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Relevant bibliographies by topics / Lawrence, D. H. Woolf, Virginia, Modernism (Literature) Literature and science / Books

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Books on the topic 'Lawrence, D. H. Woolf, Virginia, Modernism (Literature) Literature and science'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Machinic modernism: The Deleuzian literary machines of Woolf, Lawrence and Joyce. Palgrave Macmillan, 2008.

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2

Modernism, narrative, and humanism. Cambridge University Press, 2002.

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3

Mothering modernity: Feminism, modernism, and the maternal muse. Garland Pub., 1999.

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4

Modernist Physics: Waves, Particles, and Relativities in the Writings of Virginia Woolf and D. H. Lawrence. Oxford University Press, 2018.

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5

Crossland, Rachel. Modernist Physics. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198815976.001.0001.

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Modernist Physics takes as its focus the ideas associated with three scientific papers published by Albert Einstein in 1905, considering the dissemination of those ideas both within and beyond the scientific field, and exploring the manifestation of similar ideas in the literary works of Virginia Woolf and D. H. Lawrence. Drawing on Gillian Beer’s suggestion that literature and science ‘share the moment’s discourse’, Modernist Physics seeks both to combine and to distinguish between the two standard approaches within the field of literature and science: direct influence and the zeitgeist. The

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6

Rhythmic Modernism: Mimesis in the Short Fiction of D. H. Lawrence, Katherine Mansfield and Virginia Woolf. Bloomsbury Publishing Plc, 2019.

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7

Aesthetics and Ideology of D. H. Lawrence, Virginia Woolf, and T. S. Eliot. Lexington Books/Fortress Academic, 2017.

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8

Modernism And The Rhythms Of Sympathy Vernon Lee Virginia Woolf Dh Lawrence. Oxford University Press, 2013.

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9

Goldstein, Bill. The World Broke in Two: Virginia Woolf, T. S. Eliot, D. H. Lawrence, E. M. Forster and the Year that Changed Literature. Henry Holt and Co., 2017.

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10

Goldstein, Bill. The World Broke in Two: Virginia Woolf, T. S. Eliot, D. H. Lawrence, E. M. Forster, and the Year That Changed Literature. Macmillan Audio, 2017.

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11

The world broke in two: Virginia Woolf, T.S. Eliot, D.H. Lawrence, E.M. Forster and the year that changed literature. Henry Holt and Company, 2017.

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12

Miracky, James J. Regenerating the Novel: Gender and Genre in Woolf, Forster, Sinclair, and Lawrence. Taylor & Francis Group, 2013.

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13

Haptic Modernism: Touch and the Tactile in Modernist Writing. Edinburgh University Press, 2013.

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14

Garrington, Abbie. Haptic Modernism: Touch and the Tactile in Modernist Writing. Edinburgh University Press, 2015.

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15

Modernism, Metaphysics, And Sexuality. Susquehanna University Press, 2006.

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16

Mothering Modernity: Feminism, Modernism, and the Maternal Muse. Taylor & Francis Group, 2016.

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17

Tobin, Claudia. Modernism and Still Life. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474455138.001.0001.

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The late nineteenth and early twentieth centuries have been characterised as the ‘age of speed’ but they also witnessed a reanimation of still life across different art forms. This book takes an original approach to still life in modern literature and the visual arts by examining the potential for movement and transformation in the idea of stillness and the ordinary. It proposes that still life can be understood not only as a genre of visual art but also as a mode of attentiveness and a way of being in the world. It ranges widely in its material, taking Cézanne and literary responses to his st

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18

Hill, Marylu. Mothering Modernity: Feminism, Modernism, and the Maternal Muse (Garland Reference Library of the Humanities). Routledge, 1998.

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19

World Broke in Two. Picador Paper, 2018.

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20

Crossland, Rachel. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198815976.003.0001.

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Drawing on Gillian Beer’s suggestion that literature and science ‘share the moment’s discourse’, the Introduction sets out the approach adopted across this study as a whole as one which will combine, but also distinguish between, the two standard approaches within the field of literature and science: direct influence and the zeitgeist. Rejecting the previous critical focus on 1919 in studies of Albert Einstein’s cultural impact in favour of 1905, it argues for a more precise engagement with the scientific ideas, as well as a clearer acknowledgement of similar ideas across a broader range of di

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