Academic literature on the topic 'Lawrence Halprin and Associates'

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Journal articles on the topic "Lawrence Halprin and Associates"

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Walker, P. "Lawrence Halprin & Associates, 1954: A Brief Memoir." Landscape Journal 31, no. 1-2 (2012): 29–32. http://dx.doi.org/10.3368/lj.31.1-2.29.

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Pérez Igualada, Javier. "Rocas de hormigón y agua en movimiento: la Forma de Grupo en la obra de Angela Danadjieva para Lawrence Halprin & Associates." EN BLANCO. Revista de Arquitectura 11, no. 26 (2019): 96. http://dx.doi.org/10.4995/eb.2019.10111.

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<p>El concepto de Forma de Grupo, propuesto en 1964 por Fumihiko Maki y Masato Othaka, puede aplicarse al campo del diseño urbano, como principio desde el que interpretar obras de arquitectura del paisaje. Examinaremos la validez de esta hipótesis utilizando como casos de estudio dos obras significativas del estudio Lawrence Halprin & Associates, diseñadas a finales de los años 60 por la arquitecta Angela Danadjieva: la Ira Keller Fountain (1968-70) del Auditorium Forecourt Park, perteneciente a la secuencia de espacios abiertos de Portland, y la Canyon Fountain del Freeway Park
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Lasner, Matthew Gordon. "Segregation by Design: Race, Architecture, and the Enclosure of the Atlanta Apartment." Journal of Urban History 46, no. 6 (2017): 1222–60. http://dx.doi.org/10.1177/0096144217704316.

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This article explores the ways in which architecture, landscape design, and site planning helped maintain racial segregation in housing in Atlanta, Georgia, between the 1960s and 1990s. Under Jim Crow, apartment complexes in Atlanta hewed to national design norms. By the late 1960s, however, racial tension, rioting, and passage of the Fair Housing Act led to proliferation of the architecture of enclosure: design that helped code communities as white through pastoral symbolism and heavy, obscuring landscaping. The concept, which appeared to a lesser degree in other U.S. housing markets, was int
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Komara, Ann E. "Lawrence Halprin." Landscape Journal 37, no. 1 (2018): 77–79. http://dx.doi.org/10.3368/lj.37.1.77.

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Aronson, S. "Lawrence Halprin: Another View." Landscape Journal 31, no. 1-2 (2012): 219–26. http://dx.doi.org/10.3368/lj.31.1-2.219.

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Komara, Ann E. "Review: Lawrence Halprin, by Kenneth I. Helphand." Journal of the Society of Architectural Historians 79, no. 1 (2020): 117–19. http://dx.doi.org/10.1525/jsah.2020.79.1.117.

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Hartig, Anthea M. "Experiments in Re-Encoding Environment." Boom 6, no. 1 (2016): 12–23. http://dx.doi.org/10.1525/boom.2016.6.1.12.

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In the summer of 1966, dance pioneer Anna Halprin and her husband, landscape architect Lawrence Halprin, embarked on a series of experimental, experiential, cross-disciplinary workshops in northern California that blurred the boundaries of architecture, choreography, ecology, music, cinematography, and being itself. That summer, and again in 1968 and 1971, these “Experiments in Environment” brought together artists, dancers, musicians, filmmakers architects, and environmental designers in provocative, pioneering experiences. This photo essay includes selected images from the 2016 California Hi
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Goodman, Anna. "City choreographer: Lawrence Halprin in urban renewal America." Planning Perspectives 30, no. 4 (2015): 671–73. http://dx.doi.org/10.1080/02665433.2015.1063321.

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Kennison, Shelia M. "Sex differences in cognitive abilities (3rd edition). Diane F. Halpern. Lawrence Erlbaum Associates, Mahwah, NJ, 2000. No. of pages 420. ISBN 0-8058-2792-7. Price: $39.95." Applied Cognitive Psychology 17, no. 3 (2003): 375–76. http://dx.doi.org/10.1002/acp.883.

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Aguilar Alejandre, María. "LA PLATAFORMA DE ANNA Y LAWRENCE HALPRIN, UN SUELO PARA EL NACIMIENTO DE LA DANZA CONTEMPORÁNEA." Proyecto, Progreso, Arquitectura 23 (November 19, 2020): 178–93. http://dx.doi.org/10.12795/ppa.2020.i23.11.

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En 1953 la pareja formada por la bailarina de vanguardia Anna Halprin y el arquitecto paisajista Lawrence Halprin, construyen junto a su vivienda a las afueras de San Francisco una plataforma de madera para la práctica y la experimentación coreográfica. Se trata de uno de los primeros proyectos en la trayectoria de los Halprin, y en los ámbitos interdisciplinares en general, donde los campos de la danza y la arquitectura entran en una fuerte interconexión. En concreto, esta simbiosis cobra especial importancia desde el punto de vista del trabajo con el suelo y la gravedad. Este artículo aborda
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Dissertations / Theses on the topic "Lawrence Halprin and Associates"

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Martins, Talita Rocha. "Lawrence Halprin. Contribuições para uma prática compreensiva na arquitetura da paisagem." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/16/16135/tde-24062015-140115/.

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Lawrence Halprin foi um arquiteto paisagista norte-americano que atuou profissionalmente entre 1945 e 2009. Sua prática holística, multifacetada, experimentalista e transdisciplinar aplicada ao processo de pensar a paisagem e projetar os ambientes humanos resultaram numa abordagem compreensiva e inovadora ao design.Assumindo a relevância de suaprática na paisagem, esta dissertação procurou entender e discutir sua trajetória profissional sob o ponto de vista do processo de design. O recorte abrange o período de transição entre os anos 1950 e a primeira metade da década de 1960. O trabalho foi o
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Blancafort, Sansó Jaume. "Participación y creación colectiva en la arquitectura de Lawrence Halprin. La metodología Take Part en los procesos participativos del proyecto urbano." Doctoral thesis, Universidad de Alicante, 2017. http://hdl.handle.net/10045/99210.

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Lawrence Halprin (1916-2009) fue un arquitecto norteamericano que desarrolló una dilatada, fructífera y galardonada obra arquitectónica y urbana. En su proceder proyectual fue pionero en EE. UU. en introducir los procesos participativos para que los ciudadanos pudieran aportar información, reflexión, conocimiento y propuestas en los proyectos urbanos. Los primeros experimentos de Halprin en incorporar la participación ciudadana sucedieron en la década de los años sesenta, coincidiendo con la revisión democrática que provocó el Speech Movement. Desde entonces los procesos participativos estuvie
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Cuthbert, Nancy Marie. "George Tsutakawa's fountain sculptures of the 1960s: fluidity and balance in postwar public art." Thesis, 2012. http://hdl.handle.net/1828/4142.

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Between 1960 and 1992, American artist George Tsutakawa (1910 – 1997) created more than sixty fountain sculptures for publicly accessible sites in the U.S., Canada, and Japan. The vast majority were made by shaping sheet bronze into geometric and organically inspired abstract forms, often arranged around a vertical axis. Though postwar modernist artistic production and the issues it raises have been widely interrogated since the 1970s, and public art has been a major area of study since about 1980, Tsutakawa's fountains present a major intervention in North America's urban fabric that is not w
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Books on the topic "Lawrence Halprin and Associates"

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Lawrence, Halprin, ed. The Franklin Delano Roosevelt Memorial: Designed by Lawrence Halprin. Spacemaker Press, 1998.

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D.H. Lawrence Nottingham connections. Astra Press, 1986.

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1926-, Burns Jim, and San Francisco Museum of Modern Art., eds. Lawrence Halprin: Changing places : [exhibition] San Francisco Museum of Modern Art, 3 July - 24 August 1986. The Museum, 1986.

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Sims, R. G. The sayings & doings of T.E. Lawrence. Fleece Press, 1994.

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Knight, Ronald D. Colonel T.E. Lawrence (Lawrence of Arabia) visits Mr. & Mrs. Thomas Hardy. R.D. Knight, 1985.

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Lawrence and Brett: A friendship. Sunstone Press, 2006.

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Ritchie, Ward. A requiem for Lawrence Clark Powell. Laguna Verde Imprenta, 1986.

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A life spent changing places. University of Pennsylvania Press, 2011.

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Ritchie, Ward. Growing up with Lawrence Clark Powell. California State Library Foundation, 1987.

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Lorenzo in Taos: D.H. Lawrence and Mabel Dodge Luhan. Sunstone Press, 2008.

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Book chapters on the topic "Lawrence Halprin and Associates"

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Aguilar Alejandre, María. "The Influence of Dance in Lawrence Halprin Spatial Drawings." In Graphical Heritage. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47983-1_44.

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Scholte, Tom. "Open Peer Commentary: Design Cycles: Conversing with Lawrence Halprin." In New Horizons for Second-Order Cybernetics. WORLD SCIENTIFIC, 2017. http://dx.doi.org/10.1142/9789813226265_0036.

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"Roads: Lawrence Halprin, Modern Dance and the American Freeway Landscape." In Geographies of Mobilities: Practices, Spaces, Subjects. Routledge, 2016. http://dx.doi.org/10.4324/9781315584393-12.

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Fifield, Peter. "Sensory Intensity and Illness in Lawrence." In Modernism and Physical Illness. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198825425.003.0002.

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Lawrence repeatedly associates illness with moments of bodily intensity. His ill protagonists show opposing tendencies: demonstrating a failed integration with the body, but also moments of heightened existence and revelation. Lawrence develops a physiological conception of the subject, judging culture and bodily experience, using pathological ideas. He interweaves the ill body’s literal and metaphorical aspects in discussions of education, sympathy, and writing. ‘Sun’ and Sons and Lovers use illness to stage failures of interpersonal relations. This is contrasted with the positive valence of illness in The Rainbow, where a fever brings revelation. Finally, the chapter juxtaposes afflictions in ‘The Blind Man’ with Lady Chatterley’s Lover. The former depicts blindness heightening affective, bodily potency. The latter shows injury estranging Chatterley from his body, reducing its desires and sensations. Mellors is contrasted not as an example of healthful virility, but of sensuality grounded in affliction.
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"‘Crew Resource Management: A Time for Reflection’, in Daniel J. Garland, John A. Wise and V. David. Hopkin (eds), Handbook of Aviation Human Factors, Mahwah, NJ: Lawrence Erlbaum Associates, pp. 215—34." In Crew Resource Management. Routledge, 2017. http://dx.doi.org/10.4324/9781315258997-12.

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