Relevant bibliographies by topics / Lawrence Halprin and Associates

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Academic literature on the topic 'Lawrence Halprin and Associates'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Lawrence Halprin and Associates"

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Walker, P. "Lawrence Halprin & Associates, 1954: A Brief Memoir." Landscape Journal 31, no. 1-2 (January 1, 2012): 29–32. http://dx.doi.org/10.3368/lj.31.1-2.29.

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Pérez Igualada, Javier. "Rocas de hormigón y agua en movimiento: la Forma de Grupo en la obra de Angela Danadjieva para Lawrence Halprin & Associates." EN BLANCO. Revista de Arquitectura 11, no. 26 (April 30, 2019): 96. http://dx.doi.org/10.4995/eb.2019.10111.

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<p>El concepto de Forma de Grupo, propuesto en 1964 por Fumihiko Maki y Masato Othaka, puede aplicarse al campo del diseño urbano, como principio desde el que interpretar obras de arquitectura del paisaje. Examinaremos la validez de esta hipótesis utilizando como casos de estudio dos obras significativas del estudio Lawrence Halprin &amp; Associates, diseñadas a finales de los años 60 por la arquitecta Angela Danadjieva: la Ira Keller Fountain (1968-70) del Auditorium Forecourt Park, perteneciente a la secuencia de espacios abiertos de Portland, y la Canyon Fountain del Freeway Park de Seattle (1969-76).</p>
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Lasner, Matthew Gordon. "Segregation by Design: Race, Architecture, and the Enclosure of the Atlanta Apartment." Journal of Urban History 46, no. 6 (May 19, 2017): 1222–60. http://dx.doi.org/10.1177/0096144217704316.

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This article explores the ways in which architecture, landscape design, and site planning helped maintain racial segregation in housing in Atlanta, Georgia, between the 1960s and 1990s. Under Jim Crow, apartment complexes in Atlanta hewed to national design norms. By the late 1960s, however, racial tension, rioting, and passage of the Fair Housing Act led to proliferation of the architecture of enclosure: design that helped code communities as white through pastoral symbolism and heavy, obscuring landscaping. The concept, which appeared to a lesser degree in other U.S. housing markets, was introduced to Atlanta at Riverbend (1966-1972), a swinging-singles complex developed in part by Dallas’s Trammell Crow with a site plan by California’s Lawrence Halprin & Associates. The practice was generalized in the 1970s and 1980s by Post Properties, which became one of the region’s largest builders.
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Komara, Ann E. "Lawrence Halprin." Landscape Journal 37, no. 1 (January 2018): 77–79. http://dx.doi.org/10.3368/lj.37.1.77.

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Aronson, S. "Lawrence Halprin: Another View." Landscape Journal 31, no. 1-2 (January 1, 2012): 219–26. http://dx.doi.org/10.3368/lj.31.1-2.219.

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Komara, Ann E. "Review: Lawrence Halprin, by Kenneth I. Helphand." Journal of the Society of Architectural Historians 79, no. 1 (March 1, 2020): 117–19. http://dx.doi.org/10.1525/jsah.2020.79.1.117.

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Hartig, Anthea M. "Experiments in Re-Encoding Environment." Boom 6, no. 1 (2016): 12–23. http://dx.doi.org/10.1525/boom.2016.6.1.12.

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In the summer of 1966, dance pioneer Anna Halprin and her husband, landscape architect Lawrence Halprin, embarked on a series of experimental, experiential, cross-disciplinary workshops in northern California that blurred the boundaries of architecture, choreography, ecology, music, cinematography, and being itself. That summer, and again in 1968 and 1971, these “Experiments in Environment” brought together artists, dancers, musicians, filmmakers architects, and environmental designers in provocative, pioneering experiences. This photo essay includes selected images from the 2016 California Historical Society exhibition on the Halprins—Environment: The Halprin Workshops, 1966-1971.
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Goodman, Anna. "City choreographer: Lawrence Halprin in urban renewal America." Planning Perspectives 30, no. 4 (July 9, 2015): 671–73. http://dx.doi.org/10.1080/02665433.2015.1063321.

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Kennison, Shelia M. "Sex differences in cognitive abilities (3rd edition). Diane F. Halpern. Lawrence Erlbaum Associates, Mahwah, NJ, 2000. No. of pages 420. ISBN 0-8058-2792-7. Price: $39.95." Applied Cognitive Psychology 17, no. 3 (2003): 375–76. http://dx.doi.org/10.1002/acp.883.

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Aguilar Alejandre, María. "LA PLATAFORMA DE ANNA Y LAWRENCE HALPRIN, UN SUELO PARA EL NACIMIENTO DE LA DANZA CONTEMPORÁNEA." Proyecto, Progreso, Arquitectura 23 (November 19, 2020): 178–93. http://dx.doi.org/10.12795/ppa.2020.i23.11.

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En 1953 la pareja formada por la bailarina de vanguardia Anna Halprin y el arquitecto paisajista Lawrence Halprin, construyen junto a su vivienda a las afueras de San Francisco una plataforma de madera para la práctica y la experimentación coreográfica. Se trata de uno de los primeros proyectos en la trayectoria de los Halprin, y en los ámbitos interdisciplinares en general, donde los campos de la danza y la arquitectura entran en una fuerte interconexión. En concreto, esta simbiosis cobra especial importancia desde el punto de vista del trabajo con el suelo y la gravedad. Este artículo aborda tres aspectos fundamentales de esta obra de dimensiones reducidas, pero de implicaciones máximas. Estos son: la condición colaborativa e interdisciplinar del proyecto, su construcción material y paisajística y, por último, su trascendencia en la historia de la danza contemporánea.
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Dissertations / Theses on the topic "Lawrence Halprin and Associates"

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Martins, Talita Rocha. "Lawrence Halprin. Contribuições para uma prática compreensiva na arquitetura da paisagem." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/16/16135/tde-24062015-140115/.

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Lawrence Halprin foi um arquiteto paisagista norte-americano que atuou profissionalmente entre 1945 e 2009. Sua prática holística, multifacetada, experimentalista e transdisciplinar aplicada ao processo de pensar a paisagem e projetar os ambientes humanos resultaram numa abordagem compreensiva e inovadora ao design.Assumindo a relevância de suaprática na paisagem, esta dissertação procurou entender e discutir sua trajetória profissional sob o ponto de vista do processo de design. O recorte abrange o período de transição entre os anos 1950 e a primeira metade da década de 1960. O trabalho foi organizado de forma que se compreenda o objeto da pesquisa, que também é sujeito, frente as suas origens, influências, referências e contextos, para então percorrer seu processo de design, cujos temas abordados por este trabalho correspondem aos subsídios que servem para embasar a discussão entre discurso e prática em duas de suas principais obras: o condomínio de veraneio SeaRanch, no condado de Sonoma (Califórnia), e a Sequência de Espaços Abertos da cidade de Portland (Oregon).
Lawrence Halprin was an american landscape architect professionally active for more than sixty years. His holistic,multifaceted, experimentalist and transdisciplinarypractice offers a way of thinking landscape and design in the human environment as a result of a comprehensive and innovative approach. Assuming his relevance under the field of landscape practice worldwide this thesis seeks to understand and discuss Halprin\'s professional lifewith an emphasis on his creative process or design process. The research focus was narrowed to the years of Halprin\'s first discoveries that lead him to developthe themes that characterize his comprehensive approach, which correspond to the beginnings of the fifties and the first decade of the sixties. The thesis\'s structure was organized to situate Halprin under the historical, artistic and social context of the fifties and sixties providing an insight in his origins and influences to then explore his design process with which are used to discuss the interface between his discourse and his practice using as case studies two of his major works: Sea Ranch, located in Sonoma Couny, California, and Portland Open Space Sequence, in Portland, Oregon.
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Blancafort, Sansó Jaume. "Participación y creación colectiva en la arquitectura de Lawrence Halprin. La metodología Take Part en los procesos participativos del proyecto urbano." Doctoral thesis, Universidad de Alicante, 2017. http://hdl.handle.net/10045/99210.

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Lawrence Halprin (1916-2009) fue un arquitecto norteamericano que desarrolló una dilatada, fructífera y galardonada obra arquitectónica y urbana. En su proceder proyectual fue pionero en EE. UU. en introducir los procesos participativos para que los ciudadanos pudieran aportar información, reflexión, conocimiento y propuestas en los proyectos urbanos. Los primeros experimentos de Halprin en incorporar la participación ciudadana sucedieron en la década de los años sesenta, coincidiendo con la revisión democrática que provocó el Speech Movement. Desde entonces los procesos participativos estuvieron asimilados en su modus operandi. Mediante los Take Part workshops, Halprin desarrolló una metodología que permitía conseguir un amplio consenso en los deseos urbanos de la ciudadanía. Sus procesos participativos implicaban a los ciudadanos de a pie, pero también a instituciones, administraciones, empresarios y funcionarios. Los resultados de los talleres participativos eran incorporados en sus proyectos, asegurando un éxito social y político de los productos desarrollados, además del reconocimiento profesional que ya conseguía anteriormente. La definición práctica del método Take Part fue una tarea que duró varios años e implicó en su evolución a diversos proyectos. El principal objetivo de esta investigación es profundizar en la praxis ejercida en los procesos participativos Take Part de los proyectos urbanos de Halprin y definir una metodología de aplicación. La Tesis se estructura en cuatro secciones principales. En la primera se define el marco teórico y se realiza una introducción general a la vida y obra de Halprin y al contexto social, político y cultural norteamericano de los años sesenta y setenta. La segunda sección, cuerpo central de esta investigación, describe en detalle cuatro casos de estudio que fueron paradigmáticos para concretar el método Take Part. Para ello se ha consultado y analizado la documentación original producida por Halprin y depositada en los Architectural Archives of the University of Pennsylvania, Filadelfia, EE.UU. De los cuatro casos de estudio, dos todavía fueron proyectos de ensayo y aproximación al método Take Part Process, son Seattle 1970 y Wilmington 1970, y los otros dos, Yountville 1973 y Cleveland 1973, se estiman proyectos de concreción y consolidación del método que Halprin aplicaría desde ese momento. La información al respecto de estos casos de estudio no se refiere al producto arquitectónico acabado, sino al proceso de conceptualización de este. Se centra la investigación en el proceso proyectual con la intención de comprenderlo y asumirlo desde la actualidad como una herramienta más de capacitación de diseño. De esta manera se aporta una gran cantidad de documentación inédita que permite diseccionar el detalle de las actividades realizadas en los distintos talleres Take Part, y con ello descubrir la metodología usada de forma pormenorizada. En la tercera sección se reproducen los resultados de la investigación desarrollada, eso es la descripción metodológica de los procesos Take Part, las fichas resumen de los distintos ejemplos analizados y una completa bibliografía de y sobre Lawrence Halprin. En la última sección, previa a las referencias, se discuten los resultados obtenidos y se apuntan nuevas perspectivas, se contextualiza una crítica de los procesos estudiados desde la praxis contemporánea para abrir vías de aplicación en la sociedad de hoy, se proponen nuevos caminos de investigación y se detallan las conclusiones. Entre estas cabe destacar que del análisis de los proyectos participativos de Halprin se desprende que la participación es una acción intrínsecamente positiva para la sociedad, es una metodología eficaz para la definición del proyecto urbano, sus procesos favorecen el bien común y el reconocimiento de los resultados por la propia ciudadanía y su resolución depende de varios factores determinantes como la calidad del profesional que lidere el proceso, la muestra representativa de los participantes o el posicionamiento político en relación al proceso participativo. Lawrence Halprin formó parte activa de los movimientos que consiguieron cambiar la sociedad occidental en los convulsos años sesenta y setenta de EE. UU., mejorando la democracia y la calidad de vida de los ciudadanos. Centrada su aportación en el campo de la arquitectura y el urbanismo, es pertinente revisitar y referenciar su actuación, especialmente en un momento como el actual en el que se incorporan de forma generalizada los procesos participativos en la vida pública y la gestión política de nuestra sociedad.
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Cuthbert, Nancy Marie. "George Tsutakawa's fountain sculptures of the 1960s: fluidity and balance in postwar public art." Thesis, 2012. http://hdl.handle.net/1828/4142.

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Between 1960 and 1992, American artist George Tsutakawa (1910 – 1997) created more than sixty fountain sculptures for publicly accessible sites in the U.S., Canada, and Japan. The vast majority were made by shaping sheet bronze into geometric and organically inspired abstract forms, often arranged around a vertical axis. Though postwar modernist artistic production and the issues it raises have been widely interrogated since the 1970s, and public art has been a major area of study since about 1980, Tsutakawa's fountains present a major intervention in North America's urban fabric that is not well-documented and remains almost completely untheorized. In addition to playing a key role in Seattle's development as an internationally recognized leader in public art, my dissertation argues that these works provide early evidence of a linked concern with nature and spirituality that has come to be understood as characteristic of the Pacific Northwest. Tsutakawa was born in Seattle, but raised and educated primarily in Japan prior to training as an artist at the University of Washington, then teaching in UW's Schools of Art and Architecture. His complicated personal history, which in World War II included being drafted into the U.S. army, while family members were interned and their property confiscated, led art historian Gervais Reed to declare that Tsutakawa was aligned with neither Japan nor America – that he and his art existed somewhere in-between. There is much truth in Reed's statement; however, artistically, such dualistic assessments deny the rich interplay of cultural allusions in Tsutakawa's fountains. Major inspirations included the Cubist sculpture of Alexander Archipenko, Himalayan stone cairns, Japanese heraldic emblems, First Nations carvings, and Bauhaus theory. Focusing on the early commissions, completed during the 1960s, my study examines the artist's debts to intercultural networks of artistic exchange – between North America, Asia, and Europe – operative in the early and mid-twentieth century, and in some cases before. I argue that, with his fountain sculptures, this Japanese American artist sought to integrate and balance such binaries as nature/culture, intuition/reason, and spiritual/material, which have long served to support the construction of East and West as opposed conceptual categories.
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Books on the topic "Lawrence Halprin and Associates"

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Lawrence, Halprin, ed. The Franklin Delano Roosevelt Memorial: Designed by Lawrence Halprin. Washington, DC: Spacemaker Press, 1998.

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D.H. Lawrence Nottingham connections. Nottingham, England: Astra Press, 1986.

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1926-, Burns Jim, and San Francisco Museum of Modern Art., eds. Lawrence Halprin: Changing places : [exhibition] San Francisco Museum of Modern Art, 3 July - 24 August 1986. San Francisco, Calif: The Museum, 1986.

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Sims, R. G. The sayings & doings of T.E. Lawrence. Wakefield, W. Yorkshire: Fleece Press, 1994.

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Knight, Ronald D. Colonel T.E. Lawrence (Lawrence of Arabia) visits Mr. & Mrs. Thomas Hardy. Weymouth, Dorset: R.D. Knight, 1985.

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Lawrence and Brett: A friendship. Santa Fe, N.M: Sunstone Press, 2006.

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Ritchie, Ward. A requiem for Lawrence Clark Powell. [Laguna Beach, Calif.]: Laguna Verde Imprenta, 1986.

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A life spent changing places. Philadelphia: University of Pennsylvania Press, 2011.

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Ritchie, Ward. Growing up with Lawrence Clark Powell. Sacramento, Calif: California State Library Foundation, 1987.

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Lorenzo in Taos: D.H. Lawrence and Mabel Dodge Luhan. Santa Fe: Sunstone Press, 2008.

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Book chapters on the topic "Lawrence Halprin and Associates"

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Aguilar Alejandre, María. "The Influence of Dance in Lawrence Halprin Spatial Drawings." In Graphical Heritage, 499–507. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47983-1_44.

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Scholte, Tom. "Open Peer Commentary: Design Cycles: Conversing with Lawrence Halprin." In New Horizons for Second-Order Cybernetics, 239–42. WORLD SCIENTIFIC, 2017. http://dx.doi.org/10.1142/9789813226265_0036.

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"Roads: Lawrence Halprin, Modern Dance and the American Freeway Landscape." In Geographies of Mobilities: Practices, Spaces, Subjects, 111–30. Routledge, 2016. http://dx.doi.org/10.4324/9781315584393-12.

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Fifield, Peter. "Sensory Intensity and Illness in Lawrence." In Modernism and Physical Illness, 31–71. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198825425.003.0002.

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Lawrence repeatedly associates illness with moments of bodily intensity. His ill protagonists show opposing tendencies: demonstrating a failed integration with the body, but also moments of heightened existence and revelation. Lawrence develops a physiological conception of the subject, judging culture and bodily experience, using pathological ideas. He interweaves the ill body’s literal and metaphorical aspects in discussions of education, sympathy, and writing. ‘Sun’ and Sons and Lovers use illness to stage failures of interpersonal relations. This is contrasted with the positive valence of illness in The Rainbow, where a fever brings revelation. Finally, the chapter juxtaposes afflictions in ‘The Blind Man’ with Lady Chatterley’s Lover. The former depicts blindness heightening affective, bodily potency. The latter shows injury estranging Chatterley from his body, reducing its desires and sensations. Mellors is contrasted not as an example of healthful virility, but of sensuality grounded in affliction.
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"‘Crew Resource Management: A Time for Reflection’, in Daniel J. Garland, John A. Wise and V. David. Hopkin (eds), Handbook of Aviation Human Factors, Mahwah, NJ: Lawrence Erlbaum Associates, pp. 215—34." In Crew Resource Management, 57–76. Routledge, 2017. http://dx.doi.org/10.4324/9781315258997-12.

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