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1

Walchen, Romani und Latini: Variationen einer nachrömischen Gruppenbezeichung zwischen Britannien und dem Balkan. Wien: Verlag der Österreichischen Akademie der Wissenschaften, 2017.

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2

Foresti, Luciana Aigner. Die Etrusker und das frühe Rom. Darmstadt: Wissenschaftliche Buchgesellschaft, 2003.

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3

Cardoso, Corrado. Lupi, guerrieri e sciamani alle origini dei Latini. Roma: Palombi, 2010.

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4

Le pendu et le noyé des Monts Albains: Recherches comparatives autour des rites et des mythes des Monts Albains. Bruxelles: Éditions Latomus, 2007.

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5

Maria, Bietti Sestieri Anna, De Santis Anna, and Museo nazionale romano, eds. The protohistory of the Latin peoples: Museo nazionale romano, Terme di Diocleziano. Milano: Electa, 2000.

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6

Vers une Europe latine: Acteurs et enjeux des échanges culturels entre la France et l'Italie fasciste. Paris: Institut national d'Histoire de l'Art, 2014.

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7

F, Tomasi Lydio, Gastaldo Piero, Row Thomas, Center for Migration Studies (U.S.), Fondazione Giovanni Agnelli, and International Conference on Italian Immigration to the Americas and Australia (1992 : New York University), eds. The Columbus people: Perspectives in Italian immigration to the America and Australia. New York: Center for Migration Studies, 1994.

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8

Renato, Oniga, ed. Opera omnia. Torino: Einaudi, 2003.

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9

Henry, James. The portrait of a lady. New York, N.Y: Vintage Books/Library of America, 1992.

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10

James, Henry. The portrait of a lady. New York: Signet Classics, 2007.

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11

Henry, James. The portrait of a lady. New York: Oxford University Press, 2009.

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12

James, Henry. The portrait of a lady. New York: Signet Classics, 2007.

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13

Henry, James. The portrait of a lady: Volume 2. Fairford, Gloucestershire: Echo Library, 2006.

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14

Henry, James. The portrait of a lady: Volume 1. Fairford, Gloucestershire: Echo Library, 2006.

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15

Henry, James. The portrait of a lady. New York: Doubleday Direct, Inc., 1994.

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16

Henry, James. The portrait of a lady. London, England: Penguin Books, 2003.

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17

Henry, James. The portrait of a lady: An authoritative text, Henry James and the novel, reviews and criticism. 2nd ed. New York: W.W. Norton, 1995.

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18

Henry, James. The portrait of a lady. Harmondsworth: Penguin, 1986.

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19

Henry, James. The portrait of a lady: Complete text with introduction, historical contexts. Boston: Houghton Mifflin Co., 2001.

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20

Henry, James. The portrait of a lady. Oxford: Oxford University Press, 2008.

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21

Henry, James. The portrait of a lady. New York: Knopf, 1991.

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22

Henry, James. The Portrait of A Lady. New York: Penguin Group USA, Inc., 2008.

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23

Henry, James. The Portrait of a Lady. London: Penguin Group UK, 2008.

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24

Henry, James. The portrait of a lady. Oxford: Oxford University Press, 1995.

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25

Henry, James. The Portrait Of A Lady. Ware: Wordsworth Editions Limited, 1996.

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26

Henry, James. The Portrait of a Lady. Sioux Falls: NuVision Publications, 2004.

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27

Henry, James. The portrait of a lady. London: Marshall Cavendish, 1987.

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28

Henry, James. The portrait of a lady. London: Folio Society, 1994.

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29

Henry, James. The portrait of a lady. 2nd ed. New York: Modern Library, 2002.

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30

Henry, James. The portrait of a lady. New York, N.Y., U.S.A: Viking, 1996.

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31

Henry, James. The Portrait of a Lady. Waiheke Island: The Floating Press, 2009.

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32

Henry, James. The portrait of a lady. London: Laurel Press, 1987.

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33

Henry, James. The portrait of a lady. Oxford: Oxford University Press, 1999.

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34

Henry, James, and James H. Portrait of a lady. Ware, Hertfordshire: Wordsworth Editions, 1997.

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35

Henry, James. The portrait of a lady. Oxford: Oxford University Press, 1998.

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36

Henry, James. The portrait of a lady: Ionara. [London]: Everyman's Library, 1991.

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37

Virgil: Aeneid Book XI. University of Cambridge ESOL Examinations, 2020.

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38

McGill, Scott. Virgil: Aeneid Book XI. Cambridge University Press, 2020.

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39

McGill, Scott. Virgil: Aeneid Book XI. Cambridge University Press, 2020.

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40

Culti e Popoli Del Lazio Meridionale: Le Testimonanze Del Materiale Votivo Tra IX e V Sec. A. C. L'Erma di Bretschneider, 2020.

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41

Potts, Charlotte R. Religious Architecture in Latium and Etruria, c. 900-500 BC. Oxford University Press, 2015. http://dx.doi.org/10.1093/oso/9780198722076.001.0001.

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Religious Architecture in Latium and Etruria, c. 900-500 BC presents the first comprehensive treatment of cult buildings in western central Italy from the Iron Age to the Archaic Period. By analysing the archaeological evidence for the form of early religious buildings and their role in ancient communities, it reconstructs a detailed history of early Latial and Etruscan religious architecture that brings together the buildings and the people who used them. The first part of the study examines the processes by which religious buildings changed from huts and shrines to monumental temples, and explores apparent differences between these processes in Latium and Etruria. The second part analyses the broader architectural, religious, and topographical contexts of the first Etrusco-Italic temples alongside possible rationales for their introduction. The result is a new and extensive account of when, where, and why monumental cult buildings became features of early central Italic society.
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42

Italia omnium terrarum alumna: La civilta dei Veneti, Reti, Liguri, Celti, Piceni, Umbri, Latini, Campani e Iapigi (Antica madre). 2nd ed. Scheiwiller, 1990.

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43

Miano, Daniele. Fortuna. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198786566.001.0001.

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This book focuses on the Latin goddess Fortuna, one of the better known deities in ancient Italy. The earliest forms of her worship can be traced back to archaic Latium, and she was still a widely recognized allegorical figure during the Middle Ages and the Renaissance. The main reason for her longevity is that she was a conceptual deity, and had strong associations with chance and good fortune. When they were interacting with the goddess, communities, individuals, and gender and age groups were inevitably also interacting with the concept. These relations were not neutral: they allowed people to renegotiate the concept, enriching it with new meanings and challenging established ones. The geographical and chronological scope of this book is Italy from the archaic age to the late Republic. In this period Italy was a fragmented, multicultural and multilinguistic environment, characterized by a wide circulation of people, customs, and ideas, in which Rome played an increasingly dominant role. All available sources on Fortuna have been used: literary, epigraphic, and archaeological. The study of the goddess based on conceptual analysis will serve to construct a radically new picture of the historical development of this deity in the context of the cultural interactions taking place in ancient Italy. The book also aims at experimenting with a new approach to polytheism, based on the connection between gods and goddesses and concepts.
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44

), Center for Migration Studies (U S., Piero Gastaldo, and International Conference on Italian Immigration to the Americas and Australia (1992 :. New York University). The Columbus People: Perspectives in Italian Immigration to the Americas and Australia (Migration and Ethnicity Series). Center for Migration Studies of New York, 1994.

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45

García Peña, Lorgia. Translating Blackness. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478023289.

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In Translating Blackness Lorgia García Peña considers Black Latinidad in a global perspective in order to chart colonialism as an ongoing sociopolitical force. Drawing from archives and cultural productions from the United States, the Caribbean, and Europe, García Peña argues that Black Latinidad is a social, cultural, and political formation—rather than solely a site of identity—through which we can understand both oppression and resistance. She takes up the intellectual and political genealogy of Black Latinidad in the works of Frederick Douglass, Gregorio Luperón, and Arthur Schomburg. She also considers the lives of Black Latina women living in the diaspora, such as Black Dominicana guerrillas who migrated throughout the diaspora after the 1965 civil war and Black immigrant and second-generation women like Mercedes Frías and Milagros Guzmán organizing in Italy with other oppressed communities. In demonstrating that analyses of Black Latinidad must include Latinx people and cultures throughout the diaspora, García Peña shows how the vaivén—or, coming and going—at the heart of migrant life reveals that the nation is not a sufficient rubric from which to understand human lived experiences.
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46

Zamponi, Raoul. South Picene. Taylor & Francis Group, 2021.

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47

Zamponi, Raoul. South Picene. Routledge, Chapman & Hall, Incorporated, 2022.

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48

Zamponi, Raoul. South Picene. Taylor & Francis Group, 2021.

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49

Zamponi, Raoul. South Picene. Taylor & Francis Group, 2021.

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50

Zamponi, Raoul. South Picene. Taylor & Francis Group, 2021.

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