcuin of York, the metriz school timely opened by Christian mentors – all of it contributed to the formation of the early medieval education

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Wishnia, Kenneth, and Judith Ortiz Cofer. "The Latin Deli: Prose and Poetry." MELUS 22, no. 3 (1997): 206. http://dx.doi.org/10.2307/467666.

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Kovacs, David. "Notes on Latin Prose Authors." American Journal of Philology 110, no. 2 (1989): 233. http://dx.doi.org/10.2307/295174.

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Gwara, Scott. "Drypoint Glossing in a Tenth-Century Manuscript of Aldhelm's Prose Treatise on Virginity." Traditio 51 (1996): 99–145. http://dx.doi.org/10.1017/s0362152900013386.

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Aldhelm of Malmesbury (ca. 640–709/710) conceived and practiced an idiosyncratic style of Latin prose called “hermeneutic,” which was characterized mainly by lexical peculiarities: neologisms, graecisms, archaisms, poeticisms, distributive numerals, and other varieties of contrived or recherché diction. The principal model of the hermeneutic prose style was, of course, Aldhelm's treatise on virginity, theProsa de virginitate(hereafterPdv). Aldhelm probably wrote the work in the 670s. Partly — if not mainly — because of this influential treatise, hermeneutic Latin became a vogue in seventh- and

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Keeline, Tom, and Tyler Kirby. "Auceps syllabarum: A Digital Analysis of Latin Prose Rhythm." Journal of Roman Studies 109 (September 24, 2019): 161–204. http://dx.doi.org/10.1017/s0075435819000881.

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AbstractIn this article we describe a series of computer algorithms that generate prose rhythm data for any digitised corpus of Latin texts. Using these algorithms, we present prose rhythm data for most major extant Latin prose authors from Cato the Elder through the second century a.d. Next we offer a new approach to determining the statistical significance of such data. We show that, while only some Latin authors adhere to the Ciceronian rhythmic canon, every Latin author is ‘rhythmical’ — they just choose different rhythms. Then we give answers to some particular questions based on our data

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Wasem, Marcos. "Nancy LaGreca. Erotic Mysticism. Subversion & Transcendence in Latin American Modernista Prose." Revista Iberoamericana 85, no. 267 (2019): 646–48. http://dx.doi.org/10.5195/reviberoamer.2019.7794.

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Langlands, Rebecca. "Latin Literature." Greece and Rome 63, no. 1 (2016): 121–29. http://dx.doi.org/10.1017/s0017383515000297.

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Among a wealth of excellent studies and translations of individual Latin authors (Plautus, Catullus, Lucretius, Cicero, Ovid, Pliny the Elder, Pliny the Younger, Martial, Juvenal, and Statius), I was delighted also to find packed into my crate of review books the latest work by Anthony Corbeill, Sexing the World. With the innovative sociological-cum-philological approach familiar from his previous works, which belongs to cultural history as much as to literary and linguistic studies, Corbeill here tackles the question of how grammatical gender in ancient Latin language maps on to, and influenc

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Dissertations / Theses on the topic "Latin prose literature, Mediev"

1

Latowsky, Anne Austin. "Imaginative possession : Charlemagne and the East from Einhard to the Voyage of Charlemagne /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/8309.

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El, Hosseiny Alya Hany. "Strange and Stranger(s)| Constructing Hybrid Modernity through a Reading of Latin American and Arabic Prose, 1880-1920." Thesis, New York University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10750849.

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<p> This dissertation examines the theme of strangeness in Arabic and Latin American literature between 1880 and 1920. Through analytical readings of novels and other prose fiction of the late-nineteenth and early-twentieth centuries, I show the salience of strangeness, alienation and estrangement as motifs in these works. In the first chapter of the dissertation, I examine earlier works of prose to provide context. In the second chapter, I focus on strangeness as manifested through sexual transgression. Finally, in the last chapter, I analyze narratives of physical estrangement, such as trave

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Gibert, Guillaume. "La subordination comparative en latin dans les textes de prose de Caton à Apulée." Phd thesis, Université Blaise Pascal - Clermont-Ferrand II, 2011. http://tel.archives-ouvertes.fr/tel-00917129.

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Vendel, Agnes. "Discontinuous Noun Phrases in Classical Latin Prose : A Case Study of Cicero's Pro Milone." Thesis, Stockholms universitet, Romanska och klassiska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-163275.

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Studies on the phenomenon of hyperbaton (or discontinuous noun phrases) in Latin have traditionally suffered from over-generalizing descriptions and categorizations drawing on examples from a variety of sources. This thesis attempts a different approach, closely examining the totality of instances in a single text, Cicero’s Pro Milone, in view of establishing a preliminary typology and to investigate the motivations behind it. It also consistently compares the discontinuous data with continuous examples, in order to rule out as many alternative motivations as possible. The results suggest that

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Cardoso, Leandro Dorval. "A Tebaida, de Públio Papínio Estácio : introdução, tradução e comentários (cantos I-V) /." Araraquara, 2018. http://hdl.handle.net/11449/157165.

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Orientador: Brunno Vinicius Gonçalves Vieira<br>Banca: Alessandro Rolim de Moura<br>Banca: Leni Ribeiro Leite<br>Banca: Márcio Natalino Thamos<br>Banca: Rodrigo Tadeu Gonçalves<br>Resumo: Esta tese propõe um projeto de tradução poética para os cinco primeiros cantos do poema épico Thebais, do autor romano Públio Papínio Estácio (séc. I d.C.), fundamentado no objetivo de manifestar, em português, as peculiaridades da poesia estaciana. Para isso, a tradução foi precedida por uma análise das principais características do texto e por uma discussão sobre a natureza e o próprio papel da tradução, fe

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Arfaoui, Saïda. "Le monde latin dans l'oeuvre de Pascal Quignard." Thesis, Bordeaux 3, 2012. http://www.theses.fr/2012BOR30038.

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Pascal Quignard est un écrivain qui a choisi de maintenir et de consolider le lien avec l’héritage latin. Son oeuvre en dévoile, cependant, la part la moins connue. L’auteur réhabilite la tradition marginalisée et antiphilosophique de la « rhétorique spéculative » dont les principes ne définissent pas seulement un art de bien dire, mais surtout un art de penser avec les « images » et avec la lettre du langage. Son investigation du champ culturel latin est aussi guidée par l’esprit de « pietas » et de « virtus » propre à la Rome ancienne, ainsi que par une sensibilité hantée par le mystère de l

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Pereira, João Jorge da Silva [UNESP]. "A música em As Báquides, de Plauto: tradução e análise dos cantica." Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/123146.

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Made available in DSpace on 2015-05-14T16:52:58Z (GMT). No. of bitstreams: 0 Previous issue date: 2014-04-30Bitstream added on 2015-05-14T16:59:37Z : No. of bitstreams: 1 000824313.pdf: 308573 bytes, checksum: 2c6087b43c11207ef4001f7bca0ce72b (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)<br>Titus Maccius Plautus, ou simplesmente Plauto para os lusófonos, foi um dos mais representativos comediógrafos da antiguidade. Suas peças foram traduzidas para os mais diversos idiomas ao longo do tempo

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Pereira, João Jorge da Silva. "A música em "As Báquides", de Plauto : tradução e análise dos cantica /." Araraquara, 2014. http://hdl.handle.net/11449/123146.

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Orientador: João Batista Toledo Prado<br>Banca: Robson Tadeu Cesila<br>Banca: Brunno Vinicius Gonçalves Vieira<br>Resumo: Titus Maccius Plautus, ou simplesmente Plauto para os lusófonos, foi um dos mais representativos comediógrafos da antiguidade. Suas peças foram traduzidas para os mais diversos idiomas ao longo do tempo e serviram de inspiração para dramaturgos do calibre de Shakespeare e Moliére, e movimentos artísticos como a Commedia Dell'Arte italiana. Apesar de ter se inspirado em grande parte na Comédia Nova grega, especialmente em Menandro (como é o caso de As Báquides, adaptada da c

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9

Jolin, Audray. "Étude d'un lapidaire alphabétique du XVe siècle en prose, d'après le manuscrit Paris, Bibliothèque nationale de France, fonds français, 2007." Thèse, 2019. http://hdl.handle.net/1866/23736.

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En raison de l’hétérogénéité et de l’extravagance de leur contenu, les lapidaires ont souvent été délaissés et restent, encore à ce jour, très peu considérés dans les études sur la littérature médiévale. Le nombre important de manuscrits répertoriés attestent pourtant de leur grande popularité et de la place qu’occupaient les pierres précieuses dans la société et la littérature médiévales. Le lapidaire anonyme tanscrit par le manuscrit Paris, BnF, fonds français, 2007, un lapidaire en prose daté du XVe siècle, n’est à ce jour abordé que dans une seule étude, celle de Barbara Geromel, qui s’e

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Somaroo, Harichand. "The influence of Parthenius on the new poets." Thesis, 1996. http://hdl.handle.net/10413/5845.

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This thesis examines the influence of Parthenius' doctrine of erotika pathemata on the Neoteric epyllion. His influence on Cinna has been readily acknowledged, but except for a few incidental and tentative references, little has been made of his role in determining important features of Neoteric poetry; in fact, many Leading scholars in the field fail even to mention him. A survey of the evolution of the epyllion in the Hellenistic world shows a radical transformation of the Callimachean type by Euphorion and Parthenius", in the late Alexandrian era. It is clearly the late Alexandrian epyllion

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Books on the topic "Latin prose literature, Mediev"

1

Cédric, Giraud, ed. Entre vers et prose: L'expressivité dans l'écriture latine médiévale. Ecole nationale des Chartes, 2015.

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1957-, Mikołajczak Aleksander Wojciech, ed. Łacińska proza naukowa. "Tum", 2001.

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Perrine, Galand-Hallyn, and Université de Paris IV: Paris-Sorbonne. Équipe Rome et ses renaissances. Colloque, eds. Écritures latines de la mémoire: De l'Antiquité au XVIe siècle. Classiques Garnier, 2010.

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Helfer, Christian. Dissertationes Latinae: Europäische Hochschulschriften des 16.-19. Jahrhunderts. Verlag der Societas Latina, Universität des Saarlandes, 1994.

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Nikitinski, Oleg. De eloquentia latina: Saec. XVII et XVIII : dialogus. Vivarium, 2000.

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Baltas, Matthias, Katharina Gerhold, and Gregor Schöffberger. Leon Battista Alberti: Intercenales : eine neulateinische Kurzprosasammlung zwischen Antike und Moderne = Una silloge di brevi prose latine del Rinascimento = a collection of short Neo-Latin prose works between Antiquity and Modernity. Franz Steiner Verlag, 2021.

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1966-, Beyer Brian, ed. War with Hannibal: Authentic Latin prose for the beginning student. Yale University Press, 2009.

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Formisano, Marco. Tecnica e scrittura: Le letterature tecnico-scientifiche nello spazio letterario tardolatino. Carocci, 2001.

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Formisano, Marco. Tecnica e scrittura: Le letterature tecnico-scientifiche nello spazio letterario tardolatino. Carocci, 2001.

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Norden, Eduard. La prosa d'arte antica dal Vi secolo A.C. all'età della Rinascenza. Salerno, 1986.

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Book chapters on the topic "Latin prose literature, Mediev"

1

Roche, Paul. "Latin Prose Literature." In A Companion to the Flavian Age of Imperial Rome. John Wiley & Sons, Inc, 2016. http://dx.doi.org/10.1002/9781118878149.ch24.

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McGowan, Joseph P. "Anglo-Latin Prose." In A Companion to Anglo-Saxon Literature. Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405165303.ch17.

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Rudy, Kathryn M. "Chapter 4." In Touching Parchment: How Medieval Users Rubbed, Handled, and Kissed Their Manuscripts. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0379.04.

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Late-medieval courtiers had a voracious appetite for literature and commissioned works that ranged from historical and religious narratives to romantic and didactic literature. They especially had a taste for rhyming texts, which they patronized and performed. This literature, including the chivalric tales and the "Mirror for Princes" guides to statecraft, not only provided entertainment but also served to affirm the identity and legitimacy of the nobility. The chapter treats a few examples in depth, including a copy of Gautier de Coinci's "Miracles of Our Lady" manuscript, which was read alou

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Rose, H. J. "Prose of Cicero's Time." In A Handbook of Latin Literature. Routledge, 2023. http://dx.doi.org/10.4324/9781003394709-8.

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Rose, H. J. "Livy and Augustan Prose." In A Handbook of Latin Literature. Routledge, 2023. http://dx.doi.org/10.4324/9781003394709-10.

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Rose, H. J. "The Development of Prose." In A Handbook of Latin Literature. Routledge, 2023. http://dx.doi.org/10.4324/9781003394709-5.

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Gray, Douglas. "‘Practical’ Prose." In Later Medieval English Literature. Oxford University PressOxford, 2008. http://dx.doi.org/10.1093/oso/9780198122180.003.0004.

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Abstract This period is notable for the richness, variety, and distinction of its prose. This has too often been ignored or has been obscured by a narrow obsession with ‘continuity’ (often a rather loosely defined word), encouraged by a very eloquent essay of R. W. Chambers, who, protesting rightly against the view that there were no connections between English prose of pre-Conquest times and that of the later Middle Ages, found a ‘continuity’ embodied in the tradition of religious, devotional, and mystical prose. This tradition, although it produced much excellent writing, is only one strand

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Lapidge, Michael. "Poeticism in Pre-Conquest Anglo-Latin Prose." In Aspects of the Language of Latin Prose. British Academy, 2005. http://dx.doi.org/10.5871/bacad/9780197263327.003.0016.

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This chapter is primarily concerned with Anglo-Latin prose: that is to say, Latin prose composed in Anglo-Saxon England between roughly 650 and 1050. It poses the question of the extent to which Anglo-Latin authors were aware of different stylistic registers, and how well they understood what diction was appropriate to either prose or verse. Using the example of Bede as a starting point, the chapter provides a list of those features of poetic diction that are found, in varying degrees, in the authors of Anglo-Latin prose. The seven criteria presented provide a crude measuring-stick against whi

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Orlandi, Giovanni. "Metrical and Rhythmical Clausulae in Medieval Latin Prose: Some Aspects and Problems." In Aspects of the Language of Latin Prose. British Academy, 2005. http://dx.doi.org/10.5871/bacad/9780197263327.003.0021.

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The possibility that quantitative clausulae were sought by authors of the Latin literature of the medieval West offers a new means of entering the debate over ‘continuity or discontinuity’ between late antiquity and the Latin Middle Ages. The principles and aims of calculating prose rhythm, whether quantitative or tonic, have been changed; but much has returned as well. The variation of prosodical structure between the body and the end of a period may well be due to other reasons than the search for rhythm, such as the general preference of a long word to a short one to close a sentence. If th

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Garstad, Benjamin. "Mythography in the Latin West." In The Oxford Handbook of Greek and Roman Mythography. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190648312.013.40.

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Abstract In the Middle Ages in western Europe mythography was intended to set out in clear narrative terms and explain the body of myth that might only be alluded to in the corpus of Classical Latin literature that was still read throughout this period. It might have had the further intention of refuting the error of pagan belief about the gods and rendering myth innocuous by subjecting its unseemly tales to interpretation, especially through allegory. Much of the substance and method of medieval mythography was based on the seminal work of Fulgentius and Isidore of Seville, who wrote at the c

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