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Journal articles on the topic 'Le Ravissement de Lol V Stein'

Author: Grafiati

Published: 15 July 2021

Last updated: 29 July 2025

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1

ALBERTI, B. "Le 'Ravissement' de Lol V. Stein." French Studies 44, no. 4 (1990): 416–23. http://dx.doi.org/10.1093/fs/44.4.416.

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2

Duras, Marguerite. "La Ravissement de Lol V. Stein / The Ravishing of Lol V. Stein." Yale French Studies, no. 75 (1988): 67. http://dx.doi.org/10.2307/2929350.

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3

Boehringer, Monika. "Le Je(u) de l’énonciation dans le Ravissement de Lol V. Stein." Analyse 27, no. 1 (2005): 159–69. http://dx.doi.org/10.7202/501073ar.

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L'énigme du Ravissement de Lol V. Stein se cristallise autour du personnage féminin, Lol V. Stein. Ce personnage est cependant constitué par le seul discours de différents énonciateurs qui désirent re-construire son passé: la scène du ravissement. L'analyse présente cherche à clarifier les instances énonciatives par lesquelles passe ce discours ainsi que leur rapport en mettant l'accent sur le locuteur principal, Jacques Hold. L'analyse se termine avec des réflexions concernant l'impact du je(u) de l'énonciation sur l'interprétation du personnage principal.

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4

ALBERTI, BERNARD, and MARIE-THÉRÉSE MATHET. "LE ‘RAVISSEMENT’1 DE LOL V. STEIN." French Studies XLIV, no. 4 (1990): 416–23. http://dx.doi.org/10.1093/fs/xliv.4.416.

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5

Tornos Urzainki, Maider. "El dolor de la pérdida y el abandono: el caso de Lol V. Stein en Marguerite Duras." Thélème. Revista Complutense de Estudios Franceses 35, no. 2 (2020): 281–90. http://dx.doi.org/10.5209/thel.67983.

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En 1964, Marguerite Duras publica Le ravissement de Lol V. Stein. En los próximos años, la novela se convierte en uno de los textos más estudiados, dentro del círculo psicoanalítico, porque el personaje central de Lol V. Stein va a ser un ejemplo paradigmático de la psicosis. Al fin y al cabo, exiliada de sí misma, Lol V. Stein vive prisionaera de la relación imaginaria que mantiene con la figura del otro, porque la ley significante del Nombre-del-Padre no ha quedado inscrita, como consecuencia de una forclusión en la segunda fase del estadio del espejo. Por lo tanto, después de haber sido aba

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6

Hill, Leslie, and Renate Gunther. "Duras: 'Le Ravissement de Lol V. Stein' and 'L'Amant'." Modern Language Review 90, no. 3 (1995): 773. http://dx.doi.org/10.2307/3734376.

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7

Aires, Suely, and Andressa Mayara Silva Souza. "Fragmentos do Real em “Le Ravissement de Lol V. Stein”." Ágora: Estudos em Teoria Psicanalítica 24, no. 3 (2021): 72–80. http://dx.doi.org/10.1590/1809-44142021003009.

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RESUMO: O presente trabalho se estrutura na articulação entre literatura e psicanálise e toma como referência a afirmação de Lacan, em 1965, de que, na produção de Marguerite Duras, a prática da letra converge com o uso do inconsciente. Como ponto de análise, o artigo se baseia na leitura de Le Ravissement de Lol V. Stein, livro de M. Duras, a fim de discutir a noção de Real, formalizada por Lacan em seu ensino. Para tanto, o Real será abordado a partir de três eixos de análise: 1) o tempo, 2) o corpo e 3) a ausência. Ao final, a produção durassiana atesta-nos uma dupla perda que se opera entr

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8

RANNOUX, C. "Représentations de Discours Autres dansLe Ravissement de Lol V. Stein." L'Information Grammaticale 108 (January 1, 2006): 41–44. http://dx.doi.org/10.2143/ig.108.0.2004655.

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9

Stamm, Gina. "Embodiment and Aging in Le ravissement de Lol V. Stein." Mosaic: an interdisciplinary critical journal 51, no. 2 (2018): 91–105. http://dx.doi.org/10.1353/mos.2018.0019.

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10

Zalloua, Zahi. "Reading Duras's Le Ravissement de Lol V. Stein like a Feminist." Women in French Studies 10, no. 1 (2002): 228–42. http://dx.doi.org/10.1353/wfs.2002.0009.

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11

Ledwina, Anna. "La lecture lacanienne du roman durassien Le Ravissement de Lol V. Stein : l’expérience « autre » de l’inconscient et du langage." Romanica Cracoviensia 20, no. 3 (2020): 151–58. http://dx.doi.org/10.4467/20843917rc.20.014.12936.

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Inscribed in human condition, Loss is an integral part of Duras’s work. It is a leitmotif of the novel Le Ravissement de Lol V. Stein (The Ravishing of Lol Stein), in which the feeling of love is shown as ambivalent, connected − on the one hand − with ecstasy, admiration and exaltation, and on the other – with suffering, loneliness, pain and absence. Considered from the Lacanist perspective, the text allows us to see the originality of Duras’s prose, which involves capturing the unspeakable, the thing that escapes rational analysis and conventional writing technique: the subconscious. The auth

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12

INCE, K. "Review. Duras: 'Le Ravissement de Lol V. Stein' and 'L'Amant'. Gunther, Renate." French Studies 49, no. 2 (1995): 228. http://dx.doi.org/10.1093/fs/49.2.228.

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13

WILSON, E. "Review. 'Le Ravissement de Lol V. Stein' de Marguerite Duras. Borgomano, Madeleine." French Studies 53, no. 1 (1999): 104. http://dx.doi.org/10.1093/fs/53.1.104.

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14

Russell-Watts, Lynsey. "The Terrors and Pleasures of Analysis: Le Ravissement de Lol V. Stein." Nottingham French Studies 46, no. 3 (2007): 121–33. http://dx.doi.org/10.3366/nfs.2007-3.010.

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15

de Chalonge, Florence. "Marguerite Duras, Le Ravissement de Lol V. Stein, Le Vice-consul, India Song." Roman 20-50 Horsséri2, no. 3 (2006): 135. http://dx.doi.org/10.3917/r2050.hs2.0135.

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16

Rannoux, Catherine. "Représentations de discours autres dans Le Ravissement de Lol V. Stein." L'Information Grammaticale 108, no. 1 (2006): 41–44. http://dx.doi.org/10.3406/igram.2006.3801.

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17

دسوقى, صابر أمین. "Les techniques dramatiques dans le ravissement de lol v. Stein de marguerite duras." مجلة کلیة الآداب.بنها 37, no. 4 (2014): 187–266. http://dx.doi.org/10.21608/jfab.2014.53747.

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18

Schulz-Jander, Eva-Maria. "Marguerite Duras'sLe Ravissement de Lol. V. Stein: A Woman's Long Search for Absence." Symposium: A Quarterly Journal in Modern Literatures 40, no. 3 (1986): 223–33. http://dx.doi.org/10.1080/00397709.1986.10733600.

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19

Popa, Marius. "Trois scènes de bal dans le roman français (« La Princesse de Clèves », « Madame Bovary », « Le Ravissement de Lol V Stein »)." Studia Universitatis Babeş-Bolyai Dramatica 65, no. 2 (2020): 221–42. http://dx.doi.org/10.24193/subbdrama.2020.2.11.

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"Three Ball Scenes in the French Novel (“La Princesse de Clèves”, “Madame Bovary”, “Le Ravissement de Lol V Stein”). This article aims to analyze – in a comparative manner – three ball scenes from novels belonging to leading authors of French literature (Madame de Lafayette, Gustave Flaubert and Marguerite Duras), highlighting a series of dramatic mechanisms used by novelists in the construction of such a diegetic plot. If La Princesse de Clèves describes a ball that takes place in the royal court, with all the typical scenes of the time (embodied in a real mixture of intrigue and gallantry sp

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20

Killeen, Marie-Chantal. "Fiabilité ou fidélité : le problème de la narration dans Le Ravissement de Lol V. Stein." Littérature 162, no. 2 (2011): 69. http://dx.doi.org/10.3917/litt.162.0069.

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21

Ricatte, Robert. "Silences et échos chez Marguerite Duras [Le Ravissement de Lol V. Stein et Le Vice-Consul]." Littérature 102, no. 2 (1996): 3–13. http://dx.doi.org/10.3406/litt.1996.2398.

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22

Van Noort, Kimberly Philpot. "The Dance of the Signifier: Jacques Lacan and Marguerite Duras's Le Ravissement De Lol V. Stein." Symposium: A Quarterly Journal in Modern Literatures 51, no. 3 (1997): 186–201. http://dx.doi.org/10.1080/00397709709598511.

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23

Simon Kim. "La rhétorique de l’absence et du vide dans le Ravissement de Lol V. Stein de Marguerite Duras." Etudes de la Culture Francaise et de Arts en France 45, no. ll (2013): 1–24. http://dx.doi.org/10.21651/cfaf.2013.45..1.

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24

Sandrine Léopold. "Fantasme voyeuriste et perversion narcissique dans Le Ravissement de Lol V. Stein de Marguerite Duras." French Forum 33, no. 1-2 (2008): 161–78. http://dx.doi.org/10.1353/frf.0.0042.

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25

Vianna Kuntz, Maria Cristina. "Marguerite Duras: Alguns problemas de tradução." Transfer 13, no. 1-2 (2017): 94–114. http://dx.doi.org/10.1344/transfer.2018.13.94-114.

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Marguerite Duras presenta una obra aparentemente sencilla: vocabulario común, muchas veces coloquial, abundancia de diálo-gos y frases cortas. Pero la facilidad de la sintaxis y el “parentesco de la lengua” encubren un lenguaje que comprende todo el intrin-cado mundo interior de la autora. Se ve que la mayor parte de las traducciones al Portugués ponen la obra de Duras “al servicio del lector” siguiendo una vía de “literalidad” que no llega a contem-plar el “lenguaje elevado” en el que se pueda oír “El eco del original resucitado”, como propone Benjamin (BENJAMIN 2008: 25-49). En este artículo

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26

Fox, A. "THE R. H. GAPPER UNDERGRADUATE ESSAY PRIZE, 2007 (JOINT RUNNER-UP) * WRITING THE RHYTHMS OF DESIRE: LE RAVISSEMENT DE LOL V. STEIN, L'AMOUR AND L'AMANT." French Studies Bulletin 29, no. 107 (2008): 39–48. http://dx.doi.org/10.1093/frebul/ktn016.

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27

Moreau, Emmanuelle. "Lol V. Stein n’est pas jalouse." Revue des Collèges de Clinique psychanalytique du Champ Lacanien N° 17, no. 1 (2018): 149–58. http://dx.doi.org/10.3917/rccpcl.017.0149.

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28

SAINT-AMAND, PIERRE. "The Sorrows of Lol V. Stein." Paragraph 19, no. 1 (1996): 21–35. http://dx.doi.org/10.3366/para.1996.19.1.21.

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29

Kristiansen, Sølvi. "The absent pain of Lol V. Stein." Scandinavian Psychoanalytic Review 33, no. 2 (2010): 87–95. http://dx.doi.org/10.1080/01062301.2010.10592866.

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30

Glassman, Deborah. "Fascinating Vision and Narrative Cure: Marguerite Duras's The Ravishing of Lol V. Stein." Tulsa Studies in Women's Literature 8, no. 1 (1989): 77. http://dx.doi.org/10.2307/463881.

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31

Vescovi, Priscila, and Fabio Silva. "Marguerite Duras e a espessura de bruma: produção de sensíveis e memórias sem lembrança." ACENO - Revista de Antropologia do Centro-Oeste 10, no. 24 (2024): 557–68. http://dx.doi.org/10.48074/aceno.v10i24.15928.

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O presente manuscrito pretende abordar as múltiplas dimensões da linguagem que comparecem às obras de Marguerite Duras, e como, por meio desse hibridismo de forças constituintes sugerimos a fabricação da composição de planos de experimentação literários forjados no limite do impossível da língua — liame transformador, seu ponto de esgotamento e passagem. É aí que a obra acontece, na afirmação de uma espécie de estética de travessia, realizada através da raspagem contínua das lembranças na fabricação de uma memória em estado de brumas. Convocamos, aqui, as obras A dor (1985), O verão de 80 (198

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32

Milagres, Andréa Franco. "Corpo e automutilação na esquizofrenia." Revista Latinoamericana de Psicopatologia Fundamental 9, no. 3 (2006): 447–59. http://dx.doi.org/10.1590/1415-47142006003006.

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O artigo discute o estatuto do corpo na esquizofrenia a partir de reiterados episódios de automutilação. O corpo é abordado a partir das referências freudianas sobre o narcisismo, e de J. Lacan sobre o Estádio do Espelho, propondo tomar o narcisismo como um nó fundamental e discutindo as possíveis conseqüências de uma falha nesta função psíquica. Utilizamos como procedimento o estabelecimento de um paralelo entre um caso clínico e as discussões trazidas por Lacan em dois diferentes momentos a respeito da noção de corpo. Primeiramente a partir do caso de Lol V. Stein, no romance O deslumbrament

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33

Poulet, Élisabeth. "Le cycle indien de M. Duras." Acta Juin-Juillet 2006 7, no. 3 (2006). http://dx.doi.org/10.58282/acta.1426.

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Cet article est un compte-rendu du livre : Roman 20-50 (Revue d’étude du roman du XXe siècle). Hors série n° 2 / Décembre 2005 : Marguerite Duras : Le Ravissement de Lol V. Stein, Le Vice-consul et India Song. Études réunies par Florence de Chalonge.141 p.

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34

Upadhyay, Lauren. "An Elusive Vision: Genesis and Apocalypse in Le Ravissement de Lol V. Stein." Paroles gelées 28, no. 1 (2014). http://dx.doi.org/10.5070/pg7281017905.

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35

Mordant, Geneviève, and Pierre-Yves Turpin. "À propos du regard dans « Le ravissement de Lol V. Stein » de Marguerite Duras : une approche « quantique faible » de la perception visuelle." Arts et sciences 17, no. 1 (2017). http://dx.doi.org/10.21494/iste.op.2017.0192.

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36

Veras, Viviane. "Marguerite Duras, Lol V. Stein: escrita e tradução em andamento." Revista Letras 95 (June 6, 2017). http://dx.doi.org/10.5380/rel.v95i0.49166.

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Resumo: O saber-fazer do tradutor, do ponto de vista ético, poderia ser visto como soma de saberes acumulados em sua experiência de traduzir. Talvez não baste. Talvez seja preciso contar com o estranhamento que o texto põe em cena, e que solicite uma tradução que se ponha à escuta do que nessa escrita perturba e dá lugar ao equívoco, e que busque uma sintonia que dê voz ao que resiste, mas que também ceda à partilha de seus silêncios. Esse saber-fazer exige um manejo do tempo e uma disposição ao imprevisto, ao improviso e, quem sabe, a um ato de criação.

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37

"Le Ravissement de Lol V. Steinet La Princesse de Clèves: une lecture intertextuelle des stéréotypes." Romanica Cracoviensia 17, no. 3 (2017). http://dx.doi.org/10.4467/20843917rc.17.015.7697.

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38

El Hajj, Murielle. "Literary voyeurism between legitimacy and illegitimacy: The case of Lol V. Stein." French Cultural Studies, June 6, 2025. https://doi.org/10.1177/09571558251347038.

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This study explores the concept of literary voyeurism as a complex phenomenon, involving the dynamics of observation, power, and ethical responsibility within literary narratives. Drawing on psychoanalytic frameworks from Sigmund Freud, Jacques Lacan, Julia Kristeva, and Jean Bellemin-Noël, this study examines voyeurism not only as an act of observing but as a legitimate and illegitimate mechanism. This article distinguishes the ethical boundaries between the voyeurism of characters—marked by transgression and power imbalance—and that of the reader, positioned as legitimate observer who active

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