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1

Seyferth, Peter. "Utopie, Anarchismus und Science Fiction : Ursula K. Le Guins Werke von 1962 bis 2002 /." Münster : LIT, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3075240&prov=M&dokv̲ar=1&doke̲xt=htm.

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2

Kamran, Shezra. "Fantastic languages : C.S. Lewis and Ursula K. Le Guin." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5749/.

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This thesis explores the nature and function of language as it is used in twentieth-century fantastic fiction, as represented by the work of C. S. Lewis and Ursula K. Le Guin. In it I argue that the anti-mimetic impulse behind the language of fantasy makes it a polemical, contentious mode, which situates itself against discourses (religious and scientific) that assume the existence of a reality to which language may be said to correspond in certain clearly understood, conventional ways. Both Lewis and Le Guin suggest, by contrast, that experiential reality is an arbitrary and shifting construc
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Newell, Daniel. "The "Mother Tongue" in a World of Sons language and power in The Earthsea Cycle /." Lynchburg, Va. : Liberty University, 2010. http://digitalcommons.liberty.edu.

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4

Deetlefs, Dorothea Maria. "Action and activism in selected novels by Ursula K. Le Guin." Master's thesis, University of Cape Town, 1994. http://hdl.handle.net/11427/18259.

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This thesis examines individual and societal action and activism in five science fiction and utopian novels by Ursula K. Le Guin, namely, The left hand of darkness, The word for world is forest, The lathe of heaven, The dispossessed, and Always coming home. Le Guin is a politically committed author whose ideological perspective is informed by feminism, Taoism, and anarchism, as well as a strong ecological awareness. These determine the structure of her fictional societies and the actions of her characters. Each novel is approached on its own terms, with the commentary adhering closely to the t
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5

Braham, Kira R. "The Trouble with Individualism: Social Being in Le Guin and Delany." Kent State University Honors College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1368052953.

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6

Robinson, Christopher. "La création onomastique dans le cycle de Earthsea d'Ursula K. Le Guin." Paris 10, 2004. http://www.theses.fr/2004PA100027.

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La fabrication des noms dans le cycle de Earthsea d'Ursula Le Guin est un processus génétique surdéterminé qui invite à la comparaison avec trois modèles familiers de la création littéraire : le bricolage, la déconstruction et la psychogenèse. Cette création onomastique se trouve au coeur de la genèse de ces romans, et il s'avère que le sujet de la genèse est une préoccupation centrale de la fantasy contemporain. En même temps, ce corpus littéraire a pris une tournure langagière qui marque l'épistèmè de toute production majeure de la littérature et des sciences humaines à l'époque actuelle. En
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7

Escudié, Hélène. "Ursula K. Le Guin, une alchimie de l'Ailleurs : de la structure au mythe." Université Marc Bloch (Strasbourg) (1971-2008), 2004. http://www.theses.fr/2004STR20066.

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La présente thèse se propose de montrer comment, malgré une notable diversité dans la forme comme dans les thèmes, l'œuvre d'Ursula K. Le Guin offre une remarquable cohérence autour d'images et structures fondamentales. Partant d'une organisation de base, fondée sur une opposition binaire, la romancière fait émerger un troisième terme, élément de synthèse entre les deux autres. C'est ce que démontre le système des personnages qui, mettant en regard deux clans, donne la vedette à des figures d'ethnologues qui, tout à la fois, maintiennent l'équilibre entre deux cultures et permettent la créatio
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8

Cadden, Michael J. Trites Roberta Seelinger. "Dialogues with authority children's literature, dialogics, and the texts of Ursula K. Le Guin /." Normal, Ill. Illinois State University, 1996. http://wwwlib.umi.com/cr/ilstu/fullcit?p9633412.

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Thesis (D.A.)--Illinois State University, 1996.<br>Title from title page screen, viewed May 19, 2006. Dissertation Committee: Roberta Seelinger Trites (chair), Jan C. Susma, Janice W. Neuleib. Includes bibliographical references (leaves 218-234) and abstract. Also available in print.
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9

C?, Jo?o Paulo Pinto. "Filhos da independ?ncia: etnografando os estudantes Bissau-guineenses do PEC-G em Fortaleza-CE e Natal-RN." Universidade Federal do Rio Grande do Norte, 2011. http://repositorio.ufrn.br:8080/jspui/handle/123456789/12270.

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Made available in DSpace on 2014-12-17T13:54:48Z (GMT). No. of bitstreams: 1 JoaoPPC_DISSERT.pdf: 1782570 bytes, checksum: 149bfcbe97456d680dd902dd5c8ce2c5 (MD5) Previous issue date: 2011-09-30<br>Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior<br>Notre travail propose de comprendre l`immigration africaine contemporaine du Br?sil ? travers l'univers des ?tudiants guin?ens participant au Programme ?tudiants ? Conv?nio de Gradua??o ? (PEC-G) dans les villes de Fortaleza dans l'Etat Cear? et Natal dans l'Etat de Rio Grande do Norte, en ?tudiant leurs strat?gies de convivialit? et
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10

Seyferth, Peter. "Utopie, Anarchismus und Science Fiction Ursula K. Le Guins Werke von 1962 bis 2002." Berlin Münster Lit, 2006. http://d-nb.info/987721437/04.

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11

Clark, Edith Ilse Victoria. "Ursula K. Le Guin : the utopias and dystopias of The dispossessed and Always coming come." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26801.

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The thesis deals with the Utopian and dystopian aspects of Ursula K. Le Guin's The Dispossessed and Always Coming Home. To provide a basis for comparison with the endeavours of previous utopists, the first part is devoted to a historical account of literary Utopias, and to an examination of the signposts of the genre. This history is restricted to practical blueprints for the ideal commonwealth and excludes creations of pure fantasy. In tracing Utopian development from Plato to Wells, the influence of historical events and the mainstreams of thought, such as Renaissance humanism, the Reformat
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12

Bordandini, Sofia. "Words Are My Matter: proposta di traduzione di brani scelti di Ursula K. Le Guin." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2017.

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Il presente elaborato ha lo scopo di proporre una traduzione di tre brani scelti da Words Are My Matter, raccolta di saggi, discorsi e recensioni di Ursula K. Le Guin. Ai cenni biografici seguirà una panoramica delle opere, soprattutto di fantascienza, e delle idee riguardo alla narrativa di genere, al linguaggio, alla situazione delle donne scrittrici di science fiction. La contestualizzazione teorica verterà perciò sulla narrativa di genere e in particolare sulla fantascienza, con riferimenti allo sviluppo della stessa e alla traduzione fantascientifica in Italia. Il commento alla traduzione
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Scholl, Camille Johann. "O "Enigma Bijag?" : saberes coloniais em disputa no Centro de Estudos da Guin? Portuguesa (1946-1967)." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2017. http://tede2.pucrs.br/tede2/handle/tede/7620.

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Submitted by Caroline Xavier (caroline.xavier@pucrs.br) on 2017-08-18T14:32:28Z No. of bitstreams: 1 DIS_CAMILLE_JOHANN_SCHOLL_COMPLETO.pdf: 1298782 bytes, checksum: 506966df07a502b76dac21db1b33c2d6 (MD5)<br>Made available in DSpace on 2017-08-18T14:32:29Z (GMT). No. of bitstreams: 1 DIS_CAMILLE_JOHANN_SCHOLL_COMPLETO.pdf: 1298782 bytes, checksum: 506966df07a502b76dac21db1b33c2d6 (MD5) Previous issue date: 2017-08-01<br>This work investigates the anthropological discourse built on the Bijago folks by Portuguese Guinea Studies Center?s members over the years that they produced the Portuguese
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Martins, Cesario Lourenco. "Niveis de anticorpos contra o sarampo entre as mulheres em idade fertil na populacao da Guine-Bissau expostas a sarampo natural e a imunizacao contra o sarampo." Rio de Janeiro : [s.n.], 2002. http://portalteses.cict.fiocruz.br/transf.php?script=thes%5Fcover&id=000082&lng=pt&nrm=iso.

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15

Keister, Patricia Lynn. "The Right Hand of Light: Dark and Light Imagery in the Science Fiction of Ursula K. Le Guin." TopSCHOLAR®, 1993. http://digitalcommons.wku.edu/theses/1754.

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Ursula K. Le Guin uses dark and light imagery to emphasize her theme of dynamic equilibrium. This theme can be found throughout her work; the novels discussed are The Left Hand of Darkness, The Lathe of Heaven, The Dispossessed, and The Beginning Place. In each novel, Le Guin focuses on a different aspect of dynamic equilibrium. The themes are respectively, gender identity, chaos and order, and the individual versus the community. The final novel, The Beginning Place, unites and sums up all three themes. In each novel, one or more main characters suffers from imbalance that reflects the them
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16

Phillips, Rebecca S. "The emerging female hero in the fiction of Alice Walker, Ntozake Shange, Ursula Le Guin, and Barbara Kingsolver." Morgantown : [West Virginia University Libraries], 1998. http://157.182.199.25/etd/templates/showETD.cfm?recnum=115.

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Thesis (Ph. D.)--West Virginia University, 1998.<br>Title from document title page. Document formatted into pages; contains v, 183 p. Vita. Includes abstract. Includes bibliographical references (p. 174-182).
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17

Gleason, Benjamin P. (Benjamin Patrick). "The Rhetoric of Androgyny: Gender and Boundaries in Le Guin's The Left Hand of Darkness." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc277680/.

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The androgyny of the Gethenians in The Left Hand of Darkness is a vehicle for Ursula Le Guin's rhetoric concerning gender roles. Le Guin attempts to make the reader identify with an ideal form of androgyny, through which she argues that many of the problems of human existence, from rape and war to dualistic thought and sexism, are products of gender roles and would be absent in an androgynous world. The novel also links barriers of separation and Othering with masculine thought, and deconstructs these separative boundaries of opposition, while promoting connective borders which acknowledge dif
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18

Jahnke, Teane Mundstock. "As plantas e seus usos na "Guin? do Cabo Verde" : Almada, Donelha e Lemos Coelho (s?culos XV-XVII)." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2017. http://tede2.pucrs.br/tede2/handle/tede/7651.

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Submitted by Caroline Xavier (caroline.xavier@pucrs.br) on 2017-09-12T13:34:23Z No. of bitstreams: 1 DIS_TEANE_MUNDSTOCK_JAHNKE_COMPLETO.pdf: 2228277 bytes, checksum: b38c2c1599e6d7c5f5f54d75389ddabe (MD5)<br>Made available in DSpace on 2017-09-12T13:34:23Z (GMT). No. of bitstreams: 1 DIS_TEANE_MUNDSTOCK_JAHNKE_COMPLETO.pdf: 2228277 bytes, checksum: b38c2c1599e6d7c5f5f54d75389ddabe (MD5) Previous issue date: 2017-08-17<br>This dissertation researches the uses of plants among the African, Luso-african and Portuguese populations in the region called "Guinean of Cape Verde" and the social, rel
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19

Boutenbat, Hanane. "Le féminin pluriel : construction de l'identité chez Joanna Russ, Ursula Le Guin, Toni Morrison, Margaret Atwood, et Daphne Marlatt." Paris 8, 2013. http://www.theses.fr/2013PA084111.

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La thèse traite de la question de la représentation féminine en jeu dans les œuvres de Joanna Russ, Ursula le Guin, Toni Morrison, Margaret Atwood et Daphne Marlatt. Cette thématique est élaborée à partir d'un questionnement philosophique sur le genre. Les utopies et les dystopies publiées aux Etats-Unis dans les années 1970 ont contribué à fournir de nouvelles possibilités narratives pour la représentation du féminin. Depuis les stratégies de résistance élaborées qui émanent des œuvres rendent compte d'un vaste champ de définitions conduisant à l'émergence de la notion d'un pluriel féminin. L
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20

Hoyle, Gisela Beate. "Pushing out towards the limits, and finding the centre: the mystical vision in the work of Ursula K. Le Guin." Thesis, Rhodes University, 1992. http://hdl.handle.net/10962/d1002286.

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This thesis explores the major novels of science fiction and fantasy writer, Ursula K. Le Guin: it follows her journey from her first imaginary country, Orsinia, through the inner lands of Earthsea and the outer spaces of the Hainish Ekumen to her Yin utopia in a future California and an Earthsea revisited. In each of these worlds she moves towards an experience of an inner, unified truth which is comparable to the ecstatic experience of the religious mystics and that of which T.S Eliot writes in his Four Quartets. Through her reading of the Taoist sages and the discovery of their perception o
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21

Hedberg, Malin. "Failed Feminism? : Ursula K. Le Guin's Tehanu." Thesis, Karlstad University, Faculty of Arts and Education, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-1743.

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<p>Failed Feminism?: Ursula K. Le Guin’s novel Tehanu</p><p>The purpose of this essay is to show that Ursula K. LeGuin’s fantasy novel Tehanu instead of breaking away from traditional gender roles maintains them, despite the novel’s promises of change. I begin by showing the places where the possibilities of change are indicated, and then I use feminist criticism to show that there is no change in the gender roles.</p><p>I have examined the gender roles in Tehanu, by taking a closer look at the characters and the roles they have in the plot. Numerous critics claim that this novel is Le Guin’s
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Akcesme, Ifakat Banu. "Comparative Discourse Analyses Of Gender Constructions In The Novels Of Robert Heinlein, Ursula Le Guin, Joanna Russ And Samuel Delany." Phd thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/12612223/index.pdf.

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This dissertation examines the gendered discourses in the novels of the writers of different sexes/genders, Robert Heinlein&rsquo<br>s Stranger in a Strange Land, Ursula Le Guin&rsquo<br>s The Left Hand of Darkness, Joanna Russ&rsquo<br>The Female Man and Samuel Delany`s Trouble on Triton: An Ambiguous Heterotopia. This study investigates how writers linguistically construct their characters as gendered/sexed beings as an effect of certain identity politics, ideologies and power structures. In order to do so, critical discourse analysis is applied to the passages chosen from different parts of
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Tapia, Silva Janice. "Hablar con la voz del Alien: un análisis de La mano izquierda de la oscuridad de Ursula K. Le Guin." Tesis, Universidad de Chile, 2014. http://www.repositorio.uchile.cl/handle/2250/130251.

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Ersoy, Gozde. "Trajectories, thresholds, transformations : coming of age in classic modern fantasy fiction." Thesis, Brunel University, 2016. http://bura.brunel.ac.uk/handle/2438/13606.

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This thesis examines and explores the process of coming of age in successful fantasy fiction series, including J. R. R. Tolkien’s The Lord of the Rings novel and its prequel The Hobbit, Ursula K. Le Guin’s Earthsea series and Philip Pullman’s His Dark Materials trilogy. In particular, it is suggested that the huge popularity of fantasy stems from the fact that it provides a representation of human agency significantly at odds with the everyday experience of an increasingly bureaucratized and financially-determined world. Analysis shows how fantasy texts provide a universal model that help youn
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Dauphin, Matthew J. "No Good Utopia: Desiring Ambiguity in The Dispossessed." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300740583.

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Kron, Ida. "Kulturkrock i Övärldens farvatten : En analys av orientalistiska föreställningar i fantasylitteratur." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-412843.

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Syftet med uppsatsen är att belysa hur olika grupper framställs och förhåller sig till varandra vid kulturmöten på grundval av deras etnicitet i en skönlitterär fantasyserie och hur detta kan bidra till att upprätthålla eller problematisera koloniala maktrelationer som den västerländska kulturella normen. I denna studie analyseras fantasybokserien The Earthsea Cycle och de grupper som befolkar dess fiktiva värld: det hardiska och det kargiska folket. Med hjälp av bland annat begreppet den Andre, som syftar till att beskriva de som avviker från den egna gemenskapen, ämnar studien uppmärksamma v
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Wilson, Seth. "Autonomie politique et originalité des civilisations dans le golfe du Bénin : le cas des Guin ou Mina d'Anecho (du 17e au 19e siècle)." Doctoral thesis, Université Laval, 1986. http://hdl.handle.net/20.500.11794/29296.

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Crawford, Amy S. "Re-charting the present: feminist revision of canonical narratives by contemporary women writers." Thesis, Anglia Ruskin University, 2015. https://arro.anglia.ac.uk/id/eprint/582051/1/Amy%20Crawford%20final%20thesis.pdf.

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In this thesis, I explore the textual strategy of feminist revision employed by contemporary women writers. After investigating Jean Rhys’s Wide Sargasso Sea as a prototype of feminist revision, I focus specifically on Angela Carter’s “The Bloody Chamber” as a revision of Charles Perrault’s “Bluebeard,” Michèle Roberts’s The Book of Mrs Noah as a revision of the Old Testament Flood narrative, Margaret Atwood’s The Penelopiad as a revision of Homer’s Odyssey and the Troy narratives, and Ursula K. Le Guin’s Lavinia as a revision of Vergil’s Aeneid. Through investigating the historical and litera
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Crawford, Amy S. "Re-charting the present : feminist revision of canonical narratives by contemporary women writers." Thesis, Anglia Ruskin University, 2015. http://arro.anglia.ac.uk/582051/.

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In this thesis, I explore the textual strategy of feminist revision employed by contemporary women writers. After investigating Jean Rhys’s Wide Sargasso Sea as a prototype of feminist revision, I focus specifically on Angela Carter’s “The Bloody Chamber” as a revision of Charles Perrault’s “Bluebeard,” Michèle Roberts’s The Book of Mrs Noah as a revision of the Old Testament Flood narrative, Margaret Atwood’s The Penelopiad as a revision of Homer’s Odyssey and the Troy narratives, and Ursula K. Le Guin’s Lavinia as a revision of Vergil’s Aeneid. Through investigating the historical and litera
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30

Elfstrom, Ellen Irene. "Debate, social criticism and rhetoric in The Left Hand of Darkness: An analysis of strategy." CSUSB ScholarWorks, 1991. https://scholarworks.lib.csusb.edu/etd-project/841.

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Glover, Jayne Ashleigh. ""A complex and delicate web" : a comparative study of selected speculative novels by Margaret Atwood, Ursula K. Le Guin, Doris Lessing and Marge Piercy /." [S.l. : s.n.], 2007. http://eprints.ru.ac.za/1001/.

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Glover, Jayne Ashleigh. ""A complex and delicate web" : a comparative study of selected speculative novels by Margaret Atwood, Ursula K. Le Guin, Doris Lessing and Marge Piercy." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1002241.

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This thesis examines selected speculative novels by Margaret Atwood, Ursula K. Le Guin, Doris Lessing and Marge Piercy. It argues that a specifiable ecological ethic can be traced in their work – an ethic which is explored by them through the tensions between utopian and dystopian discourses. The first part of the thesis begins by theorising the concept of an ecological ethic of respect for the Other through current ecological philosophies, such as those developed by Val Plumwood. Thereafter, it contextualises the novels within the broader field of science fiction, and speculative fiction in p
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Andersson, Ellen. "Gender and Sexuality on Gethen : A Contemporary Analysis of Ursula K le Guin's The Left Hand of Darkness." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur (from 2013), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-78933.

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Ursula K Le Guin wrote The Left Hand of Darkness (1969) because she wanted to explore the limitations of gender and sexuality in a way that reflected the ongoing epistemic changes in her society. She created the Gethenians, an ambisexual, androgynous species that live most of their life without an assigned sex, making their entire society lack the concept of gender. Le Guin writes in her essay “Is Gender Necessary? Redux” (1988) that she wanted to erase gender to find out what was left. This essay will examine how the themes of gender and sexuality are explored in the Left Hand of Darkness, qu
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Peksen, Yanikoglu Seda. "Psychological Bisexuality And Otherness In The Novels Of Angela Carter, Virginia Woolf, Marge Piercy And Ursula Le Guin: A Study From The Perspective Of Ecriture Feminine." Phd thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/12609454/index.pdf.

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This study analyses The Passion of New Eve by Angela Carter, Orlando by Virginia Woolf, Woman on the Edge of Time by Marge Piercy and The Left Hand of Darkness by Ursula Le Guin from the perspective of &eacute<br>criture f&eacute<br>minine. After a thorough discussion of the roots of &eacute<br>criture f&eacute<br>minine, the theory of the French feminists is put into practice in the analysis of the novels. The study asserts that the concepts of bisexuality, the other and the voice are common elements in novels of &eacute<br>criture f&eacute<br>minine, thereby the novelists mentioned in the s
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Bjuggfält, Makz. "Den Queera Utopin : Queerutopiska läsningar av The Left hand of Darkness och The Female Man." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-189719.

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Crawford, Karie. "Turbulent times : epic fantasy in adolescent literature /." Diss., CLICK HERE for online access, 2002. http://contentdm.lib.byu.edu/ETD/image/etd41.pdf.

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Holland, Anika R. "Grokking Gender: Understanding Sexual Pleasure & Empathy in 1960s Science Fiction." Ohio University Honors Tutorial College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1492389983184444.

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Ismail, Farah. "'The shifting perils of the strange and the familiar ' : representations of the Orient in children's fantasy literature." Diss., University of Pretoria, 2010. http://hdl.handle.net/2263/31214.

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This thesis investigates the function of representations of the Orient in fantasy literature for children with a focus on The Chronicles of Narnia as exemplifying its most problematic manifestation. According to Edward Said (2003:1-2), the Orient is one of Europe’s ‘deepest and most recurring images of the Other… [which]…has helped to define Europe (or the West) as its contrasting image, idea, personality, experience.’ However, values are grouped around otherness in fantasy literature as in no other genre, facilitating what J.R.R. Tolkien (2001:58) identifies as Recovery, the ‘regaining of a
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Lindquist, Rowena Cory. "The T'En Exiles : an exploration of discrimination and persecution in High Fantasy novels." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16699/1/Rowena_Lindquist_-_The_T%27En_Exiles.pdf.

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High Fantasy is extremely popular, with publication and sales of High Fantasy titles outnumbering Science Fiction for thirty years, yet Fantasy is less respected by reviewers of the Speculative Fiction genre. One reason for this is that High Fantasy often fails to adequately address culturally or politically significant issues. Respected Science Fiction writers, such as Octavia Butler, on the other hand, use the issues such as discrimination and persecution on the basis of race and gender. In my exegesis I explore the ways in which High Fantasy has explored the problems of discrimination and p
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Lindquist, Rowena Cory. "The T'En Exiles : an exploration of discrimination and persecution in High Fantasy novels." Queensland University of Technology, 2007. http://eprints.qut.edu.au/16699/.

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High Fantasy is extremely popular, with publication and sales of High Fantasy titles outnumbering Science Fiction for thirty years, yet Fantasy is less respected by reviewers of the Speculative Fiction genre. One reason for this is that High Fantasy often fails to adequately address culturally or politically significant issues. Respected Science Fiction writers, such as Octavia Butler, on the other hand, use the issues such as discrimination and persecution on the basis of race and gender. In my exegesis I explore the ways in which High Fantasy has explored the problems of discrimination and p
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Sandberg, Tommy. "Kuvad och jämlik på planeten Vinter : Le Guins feministiska science fiction-roman The Left Hand of Darkness ur Foucaults maktperspektiv." Thesis, Högskolan Dalarna, Litteraturvetenskap, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:du-10631.

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Studien är en applicering av Foucaults Övervakning och straff på science fiction-romanen The Left Hand of Darkness av Le Guin. Fokus låg på hur makten drabbar huvudkaraktärerna; syftet var att notera hur de gör motstånd mot maktutövningen och att ta fasta på alternativa maktrelationer som kan influera verkligt politiskt arbete mot en bättre, mer jämlik värld. Att använda Foucaults idéer på liknande sätt är vanligt. Analysen består av sex sekvenser som utspelar sig på planeten Vinter i The Left Hand of Darkness. Landsförvisningar för att återupprätta härskarens makt, både avsaknaden och upprätt
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42

Bergue, Viviane. "La quête : mythe central de la fantasy." Thesis, Toulouse 2, 2013. http://www.theses.fr/2013TOU20045.

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La Fantasy est aujourd’hui l’un des genres majeurs des littératures de l’Imaginaire et l’un des plus prolifiques. Revendiquant le statut de littérature mythique de notre époque, elle puise ostensiblement son inspiration dans les récits mythologiques et les contes tout en organisant la majorité de ses récits autour d’une quête centrale. Celle-ci, parce qu’elle ne cesse de ressurgir dans les espaces-temps de la Fantasy, parce qu’elle implique toujours des êtres surnaturels mythiques associés aux commencements du monde, à l’instar des Elfes, et parce que, racontée au passé, elle devient objet d’u
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43

Spallino, Jamie. "“It’s Queer that Daylight’s not Enough”: Interdependence Counters Othering in Ursula K. Le Guin’s The Left Hand of Darkness." Wittenberg University Honors Theses / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1624014925027157.

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44

Chung, S. H. "Gunn laser." Thesis, University of Essex, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421149.

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45

Bernard, Julia M., Martha Copp, and Vicki Powers. "Gun Violence and Gun Sense." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/937.

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The panelists will be sharing information about gun violence in the U.S, proposed firearm legislation in Tennessee, research examining gun violence patterns in other states, and education to help parents and others prevent unintentional shootings by children.
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46

Taylor, Jimmy D. "Gun Shows, Gun Collectors And The Story Of The Gun: An Ethnographic Approach To U.S. Gun Culture." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1219265093.

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47

Souza, Andre Pinheiro 1964. "Vibrafone : guia de estudo." [s.n.], 1994. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285039.

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Orientador : José Antonio de Almeida Prado, John Edward Boudler<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-07-19T04:14:16Z (GMT). No. of bitstreams: 1 Souza_AndrePinheiro_M.pdf: 6098909 bytes, checksum: e7441c92c376052a3df67abd7abf8fca (MD5) Previous issue date: 1994<br>Resumo: Não informado<br>Abstract: Not informed.<br>Mestrado<br>Mestre em Artes
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48

Plana, Botey Marc. "La il·lusió de llibertat al cinema mainstream." Doctoral thesis, Universitat Autònoma de Barcelona, 2015. http://hdl.handle.net/10803/327585.

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La pràctica del guió de la narració audiovisual mainstream està inserit en un entorn industrial i cultural que institucionalitza els fonaments bàsics de la seva forma i que reprodueix un mateix model de narració a través de les pantalles que ens envolten. Aquest entorn industrial i cultural ha normalitzat des de la dècada dels 80 una representació de la decisió mainstream que és clau d’èxit i que es presenta recurrentment com a clarivident, autònoma i autèntica. Per un cantó, la liberalització dels treballadors dels estudis a partir dels 80 fa necessària la circulació de models que uniformitze
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49

Crawford, Karie Eliza. "Turbulent Times: Epic Fantasy in Adolescent Literature." BYU ScholarsArchive, 2002. https://scholarsarchive.byu.edu/etd/84.

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This thesis is a development of the theories presented by Carl Jung, Joseph Campbell, and Bruno Bettelheim concerning archetypes, the anima/animus concept, the Hero Cycle, and identity development through fairy tales. I argue that there are vital rites of passage missing in Anglo-Saxon culture, and while bibliotherapy cannot replace them, it can help adolescents synthesize their experiences. The theories of Jung, Campbell, and Bettelheim demonstrate this concept by defining segments of the story and how they apply to the reader. Because of the applicability, readers, despite their age, can use
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Yao, Junyi. "Lun jin bu guan nian." Beijing : Zhongguo she hui ke xue chu ban she, 2000.

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