Academic literature on the topic 'Laws of incentive to the culture'
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Journal articles on the topic "Laws of incentive to the culture"
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Santos, Eduardo Gomor dos, and Carla Beatriz de Paulo. "GASTOS TRIBUTÁRIOS E RECURSOS ORÇAMENTÁRIOS NAS POLÍTICAS CULTURAIS." Revista Políticas Públicas 18, no. 1 (August 5, 2014): 111. http://dx.doi.org/10.18764/2178-2865.v18n1p111-124.
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Este trabalho analisa a disponibilização de recursos públicos para as políticas culturais no Brasil. O estudo parte de uma relação intrínseca entre cultura e política, entre formas de ver, viver e pensar o mundo e suas consequências políticas, identificando uma relação umbilical entre cultura e hegemonia em sociedades de classes. Analisa as leis de incentivo via renúncia fiscal, notadamente o mecenato, que apresentam valores anuais próximos ao do orçamento do próprio Ministério da Cultura; e o Programa Cultura Viva, que significou uma importante mudança na lógica da intervenção estatal na temática cultural. Conclui que as leis de incentivo perdem em controle democrático e reproduzem desigualdades regionais, com alta concentração de recursos em São Paulo e no Rio de Janeiro, servindo como instrumento de marketing para grandes corporações. O Programa Cultura Viva, por outro lado, apresenta distribuição mais equitativa de recursos, mas ainda tem orçamento irrisório comparado aos valores captados pelas leis de incentivo.Palavras-chave: Políticas culturais; hegemonia; fundo público; leis de incentivo; Programa Cultura VivaTAX EXPENDITURES AND BUDGETARY RESOURCES ON CULTURAL POLICIESAbstract: This paper analyses the availability of public resources for Brazilian cultural policies. The study comes from an intrinsic relation between culture and politics, between ways of seeing, living and thinking the world and its political consequences, identifying the umbilical link between culture and hegemony in classes societies. Analyses laws based on tax waiver, specifically patronage, which presented annual values similar to the Ministry of Culture budget itself; and Living Culture Program, which represented a significant change in State intervention in cultural themes. It concludes that incentive laws mean losses in democratic control and also reproduce regional inequalities, with higher resources concentration in São Paulo and Rio de Janeiro, acting as marketing tool for large corporations. Living Culture Program, on the other hand, presents a more equality public resources distribution, but is still contemplated with a derisive budget compared to incentive laws.Keywords: Cultural Policies, hegemony, public resources, incentive laws, Living Culture Program.
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Xavier, Wescley Silva, and Maria Aparecida Neves Azevedo Baldez. "Lei Municipal de Incentivo à Cultura: Quais os Efeitos Inclusivos e Democráticos na Produção Cultural Local?" Organizações & Sociedade 28, no. 97 (June 2021): 294–316. http://dx.doi.org/10.1590/1984-92302021v28n9702pt.
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Abstract This paper aims to analyze the inclusive and democratic effects of municipal cultural incentives law in Cataguases, Minas Gerais, fundamentally considering the promotion of citizenship and identity preservation based on cultural production. Data were collected through non-structured interviews with Cataguases cultural producers and analyzed according to a Marxist notion of discourse. Our findings revealed that approved purposes lead to a form of centralization on cultural production at the local level, characterized by the concentration of resources on established groups and the detachment from historically marginalized groups. Moreover, this scenario is aggravated when complementary cultural actions are transferred to the city’s cultural foundations, reinforcing the distinctive character of culture.
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Ficheira, Carolina Marques Henriques, and Paula Príncipe. "Contribuições do patrocínio da Petrobras para o campo audiovisual de 1995 a 2007." Diálogo com a Economia Criativa 1, no. 2 (October 11, 2016): 27. http://dx.doi.org/10.22398/2525-2828.1227-41.
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A partir do estudo de caso dos aportes realizados pela Petrobras em patrocínios audiovisuais no período dentre 1995 e 2007, é possível analisar o papel precursor das Leis de Incentivo Federais no desenvolvimento do campo audiovisual. Suas contribuições foram significativas ao setor quando se analisa o quantitativo de filmes patrocinados pela Petrobras e por outras instituições, denotando o estímulo do uso das leis de incentivo à cultura a outros patrocinadores, bem como no desenvolvimento do campo, como ocorre no Rio de Janeiro, que possui o maior PIB criativo de todo o território nacional, e aponta novos agentes e trajetórias no cenário atual. Sponsorship contributions by Petrobras to the audiovisual sector from 1995 to 2007AbstractBeginning with a case study about contributions made by Petrobras to audiovisual sponsorships between 1995 and 2007, it is possible to analyze the pioneering role of the Federal Tax Incentive Laws for the audiovisual sector. Their contributions to the sector were significant when the number of movies sponsored by Petrobras and by other institutions is analyzed, denoting the encouragement for the use of cultural incentive laws to other sponsors as well as the development of the sector, as happens in Rio de Janeiro that holds the highest GDP (Gross National Product) of the entire national territory and points out new agents and routes in the current scenario.
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Ozberk, Ozge, and Gulsun Atanur Baskan. "Teacher evaluation and conferment systems in South Korea and the Turkish Republic of Northern Cyprus." International Journal of Learning and Teaching 10, no. 1 (January 31, 2018): 91. http://dx.doi.org/10.18844/ijlt.v10i1.3149.
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The purpose of this study is to compare and contrast the teacher evaluation systems in South Korea and the Turkish Republic of Northern Cyprus, and to make suggestions for future research and practical implications of the findings. In the data collection process, the qualitative research method document analysis was used. Dissertations, scientific articles, laws, regulations and websites were searched to collect the data. The teacher evaluation systems in both the countries and the purposes of the current implementation and the evaluation procedures were compared. Suggestions were made to the researchers and the Ministry of Education and Culture in the TRNC.
Keywords: Teachers’ conferment, teacher appraisal for performance, South Korea, performance-based incentive.
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Sullivan, Teresa A., Elizabeth Warren, and Jay Lawrence Westbrook. "Laws, Models, and Real People: Choice of Chapter in Personal Bankruptcy." Law & Social Inquiry 13, no. 04 (1988): 661–706. http://dx.doi.org/10.1111/j.1747-4469.1988.tb01132.x.
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It has been a central assumption in bankruptcy policy debates that financially troubled persons faced with bankruptcy will respond to economic incentives and disincentives. Two provisions of the Bankruptcy Code (Chapters 7 and 13) are most commonly used by individual debtors. Under Chapter 7 debtors agree to give up all their property (n excess of state-determined exemptions) to a trustee for sale and distribution to creditors. Under Chapter 13 debtors keep all their property but agree to pay all or part of their debts over three to five years. This empirical study of fifteen hundred consumers in three states explores whether economic incentives and disincentives are in fact the chief factors influencing choice of chapter. The analysis demonstrates that while economic factors play a part, noneconomic factors are also significant, among them intra- and interstate migration, marital status, self-employment, state of residence, and local legal culture. We conclude that to explore fully how individual decisions are made, the simplistic economic model must be replaced by a more sophisticated model that accounts for both economic and noneconomic factors.
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BEDNAR, JENNA, and SCOTT E. PAGE. "When Order Affects Performance: Culture, Behavioral Spillovers, and Institutional Path Dependence." American Political Science Review 112, no. 1 (January 25, 2018): 82–98. http://dx.doi.org/10.1017/s0003055417000466.
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Evidence suggests that the cultural context influences the performance of laws, policies, and political institutions. Descriptive accounts reveal that outcomes and behaviors often depend on the array of historical institutions. This article presents a multi-institutional framework that can account for those findings through path-dependent behavioral spillovers. Individuals learn equilibrium behaviors when interacting in a new institutional setting. Initially, some individuals choose behaviors that align with their behaviors in similar extant institutions, creating a cultural context that can lead to inefficient outcomes. The article shows how avoiding path dependence requires sequencing (or designing) institutions to maintain behavioral diversity. Optimal sequencing thus requires positioning institutions with clear incentives early in the sequence as well as avoiding strong punishments that can stifle attempts to break established behavioral patterns.
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Norris, Brian. "Without Distinguishing Color or Profession: Culture, Vatican II and the Long-Term Development of Credit Institutions in Bolivia." Bolivian Studies Journal/Revista de Estudios Bolivianos 21 (March 17, 2016): 202–33. http://dx.doi.org/10.5195/bsj.2015.125.
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By the late 20th and early 21st century, credit institutions in Bolivia had become more complex, resilient and popular that at any time previously in its history. Traditional economics analyses emphasize incentives created by laws such as those promulgated by the Kemmerer mission in Bolivia in the 1920s and 30s, or material factors, such as transportation costs. Yet neither of these explanations offers a compelling explanation for the magnitude of the flourishing of popular and complex credit institutions in Bolivia after the 1960s. Cultural changes, however, might offer a compelling complement to legal and material explanations of credit development. Vatican II represented an important mass change in Bolivian culture, and institutions associated with these reforms ushered in a new era of credit institution development in the country.A finales del siglo XX y comienzos del XXI, las instituciones crediticias en Bolivia se volvieron más complejas, elásticas y populares que en cualquier otro momento de su historia. Los análisis económicos tradicionales ponen de relieve los incentivos creados por leyes como las promulgadas por la misión Kemmerer en Bolivia en las décadas de 1920 y 1930, o factores materiales, tales como los costos de transporte. Con todo, ninguna de estas explicaciones ofrece una explicación convincente de la importancia del florecimiento de instituciones crediticias populares y complejas en Bolivia después de la década de 1960. No obstante, los cambios culturales podrían ofrecer un complemento de peso a las explicaciones legales y materiales del desarrollo del crédito. El Concilio Vaticano II representa un importante cambio en la cultura boliviana, y las instituciones asociadas con sus reformas marcan el comienzo de una nueva era en el desarrollo de la institución crediticia en el país.
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Sarfaty, Galit A. "Why Culture Matters in International Institutions: The Marginality of Human Rights at the World Bank." American Journal of International Law 103, no. 4 (October 2009): 647–83. http://dx.doi.org/10.1017/s0002930000159810.
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Why do international institutions behave as they do? International organizations (IOs) have emerged as significant actors in global governance, whether they are overseeing monetary policy, setting trade or labor standards, or resolving a humanitarian crisis. They often execute international agreements between states and markedly influence domestic law, which makes it important to analyze how international institutions behave and make policy. Conducting an ethnographic analysis of the internal dynamics of IOs, including their formal and informal norms, incentive systems, and decision-making processes, can usefully aid in understanding institutional behavior and change. This article analyzes the organizational culture of one particularly powerful international institution—the World Bank (the Bank)—and explores why the Bank has not adopted a human rights policy or agenda.
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Carmi, Na'ama. "Immigration Policy: Between Demographic Considerations and Preservation of Culture." Law & Ethics of Human Rights 2, no. 1 (January 1, 2008): 1–29. http://dx.doi.org/10.2202/1938-2545.1025.
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Cultural rights of minority groups are recognized in international human rights law. These rights include the right of minority groups to adopt various measures to protect their cultural identity, which may include closure of the groups community from outsiders. The state in which such groups reside has a concurrent duty to respect these rights and sometimes even to take positive measures to ensure their implementation. The consideration of demographic factors, then, is regarded as legitimate when designed to protect minority groups. The rights of majority groups, on the other hand, are often ensured by the mere fact that they constitute a majority within the state and as such do not require special measures.This state of affairs is challenged, however, in face of mass immigration that could change the relation existing between majority and minority groups within the state. Under these circumstances, does a majority have the right to preserve its own culture through an immigration policy that takes into account demographic factors? I argue that the duty of states under international human rights law to protect rights of minority groups might serve as an incentive to restrict immigration endangering the character of the state. This characterthe states public cultureis the outcome of collective preferences of the majority of its citizens, which is assumed ought to be respected.
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Odlyzko, Andrew. "Novel market inefficiencies from early Victorian times." Financial History Review 24, no. 2 (June 13, 2017): 143–65. http://dx.doi.org/10.1017/s0968565017000075.
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A previously unknown pricing anomaly existed for a few years in the late 1840s in the British government bond market, in which the larger and more liquid of two very large bonds was underpriced. None of the published mechanisms explains this phenomenon. It may be related to another pricing anomaly that existed for much of the nineteenth century in which terminable annuities were significantly underpriced relative to so-called ‘perpetual’ annuities that dominated the government bond market. The reasons for these mispricings seem to lie in the early Victorian culture, since the basic economic incentives as well as laws and institutions were essentially the familiar modern ones. This provides new perspectives on the origins and nature of modern corporate capitalism.
Dissertations / Theses on the topic "Laws of incentive to the culture"
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Saroute, Renata Roquetti. "A captação de recursos de empreendimentos socioculturais no Estado de São Paulo." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/12/12142/tde-24082018-122910/.
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O presente trabalho visa compreender teórica e empiricamente como empreendimentos socioculturais, com sedes e iniciativas no Estado de São Paulo, captam os seus recursos financeiros, sob três aspectos principais: estratégia, estrutura e fontes de captação de recurso. Entende-se como empreendimentos socioculturais, aqui nomeados, as iniciativas que utilizam a cultura e a arte como ferramentas de transformação social, objetivando o acesso à cultura artística, bem como à formação educacional, por via das mesmas, de indivíduos que não poderiam vivenciá-las devido às suas condições sociodemográficas, socioeconômicas e/ou físico-intelectuais. Para isto, foram analisados seis empreendimentos socioculturais, são eles: BuZum Produções Artísticas; ImageMagica Organização Cultural da Sociedade Civil; Doutores da Alegria - arte na promoção da saúde, na formação e no desenvolvimento social; Ibirajá Produções Culturais; Companhia Pia Fraus de Teatro e Cia Vagalum Tum Tum de Teatro Infantil - todos ativos no estado de São Paulo. A pesquisa foi de natureza aplicada, exploratória e qualitativa, utilizando-se a estratégia de estudos de casos múltiplos. Com coleta de dados secundários, através de análise documental e de arquivos somada à coleta de dados primários, através de entrevista estrutura com questionário de perguntas abertas. Os resultados consolidados evidenciaram que não é possível traçar um modelo único para a captação de recursos de empreendimentos socioculturais, mas é possível traçar estratégias e estruturas, que podem ser replicadas, afim de se ter sucesso na obtenção de recursos, nas mais variadas fontes disponíveis.This work aimed to understand theoretically and empirically as socio-cultural enterprises, with headquarters and initiatives located in the State of São Paulo, are seeking their financial resources. It is understood as socio-cultural enterprises, here named, the initiatives that uses culture and art as a tool of social transformation, objectifying the access to the artistic culture, as well as to the educational formation, aiming to attend individuals would not experience it, due to their socio-demographic, socioeconomic and/or physical-intellectual conditions. In this regard, six socio-cultural projects were analyzed; which are: BuZum Artistic Productions, ImageMagica civil society organization; Doctors of Joy; Ibirajá Cultural Production; Pia Fraus\' Company Theatre and Vagalum Tum Tum Children\'s Theatre Company - all assets in the State of São Paulo. The research was applied, exploratory and qualitative, using the strategy of multiple case studies. With secondary data collection, through documentary and file analysis added to the primary data collection, by structural interview with questionnaire with open questions. The consolidated results showed that it is not possible to trace a single model for the acquisition of resource for socio-cultural enterprises, but it is possible to replay strategies and structures to obtain success in the acquisition of resources.
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Pilão, Valéria [UNESP]. "As diferentes formas de inserção da cultura no processo de acumulação de capital: a particularidade brasileira." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/148689.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Nas últimas décadas ocorreu uma singular aproximação entre as produções culturais e o mercado. Na imediaticidade do cotidiano observa-se a utilização da cultura como forma de valorizar a imagem da cidade, como uma modalidade de marketing para grandes corporações bem como uma forma de investimento especulativo. A partir dessas manifestações aparentes, mas não se limitando a elas, buscar-se-á a explicação do processo de cooptação da cultura pelo mercado, elucidando a particularidade brasileira e vinculando-a ao movimento de mundialização do capital. A presente tese tem como objetivo, portanto, explicitar e apreender como e por que, entre os anos de 2003 a 2013, houve um movimento de intensificação da mercantilização da cultura. Para tal apreensão, partindo da imediaticidade do real, realiza-se a análise das empresas fomentadoras de cultura que se beneficiam da Lei nº 8.313/91 que trata do incentivo à cultura, popularmente conhecida como Lei Rouanet. A hipótese apresentada é a de que a cultura se insere de diferentes formas no movimento de reprodução do capital: como um serviço, agregando valor à marca e à cidade e, assim, contribuindo para processos especulativos e criadores de renda; e como uma mercadoria que permite a realização de outras mercadorias que contêm um alto grau de tecnologia, como os aparelhos eletroeletrônicos e informacionais. Cabe ao Estado brasileiro, por meio da ampliação da lei de incentivo, realizar o papel de mediador entre as produções culturais e o mercado, contribuindo, assim, de forma institucionalizada para os processos de produção e reprodução do capital tanto de setores nacionais como internacionais e especulativos. Observa-se, ao final da pesquisa, que o movimento de expansão do capital sobre a cultura desenvolve-se no momento em que há a preponderância financeira na economia e que os setores com tendências à concentração de capital são os diretamente beneficiados com a intensificação da mercantilização da cultura.
In the last few decades there has been a unique approach between cultural productions and the market. In the immediacy of daily life, there can be noticed the use of culture as a means of enhancing the image of the city, as a method of marketing for large corporations, as well as a form of speculative investment. From these apparent manifestations, yet not limited to them, this research will seek to explain the process of co-optation of culture by the market, elucidating Brazilian’s peculiarity and linking it to the movement of capital globalization. Therefore, this thesis aims to clarify and understand how and why, between the years of 2003 and 2013, there has been a movement of intensification of cultural commodification. For such understanding, starting from the immediacy of the real, there will be carried out an analysis of the companies that promote culture and are benefited by Law 8,313/91 – popularly known as Lei Rouanet –, a Federal Law for cultural incentive. The hypothesis presented here is that culture is inserted in different ways in the movement of capital reproduction: as a service, adding value to the brand and to the city, thus contributing to processes of speculation and income creation; and as a commodity that enables the achievement of other goods with high technology, such as electronic and informational appliances. It is up to Brazilian State, through the expansion of the incentive law, to play the role of mediator between cultural productions and the market, contributing institutionally to the process of production and reproduction of capital both in national, international, and speculative sectors. One can notice at the end of the research that the movement of capital expansion over culture takes place at a time when there is a financial preponderance in the economy and that the sectors with tendencies towards capital concentration are those directly benefited by the intensification of cultural commodification.
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Dowlatyari, Marie. "The rouanet law: funding cultural projects or a creative industry in Brazil?" reponame:Repositório Institucional do FGV, 2017. http://hdl.handle.net/10438/19172.
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The purpose of this work is to explore the way the Rouanet Law has been applied in Brazil by addressing participants’ meanings on it and its use to explain why some manage and others fail, as well as their fundraising strategy; finally, this study proposes a series of recommendations to improve the situation of culture financing in Brazil. This paper adopts a qualitative methodology, starting by presenting the Rouanet Law in the text, before exploring current literature on the topic and key findings: general market information from the Ministry of Culture and case studies using the Simbiose Social database and a series of semi-structured interviews of projects and sponsors. The main limitation in writing this work has been the genuinely rare answers obtained [from sponsors who invest money via the Rouanet Law] for interviews. Existing literature on the Rouanet Law deeply lacks micro-data, in particular case studies and interviews. This is what this work offers to do, as well as addressing participants’ meanings on their experiences with the Rouanet Law. In this article, we expect to find and specify the deep differences in the way small social impact projects find funding as opposed to big projects of the creative industry.
O objetivo deste trabalho é explorar como a Lei Rouanet foi aplicada no Brasil, abordando os significados dos participantes sobre isso e seu uso para explicar por que alguns conseguem e outros falham, bem como sua estratégia de captação de fundos. Finalmente, este estudo propõe uma série de recomendações para melhorar a situação do financiamento da cultura no Brasil. Este artigo adota uma metodologia qualitativa, começando por apresentar a Lei Rouanet no texto, antes de explorar a literatura atual sobre o tema e as principais conclusões: informações gerais sobre o mercado do Ministerio da Cultura e estudos de caso usando o banco de dados da Simbiose Social, além de entrevistas semi-estruturadas de projetos e patrocinadores. A principal limitação na redação deste trabalho foi as respostas realmente raras obtidas [de patrocinadores que investem dinheiro através da Lei Rouanet] para entrevistas. A literatura existente sobre a Lei Rouanet falta profundamente de microdados, além de estudos de caso e entrevistas. Isto é o que este trabalho propõe fazer, bem como adotar os significados dos participantes sobre suas experiências com a Lei Rouanet. Neste trabalho, esperamos encontrar e especificar as diferenças profundas na forma como pequenos projetos de impacto social encontram financiamento em oposição a grandes projetos da indústria criativa.
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Borges, Vicente de Paula Censi. "MARKETING CULTURAL: UMA FERRAMENTA PARA POLÍTICAS DE RESPONSABILIDADE SOCIAL." Universidade do Estado de Santa Catarina, 2006. http://tede.udesc.br/handle/handle/2115.
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Previous issue date: 2006-02-10Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
This work is a boarding of problematic of the cultural marketing and the its importance as instrument to develop the politics of social responsibility of the enterprise organizations. If not finding specific bibliography on the relation cultural marketing and social responsibility, support in authors who individually deal with the components this relation, as well as in others of the area of the administration and the marketing properly said searched. In research qualitative and quantitative carried through with cultural producers and entrepreneurs of the State of Santa Catarina, they had been studied, in explore and descriptive way, the raised and inferred information, using a structuralized instrument not conceal, or either, questionnaire applied in the form of individual interview, with explore questions - that they had given a vision of the searched universe - and descriptive - that they had supplied the characteristics of the interviewed one. It analyzes the importance and the use of the Laws of Incentive to the Culture, inside of the context of the social responsibility of catarinenses companies. Objective to contribute to awake it of new and more complete studies on the subject that, in understanding of the author, is original, in that it says respect to the confrontation of the cultural marketing versus social responsibility.
Estudo que aborda a problemática do marketing cultural e sua importância como instrumento para desenvolver as políticas de responsabilidade social das organizações empresariais. Não encontrando bibliografia específica sobre a relação entre marketing cultural e responsabilidade social, busca suporte em autores que tratam os componentes dessa relação individualmente, bem como em outros da área da administração e do marketing propriamente dito. Em pesquisa qualitativa e quantitativa realizada com produtores culturais e empresários do Estado de Santa Catarina, estudaram-se, de modo exploratório e descritivo, as informações levantadas e inferidas, utilizando-se um instrumento estruturado não disfarçado, ou seja, questionário aplicado na forma de entrevista individual, com questões exploratórias que proporcionaram uma visão geral do universo pesquisado e descritivas que forneceram as características do entrevistado. Analisa a importância e a utilização das leis de incentivo à cultura, no contexto da responsabilidade social de empresas catarinenses, com o objetivo de contribuir para despertar novos e mais completos estudos sobre o tema que, no entender do autor, é original, no que diz respeito ao confronto entre marketing cultural e responsabilidade social.
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Guimarães, Camilo Rogério Lara. "Política cultural e cidade: Secretaria Municipal de Cultura e Fundação Municipal de Cultura em Belo Horizonte (MG) 1993-2008." Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/3234.
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Previous issue date: 2010-11-18This dissertation covers the study of different project and management initiatives for the implementation of a municipal scope cultural policy, as well as the understanding of what they mean in the social and political contexts they fit in. The research was about the cultural policy conducted from 1993 to 2008 by the municipal public sector in Belo Horizonte, the capital city of Minas Gerais State. Its specific object covered the management bodies' actions responsible for the Municipal cultural area during the above period the Cultural Municipal Office and the Cultural Municipal Foundation. One searched to apprehend the relation between State and Culture through the analysis of the intervention strategies which gathered state institutional efforts and resources, as well as the economic and political interests underlying these strategies. In this sense, one considered, at first, the comprehension of the public dimensions of cultural policies, implementing them in contexts of tensions and conflicts, in which multiple significations and interests are at stake. Considering that the municipal cultural policy of Belo Horizonte is not characterized by a single directional profile, one points out the several political-cultural perspectives and actions that outlined cultural management implemented from the perspective of, on one side, the cultural and urban entrepreneurship , and on the other, cultural rights
Esta dissertação compreende o estudo dos diferentes projetos e agenciamento de iniciativas para implementação de uma política cultural no âmbito municipal, bem como da compreensão de suas significações nos contextos político-sociais em que se inserem. Tratou-se de pesquisa sobre a política cultural, que se estendeu de 1993 a 2008, encetada pelo poder público municipal na cidade de Belo Horizonte, capital do Estado de Minas Gerais. Seu objeto mais específico compreendeu a atuação dos órgãos gestores, responsáveis pela área cultural da Prefeitura Municipal, no período a Secretaria Municipal de Cultura, e a Fundação Municipal de Cultura. Buscou-se apreender a relação entre Estado e Cultura pela análise das estratégias de intervenção que aglutinou esforços, recursos institucionais estatais, e interesses políticos e econômicos subjacentes às estas estratégias. Nesta direção, partiu-se do entendimento das dimensões públicas de uma política cultural, inserindo-a num contexto de tensões e conflitos, em que se disputam interesses e significados múltiplos. Considerando-se que a política cultural municipal de Belo Horizonte não se caracteriza pelo perfil unidirecional, colocam-se em relevo as várias faces e ações político-culturais que delinearam uma gestão cultural, inserida, por um lado, na perspectiva do empreendedorismo urbano e cultural e, por outro, na perspectiva dos direitos culturais
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Feijó, Gabriela Maria Carvalho. "O modelo de financiamento para o campo cultural: uma análise comparativa Brasil e França." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/100/100138/tde-06092016-123857/.
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A presente pesquisa tem por objetivo analisar a dinâmica histórica institucional do financiamento da cultura, no Brasil e na França, no âmbito federal e central, respectivamente. Dessa forma, procurou-se examinar o contexto histórico de ambos países, em quase 60 anos. A escolha desses países se deu devido às distintas abordagens ao tema. O caso francês remete à intervenção estatal e ao financiamento direto (orçamento público), enquanto o caso brasileiro apresenta maior ênfase no mercado privado e financiamento indireto, em especial o mecenato (leis de incentivo fiscal). Para tanto, empregou-se a teoria do Institucionalismo Histórico para entender o desenvolvimento do campo, analisando-se aqui a interação entre atores, interesses e idéias, o que nos permite identificar os acontecimentos que levaram a um gradual processo de mudança institucional. A fim de complementar a análise teórica foram coletados dados, por meio de análise bibliográfica e documental, e pela realização de entrevistas, o que permitiu a interpretação e sintetização das informações, diante de uma análise histórica descritiva, com o intuito de compreender o atual formato de financiamento para o campo cultural, resultando em um estudo comparado entre Brasil e França. Ao longo dessa pesquisa foi possível verificar que ambos os países utilizam as duas formas de financiamento, adotando assim um modelo misto para a cultura. Sendo assim, o presente estudo tem por finalidade apontar a dinâmica histórica do financiamento para a cultura no Brasil e na França, buscando assim contribuir para o debate de financiamento das políticas culturaisThis research seeks to analyze the evolutionary process of financing culture in Brazil and France at both the federal and central level. Thus, its purpose is to examine the historical context of both countries in nearly 60 years. These countries were chosen because they provide different approaches to the subject. The French case refers to state intervention and to direct financing (public budget), while the Brazilian case emphasizes on the private market and indirect financing, especially patronage (fiscal incentive laws). To do so, we used the theory of Historical Institutionalism to understand the development of the field, analyzing here the interaction between actors, interests and ideas, allowing us to identify the events that led to a gradual process of institutional change. In order to complement the theoretical analysis, data were collected through bibliographical and documentary analysis and by conducting some interviews as well. This enabled us to interpret and synthesize the given information and mold it into a descriptive historical analysis, aiming to understand the current financing format for the cultural field, which resulted in a comparative study between Brazil and France. It was possible to verify in this research, that both countries use both financing forms, therefore adopting a mixed model for culture. Thus, this study aims to identify the evolution of financing for culture in Brazil and France, seeking to contribute to the debate of cultural policies financing
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Ferron, Fabio Maleronka. "O primeiro fim do MinC." reponame:Repositório Institucional RUBI, 2017. http://hdl.handle.net/20.500.11997/7195.
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Esta dissertação propõe uma reflexão sobre as razões que levaram o presidente Fernando Collor a impor, de forma abrupta e imediata, mudanças profundas no setor cultural. Ao tomar posse, em 15 de março de 1990, Collor, por meio de Medidas Provisórias, extinguiu o MinC, dissolveu inúmeras fundações e determinou o fim da Lei Sarney. A pesquisa parte da discussão sobre o processo de construção do MinC em 1985, as polêmicas em torno da pertinência ou não de sua criação, e a campanha presidencial de 1989, focalizando fundamentalmente o ano de 1990, quando o presidente eleito impôs uma verdadeira mudança na cultura. A extensão e o significado do impacto causado pelas medidas baixadas naquele ano por Collor que levaram à extinção do MinC e da Lei Sarney e à dissolução de inúmeras fundações, bem como as repercussões que essas mudanças causaram na vida de artistas, intelectuais e gestores culturais que vivenciaram esse desmonte, são objetos de análise na presente investigação. No estudo, além de pesquisa documental, foram utilizados como fonte de análise empírica quatro periódicos de circulação nacional: os jornais Folha de S. Paulo, O Estado de S.Paulo, Jornal do Brasil e O Globo. A investigação envolveu também a análise de entrevistas, algumas delas realizadas pelo pesquisador em 2010 para a série Produção Cultural no Brasil. Além disso, entrevistas de tipo semiestruturado foram realizadas pelo pesquisador com gestores culturais e lideranças políticas que, durante o período analisado, atuaram na coordenação de órgãos federais e estadual específicos. Essas entrevistas semiestruturadas tiveram o propósito de atender ao objetivo da pesquisa e aos seus pressupostos metodológicos
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Fantinel, Vinícius Dias. "Impactos da criação da ANCINE e das leis de incentivo à cultura sobre o cinema brasileiro." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/87468.
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O presente trabalho avalia os impactos da criação da agência reguladora do cinema brasileiro (Ancine) sobre o cinema nacional. A metodologia econométrica utilizada é a difference-in-differences, na qual o grupo de controle é composto pelos filmes estrangeiros e o de tratamento pelos filmes brasileiros, todos estes exibidos nas salas de cinema brasileiras. Serão avaliados os impactos nas variáveis renda e público. Alguns controles serão adicionados às regressões com o objetivo de descobrir e isolar o efeito das outras variáveis que podem estar causando mudanças nas variáveis explicadas, tais como preço médio de ingresso e valores captados pelos produtores de filmes nacionais através das leis de incentivo à cultura. Os resultados indicam que não há evidências de que a criação da Ancine tenha criado um diferencial positivo tanto do público quanto da renda dos filmes brasileiros em relação aos estrangeiros. Os diferenciais entre público e renda devem-se ao valor captado pelos filmes nacionais através das leis de incentivo à cultura e à diferença de preços existente entre os filmes produzidos no Brasil e no exterior.This paper evaluates the impact of the creation of the regulatory agency of the Brazilian cinema (Ancine) on Brazilian cinema. The econometric methodology used is the difference-in-differences, in which the control group is composed of foreign films and the treatment group by Brazilian films, all displayed in Brazilian cinemas. We will evaluate the impacts on income and moviegoers. Some controls are added to the regressions in order to discover and isolate the effect of other variables that may be causing changes in the variables explained, such as the average ticket price and the amount raised by the film producers obtained through national laws to encourage culture. The results indicate that there is no evidence that the creation of Ancine has created a positive differential nor the moviegoers as well as the income of Brazilian films towards foreigners. The spreads between moviegoers and income are due to the amount raised by the films through national laws to encourage culture and the price difference between the films produced in Brazil and abroad.
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Requião, Laís Côrtes Ferreira. "Publicidade, mídia, leis de incentivo: da experiência cultural à experiência de marca." Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/4421.
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Previous issue date: 2012-06-29Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
The observation of the existence of advertising paid with money from the culture incentive laws is the question of what this research starts, this configures the use of public money to a private brand experience. The non-advertisement of sponsor brands by cultural journalism leads to the questions: How does the brand visibility occurs, once the cultural journalism does not mention the sponsor when it communicates a cultural activity financed by tax relief? This research proposes a hypothesis opposed to the hegemonic understanding that what motivates companies is the value brought by associating its brand to a cultural activity. It aims to demonstrate that the higher interest is at brand publicity characterized by adverts financed by fiscal exemption. Thus, indicating a unclear promiscuous relation between commercial interests and public money. Therefore, the higher interest would not be the fiscal exemption or the positive image of associating a brand to an event, but the share allowed by law to be direct to publicity. This reflection is based on the studies of Adorno and Horkheimer (1986), Giorgio Agambem (2009), Naomi Klein (2004), Frederic Jameson (2001; 2007) and Antonio Negri and Michael Hardt (2003), as well as the discussions based on the analysis of these three authors by Sílvio Camargo (2011). It is in the context of late capitalism that the incentive to culture laws have been developed. The media is inserted in this context when it collaborates to transform cultural events in brand promotion opportunities. The corpus of the work includes the analysis of the media treatment given to three cultural high impact activities: The SWU Festival, The Mamma Mia Musical and the Telefônica Sonidos Festival
A observação da existência de publicidade paga com dinheiro proveniente das leis de incentivo à cultura é a questão da qual parte esta pesquisa, pois configura o emprego de dinheiro público para uma experiência privada de marca. A não divulgação das marcas patrocinadoras pelo jornalismo cultural nos leva à seguinte questão: uma vez que o jornalismo cultural, quando comunica uma atividade cultural financiada via renúncia fiscal, não menciona o nome da empresa financiadora, como se dá a visibilidade da sua marca? Para respondê-la, esta pesquisa propõe uma hipótese que contraria o entendimento hegemônico de que o que move as empresas é o valor que a associação a uma atividade cultural agrega à sua marca. O objetivo aqui é demonstrar que o interesse maior está na publicidade da marca que se estampa nos anúncios financiados com dinheiro de isenção fiscal, através de uma pouco clara relação promíscua entre interesses comerciais e dinheiro incentivado (público). O maior interesse não seria a isenção fiscal ou a imagem positiva da associação de uma marca a um evento, mas sim a fatia permitida por lei para ser destinada para a publicidade. A bibliografia que apóia a construção desta reflexão parte de Adorno e Horkheimer (1986), inclui Giorgio Agambem (2009), Naomi Klein (2004), Frederic Jameson (2001; 2007), Antonio Negri e Michael Hardt (2003), e as discussões feitas por Sílvio Camargo (2011) através de suas análises destes três últimos autores. É no contexto do capitalismo tardio que se consolidaram as leis de incentivo à cultura no Brasil, e a mídia nele se insere, ao colaborar para que os eventos culturais se transformem em oportunidades de promoção de marca. O corpus será composto pelo tratamento midiático de três atividades culturais de grande impacto: Festival SWU, Musical Mamma Mia e Festival Telefônica Sonidos
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Barbosa, Joyce de Matos. "Comunicação, democracia, desenvolvimento: espaços de mediação nas economias da dança." Pontifícia Universidade Católica de São Paulo, 2015. https://tede2.pucsp.br/handle/handle/4711.
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Previous issue date: 2015-06-30This thesis discusses the implications for the development of communication starting from the formulations of Jesus Martin-Barbero (2009) regarding the transformation of the means of mediation, understood here as a space "between" trading, social listening, that does not arise by the side of the means, nor the subjects. Such as mediation only consolidates when harnessed to political behavior, this research starts from the hypothesis that communication plays an important role in the formulation of public policies based on the concept of "development as freedom", recommended by the Indian economist Amartya Kumar Sen (2000). For this it is necessary that the media present the subject beyond the productivist form of a stalled development in the design of progress, growth by accumulation, with "abstract goals" as ponders Celso Furtado (1972). It is noteworthy in this context the hypertrophiation of uses of the term 'creativity' (creative economy, creative cities etc.), to demonstrate that it has generated political and economic implications whose slip effects in the birth of a new segment, identified as Economy of dance. Unaccompanied by a critical reflection, if midiatiza without the necessary questioning about the logic that sustains it, produced by Cultural Incentive Laws that regulate the artistic production in Brazil since 1986. This form of communication, which is silent on such matters, is that becomes mediation, and establishes the conduct that here produce dance. Given the seriousness of this framework, the aim is to highlight the danger posed by not understanding the scope of the phenomenon as mediation between / negotiation, emphasizing the need to approach the "development as freedom" as a concept able to intensify it. To conduct this research, which was exploratory in nature, we follow the qualitative methodology (Denzin & Lincoln, 2006), using the interpretive approach method (McNamara, 1999), crossing the theoretical references herein to Giovanni Arrighi (1998), Anne Cauquelin (2005), Pascal Gielen (2013), Paulo Miguez (2007), Antônio Rubim (2011)
Esta tese discute as implicações da comunicação no desenvolvimento partindo das formulações de Jesús Martin-Barbero (2009) a respeito da transformação dos meios em mediação, aqui entendida como um espaço do entre , de negociação, de escuta social, que não se coloca do lado dos meios, nem tampouco dos sujeitos. Como a mediação só se consolida quando atrela-se a condutas políticas, esta pesquisa parte da hipótese de que a comunicação tem um papel importante na formulação de políticas públicas a partir do conceito de "desenvolvimento como liberdade", preconizado pelo economista indiano Amartya Kumar Sen (2000). Para tal, é necessário que os meios de comunicação apresentem o sujeito para além da forma produtivista de um desenvolvimento estancado na concepção de progresso, crescimento por acumulação, com objetivos abstratos , tal como pondera Celso Furtado (1972). Destaca-se, neste contexto, a hipertrofiação dos usos do termo criatividade' (economia criativa, cidades criativas etc), para demonstrar que tem gerado implicações político-econômicas cujos efeitos resvalam no nascimento de um novo segmento, identificado como Economia da Dança. Desacompanhada de uma reflexão crítica, midiatiza-se sem a indispensável problematização a respeito da lógica que a sustenta, produzida pelas Leis de Incentivo à Cultura que normatizam a produção artística no Brasil desde 1986. Esta forma de comunicação, que silencia sobre tais questões, é a que se torna mediação, e instaura condutas nos que aqui produzem dança. Dada a gravidade deste quadro, o objetivo é o de evidenciar o perigo representado pela não compreensão do alcance do fenômeno da mediação como entre/negociação, enfatizando a necessidade de nos aproximarmos do desenvolvimento como liberdade enquanto conceito capaz de potencializá-la. Para realizar esta investigação, que teve caráter exploratório, seguimos a metodologia qualitativa (Denzin & Lincoln, 2006), utilizando o método de abordagem interpretativo (McNamara, 1999), cruzando as referências teóricas aqui apresentadas com Giovanni Arrighi (1998), Anne Cauquelin (2005), Pascal Gielen (2013), Paulo Miguez (2007), Antônio Rubim (2011)
Books on the topic "Laws of incentive to the culture"
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Rob, Rafael. Cooperation, corporate culture and incentive intensity. Fontainebleau: INSEAD, 1997.
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Rob, R. Cooperation, corporate culture and incentive intensity. France: INSEAD, 1997.
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Cesnik, Fábio de Sá. Guia do incentivo à cultura. 3rd ed. Barueri, SP, Brasil: Manole, 2012.
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Cesnik, Fábio de Sá. Guia do incentivo à cultura. 2nd ed. Barueri, SP, Brasil: Manole, 2007.
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Cesnik, Fábio de Sá. Guia do incentivo à cultura. 2nd ed. Barueri, SP, Brasil: Manole, 2007.
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Cláudia Aparecida Lessa da Cunha Canto. Cultura: Captação de recursos e incentivos fiscais. Brasília: Senado Federal, Secretaria de Editoração e Publicações, Coordenação de Edições Técnicas, 2013.
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Parizzi, Elaine Thomé. Manual técnico sobre as leis de incentivo à cultura. Cuiabá, Mato Grosso, Brazil]: Efanti Editora, 2005.
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Fundação João Pinheiro. Centro de Estudos Históricos e Culturais. Prestando contas aos mineiros: Avaliação da Lei Estadual de Incentivo à Cultura. Belo Horizonte: Fundação João Pinheiro, Centro de Estudos Históricos e Culturais, 2003.
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Valenzuela, Gonzalo Castellanos. Sistema jurídico de incentivos económicos a la cultura en los países del Convenio Andrés Bello. Bogotá: Convenio Andrés Bello, 2003.
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Feibleman, James K. "The Specific Laws." In Justice, Law and Culture, 151–62. Dordrecht: Springer Netherlands, 1985. http://dx.doi.org/10.1007/978-94-010-9449-8_15.
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Flender, Christian. "Aesthetics as Incentive: Privacy in a Presence Culture." In Quantum Interaction, 165–76. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-15931-7_13.
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Bremmer, Rolf H. "Dealing Dooms: Alliteration in the Old Frisian Laws." In Alliteration in Culture, 74–92. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230305878_6.
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Schorsch, Jonathan. "Back to Those Pesky Dietary Laws." In The Food Movement, Culture, and Religion, 53–63. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-71706-7_6.
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Homburg, Christian, Heiko Schäfer, and Janna Schneider. "Culture in Sales: The Power of Unwritten Laws." In Sales Excellence, 139–51. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-29169-2_10.
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Morcom, Anna. "Modern Laws, Human Rights and Marginalisation of Courtesan and Transgender Performers in India." In Women, Law and Culture, 35–50. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-44938-8_3.
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Daemmrich, Arthur. "Regulatory Laws and Political Culture in the United States and Germany." In Regulation of the Pharmaceutical Industry, 11–41. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230372597_2.
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Samura, Toshikazu, Yasuomi D. Sato, Yuji Ikegaya, and Hatsuo Hayashi. "Power Laws for Spontaneous Neuronal Activity in Hippocampal CA3 Slice Culture." In Neural Information Processing, 370–79. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-24955-6_45.
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Wu, Yunmei. "Toxic Culture: How Did Organizational Norms Mediate the Transition of Laws?" In Compliance Ethnography, 143–87. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-2884-9_7.
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Zhang, Falian. "Comparison Between Chinese and Western Legal Nature: Public and Private Laws." In A Comparative Study of Chinese and Western Legal Language and Culture, 179–200. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-9347-5_8.
Full textConference papers on the topic "Laws of incentive to the culture"
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Sánchez de Serdio Martín, Aida. "Por una investigación intermedia." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.6899.
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La posibilidad de llevar a cabo procesos de investigación entre lo académico y lo extra-académico en el campo de la cultura y el arte se encuentra en la actualidad con una serie de dificultades. La separación entre la investigación producida en la universidad y los campos a los que hace referencia, la falta de recursos y de incentivos para investigar en el ámbito de la producción cultural, y las formas de circulación de la investigación son solo algunos de los aspectos que requieren un debate si aspiramos a cambiar este estado de cosas.
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"Traces of Egyptian Culture in Plato’s Laws." In Symposium of the Melammu Project. Vienna: Austrian Academy of Sciences Press, 2020. http://dx.doi.org/10.1553/melammu10s561.
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"Integration of the Values of "Filial Piety Culture" and the Chinese Laws." In 2018 2nd International Conference on Social Sciences, Arts and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ssah.2018.056.
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Steven, Yusriando, and Anton Diary Steward Surbakti. "Criminal Laws for Press Companies That Distribution of Hoaks News to the Public." In International Conference on Culture Heritage, Education, Sustainable Tourism, and Innovation Technologies. SCITEPRESS - Science and Technology Publications, 2020. http://dx.doi.org/10.5220/0010306001930199.
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Tarigan, Rosdiana, Runtung S., Budiman G., and Rosnidar S. "Identification and Evaluation of Indigenous Marriage Factors without Official Registration with Sociological Laws." In International Conference on Culture Heritage, Education, Sustainable Tourism, and Innovation Technologies. SCITEPRESS - Science and Technology Publications, 2020. http://dx.doi.org/10.5220/0010330405080514.
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Wang, Chengkuang, Bi-Ru Lee, and Gui-Lan Huang. "Discussion on the Quality of Green Tourism Services from the Viewpoint of Tourism Laws." In 2017 International Conference on Education, Culture and Social Development (ICECSD 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icecsd-17.2017.54.
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Safii, Moh. "Redefining The Five Laws of Library Science in the Digital Age." In Proceedings of the 2nd Internasional Conference on Culture and Language in Southeast Asia (ICCLAS 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icclas-18.2019.7.
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Malheiros, Denise Gonçalves Lima, Fabio Cesar Moreira Manente, and Deize Sbarai Sanches Ximenes. "Intervención Urbana Integrada en el centro metropolitano de São Paulo - SP. Estudio de caso Largo Paissandu." In ISUF-h 2019 - CIUDAD COMPACTA VERSUS CIUDAD DIFUSA. Valencia: Editorial Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/isufh2019.2019.9672.
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Este trabajo tiene como objetivo presentar una propuesta de intervención urbana integrada en el centro de la ciudad de São Paulo, principal ciudad de Brasil y núcleo de la mayor metrópoli de América del Sur. El proceso de crecimiento de São Paulo resultó en un área urbanizada difusa con un centro histórico, a pesar de poseer buena infraestructura de transporte y servicios, se caracteriza por la degradación urbana y social, la depreciación del patrimonio construido, baja utilización para vivienda y mal uso de los espacios públicos, reproduciendo el proceso de ocupación verificado en las grandes ciudades latinoamericanas. La recalificación de las zonas centrales deterioradas puede ser punto de partida para que las ciudades se vuelvan más saludables y equilibradas. Es dentro de este abordaje que buscamos identificar un lugar en el centro histórico que presentase potencialidades para la proposición de acciones capaces de recalificar no sólo su área de influencia inmediata, sino que fuera catalizador e irradiador de soluciones más amplias conectadas al territorio metropolitano - el Largo Paissandu. La propuesta de intervención considera cuatro ejes estructurales - Espacio Público, Vivienda, Patrimonio Histórico-Cultural y Movilidad - adoptando la fluidez como estrategia central. Colabora con el rompimiento del proceso de degradación, con el aprovechamiento del patrimonio edificado y cultural, con el incentivo al uso habitacional y al uso social de los espacios públicos, además de proponer soluciones para la mejora de la movilidad y accesibilidad.
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Malheiros, Denise Gonçalves Lima, Fabio Cesar Moreira Manente, and Deize Sbarai Sanches Ximenes. "Intervención Urbana Integrada en el centro metropolitano de São Paulo - SP. Estudio de caso Largo Paissandu." In ISUF-h 2019 - CIUDAD COMPACTA VERSUS CIUDAD DIFUSA. Valencia: Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/isufh2019.2020.9672.
Full textAbstract:
Este trabajo tiene como objetivo presentar una propuesta de intervención urbana integrada en el centro de la ciudad de São Paulo, principal ciudad de Brasil y núcleo de la mayor metrópoli de América del Sur. El proceso de crecimiento de São Paulo resultó en un área urbanizada difusa con un centro histórico, a pesar de poseer buena infraestructura de transporte y servicios, se caracteriza por la degradación urbana y social, la depreciación del patrimonio construido, baja utilización para vivienda y mal uso de los espacios públicos, reproduciendo el proceso de ocupación verificado en las grandes ciudades latinoamericanas. La recalificación de las zonas centrales deterioradas puede ser punto de partida para que las ciudades se vuelvan más saludables y equilibradas. Es dentro de este abordaje que buscamos identificar un lugar en el centro histórico que presentase potencialidades para la proposición de acciones capaces de recalificar no sólo su área de influencia inmediata, sino que fuera catalizador e irradiador de soluciones más amplias conectadas al territorio metropolitano - el Largo Paissandu. La propuesta de intervención considera cuatro ejes estructurales - Espacio Público, Vivienda, Patrimonio Histórico-Cultural y Movilidad - adoptando la fluidez como estrategia central. Colabora con el rompimiento del proceso de degradación, con el aprovechamiento del patrimonio edificado y cultural, con el incentivo al uso habitacional y al uso social de los espacios públicos, además de proponer soluciones para la mejora de la movilidad y accesibilidad.
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Battalova, Sania. "The right to reading: The principles of the Marrakesh Treaty in Russia." In The Book. Culture. Education. Innovations. Russian National Public Library for Science and Technology, 2020. http://dx.doi.org/10.33186/978-5-85638-223-4-2020-38-43.
Full textAbstract:
The Marrakesh Treaty on facilitating access for blind and visually impaired people and people with print disabilities to published works is one of the first international treaties in copyright aimed at widening the access to printed works under the copyright for up to 300 million people with print disabilities. The member states are to amend their national laws correspondingly. Russia ratified the Treaty in November, 2017 2 [4] and on May 8, 2018, the Treaty will come into effect in this country. By doing this, Russia accepts responsibility to eliminate legislative barriers preventing inequality of blind, visually impaired people and persons with print disabilities in the access to books and other materials and widening this access. The key Treaty provisions are analyzed; amendments to and provisions of the RF copyright law are discussed as they are to enable the libraries and other organizations to provide the rights to equal access to the information and knowledge for the target groups of population.
Reports on the topic "Laws of incentive to the culture"
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Pavlyuk, Ihor. MEDIACULTURE AS A NECESSARY FACTOR OF THE CONSERVATION, DEVELOPMENT AND TRANSFORMATION OF ETHNIC AND NATIONAL IDENTITY. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11071.
Full textAbstract:
The article deals with the mental-existential relationship between ethnoculture, national identity and media culture as a necessary factor for their preservation, transformation, on the example of national original algorithms, matrix models, taking into account global tendencies and Ukrainian archetypal-specific features in Ukraine. the media actively serve the domestic oligarchs in their information-virtual and real wars among themselves and the same expansive alien humanitarian acts by curtailing ethno-cultural programs-projects on national radio, on television, in the press, or offering the recipient instead of a pop pointer, without even communicating to the audience the information stipulated in the media laws − information support-protection-development of ethno-culture national product in the domestic and foreign/diaspora mass media, the support of ethnoculture by NGOs and the state institutions themselves. In the context of the study of the cultural national socio-humanitarian space, the article diagnoses and predicts the model of creating and preserving in it the dynamic equilibrium of the ethno-cultural space, in which the nation must remember the struggle for access to information and its primary sources both as an individual and the state as a whole, culture the transfer of information, which in the process of globalization is becoming a paramount commodity, an egregore, and in the post-traumatic, interrupted-compensatory cultural-information space close rehabilitation mechanisms for national identity to become a real factor in strengthening the state − and vice versa in the context of adequate laws («Law about press and other mass media», Law «About printed media (press) in Ukraine», Law «About Information», «Law about Languages», etc.) and their actual effect in creating motivational mechanisms for preserving/protecting the Ukrainian language, as one of the main identifiers of national identity, information support for its expansion as labels cultural and geostrategic areas.