Academic literature on the topic 'Laurentides region, Que. in art'

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Journal articles on the topic "Laurentides region, Que. in art"

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Bell, M., and E. P. Laine. "Erosion of the Laurentide Region of North America by Glacial and Glaciofluvial Processes." Quaternary Research 23, no. 2 (March 1985): 154–74. http://dx.doi.org/10.1016/0033-5894(85)90026-2.

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Collection of seismic reflection data from continental margins and ocean basins surrounding North America makes it possible to estimate the amount of material eroded from the area formerly covered by Laurentide ice sheets since major glaciation began in North America. A minimum estimate is made of 1.62 × 106 km3, or an average 120 m of rock physically eroded from the Laurentide region. This figure is an order of magnitude higher than earlier estimates based on the volume of glacial drift, Cenozoic marine sediments, and modern sediment loads of rivers. Most of the sediment produced during Laurentide glaciation has already been transported to the oceans. The importance of continental glaciation as a geomorphic agency in North America may have to be reevaluated. Evidence from sedimentation rates in ocean basins surrounding Greenland and Antarctica suggests that sediment production, sediment transport, and possibly denudation by permanent ice caps may be substantially lower than by periodic ice caps, such as the Laurentide. Low rates of sediment survival from the time of the Permo-Carboniferous and Precambrian glaciations suggest that predominance of marine deposition during some glacial epochs results in shorter lived sediment because of preferential tectonism and cycling of oceanic crust versus continental crust.
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Gauthier, Robert. "La répartition et l'habitat du Tomenthypnum falcifolium au Québec–Labrador." Canadian Journal of Botany 65, no. 2 (February 1, 1987): 286–98. http://dx.doi.org/10.1139/b87-040.

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The discovery of Tomenthypnum falcifolium (Ren. ex Nich.) Tuom. in Canada is rather recent. For a long time, it was considered as a variety of Tomenthypnum nitens. Some characters allowing the distinction of the two species are discussed and illustrated. Distribution maps of both species in the Québec–Labrador Peninsula are presented. Habitat conditions of Tomenthypnum falcifolium in the Laurentides Park are derived from a study of peatland vegetation. It grows mainly in extremely poor fens, the dominant peatland type of this region. It is a hummock-preferring species and never forms extensive colonies. Its ecological amplitude is then rather different from that of Tomenthypnum nitens which is more commonly found in rich fens.
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Markewich, Helaine W., Ronald J. Litwin, Milan J. Pavich, and George A. Brook. "Late Pleistocene eolian features in southeastern Maryland and Chesapeake Bay region indicate strong WNW–NW winds accompanied growth of the Laurentide Ice Sheet." Quaternary Research 71, no. 3 (May 2009): 409–25. http://dx.doi.org/10.1016/j.yqres.2009.02.001.

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AbstractInactive parabolic dunes are present in southeastern Maryland, USA, along the east bank of the Potomac River. More elongate and finer-grained eolian deposits and paha-like ridges characterize the Potomac River–Patuxent River upland and the west side of Chesapeake Bay. These ridges are streamlined erosional features, veneered with eolian sediment and interspersed with dunes in the low-relief headwaters of Potomac- and Patuxent-river tributaries. Axis data for the dunes and ridges indicate formation by WNW–NW winds. Optically stimulated luminescence and radiocarbon age data suggest dune formation from ∼ 33–15 ka, agreeing with the 30–13 ka ages Denny, C.S., Owens, J.P., Sirkin, L., Rubin, M., 1979. The Parsonburg Sand in the central Delmarva Peninsula, Maryland and Delaware. U.S. Geol. Surv. Prof. Pap. 1067-B, 16 pp. suggested for eolian deposits east of Chesapeake Bay. Age range and paleowind direction(s) for eolian features in the Bay region approximate those for late Wisconsin loess in the North American midcontinent. Formation of midcontinent loess and Bay-region eolian features was coeval with rapid growth of the Laurentide Ice Sheet and strong cooling episodes (δ18O minima) evident in Greenland ice cores. Age and paleowind-direction coincidence, for eolian features in the midcontinent and Bay region, indicates strong mid-latitude WNW–NW winds for several hundred kilometers south of the Laurentide glacial terminus that were oblique to previously simulated anticyclonic winds for the last glacial maximum.
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Shi, Xiaoxu, Gerrit Lohmann, Dmitry Sidorenko, and Hu Yang. "Early-Holocene simulations using different forcings and resolutions in AWI-ESM." Holocene 30, no. 7 (March 10, 2020): 996–1015. http://dx.doi.org/10.1177/0959683620908634.

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The earliest part of the Holocene, from 11.5k to 7k (k = 1000 years before present), is a critical transition period between the relatively cold last deglaciation and the warm middle Holocene. It is marked by more pronounced seasonality and reduced greenhouse gases (GHGs) than the present state, as well as by the presence of the Laurentide Ice Sheet (LIS) and glacial meltwater perturbation. This paper performs experiments under pre-industrial and different early-Holocene regimes with AWI-ESM (Alfred Wegener Institute–Earth System Model), a state-of-the-art climate model with unstructured mesh and varying resolutions, to examine the sensitivity of the simulated Atlantic meridional overturning circulation (AMOC) to early-Holocene insolation, GHGs, topography (including properties of the ice sheet), and glacial meltwater perturbation. In the experiments with early-Holocene Earth orbital parameters and GHGs applied, the AWI-ESM simulation shows a JJA (June–July–August) warming and DJF (December–January–February) cooling over the mid and high latitudes compared with pre-industrial conditions, with amplification over the continents. The presence of the LIS leads to an additional regional cooling over the North America. We also simulate the meltwater event around 8.2k. Big discrepancies are found in the oceanic responses to different locations and magnitudes of freshwater discharge. Our experiments, which compare the effects of freshwater release evenly across the Labrador Sea to a more precise injection along the western boundary of the North Atlantic (the coastal region of LIS), show significant differences in the ocean circulation response, as the former produces a major decline of the AMOC and the latter yields no obvious effect on the strength of the thermohaline circulation. Furthermore, proglacial drainage of Lakes Agassiz and Ojibway leads to a fast spin-down of the AMOC, followed, however, by a gradual recovery. Most hosing experiments lead to a warming over the Nordic Sea and Barents Sea of varying magnitudes, because of an enhanced inflow from lower latitudes and a northward displacement of the North Atlantic deep convection. These processes exist in both of our high- and low-resolution experiments, but with some local discrepancies such as (1) the hosing-induced subpolar warming is much less pronounced in the high-resolution simulations; (2) LIS coastal melting in the high-resolution model leads to a slight decrease in the AMOC; and (3) the convection formation site in the low- and high-resolution experiments differs, in the former mainly over northeastern North Atlantic Ocean, but in the latter over a very shallow subpolar region along the northern edge of the North Atlantic Ocean. In conclusion, we find that our simulations capture spatially heterogeneous responses of the early-Holocene climate.
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Clark, Peter U. "Unstable Behavior of the Laurentide Ice Sheet over Deforming Sediment and Its Implications for Climate Change." Quaternary Research 41, no. 1 (January 1994): 19–25. http://dx.doi.org/10.1006/qres.1994.1002.

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AbstractGeologic records of fluctuations of the Laurentide ice sheet margin following the most recent glacial maximum (ca. 20,000 14C yr B.P.) identify fundamental differences in ice-sheet behavior depending on subglacial bed conditions. Rapid and irregular icemargin fluctuations occurred only over areas of deforming sediment, indicating nonclimatic forcing controlled by the inherent instability of coupled ice sheet-deforming sediment dynamics. In contrast, largely uninterrupted ice-margin retreat with no evidence of significant readvance occurred over rigid-bed areas, indicating stable behavior. Unstable ice-sheet behavior was most pronounced from 15,000 until 10,000 14C yr B.P., by which time most of the ice margin had retreated onto a rigid bed. Unstable ice-sheet behavior would have been an integral component in controlling variable fluxes of icebergs and meltwater, as well as meltwater routing, to the North Atlantic, thus affecting thermohaline circulation. The abrupt climate oscillations in the North Atlantic region that ended at 10,000 14C yr B.P. may thus have their origin in the inherently unstable behavior of the Laurentide ice sheet overriding deforming sediment.
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Wójcik, Katarzyna. "(Re)visions télévisuelles de la colonisation du Nord – série médiatique d’Un homme et son péché de Claude-Henri Grignon." Romanica Silesiana 18, no. 2 (December 28, 2020): 86–97. http://dx.doi.org/10.31261/rs.2020.18.07.

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Claude-Henri Grignon’s novel Un homme et son péché presents the life of French Canadian colonial settlers of the Laurentides region at the end of XIXth century. It depicts a realistic image of the colonisation period of Quebec history. The novel is at the origin of a media series that englobes a radio adaptation, three filmic adaptations, theater adaptations, a comic, and two television series. The aim of this article is to discuss the vision of colonisation by analysing two television series based on Un homme et son péché: Les Belles Histoires des pays d’en haut broadcast from 1956 to 1970 and Les Pays d’en haut broadcast from 2016 to 2019 on ICI Radio-Canada Télé 1. The analysis will try to trace modifications inherent to the process of adaptation on different levels (protagonists, representation of space, ideological discourse) and their influence on the vision of the colonisation period.
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Desponts, Mireille, André Desrochers, Louis Bélanger, and Jean Huot. "Structure de sapinières aménagées et anciennes du massif des Laurentides (Québec) et diversité des plantes invasculaires." Canadian Journal of Forest Research 32, no. 12 (December 1, 2002): 2077–93. http://dx.doi.org/10.1139/x02-127.

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This study was undertaken to determine the contribution of old-growth and senescent forest stands regenerated through clear-cutting to the biodiversity of wet boreal fir stands in eastern Quebec because overmature stands are becoming scarce in that region. The study area was located in the Laurentian Mountains north of the city of Québec. The structure and composition of nonvascular plant communities (mosses, hepatica, lichens, and saprophytic fungi) of old-growth forests were compared with those of mature or senescent fir stands harvested 60 years ago. Nonvascular plants have a more uniform structure and a lower diversity in mature than in senescent or old-growth forests. A variety of specialized soil- and wood-inhabiting species and many rare species not observed in mature stands regenerated through clear-cutting are found in the latter. Structural diversity of senescent second-growth fir stands becomes similar to that of old-growth stand because of mortality within the overstory. These structural characteristics favour the development of diversified nonvascular plant communities, especially wood-inhabiting species found on slightly decomposed woody debris and soil-inhabiting species that colonize disturbed soils.[Journal translation]
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Hébert, Rémi, Claude Samson, and Jean Huot. "Factors Influencing the Abundance of Berry Plants for Black Bears, Ursus americanus, in Quebec." Canadian Field-Naturalist 122, no. 3 (July 1, 2008): 212. http://dx.doi.org/10.22621/cfn.v122i3.601.

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Berries generally represent the primary food source used by Black Bears (Ursus americanus) during summer and sometimes fall. Our study attempted to identify factors influencing the abundance of these critical resources for Black Bears in Quebec. We used data from the ecological inventories of the Ministère de l’Environnement du Québec. Three different study areas were selected, including the Papineau-Labelle Wildlife Reserve (326 sample plots; 24 species), the Laurentides Wildlife Reserve (679 sample plots; 16 species) and the Côte-Nord administrative region (1944 sample plots; 30 species). Each site represented a different bioclimatic domain. Characteristics of the dominant vegetation (density and height), soil texture, and drainage classes (vertical or oblique) were used as analysis factors. In general, height and density of the dominant vegetation had a significant effect on the abundance of berry plants. Berry plants were more abundant in plots where dominant vegetation height and density were low. Soil texture had little effect on the abundance of berry plants, and the influence of drainage varied depending on the region. This study allowed us to determine the optimal sites of berry resources for Black Bears.
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Brigot, Guillaume, Marc Simard, Elise Colin-Koeniguer, and Alexandre Boulch. "Retrieval of Forest Vertical Structure from PolInSAR Data by Machine Learning Using LIDAR-Derived Features." Remote Sensing 11, no. 4 (February 13, 2019): 381. http://dx.doi.org/10.3390/rs11040381.

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This paper presents a machine learning based method to predict the forest structure parameters from L-band polarimetric and interferometric synthetic aperture radar (PolInSAR) data acquired by the airborne UAVSAR system over the Réserve Faunique des Laurentides in Québec, Canada. The main objective of this paper is to show that relevant parameters of the PolInSAR coherence region can be used to invert forest structure indicators computed from the airborne LIDAR sensor Laser Vegetation and Ice Sensor (LVIS). The method relies on the shape of the observed generalized PolInSAR coherence region that is related to the three-dimensional structure of the scene. In addition to parameters describing the coherence shape, we consider the impact of acquisition parameters such as the interferometric baseline, ground elevation and local surface slope. We use the parameters as input a multilayer perceptron model to infer canopy features as estimated from LIDAR waveform. The output features are canopy height, cover and vertical profile class. Canopy height and canopy cover are estimated with a normalized RMSE of 13%, 15% respectively. The vertical profile was divided into 3 distinct classes with 66% accuracy.
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Stewart, Joe D., Paul Matousek, and Jane H. Kelley. "Rock Art and Ceramic Art in the Jornada Mogollon Region." KIVA 55, no. 4 (January 1990): 301–19. http://dx.doi.org/10.1080/00231940.1990.11758151.

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Dissertations / Theses on the topic "Laurentides region, Que. in art"

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Stent, David R. J. "The region of disillusionment (the experience of writing research as art)." Thesis, University of Reading, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542063.

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McKnight, Calvin (Calvin Bruce) Carleton University Dissertation Geography. "Public art and urban spaces; the place of art in the public interest in the National Capital Region." Ottawa, 1996.

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Bauer, Christine, and Christine Strauß. "Educating artists in management: an analysis of art education programmes in DACH region." Taylor & Francis Group, 2015. http://dx.doi.org/10.1080/2331186X.2015.1045217.

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Labour force in the art sector is characterised by high qualification, but low income for those people who perform the core contribution in art, i.e. the artists. As artists are typically self-dependent in managing their business, they should have managerial skills besides those skills necessary to perform their artistic core activities. If the lack of managerial skills is a reason why artists fail to make a living from their talent, then this chain of cause and effect could be ruptured by adequate educational opportunities. This paper analyses the curricula of a wide range of institutions offering art education programmes and identifies their managerial learning content. In doing so, we focused on German-speaking countries, the so-called DACH region (i.e. Germany, Austria and Switzerland, whereas D, A and CH are country codes). We identified and analysed 159 course syllabi of 81 art universities, schools and academies. The results of our study indicate a lack of managerial learning contents: a vast majority of institutions follow a rather traditional approach to art education, focusing solely on artistic competences. We suggest the implementation of managerial learning contents to better prepare art students for successful careers in the arts.
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Montgomerie, Elizabeth Amber. "Images of rural activities on mosaic pavements in Late Antiquity in the Levant." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:06c62da9-7dcf-4b34-96ec-3d5ea425e2cb.

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Images of rural activities become very popular in mosaic floor decoration in the Levant during the Late Antique period. I aim to explore different categories of iconography and discuss the images of people engaged in rural activities, such as pastoralism; hunting, fishing and activities connected with the vintage. I also aim to look at imagery that is often discussed in isolation without relation to other connected iconographic categories. The symbolic meaning of the representations of the zodiac found in synagogues, for example, is often discussed in detail without also looking at the rural calendars that appear in Christian contexts during the same period in the same region. I also want to explore the archaeological evidence for the activities that appear on the mosaic pavements. Studying both the archaeology and the iconography will, I hope, help us understand what the use of these particular categories of iconography in decorative schemes can tell us about the society that created them.
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Nathan, Idit Elia. "Art of play in zones of conflict : the case of Israel Palestine." Thesis, University of the Arts London, 2017. http://ualresearchonline.arts.ac.uk/13458/.

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One of the effects of the Israel Palestine conflict, with its deployment of expansive state violence and divisive political rhetoric, is the stifling of critical engagement. This practice-­ based research project investigates play as a tactic used by artists from within the region to counter this impact by re-­igniting participants’ critical engagement. Framed as ‘critical play’ (Flanagan, 2009) the artistic practices under investigation unequivocally deploy ludic forms, mechanics, and attributes to effectively challenge aspects of Israel Palestine’s paradigmatic political situation. Central to the thesis is a theoretical questioning of what is gained by deploying play in artistic practice. It extends Ariella Azoulay’s (2012) call for a more inclusive and participatory stance as a means of opposing Israeli state violence. This study therefore examines artworks that tactically harness play in order to critically and physically engage their audiences. Drawing on Giorgio Agamben’s (2007) idea of play as a productively disruptive force, the thesis argues that play is uniquely appropriate for creating intimate and social encounters where artists and their audiences can experiment with and enact scenarios relating to Israel Palestine that, when framed and freed as art, can operate critically. The thesis questions how alternative views, narratives of belonging to the body politic and positions vis à vis Israeli colonisation might be played out. Since documented research into this vital area of playful artistic responses to Israel Palestine’s political reality is nonexistent, the thesis redresses this lack. Led by an enquiry which stems from and includes my own practice, the thesis is in dialogue with artists and theoreticians who relate not only to play but also to Israel Palestine’s political complexity. Positioned at the hitherto uncharted intersection of art, play and Israel Palestine, the research project proposes re-­engagement with utopian ambitions and civic imaginings, without necessarily promising to satisfy them.
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Latha, Velu. "Cave temples of the Pāṇḍya country, art and ritual : (with special reference to Putukkōṭṭai region) /." Delhi : Sharada publishing house, 2005. http://catalogue.bnf.fr/ark:/12148/cb40158682f.

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Guerrero-Rippberger, Sara Angel. "30° from the Northern Tropic : art, region and collective practices from urban Latin American and Arab worlds." Thesis, University of the Arts London, 2017. http://ualresearchonline.arts.ac.uk/12038/.

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This thesis investigates the socially imagined representation of two areas of the global South, through the lens of contemporary art. It traces the historicisation of urban Latin America and the Arab world along a timeline of critical lenses, questioning their construction as imagined sites. Re-occurring tropes from exhibition spaces acting as representations of the global South on a macro-level are contrasted with observations from a local level, in an ethnographic study of nineteen artist groups of four capital cities of Latin America and the Arab world. The research draws upon sociological methodologies of research, arts methodologies and historicisation to chart the scope and function of these groups against the backdrop of the global art-institution’s so-called geographic turn and it’s romanticisation of the precarious state as the new avant-garde. Moving away from the traditional cartography of art and social history, this thesis offers an expanded concept of collectivity and social engagement through art, and the artist group as unit of social analysis in urban space. Putting these ideas into dialogue, artist-led structures are presented as counter-point to collective exhibitions and to the collectivity of national identity and citizenship. An abundance of artist groups in the art scene of each city represents an informal infrastructure in which a mirror image of inner-workings of the city and art world become visible through this zone of discourses in conflict. This unorthodox exploration of art, region, and collective expression launches into the possibility of new constellations of meaning, tools to recapture the particulars of everyday experience in the unfolding of large narratives. Examining the place of collective art practices in the socio-political history of the city, this intervention into current theory around the role of art from the global South traces the currents and counter-currents of the art-institution and its structures of representation re-enacted in places of display and public discourse -- the museum, the news, the gallery, the biennial,the street and the independent art space.
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Yu, Kopotienko V. "FEATURES OF ARCHITECTURE, INTERIOR DESIGN AND HOUSEHOLD GOODS OF NOVOMYRHOROD DISTRICT, KIROVOHRAD REGION OF UKRAINE." Thesis, ПОЛІТ.Сучасні проблеми науки.Гуманітарні науки:тези доповідей XVII Міжнародної науково-практичної конференції молодих учених і студентів:[y 2-x т.].Т.2(м.Київ,4-7 квітня 2017 р.)/[ред.кол.:В.М.Ісаєнко та ін.]; Національний авіаційний університет.-К.:НАУ,2017.-374 с, 2017. http://er.nau.edu.ua/handle/NAU/27732.

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Conclusions. The investigation has helped identify the peculiarities of the architecture, interior design and household goods of Novomyrhorod district, the formation peculiarities which correspond to the general stages of the country development. The most preserved buildings for their aesthetic value for the region are Elias Church and St. Nicholas Church, Anna Dmitrian hospital and Slatopolsky gymnasium.
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Willis, Elizabeth Anne. "Uli painting and identity : twentieth century development in art in the Igbo - speaking region of Nigeria." Thesis, SOAS, University of London, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.264967.

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Lic, Agnieszka. "Christian stucco decoration in southern Mesopotamia and the Persian Gulf region, sixth to ninth centuries." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:23636a63-9682-4a2a-b27b-49f2f3df59ac.

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Christian archaeology and art of the region under the jurisdiction of the Church of the East in the Late Antique and early Islamic period is an underresearched field of studies, which exists in between more developed disciplines such as Byzantine and Syriac studies as well as Early Christian, Sasanian and Islamic archaeology and art history. However, archaeological excavations of the last century, especially in southern Mesopotamia and the Persian Gulf region, now allow research to be conducted on the most important medium of artistic expression of the region - stucco. Considered from the technological, stylistic and iconographic point of view and within the aforementioned cultural contexts, it reveals that the Christian stucco production of the region was shaped by Sasanian traditions and contemporary Byzantine and Islamic influences, but also that it developed an innovative and highly creative vocabulary of forms and motifs. It was especially among the Gulf communities of Sir Bani Yas, al-Qusur and other sites that this transformative approach towards traditional and contemporary artistic models manifested itself within a short period between the late seventh and the early ninth centuries. Slightly more conservative is the character of Christian art of southern Mesopotamia in the eighth and early ninth centuries. An interesting exception is a relief found at a church in Koke in the region of Seleucia-Ctesiphon, in which the Sasanian technique of deep relief is combined with the Byzantine dress of the person represented. This fusion of culturally divergent elements testifies to the double identity of the Christians living under the Sasanians - and later, in the early Islamic caliphate - who were recognized as a part of society but distinctive for their religion.
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Books on the topic "Laurentides region, Que. in art"

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Gatermann, Birgit. Kunstführer Region Stuttgart. Berlin: Elefanten Press, 1990.

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Banner, Andreas Toscano del. Kunst- und Kulturführer Region München. München: Ludwig, 1992.

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Rimantienė, R., and A. Butrimas. Prehistoric art in the Baltic region. Vilnius: Vilnius Academy of Fine Arts, 2000.

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Art & architecture of Daśārṇa (Malwa) Region. Delhi: Sharada Pub. House, 2008.

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Marsden Hartley: Race, region, and nation. Lebanon, NH: University Press of New England, 2005.

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Gary, Monroe, and American Heritage Rivers Initiative (U.S.), eds. Florida's American Heritage River: Images from the St. Johns region. Gainesville: University Press of Florida, 2009.

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Girī, Gitu. Art and architecture: Remains in the Western Terai Region of Nepal. Delhi: Adroit Publishers, 2003.

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Gallery, Newcastle Region Art. Australian prints in the Newcastle Region Art Gallery. Newcastle [N.S.W.]: The Gallery, 1992.

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Fine arts of the South Bend region: 1840-2000. South Bend, Indiana]: Wolfson Press, Indiana University South Bend, 2014.

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Bruce-Benjamin, Samantha. The art of devotion. New York: Gallery Books, 2010.

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Book chapters on the topic "Laurentides region, Que. in art"

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Loriau, J. "Anatomy of the Inguinal Region." In The Art of Hernia Surgery, 159–73. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-72626-7_17.

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Loriau, Jérôme. "Anatomy of the Femoral Region." In The Art of Hernia Surgery, 439–43. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-72626-7_44.

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Loriau, Jérôme. "Anatomy of the Ventral Region." In The Art of Hernia Surgery, 491–505. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-72626-7_49.

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Schneider, Anna-Kathrin, and Elisa Katz. "Urban Art – wenn Straßen zur Galerie werden." In RaumFragen: Stadt – Region – Landschaft, 175–76. Wiesbaden: Springer Fachmedien Wiesbaden, 2022. http://dx.doi.org/10.1007/978-3-658-36470-0_39.

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Kontoes, Paraskevas. "Anatomy of the Periorbital Region." In State of the art in Blepharoplasty, 1–14. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-52642-3_1.

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Nir, Dov. "The State of the Art." In Region as a Socio-environmental System, 5–27. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-0483-5_1.

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Ali, Atteqa. "Conclusion: Collaborative Art Praxis and Contemporary Art Experiments." In Collaborative Praxis and Contemporary Art Experiments in the MENASA Region, 203–20. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47925-1_7.

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Mkwesha, Faith, and Sasha Huber. "Rethinking Design: A Dialogue on Anti-Racism and Art Activism from a Decolonial Perspective." In Feminisms in the Nordic Region, 223–45. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53464-6_11.

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Kidd, Sophia. "Contemporary Art in China’s Southwest Frontier New Silk Road Region." In Culture Paves The New Silk Roads, 103–29. Singapore: Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-8574-3_6.

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Li, Yu-Chieh. "Core Events of Contemporary Art from Mainland China, 1980–2015, Mainland China, the Asia-Pacific Region, Europe, and the Americas." In Chinese Contemporary Art Series, 153–77. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-3064-7_12.

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Conference papers on the topic "Laurentides region, Que. in art"

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Groult, Benjamin. "FACTORS INVOLVED IN THE BIOGEOGRAPHIC DISTRIBUTION OF MICROBIAL DIVERSITY IN SUBSURFACE WATER OF THE LAURENTIDES REGION, QUEBEC." In GSA 2020 Connects Online. Geological Society of America, 2020. http://dx.doi.org/10.1130/abs/2020am-355079.

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Lee, Wen-Yo, Yu-Kuen Tsai, Chun-Wei Chen, Ta-Chih Hung, and Min-Hao Lee. "Heterogeneous sensors alignment on ART for map construction." In TENCON 2009 - 2009 IEEE Region 10 Conference. IEEE, 2009. http://dx.doi.org/10.1109/tencon.2009.5396231.

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Faleh, M. "The Mediterranean Region: “Islamic” light in the architecture of the sublime." In ISLAMIC HERITAGE ARCHITECTURE AND ART 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/iha160151.

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Bahrami, F., and M. Heydarian. "Innovative automatic designer using a texture-based evolutionary art system." In TENCON 2014 - 2014 IEEE Region 10 Conference. IEEE, 2014. http://dx.doi.org/10.1109/tencon.2014.7022328.

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Andrijanova, Tatiana. "CULTURE AND ART IN MODERN SOCIETY: A VIEW FROM THE REGION." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb61/s7.03.

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Tang, Xing. "Discussion on Western Region Music in Northern Zhou Dynasty." In 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-17.2018.26.

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Herumurti, D., K. Uchimura, G. Koutaki, and T. Uemura. "Grid seeded region growing with Mixed ART for road extraction on DSM data." In 2012 IEEE International Conference on Signal Processing, Communications and Computing (ICSPCC). IEEE, 2012. http://dx.doi.org/10.1109/icspcc.2012.6335689.

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Juárez-García, Arturo. "1705b Psychosocial factors at work in latin-american region: state of the art." In 32nd Triennial Congress of the International Commission on Occupational Health (ICOH), Dublin, Ireland, 29th April to 4th May 2018. BMJ Publishing Group Ltd, 2018. http://dx.doi.org/10.1136/oemed-2018-icohabstracts.868.

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Carrión-Ruiz, Berta, Silvia Blanco-Pons, and Jose Luis Lerma. "DIGITAL IMAGE ANALYSIS OF THE VISIBLE REGION THROUGH SIMULATION OF ROCK ART PAINTINGS." In ARQUEOLÓGICA 2.0 - 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/arqueologica8.2016.3560.

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Non-destructive rock art recording techniques are getting special attention in the last years, opening new research lines in order to improve the level of documentation and understanding of our rich legacy. This paper applies the principal component analysis (PCA) technique in images that include wavelengths between 400-700 nm (visible range). Our approach is focused on determining the difference provided by the image processing of the visible region through four spectral images versus an image that encompasses the entire visible spectrum. The images were taken by means of optical filters that take specific wavelengths and exclude parts of the spectrum. Simulation of rock art is prepared in laboratory. For this purpose, three different pigments were made simulating the material composition of rock art paintings. The advantages of studying the visible spectrum in separate images are analysed. In addition, PCA is applied to each of the images to reduce redundant data. Finally, PCA is applied to the image that contains the entire visible spectrum and is compared with previous results. Through the results of the four visible spectral images one can begin to draw conclusions about constituent painting materials without using decorrelation techniques.
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Palus, Kinga. "Building engineering in mountain region of podhale – Relations between folk art and architecture." In PROCEEDINGS OF THE 10TH WORKSHOP ON METALLIZATION AND INTERCONNECTION FOR CRYSTALLINE SILICON SOLAR CELLS. AIP Publishing, 2022. http://dx.doi.org/10.1063/5.0119208.

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Reports on the topic "Laurentides region, Que. in art"

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Kerr, D. E. Reconnaissance surficial geology, Bloody River, Northwest Territories-Nunavut, NTS 96-P. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/329457.

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Preliminary surficial geology, based on airphoto interpretation and limited legacy field data of Bloody River map area, records a dynamic Late Wisconsin glacial landscape. Streamlined till and bedrock landforms, relating to Laurentide ice originating east of the map region, indicate regional westward flow diverged northwestward and southwestward at the eastern end of two topographic highs. Ice then converged between and south of these two highs, then diverged at the western end of these highlands. During deglaciation, ice stagnated in northwestern and central highland regions, forming extensive hummocky moraine, large kames, recessional moraines, and kame moraines. In other parts of the map area, hummocky till, small moraines, and undifferentiated till ridges, were deposited over fluted till. Outwash plains, eskers, and meltwater corridors record northwestward to southwestward meltwater flow. Glaciolacustrine sediments associated with glacial Lake McConnell occur in the southeast, up to 280 m elevation. Other unrelated, isolated glaciolacustrine deltas indicate small ice-marginal lakes between 400 and 460 m elevation.
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McMartin, I., J. E. Campbell, P.-M. Godbout, P. Behnia, T. Tremblay, and P. X. Normandeau. High-resolution mapping of glacial landscapes in the north-central portion of the Laurentide Ice Sheet in Nunavut and Northwest Territories. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/330867.

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A new glacial geomorphology map covers approximately 415,000 km2 in a core region of the Laurentide Ice Sheet in Nunavut. The compilation builds on recent and legacy maps and is supplemented by visual digitization of glacigenic features using high-resolution digital elevation (ArcticDEM) and Landsat 8 images. From this unprecedented, detailed inventory of >156,000 features and >14,000 field observations, we identify various glacial landsystems, many of which are entirely new and others that are significantly modified or updated. These include ice streams, palimpsest ice flows, and areas where basal ice thermal regimes fluctuated between cold-based and warm-based. The GIS data comprise glacial features mapped at original and generalized scales, standardized field datasets and interpreted glacial landsystems. These comprehensive georeferenced datasets can be used to reconstruct the glacial history in the interior portion of the Laurentide Ice Sheet in Nunavut and Northwest Territories and to identify distinct glacial sediment transport paths for applications to mineral exploration.
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Paulen, R. C., and I. R. Smith. Surficial geology, Sulphur Bay, western Great Slave Lake, Northwest Territories, NTS 85-G. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/330073.

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The Sulphur Bay map sheet is a low-relief terrain underlain by lower- to middle-Devonian dolostone and limestone. A thin (<4 m thick) Laurentide Ice Sheet-derived glacial sediment cover drapes most of the landscape, except for bedrock outcrops exposed near Great Slave Lake. Relict glacial landforms record an older northwest ice flow across the region. These are strongly overprinted by subsequent west-southwest-oriented flutings and mega-scale glacial lineations formed during deglaciation. As ice retreated, the entire map area became inundated by glacial Lake McConnell and then subsequently by the expanded postglacial Great Slave Lake. This produced a discontinuous, coarse winnowed surface lag over higher terrain and thin sheets of glaciolacustrine nearshore sands over lower-lying regions. Abundant iceberg furrows occur throughout the map area. Bogs and fens have formed over much of the landscape and display extensive thermokarst.
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Kerr, D. E. Reconnaissance surficial geology, Bebensee Lake, Northwest Territories-Nunavut, NTS 86-M. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/329456.

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Preliminary surficial geology, based on airphoto interpretation and limited legacy field data of the Bebensee Lake map area, records a complex glacial landscape. Highly streamlined till, till blanket, hummocky till, moraine complex, and ridged till are dominant units. Glaciofluvial sand and gravel form eskers, subglacial meltwater corridors, ice-contact deposits, and outwash plains. Fine-grained glaciolacustrine sediments in the south occur predominantly in lowlands below 250 m elevation, relating to glacial Lake McConnell. Multiple lobes of Laurentide ice glaciated the area. Relict glacial landforms record older westward to west-southwestward ice flow. In the southeast, these are strongly overprinted by subsequent north-oriented flutings, decreasing in intensity northward, and originating from a lobe south of the map area. Streamlined till landforms, relating to a third lobe originating east and northeast of the map region, indicate the last ice flow was dominantly westward in east-central regions, and southwestward in the north and west. During deglaciation, widespread hummocky till was deposited, and major moraines and esker complexes formed along the margins of two ice lobes.
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Ramkumar, Bharath, and Rebecca Dias. Sustaining Indigenous Textile Artisans and Their Art in the North Eastern Region of India. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8330.

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Ryder, Marianne. Forming a New Art in the Pacific Northwest: Studio Glass in the Puget Sound Region, 1970-2003. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.1096.

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Rich, William B., Robert R. Jacobs, Christopher S. Williams, and Robert J. Frosch. Repair and Strengthening of Bridges in Indiana Using Fiber Reinforced Polymer Systems: Volume 2–FRP Flexural Strengthening and End Region Repair Experimental Programs. Purdue University, 2021. http://dx.doi.org/10.5703/1288284317310.

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For bridges that are experiencing deterioration, action is needed to ensure the structural performance is adequate for the demands imposed. Innovate repair and strengthening techniques can provide a cost-effective means to efficiently and safely extend the service lives of bridges. The use of fiber reinforced polymer (FRP) systems for the repair and strengthening of concrete bridges is increasing in popularity. Recognizing the potential benefits of the widespread use of FRP, a research project was initiated to determine the most appropriate applications of FRP in Indiana and provide recommendations for the use of FRP in the state for the repair and strengthening of bridges. The details of the research are presented in two volumes. Volume 1 provides the details of a study conducted to (i) summarize the state-of-the-art for the application of FRP to concrete bridges, (ii) identify successful examples of FRP implementation for concrete bridges in the literature and examine past applications of FRP in Indiana through case studies, and (iii) better understand FRP usage and installation procedures in the Midwest and Indiana through industry surveys. Volume 2 presents two experimental programs that were conducted to develop and evaluate various repair and strengthening methodologies used to restore the performance of deteriorated concrete bridge beams. The first program investigated FRP flexural strengthening methods, with focus placed on adjacent box beam bridges. The second experimental program examined potential techniques for repairing deteriorated end regions of prestressed concrete bridge girders. Externally bonded FRP and near-surface-mounted (NSM) FRP were considered in both programs.
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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.

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Coffs Harbour on the north coast of NSW is a highway city sandwiched between the Great Dividing Range and the Pacific Ocean. For thousands of years it was the traditional land of the numerous Gumbaynggirr peoples. Tourism now appears to be the major industry, supplanting agriculture and timber getting, while a large service sector has grown up around a sizable retirement community. It is major holiday destination. Located further away from the coast in the midst of a dairy farming community, Bellingen has become a centre of alternative culture which relies heavily on a variety of festivals activated by energetic tree changers and numerous professionals who have relocated from Sydney. Both communities rely on the visitor economy and there have been considerable changes to how local government in this region approach strategic planning for arts and culture. The newly built Coffs Harbour Education Campus (CHEC) is an experiment in encouraging cross pollination between innovative businesses and education and incorporates TAFE NSW, Coffs Harbour Senior College and Southern Cross University as well as the Coffs Harbour Technology Park and Coffs Harbour Innovation Centre all on one site. The 250 seat Jetty Memorial Theatre is the main theatre in Coffs Harbour for local and touring productions while local halls and converted theatres are the mainstay of smaller communities in the region. As peak body Arts Mid North Coast reports, there is a good record of successful arts related events which range across all genres of music, art, sculpture, Aboriginal culture, street art, literature and even busking and opera. These are mainly managed by passionate local volunteers.
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Boehm, Ted W., and Jim Handy. Central HMA Acceptance Lab Process Improvement Implementation Plan Project. Purdue University, 2020. http://dx.doi.org/10.5703/1288284317130.

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The Indiana Department of Transportation (INDOT) Central Hot Mix Asphalt (HMA) Acceptance Lab was opened on March 29, 2018 at the Office of Materials Management (OMM) facility in Indianapolis. The state-of-the-art lab conducts acceptance testing on HMA samples from INDOT’s Crawfordsville and Greenfield districts, as well as testing of appeals samples from the other four INDOT districts. Each HMA sample undergoes multiple sequences acceptance testing processes. In 2019, project SPR-4353 “Central HMA Acceptance Lab Process Improvement Project” was conducted with the goal to improve organization, flow of work and efficiency in the central region HMA Acceptance Lab for all tests done, and provide implementation leading to the reduction of turnaround time from six days to four days. This project follows key recommended actions from SPR-4353 to implementation.
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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Ballarat. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206963.

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Description Ballarat sits on Wathaurong land and is located at the crossroads of four main Victorian highways. A number of State agencies are located here to support and build entrepreneurial activity in the region. The Ballarat Technology Park, located some way out of the heart of the city at the Mount Helen campus of Federation University, is an attempt to expand and diversify the technology and innovation sector in the region. This university also has a high profile presence in the city occupying part of a historically endowed precinct in the city centre. Because of the wise preservation and maintenance of its heritage listed buildings by the local council, Ballarat has been used as the location for a significant set of feature films, documentaries and television series bringing work to local crews and suppliers. With numerous festivals playing to the cities strengths many creative embeddeds and performing artists take advantage of employment in facilities such as the Museum of Australian Democracy at Eureka. The city has its share of start-ups, as well as advertising, design and architectural firms. The city is noted for its museums, its many theatres and art galleries. All major national networks service the TV and radio sector here while community radio is strong and growing.
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