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Journal articles on the topic 'Lavička'

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Published: 4 June 2021
Last updated: 1 February 2022

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1

Štumbauer, J. "Book Reviews: "Escape to the Barcelona bench"." Studia Kinanthropologica 21, no. 1 (March 30, 2020): 69–70. http://dx.doi.org/10.32725/sk.2020.038.

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2

Hansen, Claire. "Reviving Lavinia." Critical Survey 31, no. 3 (September 1, 2019): 53–69. http://dx.doi.org/10.3167/cs.2019.310306.

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This article revives the agency of Lavinia in Titus Andronicus through a blended ecocritical and complexivist approach. A ‘blue’ ecocritical lens identifies Lavinia’s alignment with aquatic imagery, and tracks the development of this imagery across four main phases in the play: human tears, a river, a flood, and a freeze. These phases broadly map onto different modes of ecological relations as the play explores alternative patterns of human–environmental interactions. Lavinia is reinterpreted as an active and independent complex ecosystem, and one capable of communicating through the same aquatic imagery which is utilised in the narrative to attempt to contain and commodify her. Titus’s aquatic discourse finds parallels in our own climate crises, in ongoing problematic associations between women and nature, and in our need to generate new models of agency and ecological relations.
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3

Arie, S. "Lavinia Loughridge." BMJ 348, jun09 10 (June 9, 2014): g3704. http://dx.doi.org/10.1136/bmj.g3704.

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4

&NA;. "Channeling Lavinia Dock." Holistic Nursing Practice 29, no. 3 (2015): 123–24. http://dx.doi.org/10.1097/hnp.0000000000000090.

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5

BARKER, JILL. "LAVINIA AS MUSIC." Notes and Queries 45, no. 3 (1998): 310–12. http://dx.doi.org/10.1093/nq/45.3.310.

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6

BARKER, JILL. "LAVINIA AS MUSIC." Notes and Queries 45, no. 3 (September 1, 1998): 310–12. http://dx.doi.org/10.1093/nq/45-3-310.

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7

Mesyats, Gennadii A. "Ecton or electron avalanche from metal." Uspekhi Fizicheskih Nauk 165, no. 6 (1995): 601. http://dx.doi.org/10.3367/ufnr.0165.199506a.0601.

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8

Behr, Francesca D'alessandro Behr. "Thinking anew about Lavinia." Illinois Classical Studies, no. 39 (December 16, 2014): 191–212. http://dx.doi.org/10.5406/illiclasstud.39.0191.

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9

Greenlaw, Lavinia. "Poems by Lavinia Greenlaw." Daedalus 141, no. 1 (January 2012): 160–61. http://dx.doi.org/10.1162/daed_a_00138.

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10

Luis, William. "Tato Laviera: In Memoriam." Review: Literature and Arts of the Americas 47, no. 2 (July 3, 2014): 139–40. http://dx.doi.org/10.1080/08905762.2014.956513.

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11

Paula, Socorro Gardenia Carvalho de. "Laviosa, Sara. Translation and Language Education: Pedagogical Approaches Explored, New York and London: Routledge, 2014. 174 p." Cadernos de Tradução 40, no. 2 (May 19, 2020): 327–33. http://dx.doi.org/10.5007/2175-7968.2020v40n2p327.

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12

ZAPATA, PATRICIA. "Lavinia, de la periferia al centro. Análisis de Lavinia de Ursula K. Le Guin." Cuadernos de Literatura, no. 16 (August 27, 2021): 257. http://dx.doi.org/10.30972/clt.0165432.

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<p>El trabajo se propone un análisis del personaje de Lavinia basado en la novela homónima de Ursula K. Le Guin. Nuestro recorrido considera el pasaje de la periferia al centro de la escritura. El discurso de Lavinia reflexiona acerca del rol del héroe, acerca del poeta y del poder de los textos. Finalmente, este vínculo entre <em>Eneida </em>de Virgilio, que nos recuerda que el poder asociado con la acción y la palabra pertenece a los hombres, y Le Guin cuya narrativa se focaliza en la experiencia y la voz femenina de la protagonista.</p>
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13

Vonhof, Maarten J., and Matina C. Kalcounis. "Lavia frons." Mammalian Species, no. 614 (May 5, 1999): 1. http://dx.doi.org/10.2307/3504530.

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14

Anderson, Judith H. "Personification in Piers Plowman. Lavinia Griffiths." Speculum 62, no. 2 (April 1987): 419–21. http://dx.doi.org/10.2307/2855252.

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15

Tuttle, Leslie, Annibal Guasco, and Peggy Osborn. "Discourse to Lady Lavinia His Daughter." Sixteenth Century Journal 36, no. 2 (July 1, 2005): 627. http://dx.doi.org/10.2307/20477472.

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16

McIver, Katherine A. "Lavinia Fontana's "Self-Portrait Making Music"." Woman's Art Journal 19, no. 1 (1998): 3. http://dx.doi.org/10.2307/1358647.

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17

King, Martha. "Lavinia is Gone by Anna Banti." Forum Italicum: A Journal of Italian Studies 39, no. 1 (March 2005): 196–221. http://dx.doi.org/10.1177/001458580503900113.

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18

Kenneth Emmerson, Richard. "Lavinia Griffiths, Personification in Piers Plowman." Yearbook of Langland Studies 01 (January 1987): 144–45. http://dx.doi.org/10.1484/j.yls.2.302978.

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19

Silva, Otaciana Maria dos Prazeres da, Maria Zuleide de Negreiros, Elizangela Cabral dos Santos, Welder de Araújo Rangel Lopes, Rafaella Rayane Macedo de Lucena, and Alinne Menezes Soares. "Qualitative performance of lettuce cultivars in four seasons in Mossoró, Rio Grande do Norte State, Brazil." Revista Ceres 63, no. 6 (December 2016): 843–52. http://dx.doi.org/10.1590/0034-737x201663060014.

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ABSTRACT The major challenge in producing good quality lettuce in the semiarid region is the climatic factors such as high temperature, high luminosity and low air relative humidity, which affect the quality characteristics of leafy vegetables. Thus, the objective of this study was to evaluate the quality of lettuce cultivars of Crisphead (Angelina, Amelia and Taina), Mimosa (Mila, Mimosa and Lavinia), Green-leaf (Scarlet, Vera, Isabella and Vanda) and Loose-leaf (Elisa and Regiane) in four seasons: summer (12/21/2012), autumn (3/21/2013), winter (06/21/2013) and spring (09/23/2013) in the conditions of Mossoró, Rio Grande do Norte state. The experimental design was a complete randomized block with four replications. The following characteristics were quantified: pH, titratable acidity, soluble solids (SS) and total soluble sugars. The quality of the lettuce was influenced by the cultivar and environmental conditions. Lower titratable acidity was recorded for Green-leaf and Loose-leaf groups in the summer and for Crisphead groups in the autumn. The highest content of soluble solids were achieved in autumn for cultivars Vera, Vanda, Isabela, Elisa and Regiane; to Lavinia, Angelina, Amelia and Tainá, and summer and autumn stood out from the other growing seasons for this trait. Cultivars Scarlet, Angelina and Amelia had higher levels of total soluble sugars in the summer; Mila and Lavinia in spring; Elisa and Regiane in winter and Tainá in spring.
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20

BAUMSTEIGER, JASON, and PETER B. MOYLE. "A reappraisal of the California Roach/Hitch (Cypriniformes, Cyprinidae, Hesperoleucus/Lavinia) species complex." Zootaxa 4543, no. 2 (January 6, 2019): 221. http://dx.doi.org/10.11646/zootaxa.4543.2.3.

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The California Roach (Hesperoleucus symmetricus) and Hitch (Lavinia exilicauda) form a species complex largely endemic to California (CA), USA. Using previous studies of this complex along with a recent comprehensive genomic analysis, we developed a highly supported taxonomic hierarchy of two genera, five species, four subspecies and multiple distinct population segments within two presently recognized species. The genera Lavinia and Hesperoleucus are supported as representing distinct lineages, despite occasional hybridization between them. While hybridization is one pathway to some speciation in this complex, hierarchical levels correlate nicely between genomic results and earlier morphological work. Hesperoleucus symmetricus is newly divided into four species (H. parvipinnis—Gualala Roach, H. mitrulus—Northern Roach, H. venustus—Coastal Roach, and H. symmetricus—California Roach) and two subspecies (H. s. serpentinus—Red Hills Roach, H. s. symmetricus—California Roach). Within H. venustus, two subspecies are identified (H. v. navarroensis—Northern Coastal Roach, and H. v. subditus—Southern Coastal Roach), which are supported by previous morphological studies but resolve discrepancies between those studies. Finally, six distinct population segments are identified within different species/subspecies: Kaweah, Russian River, Navarro River, Monterey, and Tomales Bay. Clear Lake Roach are introgressed between California and Coastal Roach, making them distinct but difficult to formally name. Results should greatly improve management and conservation of each taxonomic entity and help resolve past ambiguities. Additional studies are needed to improve range-wide boundaries and to investigate population structure within all species and subspecies identified in both Lavinia and Hesperoleucus lineages.
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21

González Aktories, Susana. "Apariciones sonoras entre el texto y la ópera: sinestesia y transfiguración en Aura de Carlos Fuentes y Mario Lavista." Nuevas Poligrafías. Revista de Teoría Literaria y Literatura Comparada, no. 1 (February 11, 2020): 19–52. http://dx.doi.org/10.22201/ffyl.nuevaspoligrafias.2020.1.1107.

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En este texto se aborda la esfera sonora que vincula las obras Aura (1962) de Carlos Fuentes y la ópera que Mario Lavista compuso y estrenó en 1989 a partir de ella. En primer lugar, se recuerda la importancia que la música tuvo para Fuentes y se analiza la manera en que, en su Aura, se alude al plano sonoro y a otras experiencias sensoriales que operan de manera sinestésica. Después, se hace un recorrido historiográfico que documenta la recepción del texto por parte de diversos compositores y la reapropiación que Lavista hace mediante un proceso sistemático y riguroso, derivado de su amplio repertorio de reinterpretaciones y adaptaciones del plano literario. La idea central del ensayo es mostrar las múltiples relaciones que pueden darse entre la literatura y la música, además de las redes interpretativas y los complejos niveles de sentido resultantes.
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22

Baia, Maria de Fátima de Almeida. "NOTAS ESCRITAS EM UM ÁTICO: AUTOBIOGRAFIA DE EMMA LAVINIA HARDY." Revista Graphos 21, no. 3 (January 30, 2020): 32–45. http://dx.doi.org/10.22478/ufpb.1516-1536.2019v21n3.46692.

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Neste estudo, visitamos os diários e a autobiografia da primeira esposa de um escritor inglês ilustre, Thomas Hardy. Emma Lavinia Hardy nos apresenta por meio dos seus diários de viagem e a sua autobiografia Some Recollections, escrita um ano antes da sua morte, a sua visão sobre o amor, as inseguranças de uma mulher da era vitoriana, seu misticismo repleto de sincretismo, suas visitas aos túmulos de poetas famosos e outros personagens históricos, além do poder que a música teve na sua união com Thomas Hardy. Acompanhamos sua voz por meio de um olhar da Psicologia Analítica e da literatura sobre autobiografia, destacando as memórias escritas em um ático, onde passou os últimos anos da sua vida, em uma casa de campo em Dorset na Inglaterra. Palavras-chave: Thomas Hardy. Emma Lavinia Hardy. Autobiografia. Diários.
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23

Nisa Cáceres, Daniel, and Rosario Moreno Soldevila. "«A dream within a dream »: liminalidad y creación poética en Lavinia de Ursula Le Guin y El silbido del arquero de Irene Vallejo." Cuadernos de Filología Clásica. Estudios Latinos 40, no. 2 (December 16, 2020): 345–66. http://dx.doi.org/10.5209/cfcl.73012.

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En este trabajo se estudian de manera comparada dos novelas contemporáneas que recrean la Eneida de Virgilio: Lavinia, de Ursula K. Le Guin, y El silbido del arquero, de Irene Vallejo. En ellas Lavinia y Ana, personajes femeninos secundarios en el poema épico, se hallan interconectadas con el personaje de Virgilio, la primera mediante el diálogo directo y la conciencia de su propia naturaleza fictiva, y a través de la caracterización y la intratextualidad la segunda. Ambas protagonistas comparten su carácter liminal: viven a caballo entre distintos mundos, la infancia y la edad adulta, los poderosos y los humildes, el palacio y la naturaleza, lo divino y lo humano, la vida y la muerte. Su historia es y no es la que cuenta la Eneida. Su identidad metafictiva y liminal las convierte en vehículos para la reflexión sobre la creación poética virgiliana, tema central de estas novelas.
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24

SCHULZE, CHRISTIAN. "SZNAJD OPINION DYNAMICS WITH GLOBAL AND LOCAL NEIGHBORHOOD." International Journal of Modern Physics C 15, no. 06 (July 2004): 867–72. http://dx.doi.org/10.1142/s0129183104006273.

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In this modification of the Sznajd consensus model on the square lattice, two people of arbitrary distance who agree in their opinions convince their nearest neighbors of this opinion. Similarly to the mean field theory of Slanina and Lavicka, the times needed to reach consensus are distributed exponentially and are quite small. The width of the phase transition vanishes reciprocally to the linear lattice dimension. Advertising has effects independent of the system size. For more than two opinions, three opinions reach a consensus in roughly half of the samples, and four only rarely and only for small lattices. Up to 109 agents were simulated.
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25

ESTABROOKS, CAROLE A. "Lavinia Lloyd Dock: The Henry Street Years." Nursing History Review 3, no. 1 (January 1995): 143–72. http://dx.doi.org/10.1891/1062-8061.3.1.143.

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26

Kirk, Elizabeth D. "Personification in Piers Plowman by Lavinia Griffiths." Studies in the Age of Chaucer 8, no. 1 (1986): 195–96. http://dx.doi.org/10.1353/sac.1986.0021.

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27

Poli, Annarosa. "George Sand, La Marquise, Lavinia, Metella, Mattea." Studi Francesi, no. 145 (XLIX | I) (July 1, 2005): 187. http://dx.doi.org/10.4000/studifrancesi.36458.

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28

KRUPA, SYLWIA, and KATARZYNA SZNAJD-WERON. "RELAXATION UNDER OUTFLOW DYNAMICS WITH RANDOM SEQUENTIAL UPDATING." International Journal of Modern Physics C 16, no. 11 (November 2005): 1771–83. http://dx.doi.org/10.1142/s012918310500828x.

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In this paper we compare the relaxation in several versions of the Sznajd model (SM) with random sequential updating on the chain and square lattice. We start by reviewing briefly all proposed one-dimensional versions of SM. Next, we compare the results obtained from Monte Carlo simulations with the mean field results obtained by Slanina and Lavicka. Finally, we investigate the relaxation on the square lattice and compare two generalizations of SM, one suggested by Stauffer et al. and another by Galam. We show that there are no qualitative differences between these two approaches, although the relaxation within the Galam rule is faster than within the well known Stauffer et al. rule.
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29

Ávila Penagos, Rafael. "LA CULTURA ESCOLAR UNA ENORME CANTERA DE INVESTIGACIÓN." Revista Folios, no. 13 (May 7, 2017): 82. http://dx.doi.org/10.17227/01234870.13folios82.88.

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El carácter polisémico del vocablo “cultura” es la primera evidencia que salta a lavista cuando se observan someramente los múltiples usos que se encuentran encirculación: la sala de cultura, la semana cultural, el viernes cultural, la jornadacultural, la emisora cultural, la división de cultura, el observatorio de la cultura, elministerio de la cultura, las políticas culturales, etc.
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30

Montemayor Aceves, Martha Elena. "Figuras femeninas en la Eneida." Nova Tellus 36, no. 1 (May 25, 2018): 43–64. http://dx.doi.org/10.19130/iifl.nt.2018.36.1.784.

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En este trabajo se pretende hacer una reflexión sobre la visión que Virgilio tenía de las mujeres que presenta en su Eneida. Personajes mortales como Creusa, Dido o Lavinia, incluyendo a las diosas inmortales Venus y Juno, son un reflejo de las mujeres representativas de la sociedad romana, en calidad de matronas ejemplares, ya sea como esposas o como madres de hijos notables.
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31

Garofalo, Mary E., and Elizabeth Fee. "Lavinia Dock (1858–1956): Picketing, Parading, and Protesting." American Journal of Public Health 105, no. 2 (February 2015): 276–77. http://dx.doi.org/10.2105/ajph.2014.302021.

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32

Tobón, Mariaelena, and Daniel Holodek. "A conversation with Mario Lavista and Alejandro Escuer." Review: Literature and Arts of the Americas 37, no. 2 (November 2004): 270–76. http://dx.doi.org/10.1080/0890576042000292862.

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33

Sadikou, Nadjib. "Heimat und fragile Werte. Lavinia Braniştes Null Komma Irgendwas." Germanistische Beiträge 44, no. 1 (June 1, 2019): 140–54. http://dx.doi.org/10.2478/gb-2019-0008.

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Abstract Using the example of Lavinia Branişte’s novel Null Komma Irgendwas, the present article will explore the value of intercultural literature through a specific poetry. I will analyze with a close reading how questions of values as well as questions of apprehension of’ home’ are presented through a specific narrativ. I will draw paralells to Gottfried Keller´s Die drei gerechten Kammmacherandto Friedrich Nietzsche’s poem Vereinsamt.
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34

LABARRE, Sylvie. "La composition de laVita Martinide Sulpice Sévère." Vita Latina 171 (December 15, 2004): 102–20. http://dx.doi.org/10.2143/vl.171.0.519462.

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35

Teodoro Peris, Josep Lluís. "Deconstrucción y crítica del 'ethos' épico en 'Lavinia' (2008) de Ursula K. Le Guin." Minerva. Revista de Filología Clásica, no. 32 (November 18, 2019): 211–29. http://dx.doi.org/10.24197/mrfc.0.2019.211-229.

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Ursula K. Le Guin reescribe en Lavinia (2008) la leyenda del establecimiento de Eneas en Italia desde el punto de vista de su protagonista femenina. Este artículo analiza tres aspectos donde el nuevo planteamiento narrativo entra en conflicto con la propuesta virgiliana: la recreación de la religión arcaica de los latinos, la racionalización del aparato mitológico propio de la épica, y la crítica directa a las virtudes morales propias del estamento guerrero.
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36

Whitton, Christopher. "Latin Literature." Greece and Rome 68, no. 1 (March 5, 2021): 120–28. http://dx.doi.org/10.1017/s0017383520000297.

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These days Flavian epic and intertextuality go together like toast and butter, or a persistent cough and fever, depending on your taste. Either way, Intertextuality in Flavian Epic. Contemporary Approaches is not perhaps the most startling of titles. But the book within is an impressive collection, its four editors (Neil Coffee, Chris Forstall, Lavinia Galli Milić, and Damien Nelis) leading a star cast of Flavians in a wide-ranging and stimulating set of chapters.
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37

Hye Lyun Pyun. "Le nozze d'Enea e Lavinia : Monteverdi's Lost Venetian Opera." 이화음악논집 14, no. 1 (June 2010): 35–51. http://dx.doi.org/10.17254/jemri.2010.14.1.002.

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38

Langemak, Elizabeth. "A Double Sorrow: Troilus and Criseyde by Lavinia Greenlaw." Arthuriana 25, no. 2 (2015): 152–53. http://dx.doi.org/10.1353/art.2015.0025.

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39

Dubrow, Heather. "After Lavinia: A Literary History of Premodern Marriage Diplomacy." Modern Language Quarterly 80, no. 2 (June 1, 2019): 224–26. http://dx.doi.org/10.1215/00267929-7368248.

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40

Bethany Packard. "Lavinia as Coauthor of Shakespeare's Titus Andronicus." SEL Studies in English Literature 1500-1900 50, no. 2 (2010): 281–300. http://dx.doi.org/10.1353/sel.0.0095.

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41

Di Pietro, Giovanna. "Review of Laviosa (2014): The Interpreter and Translator Trainer." Translation and Translanguaging in Multilingual Contexts 1, no. 1 (March 30, 2015): 127–32. http://dx.doi.org/10.1075/ttmc.1.1.09pie.

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42

Luis, William. "Afro-Latino Identity and the Poetry of Tato Laviera." Review: Literature and Arts of the Americas 42, no. 1 (May 2009): 31–41. http://dx.doi.org/10.1080/08905760902816170.

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43

Campal Fernández, José Luis. "ÍNDICE DEL PERIÓDICO EL PORVENIR DE LAVIANA (1890-1892)." SIGLO DIECINUEVE (Literatura hispánica), no. 8-9 (May 7, 2003): 7–26. http://dx.doi.org/10.37677/sigloxix.vi8-9.246.

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44

Podgaetskiy, M. A., and S. N. Evdokimenko. "Evaluation of parental raspberry breeding forms for fruit size." Horticulture and viticulture, no. 1 (March 23, 2021): 16–22. http://dx.doi.org/10.31676/0235-2591-2021-1-16-22.

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Te article tackles the feasibility of improving the raspberry fruit size as an important production and marketability factor. Te trials included 22 domestic and foreign cultivars, 11 selected forms of raspberry, as well as ten cross-breeding combinations and three open-pollinated forms. Te assessment of parental forms and hybrids was carried out at the collection and breeding sites of the Kokino base station of Federal Horticultural Center for Breeding, Agrotechnology and Nursery during 2016-2020. Fruits were harvested from regular cultivar bushes every 2 days in triplicate. Te average weight was determined per 100 berries in each replicate. Cultivars and hybrids were divided into three groups, small- (3.6 g). Te average berry weight in hybrid nurslings was estimated per plant. Each plant was sampled with 30 berries. Weighing was performed with an SCC-750 electronic scales device. Te weather conditions of the trial period were contrast, allowing a more objective assessment of the collection and breeding raspberry material by berry weight. Te following cultivars were identified as the sources of improved berry size in the parental form trials: Maria, Cascade Delight, Fenomen, Lavina, Cowichan, Patricia, Laczka, Glen Ample and selections 2-115-1, 8-13-2, 18-11-3, 18-11-2, 2-90-2 and 2-90-3. Tese forms had an average trial-period berry weight of 3.7-4.3 g least affected by weather conditions. Te inspection of hybrids revealed the best parental forms for obtaining new raspberry cultivars with an improved berry weight: Maria, Fenomen, Lavina, Cowichan, Glen Ample and the selected form 8-13-2. Te promising cross-combinations are: 2-12-1 x Fenomen, Lavina x Ulybka, 8-13-2 x Peresvet, as well as the open-pollinated offspring of Glen Ample, Cowichan and Maria. Large-fruited genotypes isolated in these lineages will be used in further breeding to increase the fruit size in raspberry.
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45

Curcio, Christine A., and Deepayan Kar. "Commentary on Lavia et al." Retina 39, no. 2 (February 2019): 223–25. http://dx.doi.org/10.1097/iae.0000000000002421.

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46

Amling, J. W., G. J. Keever, J. R. Kessler, and D. J. Eakes. "Benzyladenine (BA) Promotes Ramet Formation in Hemerocallis." Journal of Environmental Horticulture 25, no. 1 (March 1, 2007): 9–12. http://dx.doi.org/10.24266/0738-2898-25.1.9.

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Abstract In 2000 and 2004, cultivars of Hemerocallis were treated with foliar applications of 2500 or 5000 ppm benzyladenine (BA) for 1, 2, 3, 4 or 5 consecutive weeks. In both years, BA increased ramet production of all cultivars although treatment response was cultivar dependent. In 2000, an increasing number of BA applications resulted in ‘Lavinia Love’ and ‘Beguine’ forming 1.6 to 3.2 and 0.7 to 1.1 more ramets, respectively, than control plants at 9 weeks after initial treatment (WAT), regardless of concentration. Increasing BA concentration increased ramet formation by up to one ramet in ‘Beguine’ and up to 3 ramets in ‘Lavinia Love’ at 9 WAT, regardless of the number of applications. At 9 WAT in 2004, increasing weekly applications of BA increased ramet formation in ‘Dainty Deb’ from a mean of 1.3 ramets with one application to a mean of 3.0 ramets with five applications, and in ‘Sarah Sikes hybrid’ from 0.5 ramets with one application to 2.1 ramets with five applications, regardless of concentration. Compared to control plants, ‘Dainty Deb’ increased ramet production by 1.9 ramets and 2.3 ramets at 9 WAT in 2004 when treated with 2500 ppm and 5000 ppm BA, respectively, regardless of the number of applications. Compared to untreated controls, ‘Sarah Sikes hybrid’ formed 1.1 and 1.3 more ramets when treated with 2500 ppm and 5000 ppm BA, respectively.
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47

Nasti, Paola. "La memoria delCanticume laVita Nuova: una nota preliminare." Italianist 18, no. 1 (June 1998): 14–27. http://dx.doi.org/10.1179/ita.1998.18.1.14.

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48

Griswold, Jay. "Unfinished Poems: For Gaspar Garcia Laviana Killed in Nicaragua, 1978." Callaloo 14, no. 3 (1991): 690. http://dx.doi.org/10.2307/2931492.

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49

Lüpke, Beatrice von. "Überlegungen zum Stil der Lavinia-Episoden in den mittelalterlichen Eneasromanen." Volume 59 · 2018 59, no. 1 (October 4, 2018): 9–26. http://dx.doi.org/10.3790/ljb.59.1.9.

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50

Martino, E. "Portrait of Antonietta Gonzales Lavinia Fontana De Zappis (1552–1614)." Journal of Endocrinological Investigation 33, no. 7 (July 2010): 511. http://dx.doi.org/10.1007/bf03346636.

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