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Books on the topic 'Layout pattern'

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1

Yanar, Huseyin. Rhythmic pattern as a means of settlement layout analysis. Oxford: Oxford Polytechnic, 1992.

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2

Setola, Nicoletta, ed. Research tools for design. Spatial layout and patterns of users' behaviour. Florence: Firenze University Press, 2011. http://dx.doi.org/10.36253/978-88-6655-027-3.

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The publication proposes a critical reading of the results emerging from the Seminar organised in January 2010 by the Department of Architectural and Design Technology on research tools for the architectural project. The spatial layout of buildings and urban spaces influences behaviour and the relations of the users, and in this displays the social nature of the architectural function in comparison to other spheres of design. Space Syntax (theory, methodology and techniques for the analysis of complex systems) takes this theory as the basis for its research. The seminar, attended by leading academic and professional figures, offered the opportunity for exchange between its own research and the experiences carried forward by the Space Syntax research and consultancy group.
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3

Lynton, Jeanette R. Reflections: Artwork patterns to make your scrapbook layouts come to life. Salt Lake City: Gibbs Smith, Publisher, 2007.

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4

Needlework, American School of, ed. 101 log cabin blocks for small projects: Quilt layouts and complete instructions for 10 projects. San Marcos, CA: American School of Needlework, 1999.

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5

University of Calgary. Archaeological Association. Conference. Households and communities: Proceedings of the Twenty-first Annual Conference of the Archaeological Association of the University of Calgary. Calgary, Alta., Canada: University of Calgary, Archaeological Association, 1989.

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6

Joost, Elffers, and Croner Ted, eds. Textile designs: Two hundred years of European and American patterns for printed fabrics organized by motif, style, color, layout, and period. New York: Harry N. Abrams, 1991.

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7

Research tools for design: Spatial layout and patterns of users' behaviour : proceedings of seminar, 28-29 January 2010, Department of architectural technology and design P. Spadolini, University of Florence. Firenze: Firenze University Press, 2011.

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8

Borzyh, Stanislav. Theory of the possible. ru: INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/1074108.

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In this book, we are talking about a single principle that permeates every organized entity, regardless of what sphere it belongs to. Everywhere and always, and in accordance with the current circumstances, the process of formation, support and regulation of any complex complexes and ensembles is guided and controlled by the concept of the realizable, which postulates that only what is stable and stable will be realized, and everything else will be discarded as untenable and unbalanced. These patterns and patterns can be traced resolutely at all levels of existence. And the universe, and life, and consciousness, and mind, and culture are arranged and assembled according to these schemes, because it is difficult, if possible, for them to be any other. This paper provides an overview of this type of layout in these areas, as well as the theory of the achievable and accessible itself. Using examples and theoretical considerations, it is shown that the configuration of all reliable and long-lasting structures is approximately the same or very similar, because it obeys a single end-to-end logic of the formation of any similar substances, whatever they touch and wherever they are found. In addition, it is demonstrated that if something in this spirit is objectified in practice, then its nature and properties must be fundamentally the same as what we observe around or extremely close to it. Finally, the view is argued and developed, according to which everything consists of matter, is constituted by it, is reduced only to it, including any non-physical phenomena. It is concluded that all the wealth of the world is subject to the same laws of its construction, and all this construction observes the universal rules of the functioning of complex things, no matter what they are aimed at. For all those interested in philosophy.
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9

Arendse, Margot. Couture Bridalwear: Pattern Layout and Design. Brassey's, 2000.

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10

Couture Bridalwear: Pattern Layout and Design. Batsford, 2003.

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11

PaperBook, GraphBrick. Graph Brick Paper Book Journals: Graph Papers Notebook with a Brick Layout for Stitch in Beading or Pattern Design Other Crafts, Large 8. 5 X 11. Independently Published, 2020.

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12

PaperBook, GraphBrick. Graph Brick Paper Book Journals: Graph Grid Papers Notebook with a Brick Layout for Stitch in Beading or Pattern Design Other Crafts, 308 Pages, Large Size 8. 5 X 11. Independently Published, 2020.

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13

PaperBook, GraphBrick. Graph Brick Paper Book Journals: Graph Grid Papers Notebook with a Brick Layout for Stitch in Beading or Pattern Design Other Crafts, 308 Pages, Large Size 8. 5 X 11. Independently Published, 2020.

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14

PaperBook, GraphBrick. Graph Brick Paper Book Journals: Graph Grid Papers Notebook with a Brick Layout for Stitch in Beading or Pattern Design Other Crafts, 308 Pages, Large Size 8. 5 X 11. Independently Published, 2020.

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15

PaperBook, GraphBrick. Graph Brick Paper Book Journals: Graph Papers Notebook with a Brick Layout for Stitch in Beading or Pattern Design Other Crafts, 208 Pages, Large Size 8. 5 X 11 , Dogs Cover. Independently Published, 2020.

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16

Hubert, Margaret. 10 granny squares, 30 blankets: Color schemes, layouts, and edge finishes for 30 unique looks. 2016.

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17

Short Cuts for Round Layouts: A Textbook and Working Guide With Practical and Modern Methods for Laying Out and Forming Patterns for Round and Oblon. 4th ed. McGraw-Hill/Glencoe, 1986.

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18

Elffers, Joost. Textile Designs: Two Hundred Years of European and American Patterns Organized by Motif, Style, Color, Layout, and Period. Harry N. Abrams, 2002.

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19

Elffers, Joost. Textile Designs: Two Hundred Years of European and American Patterns for Printed Fabrics Organized by Motif, Style, Color, Layout, and Period. Dohosha Publishing Co. Ltd, 1991.

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20

Nobile, Drew. Form as Harmony in Rock Music. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190948351.001.0001.

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This book offers a theory of form aimed at rock and pop songs of the 1960s, 1970s, and 1980s. The core claim is that rock form derives from the interaction between thematic design and harmonic structure. Many aspects of a rock song—lyrical structure, instrumental texture, melodic design, etc.—ultimately trace back to the relationship between harmonic trajectory and formal layout. The book begins with a theory of rock harmony rooted in an adaptation of Schenkerian analysis and proceeds to demonstrate that rock music is based on a small set of formal-harmonic patterns used consistently across genres and decades. It is these formal-harmonic patterns—not generic successions of sections—that define rock’s individual forms. These forms provide a backdrop framing interpretations of specific songs, a lens through which we may comprehend their particular lyrical narratives, timbral signifiers, and broad expressive content. Though broadly theoretical in scope, this book is deeply analytical, demonstrating the value and utility of close reading of rock songs. Ultimately, the book defends a structural approach to rock analysis, arguing not only that such an approach is an important and valuable mode of engagement for rock but also that rock’s structural aspects deeply affect the way we perceive and interact with the repertoire.
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