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Journal articles on the topic 'Le Mercure de France'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

López, Camila Soares. "O Brasil no Mercure de France e o Mercure de France no Brasil (Séculos XIX E XX)." Non Plus 8, no. 15 (July 30, 2019): 33–49. http://dx.doi.org/10.11606/issn.2316-3976.v8i15p33-49.

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No fim do século XIX, o Simbolismo estabeleceu-se no campo literário francês e, para garantir a difusão de suas obras, seus representantes fundaram as petites revues. Nas páginas dessas publicações, não figuraram apenas as contribuições de autores franceses, mas, também, de outras nacionalidades. O Mercure de France, cuja série moderne data de 1890, foi uma petite revue que circulou em Paris e aportou em outros locais, a exemplo do Brasil. Neste artigo, discutiremos a chegada do Mercure entre nossos escritores e redações de periódicos, bem como discorreremos sobre as rubricas “Lettres Portugaises” e “Lettres Brésiliennes”. Ademais, consideraremos a representatividade de Xavier de Carvalho, Philéas Lebesgue, Figueiredo Pimentel e dos jornais O Paiz e Gazeta de Notícias nesse diálogo entre França e Brasil.

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2

Servant, Catherine. "Hanuš Jelínek’s Beginnings in Mercure de France." Acta Musei Nationalis Pragae – Historia litterarum 61, no. 1-2 (September 1, 2016): 21–28. http://dx.doi.org/10.1515/amnpsc-2017-0014.

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Abstract The aim of this article is to describe the beginnings of the cooperation between Hanuš Jelínek and the journal and publishing house Mercure de France. In March 1900, Jelínek published, under the pseudonym Jean Otokar, his first study ‘La Poésie moderne tchèque’ in the Parisian journal. For some time, the critic then wrote the column ‘Lettres tchèques’ (August 1900 – February 1903) in Mercure – after Alexandr Bačkovský (alias Jean Rowalski) and before William Ritter. The early origin of the ‘Lettres tchèques’ of Bačkovský and Jelínek as a result of the aesthetic affinity between literary and artistic modernism on the one hand and some French and Francophone circles of the time on the other has the merit of introducing the readers of an important French periodical to Czech production. These columns have their firm place in the history of Czech efforts to gain recognition in France and the French-speaking world.

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3

Kalantzis, Alexia. "Un réseau franco-italien : les écrivains du Mercure de France en Italie (1895-1910)." La Revue des revues N° 58, no. 2 (2017): 76. http://dx.doi.org/10.3917/rdr.058.0076.

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4

Cabak Rédei, Anna. "Germaine de Staël’s Réflexions sur le procès de la reine: An act of compassion?" Semiotica 2020, no. 232 (February 25, 2020): 41–52. http://dx.doi.org/10.1515/sem-2019-0039.

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AbstractIn the foreword to the Mercure de France edition of de Staël. (1996 [1793]. Réflexions sur le procès de la reine. Paris: Mercure de France), Chantal Thomas, French historian and writer, writes that this apology in favor of Marie-Antoinette did not help the queen nor the author herself; on the contrary it only made the latter more unpopular. So why did Germaine de Staël write it? Mme de Staël and Marie-Antoinette did not share many interests; however, at the moment of The Women’s March on Versailles in October 1789, the situation had changed. It was at this moment, when Mme de Staël witnessed people’s hatred for the Queen, that she for the first time felt that she was on her side. She had the feeling that the Queen would be a victim to a public opinion that had been “manipulated” (Thomas. 1996. Preface. In Réflexions sur le procès de la reine, 7–14. Paris: Mercure de France: 12) in a systematic way, and to which she herself had been a victim. Pursuing some ideas formulated by Reddy (2000, 2001) and (Nussbaum, Martha C. 2001. Upheavals of thought: The intelligence of emotions. Cambridge: Cambridge University Press.) in their work on emotion and empathy in history and philosophy respectively, I hope to offer some suggestions, with the aid of cultural semiotics. More specifically I hope to be able to provide some answers to the question whether Mme de Staël’s apology might be regarded as an act of compassion.

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5

Mohammedi-Tabti, Bouba. "CHAREF Mehdi, La maison d’Alexina, Paris, Mercure de France, 1999." Études littéraires africaines, no. 7 (1999): 81. http://dx.doi.org/10.7202/1042123ar.

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6

Gogibu, Vincent. "Du rififi au Mercure : Ricciotto Canudo, Remy de Gourmont et Arthur Rimbaud dans les « Lettres italiennes » du Mercure de France." La Revue des revues N° 58, no. 2 (2017): 64. http://dx.doi.org/10.3917/rdr.058.0064.

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7

Nugraha, Kadek Sandita, Ni Nyoman Sri Astuti, and Ni Luh Eka Armoni. "Marketing Strategy in Enhancing Competitive Advantage at Mercure Chamonix Center Hotel, France." Journal of Applied Sciences in Travel and Hospitality 3, no. 2 (September 15, 2020): 107–15. http://dx.doi.org/10.31940/jasth.v3i2.1928.

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8

Delas, Daniel. "CONFIANT Raphaël, Brin d’amour, Mercure de France, 2001, 256 p., 100 FF." Études littéraires africaines, no. 11 (2001): 86. http://dx.doi.org/10.7202/1041905ar.

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9

Maulpoix, Jean-Michel. "D'un journal de printemps." Irish Journal of French Studies 18, no. 1 (December 13, 2018): 195–98. http://dx.doi.org/10.7173/164913318825258329.

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Presentation text Le texte proposé par Jean-Michel Maulpoix fait partie d'un travail en cours où se poursuit la réflexion engagée dans ses deux derniers livres L'Hirondelle rouge (Mercure de France, 2017) et Une histoire de l'élégie (Pocket, 2018). A mi-chemin de l'écriture lyrique et de l'essai, ces pages de 'journal' participent également de ce que leur auteur désigne lui-même comme un 'lyrisme critique' (titre d'un essai publié aux éditions José Corti en 2009).

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10

Cellier, Marine. "Construire le mythe pour se réapproprier l’histoire : la figure de Mackandal dans quelques oeuvres caribéennes." Mythes, légendes et Histoire : la réalité dépassée ? 34, no. 2 (October 18, 2017): 71–83. http://dx.doi.org/10.7202/1041543ar.

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Esclave révolté exécuté en Haïti en 1758, François Mackandal bascule rapidement des archives à la fiction. En confrontant les textes de Moreau de Saint-Méry et du Mercure de France à ceux d’Alejo Carpentier, d’Édouard Glissant et de Manuel Rueda, on se propose de montrer comment, en faisant basculer ce héros des soulèvements prérévolutionnaires haïtiens de la légende au mythe, des écrivains proposent un nouveau point de vue sur l’histoire en valorisant le rôle des esclaves dans leur libération.

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11

López, Camila Soares. "“Durtal”, de Paul Valéry: uma tradução." Rónai – Revista de Estudos Clássicos e Tradutórios 7, no. 2 (December 11, 2019): 151–59. http://dx.doi.org/10.34019/2318-3446.2019.v7.25968.

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Neste trabalho, propomos uma tradução do ensaio crítico “Durtal”, de autoria de Paul Valéry e que versa sobre o romance homônimo de J.-K. Huysmans. Originalmente, o texto de Valéry foi publicado em 1898 na revista Mercure de France, petite revue parisiense que circulou nos meios simbolistas e de demais entusiastas da renovação literária. Em um primeiro momento, tecemos considerações acerca dos dois autores, bem como sobre a proximidade de ambos. Por fim, apresentamos a tradução de “Durtal” para língua portuguesa.

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12

Lefebvre, Marie-Thérèse. "La bibliothèque du Nigog." Les Cahiers des dix, no. 69 (March 14, 2016): 177–214. http://dx.doi.org/10.7202/1035600ar.

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Le Nigog (1918) : revue moderne ou d’avant-garde ? Nous avons cherché à répondre à cette question par l’analyse des nombreuses références, citées ou non, qui traversent les textes. Loin d’être liés au courant avant-gardiste de l’Art Nouveau des années 1910 (cubiste, futuriste, bruitiste, dadaïste), les membres de la revue adhèrent davantage aux auteurs classiques et à l’esthétique du Mercure de France, revue qui représentait le mieux le mouvement symboliste fin de siècle. Le cadre référentiel que nous ainsi dégagé nous a permis de reconstituer la bibliothèque des membres du Nigog.

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13

Soares López, Camila. "“LES ROMANS”." Miscelânea: Revista de Literatura e Vida Social 24 (December 20, 2018): 127–43. http://dx.doi.org/10.5016/msc.v24i0.1221.

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O fin-de-siècle francês caracterizou-se pelo surgimento de diferentes propostas na literatura e nas artes. Em meio a diferentes ismos e às diversas modificações sociais e estruturais, periódicos franceses serviram não apenas como ferramenta de divulgação de informação, mas, também, de matéria literária e artística. Assim, nasceram as petites revues, publicações que rivalizavam com a grande presse e que contaram com colaboradores tais como Remy de Gourmont e Henri de Régnier, entre tantos outros. No Mercure de France, também uma petite revue, Rachilde, uma femme de lettres, destacou-se e alcançou sucesso. Pseudônimo de Marguerite Eymery, Rachilde foi a responsável pela rubrica “Les Romans”, que trazia ao público as resenhas dos romances publicados nos últimos anos da década de 1890. Neste artigo, propomos a apresentação e análise da trajetória de Rachilde como romancista e participante do grupo do Mercure, sua inserção no campo literário, a relação com outras escritoras de sua época e com Émile Zola, além de sua reflexão sobre o processo de escrita da literatura.

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14

Segala, Marco. "Jean-Baptiste Biot collaborateur du Mercure de France : Vulgarisation et analyse philosophique des sciences." Revue d'histoire des sciences 66, no. 1 (2013): 107. http://dx.doi.org/10.3917/rhs.661.0107.

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15

Sévigny, Lise. "Françoise Dolto, Parler de la mort, Paris, Mercure de France, Gallimard, 1998, 63 p." Frontières 14, no. 1 (2001): 78. http://dx.doi.org/10.7202/1074173ar.

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16

Mézine, Sergueï. "La visite en France de Pierre le Grand en 1717 dans la presse francophone." ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies 4 (November 17, 2016): 43–58. http://dx.doi.org/10.21900/j.vivliofika.v4.637.

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Визит Петра I во Францию (21 апреля — 24 июня 1717 г.) — важное событие в истории русско-французских культурных и дипломатических связей. Пребывание в Париже оставило яркий след в биографии знаменитого русского монарха, дало заметный толчок развитию петровской темы во французской литературе и общественной мысли. Европейская франкоязычная пресса уделила серьезное внимание путешествию царя. Газетные сообщения наряду с официальным журналом путешествия и мемуарными свидетельствами являются ценным источником, позволяющим реконструировать основные события визита, а также его восприятие в европейском обществе, в первую очередь — во французском. В основу статьи положены материалы четырёх франкоязычных газет. Две из них — «Gazette de France» и «Le Nouveau Mercure» — выходили в Париже, «Relations Veritables» издавалась в Брюсселе, а «Gazette d’Amsterdam» — в Голландии.

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17

Chaulet-Achour, Christiane. "Le goût du Sénégal. Textes choisis et présentés par Catherine MAZAURIC. Paris, Mercure de France, coll. Le Petit Mercure, 2006. ISBN - 2-7152-2575-X." Études littéraires africaines, no. 21 (2006): 75. http://dx.doi.org/10.7202/1041321ar.

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18

Bohleke, Karin J. "The Sterb-Spiegel: A Fashionable Eighteenth-Century Dance of Death." Costume 52, no. 2 (September 2018): 188–216. http://dx.doi.org/10.3366/cost.2018.0068.

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In 1704, Abraham Gugger of Augsburg published a ‘Dance of Death’, whose lengthy German title is best abbreviated as Sterb-Spiegel. Only five acknowledged copies exist. Originally the work of brothers Rudolph Theodor and Conrad Meyer of Zürich, the first iteration of the Sterb-Spiegel had appeared in 1650. The posthumous 1704 version, re-engraved by an unknown artist, differs in one essential regard: the clothing of Death's victims has been modernized to represent the fashions of the beginning of the eighteenth century. The illustrations show that death comes to everyone, represented by the different victims at work, home and play in appropriate settings. The Sterb-Spiegel thus depicts the clothing in context and in ‘action’, and further represents all levels of early eighteenth-century society, divided into the ‘Ruling Class’, and the ‘General Home and Worldly Positions’. All are appropriately attired, and the Sterb-Spiegel accurately portrays non-elite garb and accessories. The Mercure Galant had ceased issuing regular fashion plates in the 1680s, and the Mercure de France resumed consistent publication of current styles only in the 1720s; the Sterb-Spiegel, even though it was not the original intention, provides contemporary insights into early eighteenth-century fashions when documentation is relatively sparse.

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19

De Vicente-Yagüe Jara, Antonio J. "El caballero de Boufflers y su sueño de huida social a través de L’Heureux accident, conte (1807) y Ah! si…, nouvelle allemande (1810)." Çédille 8 (April 1, 2012): 331. http://dx.doi.org/10.21071/ced.v8i.5497.

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En 1807, Boufflers fit publier le conte L’Heureux accident dans le Mercure de France, sous forme de feuilleton, et, en 1810, parut Ah! si… dans un recueil composé de trois contes du même auteur: Le Derviche, conte oriental, suivi de Tamara, ou Le lac des pénitents, nouvelle indienne, et de Ah! si..., nouvelle allemande. Ces contes moraux, écrits pendant la première décennie du XIXe siècle, exposent les convictions conservatrices de Boufflers dans les dernières années de sa vie. Ils illustrent le désir intime de Boufflers de se retirer de la société qui le déçoit et de trouver au sein de la famille un refuge où l’individu peut jouir en paix du bonheur, de l’amour et de l’amitié partagés.

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20

Maillé, Chantal. "La Chine des femmes recueil de nouvelles en collectif Paris: Mercure de France, 1983, 244 p." Canadian Journal of Political Science 19, no. 1 (March 1986): 173–74. http://dx.doi.org/10.1017/s0008423900058169.

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21

Kaplan, Marijn S. "Riccoboni's 1768 Letter to the Mercure de France: Reclaiming a Woman Writer's Literary Legacy." Women in French Studies 19, no. 1 (2011): 24–36. http://dx.doi.org/10.1353/wfs.2011.0009.

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22

Williams, Erin M. "Signs of Anarchy: Aesthetics, Politics, and the Symbolist Critic at the Mercure de France, 1890-95." French Forum 29, no. 1 (2004): 45–68. http://dx.doi.org/10.1353/frf.2004.0039.

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23

Morrisson, Mark. "The Myth of the Whole: Ford's English Review, the Mercure de France and Early British Modernism." ELH 63, no. 2 (1996): 513–33. http://dx.doi.org/10.1353/elh.1996.0020.

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24

Wilfert-Portal, Blaise. "Le critique, la presse et la nation : Rémy de Gourmont au Mercure de France, 1890-1900." Cahiers de l'Association internationale des études francaises 59, no. 1 (2007): 281–301. http://dx.doi.org/10.3406/caief.2007.1655.

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25

Denavarre, Nicolas. "Paul Léautaud, le destin comme accomplissement d’un demon." Mnemosyne, no. 4 (October 11, 2018): 12. http://dx.doi.org/10.14428/mnemosyne.v0i4.12213.

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« Notre tempérament est notre maître » écrivait Paul Léautaud, retrouvant sans le savoir la maxime d'Héraclite selon laquelle « le tempérament de l'homme est son destin » (Ethos anthropo daimon). Le Daimon de Léautaud (1872-1956), on peut l'appeler « Maurice Boissard », du nom de ce personnage que l'écrivain s'était inventé à 30 ans pour signer ses chroniques dramatiques au Mercure de France, un vieillard narcissique, sarcastique, impitoyable, mélancolique et original préfigurant son propre devenir. Effets d'annonces, intuitions prophétiques de ce « devenir Boissard », moments de révolte puis de résignations, résurgences d'autres moi possibles notés « dans un coin de journal », sont autant d'étapes consignées par le diariste et témoignant de ce processus implacable d'individuation de son Daimon par lequel Léautaud accomplit son propre destin.

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26

Vorozhikhina, Ksenia V. "Lev Shestov in France: Reception of the Russian Philosopher’s Ideas (First Half of the 20th Century)." Voprosy Filosofii, no. 6 (2021): 45–53. http://dx.doi.org/10.21146/0042-8744-2021-6-45-53.

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The article is devoted to the acquaintance of French critics with the philosophy of Lev Shestov, who emigrated from Russia in 1919. Shestov’s ideas almost immediately resonate with French readers and over the course of several years the philosopher gains some fame; he is perceived as one of the most important figures of modern original Russian thought, comparable in importance to M. de Unamuno in Spain and J. de Gaultier in France. Shestov makes acquaintances with French and European intellectuals (J. Rivière, J. de Gaultier, L. Levy-Bruhl and others), collaborates with reputable French magazines “Mercure de France”, “La Nouvelle Revue française”, “La Revue philosophique de la France et de l’étranger”. Shestov has disciples and followers: B. de Schloezer, G. Bataille, B. Fondane, R. Bespaloff, A. Lazarev etc. The most important for his followers is the philosopher’s appeal to the personalities of thinkers and writers, and not to their ideas; “peregrination through the souls” as a philosophical method; the inextricable link between philosophy and life; criticism to reason and morality; religious orientation and others. Shestov’s ideas become one of the sources of existentialism of A. Camus, works of A. Malraux and G. Marcel. Shestov and Fondane separate the philosophy of tragedy, identified with religious existential philosophy in the spirit of S. Kierkegaard, B. Pascal, F.M. Dostoevsky and M. Luther, from the existentialism of M. Heidegger, K. Jaspers and others.

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Casenave, Jean. "D. J. Garat-en Lettre sur Bayonne et sur les Basques « Mercure de France » aldizkarian (1783-02-08)." Lapurdum, no. 9 (November 1, 2004): 97–116. http://dx.doi.org/10.4000/lapurdum.814.

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Cruza Le Bihan, Marion. "Akerman, Chantal (2015). No Home movie. Documental, y Akerman, Chantal (2013). Ma mère rit. Paris: Mercure de France." Papeles del CEIC 2019, no. 2 (September 30, 2019): 62. http://dx.doi.org/10.1387/pceic.20480.

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29

Principe, Lawrence. "Georges Pierre Des Clozets, Robert Boyle, the Alchemical Patriarch of Antioch, And the Reunion of Christendom: Further New Sources." Early Science and Medicine 9, no. 4 (2004): 307–20. http://dx.doi.org/10.1163/1573382043004659.

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AbstractIn 1677, Georges Pierre des Clozets visited Robert Boyle and told him that he had been approved for membership in the Asterism, a secret international society of alchemical masters, headed by Pierre's patron Georges du Mesnillet, the Patriarch of Antioch. Extensive correspondence followed, replete with gifts and bizarre claims, until Pierre vanished in August 1678. This paper links several new documents—articles in the Mercure galant and the Gazette de France and a manuscript account by another convinced admirer of Pierre—to my previous study of him, particularly in regard to Pierre's claim to be working with the Patriarch to reunite Eastern and Western Churches. Dating from before and after Boyle's involvement, these sources add fresh details about Pierre and his other contacts, and show the consistency of Pierre's stories and the credibility he fashioned as he travelled around Europe convincing people of his claims alchemical and otherwise.

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Tuñón De Lara, Manuel. "Max gallo : Histoire de l’Espagne franquiste (Éditions Robert Laffont) – Jean Bourdarias et Jacques Idier : La nouvelle Espagne (Éditions du Mercure de France) – Brian Crozier : Franco (?" Bulletin d'histoire contemporaine de l'Espagne, no. 52 (December 1, 2017): 336–39. http://dx.doi.org/10.4000/bhce.1080.

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31

Verdaguer, Pierre. "Céline, Délires et persécutions (1932–1944)Gibault, François. Céline, Délires et persécutions (1932–1944). Paris: Mercure de France, 1985. Pp. 378." Contemporary French Civilization 11, no. 1 (October 1987): 125–26. http://dx.doi.org/10.3828/cfc.1987.11.1.018.

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32

Benharrech, Sarah, and Claude-Prosper Jolyot de Crébillon. "Deux lettres inédites de Crébillon fils; à M.M. de La Place et de La Garde du Mercure de France et à Malesherbes." Eighteenth Century Fiction 19, no. 4 (2007): 401–13. http://dx.doi.org/10.1353/ecf.2007.0014.

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33

Dion, Robert, and Frances Fortier. "Zelda Fitzgerald, sous le regard de l’autre." Études françaises 46, no. 1 (May 27, 2010): 41–52. http://dx.doi.org/10.7202/039815ar.

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Notre article met en perspective deux ouvrages récents consacrés au célèbre tandem formé de Francis Scott Fitzgerald et de sa compagne Zelda. Le premier, de Pietro Citati, intitulé La mort du papillon (Paris, Gallimard, coll. « L’arpenteur », 2007 [2006]), est un essai biographique « classique » qui évoque, en quatorze brefs chapitres, les multiples facettes d’une relation nourricière et destructrice ; le second, Alabama Song de Gilles Leroy (Paris, Mercure de France, 2007, Prix Goncourt) redonne la parole à Zelda, dans une sorte de réhabilitation de cette figure à la fois fantasque et énigmatique. Si l’entreprise biographique relève indéniablement d’un souci éthique, où il s’agit de construire la vérité de l’autre en respectant tout un jeu de contraintes factuelles, la reconstitution imaginaire est-elle tenue aux mêmes exigences ? Quels sont les procédés formels, énonciatifs ou narratifs qui autorisent à la fois la représentation du réel et l’enjeu d’écriture ? Dans ces deux ouvrages dont le premier sert, en quelque sorte, de degré zéro permettant de prendre la mesure de la mise-en-roman opérée par Leroy, il s’agit donc de voir comment se construit, pour reprendre les termes de la problématique proposée, l’articulation entre « le vivre et l’écrire, entre les histoires entendues et leur devenir-littérature ».

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Guillaumin, Jean-Baptiste. "Edme Béguillet traducteur de Martianus Capella ? Enquête sur la réception des Noces de Philologie et de Mercure en France dans les années 1770-1780." Anabases, no. 19 (April 1, 2014): 155–69. http://dx.doi.org/10.4000/anabases.4589.

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35

Somov, Vladimir A. "La Russie dans la presse des émigrés : Altona, Hambourg, Brunswick et Saint-Pétersbourg." ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies 4 (November 15, 2016): 160–90. http://dx.doi.org/10.21900/j.vivliofika.v4.629.

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Статья посвящена образу России, сложившемуся на страницах эмигрантской периодики, которая издавалась на Севере Европы: в Альтоне (Journal d’Altona, 1795), в Гамбурге (Le Spectateur du Nord, 1797–1802; Journal littéraire et bibliographique, 1799–1802; Le Réveil, 1798–1799; Le Censeur, 1800), Брауншвейге (L’Abeille, 1795; Mercure de France, 1800–1802). Издатель большинства этих журналов Пьер Франсуа Фош выполнял политические поручения роялистов, имел прочные связи с русским книжным рынком, неоднократно посещал Россию. Сами сотрудники были хорошо осведомлены о русских делах, некоторые из них жили в Петербурге. Журналы имели и русских корреспондентов. Редактор Le Spectateur du Nord Амабль де Бодюс привлек к сотрудничеству Н.М. Карамзина. “Русские” публикации отражают общее направление эмигрантских журналов: политика, литература, французская книжность. Они демонстрируют симпатии их авторов к России, которая изображается как держава способная восстановить порядок во Франции и в Европе. Русские власти осуществляют контроль за эмигрантскими журналами, за тем, какой образ России представлен на их страницах. В самой Российской империи издаются эмигрантский Journal littéraire de Saint-Pétersbourg (1798–1800) и официозный Journal du Nord (1807–1812), направленный против наполеоновской пропаганды, в котором сотрудничают те же самые французы. Все эти издания адресованы как эмигрантам, так и местным элитам. Эмигранты, благодаря широкому распространению французского языка, благодаря французской книготорговле прочно установленной в Европе и своей литературной деятельности, становятся посредниками в отношениях между странами, в процессе взаимодействия европейских культур.

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Assal, Sophie. "Jean-Marie Privat ed., Les chroniques de folklore d’Arnold Van Gennep. Recueil de textes parus dans le Mercure de France, 1905-1949. Paris, CTHS, 2001." Études rurales, no. 159-160 (January 1, 2001): 257–58. http://dx.doi.org/10.4000/etudesrurales.79.

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Prévot, Chantal. "Peter Hicks (dir.), Lieutenant George Woodberry. Journal de guerre 1813-1815, Paris, Mercure de France, Le Temps retrouvé, Collection dirigée par Antoine de Baecque, 2013." Napoleonica La Revue 17, no. 2 (2013): 168. http://dx.doi.org/10.3917/napo.132.0168.

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Dumont, Simone, and Solange Grillet. "Amateur Astronomy in France, 1789–1830: Two Examples." International Astronomical Union Colloquium 98 (1988): 55. http://dx.doi.org/10.1017/s0252921100092204.

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AbstractHistorical events affected astronomy in France at this period. Large instruments were also rare so amateurs were on equal terms with professionals. Two significant amateurs are described:Honoré Flaugerges (1755–1830), justice of the peace at Viviers (Ardèche), observed from 1782 until his death, in particular discovering two comets and recording sunspots.Anne-Jean P.C. Duc-Lachappelle (1765–1814), studied astronomy in Paris, and set up an observatory in Montauban in 1789, mainly observing planets and Mercury in particular. He had one pupil, Bernier, and set up a local society for arts and sciences in 1796.Both of these astronomers had numerous contacts with professional astronomers throughout Europe.

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Merello, Ida. "Blaise Wilfert-Portal, Le critique, la presse et la nation: Remy de Gourmont au «Mercure de France» 1890-1900, «Cahiers de l’association internationale d’études françaises» n. 59." Studi Francesi, no. 157 (LIII | I) (May 1, 2009): 202. http://dx.doi.org/10.4000/studifrancesi.8338.

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Mikac, N., S. Niessen, B. Ouddane, and M. Wartel. "Speciation of mercury in sediments of the Seine estuary (France)." Applied Organometallic Chemistry 13, no. 10 (October 1999): 715–25. http://dx.doi.org/10.1002/(sici)1099-0739(199910)13:10<715::aid-aoc918>3.0.co;2-4.

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Marchant, B. P., N. P. A. Saby, and D. Arrouays. "A survey of topsoil arsenic and mercury concentrations across France." Chemosphere 181 (August 2017): 635–44. http://dx.doi.org/10.1016/j.chemosphere.2017.04.106.

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Ranganathan, Malini, and Monique Loquet. "Teaching Kathak in France: The Interdisciplinary “Milieu”." Dance Research Journal 41, no. 1 (2009): 69–81. http://dx.doi.org/10.1017/s014976770000053x.

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This article approaches the idea of interdisciplinarity as an aspect of the globalization of pedagogical practices through the teaching of kathak dance in France. Our study positions itself in a didactic research program that tackles the question of interdisciplinarity under the theoretical angle of joint action between teacher and students (Ranganathan 2004; Ranganathan and Petrefalvi 2007; Sensevy and Mercier 2007; Loquet, Roncin, and Roesslé 2007; Loquet 2007). In this program, “didactics” is defined as the science whose object of study covers educational, teaching, and training practices. Our contribution to this program concerns the field of knowledge related to the body, in particular in sports and artistic activities (Loquet 2006). The ambition of research in didactics currently taking place in France is to show that the teacher's action cannot be treated in a unilateral way, independent of the student's action, just as the interactions between teacher and student cannot be set apart from the objects of knowledge that unite them. In this model, we grant a central place to the concept of “milieu,” seen in a general way as the space where the teacher and the students interact.

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Laramée, François Dominic. "Migration and the French Colonial Atlantic as Imagined by the Periodical Press, 1740–61." Journal of European Periodical Studies 4, no. 1 (June 30, 2019): 54–77. http://dx.doi.org/10.21825/jeps.v4i1.10119.

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Why did the French show so little enthusiasm for emigration to their early modern colonies, compared to other European peoples? In 2006, historian Yves Landry proposed that the image of America communicated to the French reading public by print media might have played a role in this phenomenon. This article examines this question by showing how America in general, and French colonies in particular, were represented in the Ancien Régime's three most prominent periodicals: the weekly news Gazette, the literary Mercure de France and the learned Journal des Savants. Through a combination of distant reading methods, the article builds a three-layered portrait of the New World as displayed to French readers. The first layer, made up of references to America in theater, games and other cultural artefacts built upon common knowledge, shows an unchanging, alien land filled with riches and glory for the few, mortal threats for the many, and the best, perhaps, set aside for foreigners. A second layer, made up of the periodicals' coverage of the slow production of knowledge through science and exploration, edulcorates this picture to some extent by showing that the New World is in the process of being domesticated, but that this process is very much still in its infancy. Finally, the top layer, represented by the Gazette's news coverage, shows a French colonial world that is dominated by Britain, virtually invisible in peacetime, and fraught with chaos at every moment. This top layer is especially important since it was the only one visible to the majority of readers, as the Gazette reached an audience perhaps ten times larger than the other periodicals. Therefore, the article largely supports the original hypothesis.

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Romero, Walter. "A modo de presentación. Marcel Proust: génesis, memoria y deflagración." Recial 12, no. 19 (July 12, 2021): 10–14. http://dx.doi.org/10.53971/2718.658x.v12.n19.33815.

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Es fama que a Marcel Proust (1871-1922) —de quien este año se cumplen 150 años de su natalicio— la originalidad estructural y escrituraria de À la recherche du temps perdu le creó serias dificultades para conseguir publicar el primero de los tomos de la “novela” que había empezado a escribir en 1907. Ya en 1909 hace ofrecimientos sin suerte al periódico y editorial Mercure de France, y, en diciembre de 1912, recibe —con solo un día de diferencia— tanto el rechazo de Fasquelle como el de la Nouvelle Revue Française (NRF). En busca de editor, Proust intenta, a través de amigos e intermediarios, publicar en el sello Ollendorf que, dirigido por Alfred Humblot, desestima también la propuesta en febrero de 1913. Finalmente, por consejo de su amigo Gaston Calmette —quien trabajaba en Le Figaro, periódico varias veces mencionado en su ciclo novelesco—, Proust se contacta con la pequeña editorial Grasset donde logra editar su obra (Peter, 2008, pp. 76-77) en 1913 “à compte d’auteur”. El volumen de exordio lleva una sencilla, pero elocuente dedicatoria: “Al señor Gaston Calmette, como testimonio de mi profundo y afectuoso agradecimiento. Marcel Proust”. Este affaire de edición a modo de derrotero —narrado en cartas inolvidables a su amigo escritor Louis de Robert, “el primer amigo de Swann”— da cuenta de los no pocos obstáculos que debió vencer. En 1919 —cuando su segundo tomo À l’ombre des jeunes filles en fleur obtiene, por seis votos contra cuatro, el Premio Goncourt—, el esforzado emplazamiento de su obra se consolida, a escasos tres años de la desaparición física de su autor.

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Bodler, Markus. "„Halb Courteline, halb Ubu, halb Kafka“." apropos [Perspektiven auf die Romania], no. 1 (December 12, 2018): 145–60. http://dx.doi.org/10.15460/apropos.1.1263.

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Sammelrezension von: BOURILLON Florence et al. (ed). 2016. De l'Université de Paris aux universités de l'Île-de-France. Rennes : PUR. DORMOY-RAJRAMANAN Christelle. 2014. Sociogenèse d'une invention institutionnelle. Le Centre universitaire expérimental de Vincennes. Thèse présentée pour obtenir le grade de Docteure, sous la direction du Prof. Bernard Pudal. Université de Paris Ouest-Nanterre la Défense, <https://bdr.parisnanterre.fr/theses/internet/2014PA100149.pdf> MERCIER Charles. 2015. Autonomie, autonomies. René Rémond et la politique universitaire aux lendemains de Mai 1968 (collection Histoire de la France aux XIXᵉ et XXᵉ siècles, 77). Paris : Publications de la Sorbonne. MERCIER Charles. 2016. René Rémond et Nanterre. Les enfantements de 68 (1968-1976). Lormont : Le Bord de l'eau. VALENCE David & Bruno Poucet (ed.). 2016. La loi Edgar Faure. Réformer l'université après 1968. Rennes : PUR.

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Skurnik, David, Raymond Ruimy, Derren Ready, Etienne Ruppe, Claire Bernède-Bauduin, Felix Djossou, Didier Guillemot, Gerald B. Pier, and Antoine Andremont. "Is exposure to mercury a driving force for the carriage of antibiotic resistance genes?" Journal of Medical Microbiology 59, no. 7 (July 1, 2010): 804–7. http://dx.doi.org/10.1099/jmm.0.017665-0.

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The mercury resistance gene merA has often been found together with antibiotic resistance genes in human commensal Escherichia coli. To study this further, we analysed mercury resistance in collections of strains from various populations with different levels of mercury exposure and various levels of antibiotic resistance. The first population lived in France and had no known mercury exposure. The second lived in French Guyana and included a group of Wayampi Amerindians with a known high exposure to mercury. Carriage rates of mercury resistance were assessed by measuring the MIC and by detecting the merA gene. Mercury-resistant E. coli was found significantly more frequently in the populations that had the highest carriage rates of antibiotic-resistant E. coli and in parallel antibiotic resistance was higher in the population living in an environment with a high exposure to mercury, suggesting a possible co-selection. Exposure to mercury might be a specific driving force for the acquisition and maintenance of mobile antibiotic resistance gene carriage in the absence of antibiotic selective pressure.

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Remy, Sandrine, Pascale Prudent, and Jean-Luc Probst. "Mercury speciation in soils of the industrialised Thur River catchment (Alsace, France)." Applied Geochemistry 21, no. 11 (November 2006): 1855–67. http://dx.doi.org/10.1016/j.apgeochem.2006.08.003.

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Arnold, Keith. "Pascal's Great Experiment." Dialogue 28, no. 3 (1989): 401–16. http://dx.doi.org/10.1017/s0012217300015936.

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Three hundred and forty-one years ago, on Saturday September 19, 1648, at eight a.m., Blaise Pascal's Great Experiment took place. Following Pascal's explicit instructions, his brother-in-law Florin Périer took two identical glass tubes and filled them with mercury. He inverted the tubes and submerged the open end in a bowl containing an inch of mercury. Thus he set up two Torricellian baroscopes in the garden of the Minim Monastery, at the base of the Puy-de-Dôme, one of the highest mountains in central France. The height of the mercury in each tube was carefully measured and marked on the glass. The measurements, which were identical, were recorded. One device was left in place, as a control baroscope, with an observer. The other was dismantled.

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Fu, Xuewu, Nicolas Marusczak, Lars-Eric Heimbürger, Bastien Sauvage, François Gheusi, Eric M. Prestbo, and Jeroen E. Sonke. "Atmospheric mercury speciation dynamics at the high-altitude Pic du Midi Observatory, southern France." Atmospheric Chemistry and Physics 16, no. 9 (May 4, 2016): 5623–39. http://dx.doi.org/10.5194/acp-16-5623-2016.

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Abstract. Continuous measurements of atmospheric gaseous elemental mercury (GEM), particulate bound mercury (PBM) and gaseous oxidized mercury (GOM) at the high-altitude Pic du Midi Observatory (PDM Observatory, 2877 m a.s.l.) in southern France were made from November 2011 to November 2012. The mean GEM, PBM and GOM concentrations were 1.86 ng m−3, 14 pg m−3 and 27 pg m−3, respectively and we observed 44 high PBM (peak PBM values of 33–98 pg m−3) and 61 high GOM (peak GOM values of 91–295 pg m−3) events. The high PBM events occurred mainly in cold seasons (winter and spring) whereas high GOM events were mainly observed in the warm seasons (summer and autumn). In cold seasons the maximum air mass residence times (ARTs) associated with high PBM events were observed in the upper troposphere over North America. The ratios of high PBM ARTs to total ARTs over North America, Europe, the Arctic region and Atlantic Ocean were all elevated in the cold season compared to the warm season, indicating that the middle and upper free troposphere of the Northern Hemisphere may be more enriched in PBM in cold seasons. PBM concentrations and PBM ∕ GOM ratios during the high PBM events were significantly anti-correlated with atmospheric aerosol concentrations, air temperature and solar radiation, suggesting in situ formation of PBM in the middle and upper troposphere. We identified two distinct types of high GOM events with the GOM concentrations positively and negatively correlated with atmospheric ozone concentrations, respectively. High GOM events positively correlated with ozone were mainly related to air masses from the upper troposphere over the Arctic region and middle troposphere over the temperate North Atlantic Ocean, whereas high GOM events anti-correlated with ozone were mainly related to air masses from the lower free troposphere over the subtropical North Atlantic Ocean. The ARTs analysis demonstrates that the lower and middle free troposphere over the North Atlantic Ocean was the largest source region of atmospheric GOM at the PDM Observatory. The ratios of high GOM ARTs to total ARTs over the subtropical North Atlantic Ocean in summer were significantly higher than those over the temperate and sub-arctic North Atlantic Ocean as well as that over the North Atlantic Ocean in other seasons, indicating abundant in situ oxidation of GEM to GOM in the lower free troposphere over the subtropical North Atlantic Ocean in summer.

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Capiomont, Anne, Luigi Piazzi, and Gérard Pergent. "Seasonal variations of total mercury in foliar tissues of Posidonia oceanica." Journal of the Marine Biological Association of the United Kingdom 80, no. 6 (December 2000): 1119–23. http://dx.doi.org/10.1017/s0025315400003192.

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Cold vapour atomic absorption spectrophotometry (CV-AAS) was used to evaluate total mercury concentrations in Posidonia oceanica, after initial mineralization of the samples in a microwave oven. Measurements were taken of three leaf tissue types: the adult leaf blade, the adult leaf sheath, and the intermediate leaf blade. Plants were sampled monthly over a one year period at two sites presenting different degrees of pollution: Rosignano (Tuscany, Italy) and Tonnara (Corsica, France).The mercury concentrations recorded in the different P. oceanica tissues were systematically higher at the more contaminated of the two sites, thus confirming the value of this plant as a biological indicator. The mercury concentrations observed exhibit seasonal variations, with higher concentrations recorded in winter than in summer. These variations seemed to be negatively correlated to the plant's phenology. Also, the mean mercury concentrations were generally lower in young tissue (intermediate leaf blade) than in the older tissue (adult leaf blade).

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