Relevant bibliographies by topics / Lavička

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
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Academic literature on the topic 'Lavička'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Lavička"

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Štumbauer, J. "Book Reviews: "Escape to the Barcelona bench"." Studia Kinanthropologica 21, no. 1 (March 30, 2020): 69–70. http://dx.doi.org/10.32725/sk.2020.038.

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Hansen, Claire. "Reviving Lavinia." Critical Survey 31, no. 3 (September 1, 2019): 53–69. http://dx.doi.org/10.3167/cs.2019.310306.

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This article revives the agency of Lavinia in Titus Andronicus through a blended ecocritical and complexivist approach. A ‘blue’ ecocritical lens identifies Lavinia’s alignment with aquatic imagery, and tracks the development of this imagery across four main phases in the play: human tears, a river, a flood, and a freeze. These phases broadly map onto different modes of ecological relations as the play explores alternative patterns of human–environmental interactions. Lavinia is reinterpreted as an active and independent complex ecosystem, and one capable of communicating through the same aquatic imagery which is utilised in the narrative to attempt to contain and commodify her. Titus’s aquatic discourse finds parallels in our own climate crises, in ongoing problematic associations between women and nature, and in our need to generate new models of agency and ecological relations.
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Arie, S. "Lavinia Loughridge." BMJ 348, jun09 10 (June 9, 2014): g3704. http://dx.doi.org/10.1136/bmj.g3704.

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&NA;. "Channeling Lavinia Dock." Holistic Nursing Practice 29, no. 3 (2015): 123–24. http://dx.doi.org/10.1097/hnp.0000000000000090.

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BARKER, JILL. "LAVINIA AS MUSIC." Notes and Queries 45, no. 3 (1998): 310–12. http://dx.doi.org/10.1093/nq/45.3.310.

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BARKER, JILL. "LAVINIA AS MUSIC." Notes and Queries 45, no. 3 (September 1, 1998): 310–12. http://dx.doi.org/10.1093/nq/45-3-310.

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Mesyats, Gennadii A. "Ecton or electron avalanche from metal." Uspekhi Fizicheskih Nauk 165, no. 6 (1995): 601. http://dx.doi.org/10.3367/ufnr.0165.199506a.0601.

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Behr, Francesca D'alessandro Behr. "Thinking anew about Lavinia." Illinois Classical Studies, no. 39 (December 16, 2014): 191–212. http://dx.doi.org/10.5406/illiclasstud.39.0191.

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Greenlaw, Lavinia. "Poems by Lavinia Greenlaw." Daedalus 141, no. 1 (January 2012): 160–61. http://dx.doi.org/10.1162/daed_a_00138.

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Luis, William. "Tato Laviera: In Memoriam." Review: Literature and Arts of the Americas 47, no. 2 (July 3, 2014): 139–40. http://dx.doi.org/10.1080/08905762.2014.956513.

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Dissertations / Theses on the topic "Lavička"

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Loudová, Martina. "Design městského mobiliáře s využitím betonu." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2017. http://www.nusl.cz/ntk/nusl-255789.

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The content of this thesis is the design of street furniture using concrete. The work includes a brief summary of marketing, analyzing current trends in design of street furniture and analysis used technical solutions. The main part is devoted to the design process, resulting in the shape of street furniture while respecting the structural and ergonomic requirements in relation to people who use the furniture.
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Burnam, Mary Ann Bradford. "Lavinia Lloyd Dock : an activist in nursing and social reform." Connect to resource, 1998. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1269373366.

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Baumstark, Lavinia [Verfasser], and Ottmar [Akademischer Betreuer] Edenhofer. "Investment Strategies for Climate Change Mitigation / Lavinia Baumstark. Betreuer: Ottmar Edenhofer." Berlin : Universitätsbibliothek der Technischen Universität Berlin, 2011. http://d-nb.info/1016533489/34.

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Baumstark, Lavinia Verfasser], and Ottmar [Akademischer Betreuer] [Edenhofer. "Investment Strategies for Climate Change Mitigation / Lavinia Baumstark. Betreuer: Ottmar Edenhofer." Berlin : Universitätsbibliothek der Technischen Universität Berlin, 2011. http://nbn-resolving.de/urn:nbn:de:kobv:83-opus-31919.

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Murphy, Caroline. "Lavinia Fontana : an artist and her society in late sixteenth century Bologna." Thesis, University College London (University of London), 1996. http://discovery.ucl.ac.uk/1349274/.

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This thesis is a study of the career of one of Europe's first truly successful female painters with the largest attributable oeuvre of any woman artist before the 18th century. It incorporates an analysis of the tastes and consumption patterns, lifestyles and mentalities of the patriciate clergy and scholars of Counter Reformation Bologna who were her patrons. The intent is to identify and categorise her patrons and to explore her artistic appeal to them and to explain the work opportunities created by Counter Reformation initiatives including church refurbishment and charity institutions. It breaks down into six chapters: the first concerns family background, how and why Fontana's painter father Prospero trained her as a painter, the circumstances surrounding her marriage and how it contributed to her career: The second is about her initial clientèle of scholars and intellectuals connected with the University at Bologna whose portraits she painted and the Europe-wide cult of collections of images of uomini famosi which helped to give her an international reputation. The three middle chapters deal with the group of Bolognese noblewomen who were undoubtedly Fontana's most significant and high spending patrons, for whom she painted altarpieces, portraits and private devotional works and to whom she became personally connected through godparentage (she had eleven children). One of these chapters looks at these patrons in general terms, the next concerns Laudomia Gozzadini, for whom Fontana painted an enormous family portrait that had very special significance and resonance in the lives of both patron and painter. The fifth chapter considers the work Fontana produced for wealthy widows in Bologna. By identifying some of the widows in question it has been possible to pursue their particular family circumstances to see what kind of widow sought to commemorate her state and what options for interpretation were offered within predicative literature. The sixth and final chapter looks at work intended for the youth of Bologna and pictures that involved children from the moment of conception until their late adolescence. The diversity of her patrons and their artistic needs demonstrates the expansion and success of Fontana's business.
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Schmidt, Sandra [Verfasser], and Sabine [Akademischer Betreuer] Poeschel. ""Un'artefice cristiano" : Studien zu Lavinia Fontana als Historienmalerin / Sandra Schmidt. Betreuer: Sabine Poeschel." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2015. http://d-nb.info/1074139771/34.

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Kenney, Patricia Drozd. "LaVilla, Florida, 1866-1887 :reconstruction dreams and the formation of a black community." UNF Digital Commons, 1990. http://digitalcommons.unf.edu/etd/699.

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Several factors which influenced the formation of an urban black community following the Civil War are examined in this study. Prior to the war, LaVilla, a suburb of Jacksonville, Florida, was sparsely populated by wealthy white families. At war's end, freedmen seeking shelter and work took advantage of the inexpensive housing and proximity to employment LaVilla offered and, by 1870, became the majority population. The years 1866 through 1887 have been chosen for this study because they demarcate LaVilla's inception on the one hand and, on the other, its disappearance as an independent entity. Local, state, and federal records have been utilized to better understand the freedmen's decision on where to settle, finding work, securing a home, and political participation. Although an integrated community, the focus of this study is on the role of blacks in community formation. During the first twenty years of freedom, the blacks who lived in LaVilla came to organize their community along two separate and distinct paths: the social and the political. The social dimension was segregated and articulated through social networks created by family, kinship, and friendship anchored in and strengthened by the church, school, and voluntary associations. In the context of urban growth and development, these social networks would mitigate the harsh realities of poverty, unemployment, and inadequate housing. The political dimension was integrated and afforded black males power and influence concerning the civic decisions of their community. Following annexation to Jacksonville in 1887, LaVilla's blacks were removed from the political arena and disjoined from the decision-making process. As a result, the freedmen came to rely solely on the social dimension of their community.
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Ognibene, Fabio. "Die Sehnsucht nach Italien Thomas Mann und sein ambivalentes Verhältnis zur Welt Italiens." Würzburg Königshausen & Neumann, 2008. http://d-nb.info/991846125/04.

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Thiemann, Amy. "Embracing Internationalism: An Examination of Mario Lavista with an Analysis of Cinco Danzas Breves." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984228/.

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Mario Lavista (b.1943) is widely acknowledged as one of Mexico's foremost living composers. Having acquired his music education in his native Mexico and in Europe alike, he is similar to numerous other Latin composers who were building a career in the latter half of the twentieth century. During this time, composers were relying on international aspects of avant-garde techniques, and using nationalistic Latin rhythms and melodies less. Lavista embraced internationalism, and aimed to compose works devoid of identifiable elements of nationalism. This document argues that the absence of nationalistic elements in Lavista's music has affected his notoriety outside of Mexico. The role of nationalism is assessed through a brief examination of influential Mexican composers and educators prior to 1950, followed by a discussion of education and composition in the latter half of the twentieth century. These aspects are investigated with regard to Lavista's education and resulting compositional style. A theoretical analysis of Cinco Danzas Breves para quinteto de alientos (1994) serves as a representative example of Lavista's compositional style and influence. This document aims to highlight and increase exposure of Mexican composers outside of Latin America who do not compose nationalistic music.
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Miller, Katarina. "A Path Toward Equality in George Sand's Horace, Mauprat, and “Lavinia”." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1336762489.

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Books on the topic "Lavička"

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Guin, Ursula K. Le. Lavinia. Orlando: Harcourt, 2008.

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Guin, Ursula K. Le. Lavinia. Orlando: Harcourt, 2008.

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Jana, Moravcová. Lavina. Praha: Československý spisovatel, 1986.

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Lavina. Titograd: Pobjeda, 1985.

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Ali, Bilqis Sadiq. Laviza. Delhi: Naz Kitab Ghar, 1988.

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Tlet︠s︡eri, Vi︠a︡cheslav. Lavina. Krasnodar: I︠U︡g, 2001.

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Lavina. Moskva: ĖKSMO, 1997.

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Lavinia fuggita: Racconti. Milano: La tartaruga, 1996.

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1959-, Shelley John, ed. Get Lavinia Goodbody! London: Scholastic, 1985.

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Brandejs, Vladimír. Hvězdná lavina. 3rd ed. Opočno: Prameny, 1994.

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Book chapters on the topic "Lavička"

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Zwernemann, Jens. "Greenlaw, Lavinia Elaine." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8670-1.

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Cohen, Derek. "The Rape of Lavinia." In Shakespeare's Culture of Violence, 79–93. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1057/9780230379442_6.

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Zwernemann, Jens. "Greenlaw, Lavinia Elaine: Minsk." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8671-1.

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Gardner, Martin. "Lavinia Seeks a Room and Other Problems." In The Last Recreations, 247–66. New York, NY: Springer New York, 1997. http://dx.doi.org/10.1007/978-0-387-30389-5_16.

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Bocovich, Cecylia, John A. Doucette, and Ian Goldberg. "Lavinia: An Audit-Payment Protocol for Censorship-Resistant Storage." In Financial Cryptography and Data Security, 601–20. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-70972-7_34.

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Heckscher, Charles. "16. Negotiating Identity: First-Person Plural Subjective Lavinia Hall." In Negotiations and Change, edited by Thomas A. Kochan and David B. Lipsky, 279–98. Ithaca, NY: Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501731686-018.

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Davies, Helen. "Innocence, Experience, and Childhood Dramas: Charles Stratton and Lavinia Warren." In Neo-Victorian Freakery, 121–58. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137402561_5.

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Walde, Christine. "Die vielen Gesichter der Lavinia – Von Vergil zu Ursula Le Guin." In Romanica, 313–44. Göttingen: V&R unipress, 2019. http://dx.doi.org/10.14220/9783737010696.313.

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Dorninger, Maria E. "In Zeit und im Angesicht der Ewigkeit. Lavinia und Aeneas: eine dauernde Liebe mit weitreichenden Folgen." In International Medieval Research, 373–400. Turnhout: Brepols Publishers, 2003. http://dx.doi.org/10.1484/m.imr-eb.3.680.

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Wisker, Gina. "“Spawn of the Pit”: Lavinia, Marceline, Medusa, and All Things Foul: H. P. Lovecraft’s Liminal Women." In New Critical Essays on H.P. Lovecraft, 31–54. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137320964_3.

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Conference papers on the topic "Lavička"

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Techera, Cecilia, Diego Garat, and Guillermo Moncecchi. "Lavinia: An Environment for Natural Language Processing." In 2009 Seventh Brazilian Symposium in Information and Human Language Technology. IEEE, 2009. http://dx.doi.org/10.1109/stil.2009.9.

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Qingyu, Yang. "Ideological pluralism of Eugene O'Neill examined by LAVINIA." In 2014 2nd International Conference on Advances in Social Science, Humanities, and Management. Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/asshm-14.2014.75.

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Puzovic, S., S. Milicevic, B. Bozilovic, and B. Tesanovic-Stojanovic. "Implementation of Lavia-Manning algorithm for network topology design." In 2013 21st Telecommunications Forum Telfor (TELFOR). IEEE, 2013. http://dx.doi.org/10.1109/telfor.2013.6716182.

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Chen, Qian, Haibo Wu, Jiangbin Zhou, and Jinsong liu. "A Combined Digital and Experimental Process for the Aerodynamic Optimization of the New Lavida." In SAE 2013 World Congress & Exhibition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2013. http://dx.doi.org/10.4271/2013-01-0204.

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Lassarre, Sylvain, and Farida Saad. "An Integrated and Multidisciplinary Approach for Studying Use and Acceptance of New Driver Support System: The French National Project on Intelligent Speed Adaptation (LAVIA Project)." In First International Conference on Transportation Information and Safety (ICTIS). Reston, VA: American Society of Civil Engineers, 2011. http://dx.doi.org/10.1061/41177(415)248.

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Reports on the topic "Lavička"

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The Lavinia Planitia region of Venus in four map sheets; 1, Radar image map of the Lavinia Planitia region of Venus; 2, Radar image and shaded relief map of the Lavinia Planitia region of Venus; 3, Altimetric radar image map of the Lavinia Planitia region of Venus; 4, Topographic map of the Lavinia Planitia region of Venus. US Geological Survey, 1998. http://dx.doi.org/10.3133/i2475.

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Geologic Map of the Lavinia Planitia Quadrangle (V-55), Venus. US Geological Survey, 2001. http://dx.doi.org/10.3133/i2684.

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