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Journal articles on the topic 'Le Flâneur'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Khaidzir, Mohd Fadhli Shah, Ruzy Suliza Hashim, and Noraini Md. Yusof. "Nor Faridah’s Wanderings as Female Flâneur in The Art of Naming." GEMA Online® Journal of Language Studies 21, no. 3 (August 30, 2021): 140–53. http://dx.doi.org/10.17576/gema-2021-2103-08.

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Travellers’ enthusiasm can drive them to explore new locations, especially those that are unknown and foreign to their eyes. Nor Faridah Abdul Manaf's anthology of poetry, The Art of Naming (2006) reflects the people and locations that played a significant role in crafting her poems. Using the role of a flâneur, which is closely related to the theory of psychogeography, we investigate how Nor Faridah, as a flâneuse (a female flâneur), wanders and strolls through the places she reconnoiters, and how her mental and behavioural aspects as a human being are affected by her environment. Her poems depict a strong perception, involvement, and representation of images focused on the immediate encounter of the urban cities visited, which serve as valuable pieces of evidence flâneurs while walking. Based on the analysis, the different places visited by the poet exhibit her values of humanity including empathy, generosity and love. Thus, Nor Faridah’s works illuminate the position of flâneur and flâneuse, demonstrating how spaces, contrary to what is thought to be pointless roaming, actually offer insights into understanding relationship between people and their locations. As a consequence, space and position are dialectically organised in human environmental history, since her sense of space is related to the locations she inhabits, which derive meaning from their spatial significance. Keywords Psychogeography; Flâneur; Flâneuse; Place; Nor Faridah Abdul Manaf

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2

Hermann, Veronika. "Dicsőség a kószálónak. Megjegyzések a flâneur társadalomtörténetéhez." Apertura 15, no. 4 (2020): 1–13. http://dx.doi.org/10.31176/apertura.2019.15.4.4.

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A Charles Baudelaire által létrehozott városi kószáló figurája, vagyis a flâneur Walter Benjamin Párizs, a XIX. század fővárosa című esszéje után az urbánus szubkultúrák ikonikus figurája lett. Azóta a flâneur retorikai alakzata nemzeti, etnikai és társadalmi nemi határokon átívelő karriert futott be. Miközben a modernitásban kialakuló nagyvárosi identitásmodellekről számtalan kutatás született, kevés szó esett arról, hogy a flâneur alakváltozatainak mi köze van az őt kitermelő politikai és társadalmi kontextushoz vagy éppen a társadalmi nemekhez. Ebben a tanulmányban azt vizsgálom, hogyan jelennek meg társadalmi nemi szempontok a flâneur női derivátumaiban (flâneuse), és amellett is érvelek, hogy a modernista szépirodalom nemcsak az elbeszéléstechnikát újította meg, hanem mediális jellege miatt komoly szerepe volt a városi tömegkultúra és az urbánus identitásmodellek kialakulásában.

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3

Dayani, Roksana, and Bahee Hadaegh. "RHIZOMATIC COSMOPOLITAN AND WILSONIAN RECURSIVE VISION IN JOE TURNER’S COME AND GONE." Folia linguistica et litteraria X, no. 32 (2020): 7–25. http://dx.doi.org/10.31902/fll.32.2020.1.

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Being the constant wanderer for the lost identity in the polyethnic land of America, African Americans bear striking resemblance to the figure of flâneur with dialectical image of local and cosmopolitan citizen of the universe. The spirit of flânerie proves its geographical historical expansion in both postmodern and African American context while its performative action navigates it in dramatic texts. Hence, Wilsonian characters identical with constant existential quest for the lost self can be African American incarnations of flâneur. Drawing on Baudelaire’s definition and Benjamin’s theory of flâneur, this study seeks to demonstrate possible manifestations of African American flâneur in August Wilson’s Joe Turner’s Come and Gone (1986). Moreover, through Deleuze and Guattari’s postmodern theoretical concept of rhizome in A Thousand Plateau (1987), the study aims to explore the postmodern manifestation of flâneur and consequently manifest how it functions to be the means for Wilsonian postmodern recursive dramatic vision that represents mysterious aspects of African Americans life. Flâneur’s versatility appropriates it to be the quintessential manifestation of African Americans inasmuch as the latter’s multifaceted African nature can accommodate the former’s flexibility

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4

Szurgot-Prus, Ewelina. "Flâneur widziany oczyma flâneura. Próba przeanalizowania obrazu obserwatora tłumu kreowanego przez Waltera Benjamina." Studia Europaea Gnesnensia, no. 12 (December 15, 2015): 141–62. http://dx.doi.org/10.14746/seg.2015.12.8.

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This paper discusses the figure of flâneur , the urban observer. By way of the perspective adopted by Walter Benjamin, I attempt to identify all aspects of flâneurism. What is more, I try to ascertain the existence of correlations between the writer (Walter Benjamin) and the flâneur he described.

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5

Benhaïm, Safia. "Le flâneur." Vertigo 27, no. 1 (2005): 84. http://dx.doi.org/10.3917/ver.027.0084.

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6

Churchill, Elizabeth F. "Today's flâneur." Interactions 17, no. 4 (July 2010): 62–66. http://dx.doi.org/10.1145/1806491.1806507.

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7

Merzeau, Louise. "Le flâneur impatient." Médium 41, no. 4 (2014): 20. http://dx.doi.org/10.3917/mediu.041.0020.

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8

Berdet, Marc. "Chiffonnier contre flâneur." Archives de Philosophie 75, no. 3 (2012): 425. http://dx.doi.org/10.3917/aphi.753.0425.

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9

Toiskallio, Kalle. "The Impersonal Flâneur." Space and Culture 5, no. 2 (May 2002): 169–84. http://dx.doi.org/10.1177/1206331202005002008.

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10

van Leeuwen, Bart. "If we are flâneurs, can we be cosmopolitans?" Urban Studies 56, no. 2 (September 20, 2017): 301–16. http://dx.doi.org/10.1177/0042098017724120.

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Walter Benjamin’s and Charles Baudelaire’s personage of the flâneur can be interpreted as a representation of the ambivalent attraction to the strange and unknown in the experience of anonymous city life, so characteristic for the modern age. To what extent can we interpret this role of the flâneur – given its essential qualities in these writings – as a representation of world citizenship? The thesis is that the flâneur is more a cosmopolitan in the cultural than in the moral sense of the term. To live up to the demanding moral ideal of world citizenship, the flâneur needs to change: from detached observation to more meaningful forms of inter-cultural engagement. Hence the flâneur offers some clues for the kind of ethos that is required for a cosmopolitan subjectivity as well as for how it falls short.

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11

Naletto, Pedro De Carvalho. "Walter Benjamin e o flâneur baudelairiano em Julio Cortázar." Primeiros Escritos, no. 10 (May 23, 2020): 265–82. http://dx.doi.org/10.11606/issn.2594-5920.primeirosescritos.2020.155402.

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Este artigo pretende retomar a relação proposta por Davi Arrigucci Júnior entre o flâneur baudelairiano de “O pintor da vida moderna” e o personagem Roberto-Michel, do conto “Las babas del diablo”, de Julio Cortázar, à luz da análise do flâneur desenvolvida por Walter Benjamin no ensaio “Paris do segundo império”. Baudelaire retira a figura do flâneur do conto “O homem na multidão”, de Edgar Allan Poe, e a descreve em associação às ideias da convalescença e da infância, que exprimem a curiosidade do flâneur em meio à multidão. Na análise de Benjamin, por outro lado, a multidão ganha um caráter negativo, como esconderijo do flâneur, visto que este não se sente seguro no meio social. Ao retomar a análise de Benjamin, este artigo tem como objetivo propor uma possível contribuição à interpretação feita por Arrigucci Jr. do personagem de Cortázar.

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12

Sanches, Eduardo Oliveira, and Divino José da Silva. "Infância, passagens para um flâneur aprendiz." Educação (UFSM) 44 (April 4, 2019): 34. http://dx.doi.org/10.5902/1984644432833.

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Este estudo de natureza teórica tem por objetivo analisar as imagens bejaminianas do flâneur e da infância, aproximando-as, para refletir sobre a ideia de um flâneur aprendiz como uma figura que conserva viva em sua percepção do mundo uma sensibilidade que recusa o discurso linear, o que o leva para o caminho indireto na relação com os objetos cognoscíveis. Desses desvios emerge a aura das coisas, da qual pode-se ter a experiência possível com o moderno; a sensibilidade da criança como equivalente à de um flâneur; e uma compreensão sobre a cultura da criança, sendo constituída, em parte, dos restos da história, à margem da cultura adulta, em outra, pelos desvios originado pela ação da criança em seu protagonismo. O protagonismo da criança e o modo desviante como ela se aproxima das coisas do mundo a dotam das mesmas habilidades do flâneur, segundo as possibilidades da criança, os que nos leva a ideia do flâneur aprendiz. Em termos de método, o limiar formado pela aproximação e jogo de imagens entre essas duas figuras têm o potencial de ampliar a compreensão e a importância tanto da imagem do flâneur como da noção de infância na obra de Walter Benjamin.

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13

Loubier, Pierre. "Balzac et le flâneur." L'Année balzacienne 2, no. 1 (2001): 141. http://dx.doi.org/10.3917/balz.002.0141.

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14

Papp, Ágnes Klára. "Szindbád, a kisvárosi flâneur." Partitúra 11, no. 2 (2016): 13–30. http://dx.doi.org/10.17846/pa.2016.11.2.13-30.

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15

Lee, Changnam. "Introduction: The Transnational Flâneur." Sociétés 135, no. 1 (2017): 5. http://dx.doi.org/10.3917/soc.135.0005.

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16

Wrigley, Richard. "Writing off the Flâneur." Oxford Art Journal 41, no. 1 (March 1, 2018): 136–39. http://dx.doi.org/10.1093/oxartj/kcx049.

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17

Canpolat, Emre. "Method and Flâneur in Walter Benjamin." Moment Journal 1, no. 2 (December 15, 2014): 270–95. http://dx.doi.org/10.17572/mj2014.2.270295.

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18

Hazel Hahn, H. "The Flâneur, the Tourist, the Global Flâneur, and Magazine Reading as Flânerie." Dix-Neuf 16, no. 2 (July 2012): 193–210. http://dx.doi.org/10.1179/12z.00000000017.

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19

Freitas, Jorge De. "Resistência e história na imagem do flâneur." Cadernos Benjaminianos 1, no. 8 (May 27, 2016): 17. http://dx.doi.org/10.17851/2179-8478.1.8.17-23.

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Destacando que a imagem do flâneur pode conter o todo da constelação benjaminiana da modernidade, este artigo pretende reconstruir o traçado da historiografia de Benjamin a partir do flâneur entendido como o momento de irrupção de uma outra história, não obstante, fadado a desaparecer.

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20

Lynes, Adam, Craig Kelly, and Pravanjot Kapil Singh Uppal. "Benjamin’s ‘flâneur’ and serial murder: An ultra-realist literary case study of Levi Bellfield." Crime, Media, Culture: An International Journal 15, no. 3 (December 14, 2018): 523–43. http://dx.doi.org/10.1177/1741659018815934.

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This article seeks to develop criminological theory with the application of a literary device known as the ‘flâneur’ – an individual described as a ‘stroller’ – to serial murderer Levi Bellfield. With this application of the ‘flâneur’ to the phenomenon of serial murder, this article provides a fresh theoretical ‘lens’, and specifically sheds light on how particular serial murderers operate and evade detection in modern society. The importance of modernity to the phenomenon of serial murder is also considered utilizing Ultra-Realist theory, resulting in both a micro and macro examination into how the modern urban landscape has subsequently created an environment in which the serial killer both operates and comes to fruition. This synthesis between the application of literary devices, criminological theory and socio-cultural concepts not only raises important and previously neglected questions pertaining to serial murder, but also assists in forming the more sinister relative of the flâneur: the ‘dark flâneur’.

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21

Turaça Arantes, Tais, Gabriel de Melo Lima Leal, and Ronaldo Vinagre Franjotti. "RORSCHACH: FLÂNEUR E ANTI-FLANÊUR." Cadernos Walter Benjamin V.23, no. 23 (December 30, 2019): 193. http://dx.doi.org/10.17648/2175-1293-v23n2019-9.

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22

Nuvolati, Giampaolo. "Le flâneur dans l’espace urbain." Géographie et cultures, no. 70 (July 1, 2009): 7–20. http://dx.doi.org/10.4000/gc.2167.

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23

Jofré, Manuel. "NICANOR PARRA, FLÂNEUR EN CHILLÁN." Atenea (Concepción), no. 510 (December 2014): 73–93. http://dx.doi.org/10.4067/s0718-04622014000200006.

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24

Marcotte, Gilles. "Un flâneur, rue Notre-Dame." Études françaises 27, no. 3 (1991): 27. http://dx.doi.org/10.7202/035855ar.

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25

Weinstein, Deena, and Michael A. Weinstein. "Georg Simmel: Sociological Flâneur Bricoleur." Theory, Culture & Society 8, no. 3 (August 1991): 151–68. http://dx.doi.org/10.1177/026327691008003011.

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26

Ferreira de Santana, Wilck Camilo, and Sherry Morgana Justino de Almeida. "Flâneur e a cidade moderna." Gláuks - Revista de Letras e Artes 19, no. 2 (February 12, 2020): 89–107. http://dx.doi.org/10.47677/gluks.v19i2.122.

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Este artigo busca analisar a figuração da cidade na poética de Joaquim Cardozo [1897-1978] considerando a dimensão modernista de sua obra. Para tal, realizamos um estudo acerca da cidade do Recife impressa na literatura com base na análise dialética de “Tarde no Recife” [1925], “Recife de Outubro” [1947] e “Recife Morto” [1924], todos eles publicados no volume Poemas (1947), tendo como aporte teórico crítico o pensamento de Berman (2007), Benjamin (1994), Bosi (2000), Chevalier & Gheerbrant (2015), Paz (1996) e Rezende (2008). Com isso, objetiva-se interpretar a cidade como um lugar de memória na qual a obra do autor funciona como um ato comunicativo de significativa relevância histórica de um sistema social marcado por um mundo mergulhado no progresso inexorável do capitalismo e, consequentemente, na reformulação do espaço, como uma perpétua mudança do tempo.

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27

Gluck, Mary. "The Flâneur and the Aesthetic." Theory, Culture & Society 20, no. 5 (October 2003): 53–80. http://dx.doi.org/10.1177/02632764030205003.

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28

Broullón-Lozano, Manuel Antonio. "«Anhelo la libertad de salir sola: ir, venir, sentarme…». La flâneuse entre dos siglos: del XIX a la mujer moderna en la Edad de Plata española." Feminismo/s, no. 37 (January 21, 2021): 81. http://dx.doi.org/10.14198/fem.2021.37.04.

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Pasear es una actividad del cuerpo y de la mirada que implica ocupar el espacio público; hacerse ver y observar. Si hay un prototipo literario de paseante, ese es el flâneur. No pocas voces se han preguntado si, en consecuencia, existe una flâneuse, y cuáles son sus características y condiciones. En este trabajo pretendemos explorar a través de un ejercicio de comparatismo literario, la relación entre la mujer moderna y la flâneuse entre dos siglos (XIX y XX), con tal de comprender cómo las mujeres paseantes que se convierten durante la Edad de Plata de la Literatura Española en el sujeto de enunciación del texto lírico pueden plantear o bien una transformación o bien una disidencia tanto de los modelos de género como de visualidad en el seno de la vida moderna.

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29

Cuvardic García, Dorde. "El flâneur y la flaneuse en la historia de la pintura, el cine, la fotografía y la ilustración." Revista de Filología y Lingüística de la Universidad de Costa Rica 38, no. 1 (October 28, 2013): 9. http://dx.doi.org/10.15517/rfl.v38i1.12195.

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El flâneur, como tipo social reconocible, ha sido representado, desde el siglo XIX, en la cultura visual, tanto en la pintura y la ilustración, como en el cine y la fotografía. La flanerie se desarrolla en el tiempo, por lo que en el caso de la pintura, arte del espacio, se presentan ciertas dificultades para distinguirle. Por lo general, se le identifica por la vestimenta, el gesto y el uso del espacio que adopta. Suele quedar visualmente asimilado al dandy ocioso que pasea. Por otra parte, algunos pintores han quedado identificados como flâneurs. Así, la representación de la modernidad en los pintores impresionistas se visualiza en las pinturas a partir de la utilización de un punto de vista fragmentario, aleatorio y descentrado sobre el espacio público. Por último, en los estudios cinematográficos, así como en la fotografía, la mirada de la cámara cinematográfica sobre la calle, desde Kracauer, también ha sido comprendida como flanerie. Asimismo, algunos investigadores han tratado de identificar a personajes que se desempeñen como flâneurs o flaneuses en la historia del cine.

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30

Torrecilla Patiño, Elia. "Un desplazamiento virtual y visual al espacio híbrido a través de la figura del flâneur." AUSART 4, no. 1 (July 12, 2016): 165–74. http://dx.doi.org/10.1387/ausart.16696.

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Este artículo se propone rescatar la figura del flâneur para adaptarla a los nuevos espacios generados por el uso de las nuevas tecnologías, recuperando la actividad de caminar como experiencia estética, esta vez en un espacio híbrido donde cuerpo, tecnología y ciudad se combinan para obtener nuevos puntos de vista y ofrecer nuevas experiencias en el espacio, planteando un desplazamiento desde el espacio virtual al espacio físico; una mirada vertical que se va distanciando, desde la invención de la perspectiva en el Renacimiento, hasta la actualidad, donde el globo terráqueo se presenta como un espacio abarcable y visualmente transitable a través de una interfaz. Frente a la experiencia vertical y virtual que permite sobrevolar el espacio, se propone un aterrizaje para experimentar la visión horizontal, que es la mirada del flâneur, quien utiliza el cuerpo y esta vez la tecnología, para, a través del movimiento producido por el acto de caminar, establecer un contacto directo con la ciudad y sus habitantes y así re-conocer un entorno que se presenta cada vez más abstracto.Palabras-Clave: FLÂNEUR; CIUDAD; FÍSICO; DIGITAL; HÍBRIDO A virtual and visual shift to the hybrid space through the figure of flâneurAbstractThis article aims to rescue the figure of the flâneur to adapt it to the new spaces generated by the use of new technologies, recovering the activity of walking as an aesthetic practice, this time in a hybrid space where body, technology and city are combined to get new viewpoints and offer new experiences in the space, posing a displacement from the virtual to physical space; a vertical look to be moving away from the invention of perspective in the Renaissance to the present, where the globe is presented as an understandable and visually passable through an interface space. Faced with the vertical and virtual experience that allows flying over space, a landing to experience horizontal view, that is the gaze of the flâneur, who uses the body and this time the technology is proposed to, through movement produced by the act of walking, establish direct contact with the city and its inhabitants and thus recognize an environment that is increasingly abstract.Keywords: FLÂNEUR; CITY; PHYSICAL; DIGITAL; HYBRID

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31

Nuvolati, Giampaolo. "Il flâneur perso nella smart city." SOCIOLOGIA URBANA E RURALE, no. 122 (May 2020): 62–76. http://dx.doi.org/10.3280/sur2020-122005.

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32

Schulte Nordholt, Annelies. "Georges Perec: topographies parisiennes du flâneur." RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE 2, no. 1 (February 19, 2008): 66. http://dx.doi.org/10.18352/relief.128.

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33

Chambers, Ross. "The flâneur as hero (on Baudelaire)." Australian Journal of French Studies 28, no. 2 (May 1991): 142–53. http://dx.doi.org/10.3828/ajfs.28.2.142.

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34

윤명희. "Spectacle and Flâneur in Digital Space." Discourse 201 12, no. 2 (August 2009): 107–35. http://dx.doi.org/10.17789/discou.2009.12.2.005.

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35

Kulper, Perry. "Avant‐Garde Legacies: A Spirited Flâneur." Architectural Design 89, no. 4 (July 2019): 62–69. http://dx.doi.org/10.1002/ad.2458.

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36

Choi, Jinhee. "Seoul Flâneur? Breathless and Café Noir." Journal of Japanese and Korean Cinema 7, no. 1 (January 2, 2015): 57–72. http://dx.doi.org/10.1080/17564905.2015.1035008.

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37

Leah Krueger, Cheryl. "Flâneur Smellscapes inLe Spleen de Paris." Dix-Neuf 16, no. 2 (July 2012): 181–92. http://dx.doi.org/10.1179/12z.00000000016.

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38

Coates, Jamie. "Key figure of mobility: the flâneur." Social Anthropology 25, no. 1 (February 2017): 28–41. http://dx.doi.org/10.1111/1469-8676.12381.

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39

Menezes, Marcos Antônio de. "Dandy." albuquerque: revista de história 11, no. 21 (January 11, 2020): 26–39. http://dx.doi.org/10.46401/ajh.2019.v11.9231.

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O poeta de As Flores do Mal buscou compreender o tempo em que viveu, chamou as coisas pelo nome das coisas, desnudou-as. Para melhor traduzir o espírito de seu tempo, Baudelaire assumiu para si a responsabilidade de viver este tempo plenamente, nem que para isso fosse necessário correr o risco da despersonalização. Cada personagem, dandy ou flâneur – figuras emblemáticas do tempo do poeta francês que ele colocava sobre o corpo e a alma – são elementos-chave para permitir desvendar Paris, cidade-símbolo do século XIX. Em personagens tais como: o trapeiro, o boêmio, o dândi e o flâneur, o poeta procurou desvelar as máscaras da cidade. Isso quer dizer que, neste trabalho, procuramos pensar as figuras do dândi e do flâneur como personagens que revelaram a capital francesa. Personagens emblemáticos de um tempo – o século XIX – e, como tal, haverão de ser mostrados por dentro. E, assim, por meio deles, nos aproximarmos espacial e temporalmente do homem e do poeta Charles Baudelaire.

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40

Kuppers, Petra. "Moving in the Cityscape: Performance and the Embodied Experience of the Flâneur." New Theatre Quarterly 15, no. 4 (November 1999): 308–17. http://dx.doi.org/10.1017/s0266464x00013245.

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Walter Benjamin's concept of the flâneur has been widely used to conventionalize ‘the disinterested voyeur, the lonely figure haunting the streets of cities, the person who watches the spectacle of modern life’. Petra Kuppers argues that the flâneur is as central to the ‘nineties cityscape as to that of Baudelaire's Paris, of which Benjamin was writing, or to his own inter-war Berlin. She responds to feminist and other objections and, while recognizing the validity of later writings on the nature of the body such as Foucault's, argues that the flâneur remains valuable in counterbalancing ‘aspects of contemporary theory that use the human body as metaphor’ with the physicality of ‘a lived set of material practices and inscribed discourses’. To illustrate and develop her argument she uses moments from Kathryn Bigelow's film Strange Days (1996), performances by the Austrian group Bilderwerfer and by Francesca Vilalta-Ollé, and the camera-dance made for TV, Pace (1996). Petra Kuppers is Research Fellow in Performing Arts at Manchester Metropolitan University.

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41

Franco, Carla Cancino. "O antiflâneur de “Walking Around”: errância e estranhamento na cidade." La Junta (São Paulo) 2, no. 1 (April 28, 2018): 17–23. http://dx.doi.org/10.11606/issn.2594-7753.lajunta.2018.145744.

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A poesia do século XIX consagrou como um de seus arquétipos literários representativos a figura do flâneur, caminhante observador que encarna o espírito do homem curioso que, sem destino certo, vaga pela cidade surpreendido com a variedade da paisagem urbana. O flâneur ganhou destaque na poesia de Charles Baudelaire. No século XX, mais precisamente no poema “Walking Around”, Pablo Neruda redesenha os contornos do flâneur, a partir do olhar da vanguarda. Ressurge nos versos do poeta chileno a figura do homem que caminha pela cidade. Este, porém, diferente do andarilho do século anterior, já não é um observador apaixonado, mas um antiflâneur. Sua relação com o espaço urbano não é mais de admiração, mas de choque permanente. A sintonia passou à dissonância; a curiosidade deu lugar ao estranhamento e o deleite do ócio tornou-se cansaço. O poeta, antes observador unilateral, sofre agora a ação dos objetos do mundo, sentindo o cansaço, a angústia e a culpa de seu tempo.

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Cuvardic García, Dorde. "El flâneur y la flanerie en el costumbrismo español." Revista de Filología y Lingüística de la Universidad de Costa Rica 35, no. 1 (August 23, 2012): 23. http://dx.doi.org/10.15517/rfl.v35i1.1265.

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El propósito de este artículo es demostrar el amplio desarrollo que la literatura del flâneur ha tenido en el movimiento costumbrista español. Se analizan las dimensiones del flâneur y de la flanerie en Larra y Mesonero Romanos: actitud curiosa hacia los espacios públicos, distanciamiento físico, identificación de tipos sociales urbanos, comportamiento ocioso, utilización de la metáfora semiótica de la ciudad como libro abierto, percepción fragmentaria de la diversidad urbana… Este artículo también establece relaciones con la literatura costumbrista europea de la época (Francia, Alemania, Inglaterra)

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Cortés Fernández, Orly C. "Ciudad flâneuse: el andar entre la literatura y el arte acción." Nuevas Poligrafías. Revista de Teoría Literaria y Literatura Comparada, no. 2 (August 29, 2020): 127–43. http://dx.doi.org/10.22201/ffyl.nuevaspoligrafias.2020.2.1382.

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La imagen del flâneur surge a partir de paradigmas masculinos del siglo XIX. Es el concepto de un hombre burgués que recorre la ciudad libremente obteniendo placer y ejerciendo agencia con el andar. Esta definición sigue siendo considerada cuando se estudia la flânerie en las urbes del siglo XXI. No es tal el caso de la mujer urbana, ya que el papel de lo femenino se encuentra tradicionalmente adscrito al espacio privado, siendo la esfera pública considerada como un territorio esencialmente masculino. Es necesario estudiar las diferentes representaciones de las urbes para comprender cómo se proyecta el concepto de flâneuse, la mujer urbana que recorre la ciudad. A partir de un análisis comparatista, se busca mostrar cómo las representaciones artísticas y literarias —tal como la novela El huésped de Guadalupe Nettel y la pieza de arte acción Glorieta de los Insurgentes de Katnira Bello— son fundamentales para la configuración de la figura de la flâneuse en la Ciudad de México.

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Boyd, Danah. "Dear Voyeur, Meet Flâneur… Sincerely, Social Media." Surveillance & Society 8, no. 4 (March 24, 2011): 505–7. http://dx.doi.org/10.24908/ss.v8i4.4187.

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Γκότση, Γεωργία. "Ο flâneur: θεωρητικές μεταμορφώσεις μιας παρισινής φιγούρας." Σύγκριση 13 (January 31, 2017): 120. http://dx.doi.org/10.12681/comparison.10133.

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Netchitailova, Ekaterina Petrovna. "The Flâneur, the Badaud and Empathetic Worker." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 12, no. 1 (January 17, 2014): 1–13. http://dx.doi.org/10.31269/triplec.v12i1.500.

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In this paper, based on the development of the ‘empathic’ badaud in France at the end of the nineteenth and beginning of the twentieth centuries, I draw some parallels with a Facebook user. The experience of Facebook’s users is explored through the juxtaposition of two terms: the flâneur and the badaud, and a third term is proposed, the one of an empathetic worker, by applying critical media/cultural studies.

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Netchitailova, Ekaterina Petrovna. "The Flâneur, the Badaud and Empathetic Worker." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 12, no. 1 (January 17, 2014): 1–13. http://dx.doi.org/10.31269/vol12iss1pp1-13.

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In this paper, based on the development of the ‘empathic’ badaud in France at the end of the nineteenth and beginning of the twentieth centuries, I draw some parallels with a Facebook user. The experience of Facebook’s users is explored through the juxtaposition of two terms: the flâneur and the badaud, and a third term is proposed, the one of an empathetic worker, by applying critical media/cultural studies.

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Boutin, Aimée. "Rethinking the Flâneur: Flânerie and the Senses." Dix-Neuf 16, no. 2 (July 2012): 124–32. http://dx.doi.org/10.1179/dix.2012.16.2.01.

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Rodríguez, Karen, and Bradley Rink. "Performing Cities: Engaging the High-tech Flâneur." Frontiers: The Interdisciplinary Journal of Study Abroad 20, no. 1 (March 15, 2011): 103–19. http://dx.doi.org/10.36366/frontiers.v20i1.293.

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The city is a place of intersecting cultures, identities and ideas that also serves as fertile ground for learning within the context of study abroad. Using the notion of the flâneur, this article problematizes students’ engagement with the spaces and places of the city with special attention to the mediating role now played by technology. We interweave a theoretical discussion with empirical examples from two urban study abroad locales and with suggestions for practice. We argue that despite the complex array of resources the student employs to take on the foreign city, it is only the savvy wanderer who picks up on the subtle differences that we elusively refer to as a city’s “character” or personality and who understands their own shifting role of spectator, wanderer, and performer—thus entering into a relationship with place.

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Tyshchenko, Anastasia. "FLANEUR’S ANXIOUS MASCULINITY: A COMPARATIVE ANALYSIS OF THE NOVELS “MIST” BY M. DE UNAMUNO AND “NOTES OF SNUB-NOSED MEPHISTOPHELES” BY V. VYNNYCHENKO." Слово і Час, no. 2 (March 25, 2021): 83–99. http://dx.doi.org/10.33608/0236-1477.2021.02.83-99.

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At the beginning of the 20th century, modernist literature starts to face the new existential issues unfolded in the urban environment. One of these issues is the phenomenon of anxious masculinity caused by the destruction of the patriarchal paradigm. In the literatures that were moving from the traditional type of culture to urban and modern, the writers described men who went out on the streets, converting themselves into the urban cultural type known as flânerie. The practice of ﾠflânerie, first presented in French literature, became popular in other European literatures as well, Spanish and Ukrainian not being exceptions. However, the type of flâneur in these two literatures still requires a scrupulous study. The paper provides a comparative analysis of M. de Unamuno’s “Niebla” (“Mist”) and V. Vynnychenko’s “Zapysky kyrpatoho Mefistofelia” (“Notes of Snub-Nosed Mephistopheles”) aiming to analyze the represented types of flâneurs. The novels demonstrate the specifics of flâneur’s discourse in Spanish and Ukrainian literatures, which were undergoing modernization processes. The comparison of such elements as writers’ urban experiences, protagonists’ interaction with the urban space, meeting with the modern women on the streets as the main plot element, and gender issues allowed defining different reflections on anxious masculinity and broadening European ﾠflânerie discourse. In addition, the analysis defined the protagonists of the novels as proto-ﾠ вneurs, which creates the perspective for further studies of the ﾠflânerie in Spanish and Ukrainian literatures. The results of the research provide arguments for the hypothesis that the ﾠflânerie is one of the modernist perception strategies, symptomatic for European culture.

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