Log in

Relevant bibliographies by topics / Leadership in motion pictures / Journal articles

To see the other types of publications on this topic, follow the link: Leadership in motion pictures.

Journal articles on the topic 'Leadership in motion pictures'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 March 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Leadership in motion pictures.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Schwester, Richard W. "Tenets of Public Management and the World War II Mot ion Picture Genre." Public Voices 11, no. 1 (December 8, 2016): 41. http://dx.doi.org/10.22140/pv.100.

Full text

Abstract:

The motion picture as an artistic medium amplifies emotions through the combination of imagery and sound. This medium has proven ideal for chronicling the American World War II experience. The World War II film genre has portrayed the American combat soldier as heroic and resourceful (Suid 2002). These portrayals of actions and leadership on the battlefield are, to some measure, applicable to contemporary public management. This paper examines select World War II motion pictures in the context of the following questions: (1) what tenets do these motion pictures convey and (2) to what extent do these tenets apply topublic management? Patton (1970), Saving Private Ryan (1998), and The Great Escape (1963) are examined

APA, Harvard, Vancouver, ISO, and other styles

2

Bowers, Lauren. "The “Devil-May-Care Song of the Leathernecks”: A HISTORY OF THE “MARINES’ HYMN,” 1920–47." Marine Corps History 7, no. 2 (December 27, 2021): 36–53. http://dx.doi.org/10.35318/mch.2021070203.

Full text

Abstract:

From 1920 to 1947, the “Marines’ Hymn” was a familiar sound over the radio waves and in motion pictures. Beyond its popular appeal, however, the hymn was scrutinized by Marine Corps leadership under the reforms of Major General Commandant John A. Lejeune, subjected to a prolonged ownership dispute, updated during a world war, and given an official birthday. This article continues the author’s research on the topic and examines these important milestones in the history of the “Marines’ Hymn” and the conflicts that arose as Marine Corps leadership attempted to maintain and promote one dignified official version that would foster a positive public image for the increasingly professional Corps.

APA, Harvard, Vancouver, ISO, and other styles

3

Ibrahim, Muhammad Muhsin. "Hausa film industry and the ‘menace’ of appropriation of Indian romantic movies." Journal of African Media Studies 14, no. 2 (June 1, 2022): 327–39. http://dx.doi.org/10.1386/jams_00081_1.

Full text

Abstract:

Against many odds, the Hausa film industry alias Kannywood has come of age. The film industry survives several pressing challenges from within and outside Nigeria, perhaps more than its counterparts anywhere else. Although there is no denying that the quality of its output has significantly improved, its survival has little or nothing to do with that. Many critics, including the Motion Pictures Practitioners Association of Nigeria (MOPPAN) leadership, call ‘bad’ films, are still being made. Romantic movies, laden with a typical and predictable pattern of the love triangle, song and dance sequences among other appropriated and plagiarized Bollywood modalities, remain the favourite of producers and arguably that of the audience. However, according to some surveys, such films lack merit in the realm of critical film discourse in Africa and beyond. This article is set out to discuss this issue through a content analysis of a recent film titled Sareena (Nuhu 2019). The movie, released in 2019, is a bloated, implausible melodrama and a direct mimicry of a famous Indian film, Kaabil (Gupta 2017).

APA, Harvard, Vancouver, ISO, and other styles

4

Bhatt, P. R. "HTC Corporation: A Different Kind of Leadership of Cher Wang." South Asian Journal of Business and Management Cases 2, no. 2 (December 2013): 217–28. http://dx.doi.org/10.1177/2277977913509177.

Full text

Abstract:

HTC corporation was started as a manufacturer of personal digital assistants (PDAs) in 1997 and later shifted to manufacturing smartphones for branded handset companies and for service providers such as T-Mobile, Vodafone, Orange, Sprint, Cingular, Verizon and NTT DoCoMo as an original design manufactures (ODMs) in 2002. In 2007, HTC had taken a strategic decision to manufacture branded products and sold smartphones under its own name. The main competitors of HTC in smartphone industry were Apple, Samsung, Research in Motion (RIM), Nokia and Huawei. HTC took a number of distinct paths to drive differentiation of its products which included a superb User Interface (UI) and applications (for e-mailing, screen locking, dialing and picture taking among others) that provided a unique experience to HTC users. Cher Wang believed that the key to creating a powerful brand was to produce cutting-edge smartphones. Cher Wang introduced a new culture, a culture of innovation in the organization. Her vision was to create innovative products that could enrich consumers’ lives. Cher Wang wanted to make HTC global organization to make convergence of internet, mobile, wireless and IT. HTC’s long-term plan was to distinguish itself in the handsets and tablets markets by offering an HTC-specific experience on both Android and Windows phones.

APA, Harvard, Vancouver, ISO, and other styles

5

Belov, Sergey I. "REHABILITATION OF THE NAZI REGIME, ITS SUPPORTERS AND ACCOMPLICES IN THE EUROPEAN CINEMATOGRAPHY: CURRENT STATE AND NEW TRENDS IN DEVELOPING MEMORY POLICIES." RUDN Journal of Political Science 21, no. 1 (December 15, 2019): 110–17. http://dx.doi.org/10.22363/2313-1438-2019-21-1-110-117.

Full text

Abstract:

The presented study is dedicated to the rehabilitation of the Nazi regime, its supporters and accomplices in modern cinema as part of the memory policy. The relevance of this work is determined by the growing influence of ultra-right politicians in a number of economically developed countries, an increase in the number of memorial wars due to the rehabilitation of Nazism accomplices and the spread of right-wing radicalism in the United States and European Union states. The aim of the study is the evaluation of the rehabilitation practices of Nazism and its supporters in new motion pictures, which have not been previously studied by representatives of the expert community from this perspective. Indirect apologetics of the Nazis and their adherents, including representatives of organizations recognized as criminal in accordance with the decision of the Nürnberg Tribunal, are widespread in modern cinema. The thesis is being promoted that even numerous members of organizations recognized as criminal secretly opposed the Nazi regime. Cooperation is considered as a necessary measure. The audience gets the impression that even highranking representatives of the army leadership were not aware of war crimes. People who for many years supported Hitler’s regime are shown as its victims. There have been attempts to re-evaluate certain aspects of the Nazi regime as a positive experience, in a way of referring to actual matters nowadays.

APA, Harvard, Vancouver, ISO, and other styles

6

Young, Linda. "Motion Pictures." SMPTE Journal 105, no. 4 (April 1996): 177–78. http://dx.doi.org/10.5594/j15829.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Masson, Alan J. "Motion Pictures." SMPTE Journal 108, no. 2 (February 1999): 75–78. http://dx.doi.org/10.5594/j17112.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Masson, Alan J. "Motion Pictures." SMPTE Journal 107, no. 1 (January 1998): 11–13. http://dx.doi.org/10.5594/j17616.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Bonnaud, Irène, Suzanne Doppelt, Christophe Triau, and Sacha Zilberfarb. "Motion pictures." Vacarme 15, no. 2 (2001): 60. http://dx.doi.org/10.3917/vaca.015.0060.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Burns, Edward J. "Motion Pictures." SMPTE Journal 97, no. 4 (April 1988): 268–74. http://dx.doi.org/10.5594/j00667.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Young, Linda. "Motion Pictures." SMPTE Journal 106, no. 1 (January 1997): 9–11. http://dx.doi.org/10.5594/j09530.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Ricotta, Frank J. "Motion Pictures." SMPTE Journal 104, no. 4 (April 1995): 186–88. http://dx.doi.org/10.5594/j09609.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Ricotta, Frank J. "Motion Pictures." SMPTE Journal 103, no. 4 (April 1994): 211–15. http://dx.doi.org/10.5594/j09688.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Antonoff, Michael. "Motion Pictures." Scientific American 296, no. 5 (May 2007): 24–25. http://dx.doi.org/10.1038/scientificamerican0507-24.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Mitchison, Tim J. "Motion pictures." Nature 357, no. 6373 (May 1992): 32. http://dx.doi.org/10.1038/357032a0.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Gomery, Douglas. "Motion Pictures." Communication Booknotes 16, no. 5 (May 1985): 49. http://dx.doi.org/10.1080/10948008509488306.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Gomery, Douglas. "Motion Pictures." Communication Booknotes 17, no. 1 (January 1986): 7–9. http://dx.doi.org/10.1080/10948008609488219.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Gomery, Douglas. "Motion Pictures." Communication Booknotes 17, no. 9-10 (September 1986): 98–107. http://dx.doi.org/10.1080/10948008609488269.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Gomery, Douglas. "Motion Pictures." Communication Booknotes 18, no. 7-8 (July 1987): 63–69. http://dx.doi.org/10.1080/10948008709488193.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Gomery, Douglas. "Motion Pictures." Communication Booknotes 18, no. 9-10 (September 1987): 93–99. http://dx.doi.org/10.1080/10948008709488203.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Gomery, Douglas. "Motion Pictures." Communication Booknotes 19, no. 5 (September 1988): 95–103. http://dx.doi.org/10.1080/10948008809488155.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Block, Eleanor, James K. Bracken, Eleanor S. Block, and Bruce A. Austin. "Motion Pictures." Communication Booknotes Quarterly 29, no. 1 (January 1998): 52–60. http://dx.doi.org/10.1080/10948009809361557.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Levine, Niall, John A. Lent, and Bruce Austin. "Motion pictures." Communication Booknotes Quarterly 29, no. 2 (March 1998): 88–96. http://dx.doi.org/10.1080/10948009809361564.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Austin, Bruce A., Eleanor Block, Chris Sterling, Robert Huesca, and Gary R. Edgerton. "Motion pictures." Communication Booknotes Quarterly 29, no. 4 (September 1998): 196–203. http://dx.doi.org/10.1080/10948009809361586.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Austin, Bruce A., Niall Levine, and Chris Sterling. "Motion pictures." Communication Booknotes Quarterly 30, no. 4 (September 1999): 227–31. http://dx.doi.org/10.1080/10948009909361637.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Blasko, Edward J. "Motion Pictures." SMPTE Journal 95, no. 4 (April 1986): 413–19. http://dx.doi.org/10.5594/j17960.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Iosifian, S. A., and V. A. Petrovskii. "Motion Pictures." Russian Education & Society 37, no. 10 (October 1995): 11–22. http://dx.doi.org/10.2753/res1060-9393371011.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Baptista, John L. "Motion Pictures." SMPTE Journal 101, no. 4 (April 1992): 231–34. http://dx.doi.org/10.5594/j02302.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Baptista, John L. "Motion Pictures." SMPTE Journal 102, no. 4 (April 1993): 289–94. http://dx.doi.org/10.5594/j03791.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Baptista, John L. "Motion Pictures." SMPTE Journal 100, no. 4 (April 1991): 225–31. http://dx.doi.org/10.5594/j04767.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Jennifer Tebbe-Grossman. "Medicine’s Motion Pictures." Film & History: An Interdisciplinary Journal of Film and Television Studies 39, no. 1 (2009): 98–99. http://dx.doi.org/10.1353/flm.0.0076.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Cho, Minhaeng. "Molecular motion pictures." Nature 444, no. 7118 (November 2006): 431–32. http://dx.doi.org/10.1038/444431a.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Hunter, Jefferson. "Pictures and Motion Pictures in the 1940s." Hopkins Review 7, no. 1 (2014): 93–111. http://dx.doi.org/10.1353/thr.2014.0001.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Nimis, Erika. "“Motion pictures” in Nigeria." Visual Anthropology 14, no. 3 (September 2001): 293–99. http://dx.doi.org/10.1080/08949468.2001.9966836.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Bardell, Eunice Bonow. "Pharmacists in Motion Pictures." American Journal of Health-System Pharmacy 45, no. 1 (January 1, 1988): 179–83. http://dx.doi.org/10.1093/ajhp/45.1.179.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Leach-Murray, Susan. "SWANK Motion Pictures, Inc." Technical Services Quarterly 35, no. 1 (November 27, 2017): 115–16. http://dx.doi.org/10.1080/07317131.2017.1385299.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Copeland, V. Natasha E. "Pictures in Motion or Motion Pictures: Sembène’s Natural Products Steal the Show." Études littéraires africaines, no. 30 (November 17, 2014): 58–76. http://dx.doi.org/10.7202/1027347ar.

Full text

Abstract:

Dans ses films Xala (1974) et Ceddo (1977), Sembène redéfinit l’usage des sculptures traditionnelles en bois, tout en demeurant fidèle aux métaphysiques sahéliennes dans ses innovations esthétiques, littéraires ou cinématographiques. Des masques, un bâton ou une canne jouent à l’écran un rôle qui, en raison de leur propre vitalité et de leur étroite association avec divers personnages, capte l’attention du public autant que le font les héros des films. Sembène oppose, dans la trame de ses films, la force vitale de ces objets africains à celle d’artefacts, symboles de l’Occident. Sculptés par l’homme, les objets africains restent en relation avec l’environnement dont leur substance est tirée ; Sembene établit de surcroît, entre lieux et personnages, des liens profonds, notamment entre les arbres, le bois et les hommes.

APA, Harvard, Vancouver, ISO, and other styles

38

Porée, Marc. "Poets' lives in motion (pictures)." Études anglaises 66, no. 4 (2013): 511. http://dx.doi.org/10.3917/etan.664.0511.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Ba Tu Truong, S. Venkatesh, and C. Dorai. "Scene extraction in motion pictures." IEEE Transactions on Circuits and Systems for Video Technology 13, no. 1 (January 2003): 5–15. http://dx.doi.org/10.1109/tcsvt.2002.808084.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Baecker, Dirk. "The Reality of Motion Pictures." MLN 111, no. 3 (1996): 560–77. http://dx.doi.org/10.1353/mln.1996.0032.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Marta Zarzycka and Bettina Papenburg. "Motion Pictures: Politics of Perception." Discourse 35, no. 2 (2013): 163. http://dx.doi.org/10.13110/discourse.35.2.0163.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Yeazell, Ruth Bernard. "Sex, Lies, and Motion Pictures." Henry James Review 25, no. 1 (2004): 87–96. http://dx.doi.org/10.1353/hjr.2004.0012.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Blackstone, Erwin A., and Gary W. Bowman. "Vertical Integration in Motion Pictures." Journal of Communication 49, no. 1 (March 1, 1999): 123–39. http://dx.doi.org/10.1111/j.1460-2466.1999.tb02785.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Nebeker, F. "Motion pictures [Scanning Our Past]." Proceedings of the IEEE 101, no. 4 (April 2013): 1020–25. http://dx.doi.org/10.1109/jproc.2013.2244752.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Wartenberg, T. E. "The Philosophy of Motion Pictures." British Journal of Aesthetics 49, no. 1 (January 1, 2009): 83–85. http://dx.doi.org/10.1093/aesthj/ayn053.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

"Motion Pictures." SMPTE Journal 94, no. 4 (April 1985): 369–81. http://dx.doi.org/10.5594/j14054.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

"MOTION PICTURES." Communication Booknotes Quarterly 31, no. 1 (March 2000): 43–54. http://dx.doi.org/10.1207/s15326896cbq3101_10.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

"MOTION PICTURES." Communication Booknotes Quarterly 31, no. 2 (June 2000): 138–44. http://dx.doi.org/10.1207/s15326896cbq3102_11.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

"MOTION PICTURES." Communication Booknotes Quarterly 31, no. 4 (December 2000): 258–65. http://dx.doi.org/10.1207/s15326896cbq3104_06.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

"MOTION PICTURES." Communication Booknotes Quarterly 32, no. 1 (March 2001): 27–31. http://dx.doi.org/10.1207/s15326896cbq3201_05.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!