Relevant bibliographies by topics / Le città invisibili

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Le città invisibili'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Le città invisibili"

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Ludovico, Roberto. "Dietro Le città invisibili: Viktor Sklovskij, narratore." Quaderni d'italianistica 20, no. 1-2 (1999): 217–26. http://dx.doi.org/10.33137/q.i..v20i1-2.9449.

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Granat-Robert, Sandrine. "Icasticità des Città invisibili. Fonction de la description chez Calvino." Italies, no. 16 (June 1, 2012): 95–120. http://dx.doi.org/10.4000/italies.4391.

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Moure Pazos, Iván. "Arquitectura escrita: lecturas y relecturas sobre Le città invisibili de Italo Calvino." Arbor 189, no. 761 (2013): a043. http://dx.doi.org/10.3989/arbor.2013.761n3011.

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Precioso, Adriana. "UM PASSEIO PELA ESTRUTURA LABIRÍNTICA DE LE CITTÀ INVISIBILI DE ITALO CALVINO." Téssera 2, no. 1 (2019): 17–29. http://dx.doi.org/10.14393/tes-v2n1-2019-51631.

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Este artigo procura revelar como a figura do labirinto, em suas possíveis funções, estrutural e temática, são engendradas na estrutura da obra Le città invisibili (As cidades invisíveis) (1972) do escritor italiano Italo Calvino. Em um processo combinatório de simetria numérica, observa-se a similaridade estrutural do texto com a obra clássica Decameron (1353) de Giovanni Boccaccio e, além disso, investiga-se as predileções do escritor pelo jogo combinatório, pelas formas geométricas, pela revisitação à tradição e pela presença do mito enquanto elemento essencial.
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Rivoletti, Christian. "Dagli Ossi di seppia a Le città invisibili: come Calvino riusa Montale." Romanische Forschungen 118, no. 3 (2006): 305–29. http://dx.doi.org/10.3196/003581206780282990.

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Ferraro, Bruno. "Italo Calvino's Le Città Invisibili and 'la sfida al labirinto'." Italianist 8, no. 1 (1988): 56–65. http://dx.doi.org/10.1179/026143488791333611.

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Giordano, Chiara. "El invisible hilo de Raissa: deseo utópico y conflicto urbano en "Le città invisibili" de Italo Calvino." Cuadernos de Filología Italiana 26 (October 2, 2019): 285–300. http://dx.doi.org/10.5209/cfit.61590.

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A principio de los años setenta, justo cuando Italo Calvino termina de construir sus Ciudades invisibles, en las calles de la sociedad capitalista se está librando una lucha ideológica entre tres fuerzas principales: una dominante (cuyo modelo urbano es la ciudad burguesa, racional y modernista), otra emergente (la ciudad posmoderna) y una tercera de tipo reactivo o resistente (la ciudad onírico-situacionista). El sustrato, esto es, el inconsciente ideológico en el que germina el texto, pues, es el mismo desde el que se desarrollan los debates de los urbanistas, arquitectos y geógrafos políticos de finales de los años sesenta y la consecuente resemantización de términos como “ciudadanía” o “espacio público”. Como trataremos de demostrar en el presente artículo, además, en la obra calviniana los conflictos ideológicos y las transformaciones sufridas por la ciudad posindustrial se tematizan en una dialéctica entre deseo colectivo y trauma colectivo, ciudad anhelada y ciudad padecida, y, en definitiva, en una deconstrucción de la antítesis utopía vs distopía en favor de una estructura que llamaremos intópica.
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Kreisberg, Alina. "Le città invisibili nell’immaginario di Italo Calvino e nelle immagini di Pedro Cano." Italies, no. 16 (June 1, 2012): 439–58. http://dx.doi.org/10.4000/italies.4519.

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Ricci, Franco. "The Quest for Sonship in Le città invisibili and “La strada di San Giovanni” by Italo Calvino." Forum Italicum: A Journal of Italian Studies 29, no. 1 (1995): 52–75. http://dx.doi.org/10.1177/001458589502900104.

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Moure Pazos, Iván. "Le Città Invisibili de Italo Calvino en el contexto de la arquitectura visionaria italiana de los 60/ 70: Archizoom y Superstudio." De Arte. Revista de Historia del Arte, no. 13 (December 8, 2014): 287. http://dx.doi.org/10.18002/da.v0i13.944.

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El presente artículo, pretende arrojar luz sobre la relación existente entre Le cittá invisibili de Italo Calvino –en adelante IC- y la arquitectura utópica de los años 60´s y 70´s en Italia,principalmente, aglutinada en torno a los grupos florentinos Archizoom y Superstudio. El principal atractivo de esta investigación, estriba en la exposición de una novedosa hipótesis: dicha obra, no ha sido precursora de ningún movimiento visionario –como usualmente se cree- sino que ésta, se inserta dentro de un debate preexistente, -fuertemente politizado- sobre la concepción de la ciudad existente en la Italia del momento. La originalidad de la obra de IC, reside en abordar dicho debate desde el punto de vista literario y no arquitectónico pero, de ningún modo, constituyó el inicio de un nuev omovimiento arquitectónico, artístico o urbano. Dada esta peculiaridad, surgirá uno de los casos contemporáneos más interesantes de diálogo interdisciplinar ecfrástico entre arquitectura y literatura
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Dissertations / Theses on the topic "Le città invisibili"

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Ludovico, Roberto. "Le città invisibili di Italo Calvino : le "ragioni" dello scrittore." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=27952.

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In 1972, Italo Calvino published Le citta invisibili, a text which marked a radical departure from "traditional" narrative methods.<br>This study is an analysis of the literary techniques used in the text. It posits Calvino's critical and theoretical evolution as the source of the specific stylistic choices that determine the originality of the work.
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Coutot, Jenny. "L'illusione della scrittura, le metamorfosi del labirinto. Le città invisibili di Calvino e il modello ovidiano." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amslaurea.unibo.it/8136/.

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Résumé: Par le biais de cette thèse, nous nous aventurons dans le monde des Villes invisibles d'Italo Calvino à travers un voyage qui nous portera à affronter des thèmes tels que l'insuffisance du langage pour décrire les multiples formes de la réalité ; l'importance de la relation entre l'oeil et l'esprit ; les instruments déployés par Italo Calvino pour atteindre son objectif: toucher du doigt l'essence même de la réalité. Pour ce faire, l'écrivain puisera dans une tradition séculaire d'oeuvres littéraires, y compris et surtout Ovide et ses Métamorphoses, qui fera l'objet dune étude plus poussée étant donné que Calvino et lui partagent la conviction que l'art et l'illusion qu'il comporte nous guident vers une réalité nouvelle. Nous finirons par l'étude de certains concepts récurrents dans la littérature en général, mais surtout dans celle de l'écrivain. Des thèmes comme l'échiquier, le labyrinthe ou encore la carte nous apparaissent comme autant de moyens employés par Calvino pour comprendre notre monde. Le tout à travers un voyage initiatique qui nous permettra non seulement de mieux comprendre la réalité dans laquelle nous vivons et par conséquent nous-même, mais aussi d'entrer dans l'esprit de l'auteur sans toutefois oublier que nous ne pouvons qu'effleurer la surface de ce dernier. Abstract: Through this thesis, we will enter the world of Italo Calvino's Invisible cities in a trip that will bring us to analyse subjects such as the language inadequacy when it comes to describing reality and its multiple forms ; the importance of the link between the eye and the mind ; the tools used by Italo Calvino in order to achieve his goal: reach the very essence of reality. To do so, the writer will make full use of a tradition that comes from centuries of literary books, included and most of all Ovid and his Metamorphoses, which we will study more deeply as Calvino shares with him the belief that art and illusion that derives from it, bring us towards a new reality. Finally, we will analyse some topics which are generally recurrent not only in literature, but also in Calvino's work. Topics such as chessboard, labyrinth, map that are may different ways used by Calvino to understand our world. All of this will take us through an initiatory trip that will allow us not only to better understand the reality we live in and therefore ourselves, but also to enter the writer's mind without however forgetting that we cannot but only scratch the surface of the latter.
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Petsota, Myrto. "Italo Calvino : mythical writing in an enlightened world : desire, utopia and earthly transcendence in the cosmicomic stories, Le città invisibili, and Palomar." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7829.

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This thesis offers an interpretative framework of Italo Calvino’s later work (the cosmicomic stories, Le città invisibili, and Palomar), based on the notions of myth, desire, utopia and science. Its aim is to suggest a reading of these texts as a common literary project best described as being deeply influenced by mythological elements and structures, while clearly bearing the mark of enlightened thought. The study exposes both the intellectual implications of such a project, and the aesthetic mechanisms by which it takes its form. The research was informed by Calvino’s own relevant critical work, a network of secondary criticism approaching either the texts which were of interest to this particular work or the themes and notions that were to be explored, and a set of tertiary texts, which helped to consolidate pivotal notions. The latter include the work of thinkers who had a major influence on Calvino as it is known from his essays and his letters (like Charles Fourier or Giorgio de Santillana), but also other figures, such as Anton Chekhov or Albert Camus, who emerged as interesting comparative opportunities for our study. The analysis of the cosmicomic stories explores the relationship between myth-making and individual responsibility. It draws parallels between intellectual commitment and literary projection, and defines Calvino’s utopian project, including it in a reflection on knowledge, myth and the tyranny of abstract thought. Individual responsibility emerges as a prospective and a retrospective activity, which is explained alongside the idea of ‘poetics in the making’. Le città invisibili is studied as an illustration of Calvino’s precise poetics using the image of the city. The notions of the episode and the frame are the central concepts around which the inquiry is articulated. Discussing the ideas of desire and the search for the ideal, it is possible to draw solid links with the cosmological project of the cosmicomics and Calvino’s idea of utopia and myth. With an examination of characterisation in Palomar and a close analysis of the quest for meaning, this thesis also attempts a definition of Calvino’s aesthetics as the ‘aesthetics of earthly transcendence’. It moves on to a comparative study of Palomar and Le Mythe de Sisyphe by Albert Camus, in order to suggest an interpretation of the main character, as a man who lives and observes his life in the face of the absurd; the literary consequence being the immediate confrontation between writing and death, and the presence of silence threatening understanding and communication.
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Mattioni, Francesco <1974&gt. "Eterotopie narrative. La geografia del racconto nelle "Città invisibili" di Calvino, nella "Vie mode d’emploi, romans" di Perec e in "Mason & Dixon" di Pynchon." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2008. http://amsdottorato.unibo.it/1179/.

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Ludovico, Roberto. "Le cittá invisibili di Italo Calvino, le ragioni dello scrittore." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ37217.pdf.

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Lévy, Clément. "La crise du territoire : la représentation de l'espace géographique dans quatre fictions postmodernistes d'Italo Calvino, Jean Echenoz, Thomas Pynchon et Christoph Ransmayr." Limoges, 2008. http://aurore.unilim.fr/theses/nxfile/default/190642d5-b70f-403b-a454-11d9d0727c89/blobholder:0/2008LIMO2009.pdf.

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Ce travail de recherches géocritiques étudie dans "Le Città invisibili" (1972) d'Italo Calvino (1923-1985), "Les Grandes blondes" (1995) de Jean Echenoz (1947-. . . . ), "Gravity's Rainbow" (1973) de Thomas Pynchon (1937-. . . . ) et "Morbus Kitahara" (1995) de Christoph Ransmayr (1954-. . . . ) des récits de fiction postmodernistes mettant en scène la crise du territoire. Encadrant le plein développement d'un courant esthétique et théorique qui remet en cause les normes et affirme le pluriel contre l'universel, la multiplicité et les réseaux contre les oppositions binaires, ces fictions représentent l'espace-temps dans des territoires éphémères et disputés dont les limites sont incertaines et l'histoire contestée. L'analyse de la parodie, de l'ekphrasis, du déplacement et de la géographie postmodernes dans les oeuvres du corpus permet de mettre en évidence l'intérêt des concepts de chronotope (Bakhtine), de brouillage référenciel (McHale), d'hétérotopie (Foucault), de déterritorialisation (Deleuze et Guattari) pour des études en géocritique littéraire. Chacun des textes littéraires étudiés présente un différent type de crise du territoire, car les territoires fictionnels représentés sont des non-lieux, ils sont altérés, disparus, utopiques, uchroniques : ils échappent à la définition attendue et sont marqués par la mélancolie. Cependant, la fiction postmoderniste, mettant en crise la représentation, propose aussi de donner forme au monde par le texte, qui se fait à la fois interface entre des milieux et réseau de flux d'informations. Dans ce nouveau type de territoires, les énergies et la matière s'auto-organisent, et l'oeuvre littéraire qui les représente décrit un cosmos derrière le chaos apparent.
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Granat-Robert, Sandrine. "Les villes invisibles de Calvino, ouvroir de littérature "poétentielle" et "oscillatoire"." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3131/document.

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Le città invisibili de Calvino (1972), recueil de descriptions de villes inscrites dans un récit-cadre, posent à nouveau la question de l’écriture, grâce aux deux personnages Marco Polo et Kublai Kan devisant des villes de l’empire, des hommes et des choses, de leur existence, leur utilité, leur durée, leur sens ; mais aussi, mis en abyme, des problèmes de la ville moderne et du vivre ensemble, ou encore de ceux de l’art d’écrire, histoire de décrire ou plutôt de raconter encore la réalité de façon philosophiquement onirique, à moins que ce ne soit oniriquement philosophique. Notre travail de recherche se propose de lire cette œuvre comme un prisme des recherches calviniennes sur la création littéraire, alors que l’écrivain est sur le point d’être coopté à l’Oulipo. Ce livre se rattache à un ensemble d’idées présentes dans une grande partie de son œuvre, narrative tout autant que théorique et épistolaire, ou médiatique, comme une variation partiellement oulipienne et un écho persistant de son amusement perplexe ou de sa perplexité amusée mais parfois inquiète, devant cet acte curieux, intellectuel et expérimental, qu’est l’écriture. Désirs d’écrire ou de dire le monde extérieur traversent Calvino qui veut aussi en offrir une image construite et maîtrisée, conscient néanmoins de la part inhérente de hasard qui les détermine. Grâce à l’écriture combinatoire et à la réécriture parodique, l’écrivain s’ouvre la possibilité d’un espace fantastique et personnel à travers une poétique réflexive originale puisant à la fois dans le symbolique et l’ironie et une réflexion poétique, où se rencontrent, profondes et détachées, intelligence du monde et intelligence de l’écriture<br>Invisible Cities by Calvino (1972), is a collection of cities’s descriptions registred in a frame story. It raises again the question of writing, through two characters Marco Polo and Kublai Kan who have a conversation on some different subjects, such as empire’s cities, human beings and things, their existence, utility, duration, meaning, but also creating a mise en abyme of problems of modern city and living together, or those of the Art of writing, another way of describing or rather recounting reality in a philosophically oneiric way unless it is oneirically philosophic. Our research work intends to read this book like a prism of Calvino’s thought about literary creative writing, while the writer is just about to be coopted into joining the Oulipo, linking it to ideas we find in most of his work, narrative as well as theoritical and epistolary or mediatised, like a partially oulipienne variation and a persistent echo of his perplexed pleasure or amused perplexity but sometimes troubled in front of this strange act, intellectual and also experimental, which is writing. Desires to write or to express the outside world go through Calvino but he wants to give us a constructed image and a also controlled one, still aware that an inherent part of hazard is determinant on these. Thanks to combinatorial writing and rewriting parodies the writer has the opportunity to open a fantastic and personal area, through an original reflective poetic drawing from symbolism and irony, and a poetic reflection where the intelligence of the world and the intelligence of writing meet, both deep and detached
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Moreno-Viqueira, Ileana. "Invisible Mathematics in Italo Calvino's Le città invisibili." Thesis, 2013. https://doi.org/10.7916/D8JW8N70.

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This dissertation examines the use of mathematical concepts as an essential structural and thematic element in Italo Calvino's Le città invisibili. The author`s conception of literature as a combinatorial art, intrinsically mathematical itself, is the point of departure. Focal to the study is Calvino's interest in that which is an essential part of the combinatorial game and the key to Gödel Incompleteness Theory, namely, the elements of surprise and the unexpected - the exceptions to the rule. Other critical approaches to Calvino's work, like semiotic, structuralism and scientific are interrelated to Mathematics, but what this study proposes is a strictly mathematical approach to complement that which has already been pointed out. A mathematical perspective based on an understanding of Mathematics as more than just numbers encompasses the whole analysis. Mathematics is given its proper place as a humanistic discipline. It is an interdisciplinary proposal of literature and science, pertinent to Calvino's writing. The purpose is to unveil a "hidden math" which from the perspective of this study is an intrinsic tool in Calvino's writing process of Città. As a versatile writer, Calvino manages to use mathematics in such subtle ways that it may not be perceptible at first sight. Most importantly, within these mathematical concepts and images lies, in part, the potential character of literature for which the author aims: that latent yet invisible possibility, that search for new forms (like the cities). These ideas, particularly related to potential literature, are also analyzed from his interest and involvement in Oulipo (Ouvroir de Littérature Potentielle). The study begins by unfolding what aspects of combinatorial mathematics are present in Le città invisibili; how these concepts as well as other images are used in the construction and design of the cities and the book; and to find out why Calvino finds recourse to mathematics as a narrative and creative strategy. Calvino's use of mathematical concepts are studied as a "visual instrument" in the organization and construction of his imaginative writing and, furthermore, as a means to achieve "lightness" structurally and thematically through the abstract, aesthetic and, at times, even humorous nature of mathematics. In their own way mathematics and literature attempt to make visible what is invisible, and they both struggle to remove weight from their own "systems" of expression. In conclusion, the investigation intends to demonstrate through Calvino's Le città invisibili, how mathematics and literature complement each other in the search for new forms, new ideas, new stories.
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Abell, Lynn Valerie. "Imaginative appropriation : confronting otherness through the female body in the works of Cesare Pavese and Italo Calvino." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-2827.

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This report examines the ways in which Cesare Pavese and Italo Calvino use images of the foreign woman as other. Specifically, both authors inscribe foreign territories onto the bodies of their female characters in order to confront complex cultural differences. Italy is the site of this gendered inscription in Pavese’s Il carcere, while various real and imagined foreign lands are made female in Calvino’s Se una notte d’inverno un viaggiatore and Le città invisibili. In Pavese’s novella, the satyr-like Concia and the overly maternal Elena are embodiments of Southern and Northern Italy, respectively, and the failure of the protagonist to form a relationship with either woman represents his failure to assimilate into the mezzogiorno and his simultaneous rejection of northern society. In Calvino’s two works, female characters and attributes are consciously used to embody various foreign countries so that the protagonists may grasp the unknown, both physically and psychologically. By linking woman and terrain, Pavese and Calvino attempt to dominate distant lands, which are otherwise enigmatic and incomprehensible, in the typical Orientalist fashion.<br>text
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Books on the topic "Le città invisibili"

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Il filosofo e le città: Seminario su Le città invisibili di Italo Calvino. CUEM, 2006.

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1978-, Lizza Venuti Marinella, ed. Le città e i nomi: Un viaggio tra le Città invisibili di Italo Calvino. Nerosubianco, 2010.

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Pocci, Luca. Constructing memories: a study of Slaughterhouse-five, Famous last words, and Le città invisibili. 2002.

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Calvino, Italo. Le citta invisibili. Mondadori, 2016.

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(Editor), Cristiana Grocometti, and Maurizio Falyhera (Editor), eds. Italo Calvino: "Le citta' invisibili" (Il Narratore Italian Literature on Tape). Multilingual Books, 1998.

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Calvino, Italo. Italo Calvino: "Le citta' invisibili" (Il Narratore Italian Literature on Tape). Multilingual Books, 1998.

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Book chapters on the topic "Le città invisibili"

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Müller-Buck, Renate. "Calvino, Italo: Le città invisibili." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2960-1.

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Sansone, Vincenzo. "Città Invisibili of Teatro Potlach." In Advances in Library and Information Science. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-0680-5.ch020.

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Città Invisibili is a multidisciplinary art project made by the Italian company Teatro Potlach. Compared to the canonical theatrical performances, Città Invisibili, being in its essence a site-specific performance, interacts with the place where it grows. With the project, the Italian group builds next to the existing space of the place (physical space and memory space) other two spaces, the space of the staging and the space of the performer, using different materials, in particular cloths and video projections. Moreover Teatro Potlach conducts a historical, anthropological and social research trying to bring out the latent memory of places. All these interventions bring out from the place a city never seen before, invisible to the eyes of its inhabitants, but present and buried in the meanderings of their memory. The objective is to bring out this memory so that the inhabitants preserve and hand down it to new generations.
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"‘Conclusion’, in The Invisible Cities (Le città invisibili, 1972), New York: Harcourt/Harvest-HBJ, pp. 164–5." In The City. Routledge, 2017. http://dx.doi.org/10.4324/9781315240657-24.

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"Representing the Unimaginability of the Imaginable: Italo Calvino’s Castello dei destini incrociati and Le città invisibili." In imagining the unimaginable. BRILL, 2002. http://dx.doi.org/10.1163/9789004484887_010.

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