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Journal articles on the topic 'Lavastus'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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1

Heinonen, Yrjö. "Euroviisuesityksen audiovisuaalinen rakentuminen." Lähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu 34, no. 1 (2021): 55–72. http://dx.doi.org/10.23994/lk.107816.

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Eurovision laulukilpailu on muuttunut historiansa aikana kansallisten radio- ja tv-yhtiöiden välisestä sävellys- ja sanoituskilpailusta eri maiden ja niitä edustavien laulajien tai yhtyeiden väliseksi esiintymiskilpailuksi siten, että tapahtuman viihteellisyys ja kilpailullisuus on samalla lisääntynyt. Tarkastelen artikkelissani kolmen Suomea vuosina 1987–1993 kilpailussa edustaneen esityksen audiovisuaalista rakentumista erityisesti viihteellisyyden, kilpailullisuuden ja kansallisten piirteiden esiin tuomisen tai tuomatta jättämisen näkökulmasta.Analysoitavat esitykset ovat ”Sata salamaa” (Vi
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2

Pesti, Madli. "About the concept and development of physical theatre. On the example of VAT Theatre production “The luncheon on the grass”." Philologia Estonica Tallinnensis 2 (December 19, 2017): 59–84. http://dx.doi.org/10.22601/pet.2017.02.04.

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3

Vidal, Frédéric. "Philippe Lavastre y Rafael Mas (coords.), Propiedad urbana y crecimiento de la ciudad. Seminario celebrado 4-5 febrero de 2002." Mélanges de la Casa de Velázquez, no. 36-2 (November 15, 2006): 323–25. http://dx.doi.org/10.4000/mcv.2551.

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4

Tarasov, Sergey. "Mircea Eliade’s cosmic Christianity: approaches to an interpretation." St. Tikhons' University Review 111 (February 29, 2024): 75–92. http://dx.doi.org/10.15382/sturi2024111.75-92.

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The article deals with the construct of cosmic Christianity in Mircea Eliade's project of the history of religion. Links are established with other concepts of the author, such as creative hermeneutics, homo religiosus, the horror of history, etc. Parallels are also drawn with German Idealism, Protestantism, traditionalism, Jungian psychoanalysis, and conservative-revolutionary thought. The criticism of A. Lenel-Lavastin and D. Dubuisson is drawn upon, arguing that the construct of cosmic Christianity can work within a national-conservative synthesis, so that the nation becomes the guarantor o
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Tavares, Ana C., Diwakar Kashyap, Cybelle Palma de Oliveira Soares, Gaetan Buvat, Guy Denuault, and Daniel Guay. "(Invited) Probing the Oxygen Reduction and Hydrazine Oxidation Reactions Using Transient Amperometric Techniques." ECS Meeting Abstracts MA2023-02, no. 55 (2023): 2654. http://dx.doi.org/10.1149/ma2023-02552654mtgabs.

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The kinetics of electrochemical reactions affected by mass transfer is often investigated by rotating disc electrode (RDE) and rotating ring disc electrodes. However, these hydrodynamic techniques require electrodes that can be shaped into a disk or catalysts that can be drop casted on the surface of a disk electrode. Instead, transient amperometric techniques such as chronoamperometry and sampled current voltammetry (SCV) hold potential to investigate the kinetics of reactions without such requirements. In SCV, a series of chronoamperograms are recorded for a range of target potentials, and t
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6

Pesti, Madli. "Space as an Active Agent. On Performative Space in Estonian Contemporary Performing Arts / Ruum kui aktiivne agent. Performatiivsest ruumist Eesti nüüdisaegsetes etenduskunstides." Methis. Studia humaniora Estonica 22, no. 27/28 (2021). http://dx.doi.org/10.7592/methis.v22i27/28.18444.

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Abstract: This paper discusses examples of the use of performative space in the Estonian performing arts. It shows how a performative space is arranged as an interactive and shared space, what the features are of an installation space, how the audience perceives immersive space, and how a socially communicative space is formed. The paper studies the ways that space can be an active agent and affect the perception of the spectator.
 
 Artikkel käsitleb ruumi organiseerimise viise uuemas Eesti teatris ning osutab, kuidas ruumilised suhted mõjutavad publiku taju. Analüüsitakse viit 2020
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7

Staniškytė, Jurgita. "The Condition of Instability: Performative Turn and Contemporary Lithuanian Theatre / Ebastabiilsuse seisund: performatiivne pööre ja Leedu nüüdisteater." Methis. Studia humaniora Estonica 22, no. 27/28 (2021). http://dx.doi.org/10.7592/methis.v22i27/28.18445.

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Abstract: The article discusses the new strategies of representation that emerged in contemporary Lithuanian theatre under the influence of socio-cultural transformations that can be attributed to the umbrella notion of “performative turn”. With the help of three case studies, the article investigates how certain codes of “aesthetics of performativity” as described by Erika Fischer-Lichte are circulating in contemporary Lithuanian theatre, what processes and agencies facilitate their emergence, and what possibilities as well as challenges for performative practices they entail.
 
 Vi
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8

Lēvalde, Vēsma. "The Director as Translator: The Case of Latvian Director Oļģerts Kroders / Lavastaja kui tõlkija: läti lavastaja Oļģerts Kroders." Methis. Studia humaniora Estonica 17, no. 21/22 (2018). http://dx.doi.org/10.7592/methis.v17i21/22.14587.

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The article aims to tackle the creative work of the eminent Latvian stage director Oļģerts Kroders (1921–2012). Kroders, as a representative of the psychological theatre, was one of the first in Soviet Latvia who dared to break with the canon of socialist realism and portrayed the characters of literary classics on the stage without heroic overtones. The cornerstone of his creative work was a detailed approach to the literary source text, adapting it to the intended concept of the production. He even used to adjust the interpretation of the text to the potential of a particular actor in a part
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9

Rodiņa, Ieva. "Blurring the Borders between Life and Theatre in the Stage Directing of Vladislavs Nastavševs / Elu ja teatri vahelise piiri hägustumine Vladislavs Nastavševsi lavastustes." Methis. Studia humaniora Estonica 17, no. 21/22 (2018). http://dx.doi.org/10.7592/methis.v17i21/22.14588.

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Vladislavs Nastavševs is one of the leading contemporary Latvian theatre directors. Nastavševs’ stage productions are constructed by combining elements of psychological theatre, performance art and postdramatic theatre, deliberately expanding the traditional boundaries between the stage and the audience, actors and spectators. Nastavševs’ performances usually contain visually impressive stage metaphors that generate both emotional and psychophysical influence on the spectators, thus exploring new types of performance perception and blurring the boundaries between life (reality) and theatre (fi
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10

Saro, Anneli. "Postdramaatiline teater ja autobiograafiline lavastus sotsiaalses kontekstis. Postdramatic Theatre and Autobiographical Performance in Its Social Context." Methis. Studia humaniora Estonica 4, no. 5-6 (2010). http://dx.doi.org/10.7592/methis.v4i5-6.525.

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11

"Cover Image." Journal of the Science of Food and Agriculture 104, no. 8 (2024). http://dx.doi.org/10.1002/jsfa.13599.

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The cover image is based on the Special Issue: Tropical roots, tubers and bananas: New breeding tools and methods to meet consumer preferences. Image Credit: Delphine Guard‐Lavastre, CIRAD Communication Office, Montpellier, France. image
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12

Jansen, Taavet, and Aleksander Väljamäe. "Exploring Physiology-Based Interactions in Performing Art Using Artistic Interventions / Kunstiliste sekkumiste kasutamine füsioloogiapõhiste interaktsioonide uurimiseks etenduskunstis." Methis. Studia humaniora Estonica 22, no. 27/28 (2021). http://dx.doi.org/10.7592/methis.v22i27/28.18448.

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Abstract: Technological innovations like physiological computing offer new possibilities when exploring audience-performer interaction. To avoid technological solutionism that often accompanies biosensor applications in performing art, an artistic interventions approach was used. This paper describes a recent art-science residency consisting of three artistic experiments: the audience’s electrodermal, activity-driven soundscape in a dance improvisation, a “lie detector” applied to the actor just after the performance, and a heart-rate-driven personal discotheque installation. Both artist and s
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13

Klivis, Edgaras. "Staging the Nation: the Case of Lithuanian Fin de Siècle Theatre Productions in Foreign Industrial Centers. Lavastades rahvust: Leedu fin de siècle’i lavastused välismaistes tööstuskeskustes." Methis. Studia humaniora Estonica 2, no. 3 (2009). http://dx.doi.org/10.7592/methis.v2i3.495.

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14

Saro, Anneli. "Poetics and Perception of Interartistic Performance / Kunstidevahelise etenduse poeetika ja taju." Methis. Studia humaniora Estonica 22, no. 27/28 (2021). http://dx.doi.org/10.7592/methis.v22i27/28.18446.

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Abstract: The article investigates the poetics and perception of interartistic performances, using two theatre productions – NO47 A Girl That Was Looking for Her Brothers (2014) and NO33 Hysteria (2017) – by Estonian performance artist and scenographer Ene-Liis Semper at the Theatre NO99 as case studies. A theoretical and methodological framework will be developed for the purpose of the analysis, based on Erving Goffman’s notion of the frame and on transformative aesthetics elaborated in art research and psychology.
 
 Artiklis uuritakse kunstidevaheliste etenduste poeetikat ja taju,
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15

Mellēna-Bartkeviča, Lauma. "Opera across Borders: New Technologies and Mediatization / Piire ületav ooper: uued tehnoloogiad ja mediatiseerimine." Methis. Studia humaniora Estonica 17, no. 21/22 (2018). http://dx.doi.org/10.7592/methis.v17i21/22.14586.

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This article aims to address the impact of new technologies and mediatization of the opera genre in the 2nd decade of the 21st century taking into account the discussion on “liveness” and mediated artistic experiences offered by Philip Auslander and Bruce McConachie. The inquiry outlines three key modalities in terms of interaction between opera and mediatization: 1) multimedia as a part of an opera production, 2) media as channels for opera distribution, and 3) mediatization as a communication tool. Excluding opera films and history of opera recordings, the main focus here concerns HD live an
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16

Saks, Karl, Hedi-Liis Toome, Anu Sööt, and Ele Viskus. "Kirjeldamisest lavastamiseni. Loovuurimuslik vaade / From Describing to Staging: A Practice-as-Research Look." Methis. Studia humaniora Estonica 27, no. 34 (2024). https://doi.org/10.7592/methis.v27i34.24694.

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Teesid: Käesolev artikkel tutvustab TÜ Viljandi kultuuriakadeemias etenduskunstide õppekava lavastaja eriala üliõpilastega läbiviidud loovuurimuslikku projekti, mille eesmärk oli luua ja katsetada erisuguseid kujutlusvõimet käivitavaid ülesandeid. Lähtuti hüpoteesist, et ekfraasi ning hõreda ja tiheda kirjelduse kasutamine tekitab üliõpilastel uusi kompositsioonilisi ideid ja võimaldab neil jõuda oma loomingus uute töövõteteni. Uurimus kinnitas, et teistest uurimuslikest praktikatest pärit meetodite rakendamine etenduskunstide kontekstis on viljakas ning üliõpilased kasutasid kirjeldamist nii
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17

Gielen, Katiliina, and Maria-Kristiina Lotman. "On Performativity and Perception in Early Estonian-Language Theatre Translation / Performatiivsusest ja tajust varases eesti teatritõlkes." Methis. Studia humaniora Estonica 22, no. 27/28 (2021). http://dx.doi.org/10.7592/methis.v22i27/28.18449.

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Abstract: The present article will address the role of translation in the very first stage of Estonian language theatre history, during the so-called August Wiera period in the activities of the Vanemuine Society. We aim to map and define the early Estonian translational drama through the concepts of “self” and “other” considering its performative aspect. Four tentative categories emerge when looking at the mechanisms of theatre translation of the time that can be described as degrees from total domestication to foreignization.
 
 Artikkel on pühendatud Eesti teatritõlke loo varaseim
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18

Lepsoo, Tanel. "Passion Performative: Reading Cocteau with Proust and Derrida / Performatiiv ja kirg: lugedes Cocteau’d Prousti ja Derridaga." Methis. Studia humaniora Estonica 22, no. 27/28 (2021). http://dx.doi.org/10.7592/methis.v22i27/28.18442.

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Abstract: The article demonstrates that the use of the telephone as a performative medium on stage or in literature introduces the non-existent to the existent, making absence explicit and making it possible to foretell death, especially of a person one loves. This may also be viewed as the author’s attempt to use the text to communicate with the beyond and make the voices of the departed audible.
 
 Lähtudes viisist, kuidas Jacques Derrida mõtestab performatiivsust, on J. Hillis Miller analüüsinud Marcel Prousti teose „Kaotatud aja otsing“ mõningaid võtmestseene, kus on olulisel koh
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